an old maple table and the command to build a “little sanctuary”: a holiness story

“over 2,000 years ago,” our rabbi began last night, “our people mourned the destruction of the temple.” the temple, of course, had been the place of worship, of prayer and sacrifice. it was the holy place of the jews. and in the year 70 of the common era, it was sacked by the romans. destroyed to dust and ashes.
but “our people” are resilient people. they are the people of the diaspora. they know what it is to wander, homeless, in the desert. to be strangers in a strange land. they know — deep in the marrow of their bones — the history of exile, the history of holocaust. of nations turning their backs on a holy people.
our rabbi went on: she taught that in the wake of mourning their holy temple’s loss, the rabbis of the time urged the people to build mikdash m’at — little sanctuaries — in their homes, to bring their prayers into where they lived and ate and drank and bathed and slept. and so, all these millennia later, when once again we have been banished — by an invisible virus — from our temples — and our churches, and our mosques, and all our holy shrines — my rabbi was urging us, on the cusp of the holy days of awe, to build mikdash m’at in our circa 2020 houses.
***
mikdash m’at
From the Talmud, Megillah 29a: The verse states: “Yet I have been to them as a little sanctuary in the countries where they have come” (Ezekiel 11:16). Rabbi Yitzḥak said: This is referring to the synagogues and study halls in Babylonia. And Rabbi Elazar said: This is referring to the house of our master, i.e., Rav, in Babylonia, from which Torah issues forth to the entire world.
מְעַט (n-m) heb
- littleness, few, a little, fewness
- little, small, littleness, fewness, too little, yet a little
- like a little, within a little, almost, just, hardly, shortly, little worth
***
i’d signed up for our synagogue’s workshop on creating a sanctuary in our homes for the high holidays because i am always up for carving out a sacred space. and i listened closely to the instruction: pick your prayer space, a place where you might feel elevated, outside the ordinary, at one with the sacred. a sanctuary, our rabbi explained, is a “space that’s holy or set apart.” she went on to define the ways we might fulfill God’s command, “make for me a sanctuary that I can dwell in.”
and so, once i’d sauntered back to the kitchen, as i was chopping eggplant and leaves of basil, dousing grilled peppers in balsamic glaze, i began to babble about this holy assignment. i recounted the instruction to the tall, bespectacled one with whom i share this creaky old house. i told him — in that way an eager student does — that we must pick a holy space. because, of course, the rabbi said so. and then i asked him where that might be. where would be our sanctuary for the holy days of awe? where might be the place where God — and we — could dwell?
and in that knowing way of his, in that quiet, certain, deeply-rooted-without-a-drop-of-drama-ever way of his, he lifted his finger toward the old maple kitchen table tucked in the corner, and he nodded. case closed.
there was no holier place in our house, of course, than the nearly century-old, hand-me-down maple table, the table etched with imprints of penmanship from ages-ago schoolwork, the table scrubbed bare in patches of whatever stain was long ago applied by some long-ago carpenter. the table where, since moving here almost 18 years ago, umpteen thousand prayers have been unspooled, night after night, morning after morning, midday after midday. countless stories — funny ones, hold-your-breath ones, rip-your-heart-out ones — have let rip here; tears, too. deliberations have been parsed here; life courses, corrected. midnight bowls of cereal have been gobbled down, and blazing birthday cakes presented on pedestals. books have been written here, and law school papers, too. we have mourned and rejoiced here. laughed and sometimes stormed away.
as poet laureate joy harjo so gloriously put it in her kitchen-table poem, “perhaps the world ends here,” “this table has been a house in the rain, an umbrella in the sun.”





and it will be for us, in the unbroken days of awe ahead — the blessed new year, rosh hashanah, and the holiest of holy, the day of atonement, yom kippur — my bespectacled beloved and i will wrap ourselves in our prayer shawls and our prayers, we will lift ourselves out of the ordinary, and reach for the star-stitched heavens, we will hunker down at the years-worn, scruffed-up slab of old maple tree, and we will aim to dwell with the Almighty.
as it is commanded.
where would be your holy place, where would you build your little sanctuary, your mikdash m’at?





over the decades since the silver palate cookbook was first published in 1979, and over the decades at the passover seder where i’ve marked the first night of prayer for 36 years, that glorious rendition of chicken and olives and prunes has become synonymous with the jewish rite of spring. add to that the fact that my home-bound freshman in college happens to love it, practically licks the plate of it. (and these days — passover or not — i’ll climb any mountain to bring him one iota of everyday ordinary un-quarantined joy.)
i’d decided a week ago that, come heck or high water (an apt expression in the season of red sea crossing), i was going to muster up a pan full of that vernal succulence. eyeing the few parts of chicken in this old house, i tucked away a package of breasts at the back of the freezer, knowing i might not fetch another till this pandemic is ended. i happened to find just enough dried prunes in the pantry to realize i was halfway there. olive oil, oregano and garlic, i scrounged up with little worry. brown sugar, ditto. white wine i found in the dark and dingy corner of the basement. it was the spanish olives that presented the hurdle. so i made do: i found a few lonely olives, black ones not green, at the back of the fridge. and i stirred it all up like nobody’s business, rejoicing all along the way that i’d found a way — through scrounging + improv — toward chicken marbella.





(p.s. the image at the tippy-top here is the cover of william cunningham’s 1559 Cosmographicall Glasse, a compendium of engravings of the known principles (at the time) of cosmography, geography, navigation….among the details is his engraving of hipparchus scoping the sun…)

against the white tableau of snowy day after snowy day, winter makes evident the tracings of the wild things: a mouse hole here; chantilly-lace tracks of junco and cardinal and jay. even the abominable paw prints of a giant-sized coyote, straight from the woods, up my walk, paused there by the door (did he press his nose to the glass, take a peek under the cookie dome?).





this must be yet another tutorial in the fine art of savoring, of pressing each hour deep against my heart, of tucking the textures deep into the crannies of wherever it is that we store those moments we’ll soon want to pull out, like prayer beads, to run our fingers — and hearts — over and over. and over again.
so for now, i’ll merrily dash again and again to the grocery, packing the old red wagon to the brim with cheeses and fruits, and meats by the multiple pounds. i’ll relish the chance to haul bulging sacks of recyclables out to the alley. i’ll marvel at the miracle of mounds of dirty clothes raining down the laundry chute, spilling out of the basket and onto the floor. i won’t even mind trying — over and over and over — to wrench one of the sleepyheads from bed so he gets to work on time these few winter days when he’s flipping burgers, slicing taters into fries, and delighting his boss at five guys (where he’s earning a wee bit of money for college adventures).
