months ago now, i first cracked open the pages of a quiet little slip of a book. i’d fallen in love at the cover, and even more so once i slipped inside. i was charmed, and taken back to when i’d first turned the pages of the little prince, or crept into the hundred-acre wood of winnie the pooh & co. i dutifully wrote and turned in my 650-word review but all these months later, it’s still not run in the pages of the newspaper i wrote it for, and i don’t think it’s ever going to, but i can’t let it slip away. so, since i’m under the covers once again with a fever and achy aches, here’s a book you might want to know about. you too might melt into its pages….
The Boy, The Mole, The Fox and the Horse
Written and illustrated by Charlie Mackesy, HarperOne, 128 pages, $22.99
You might want to scoop up two copies of “The Boy, The Mole, The Fox and the Horse.” One, so you can curl up in a favorite spot, and slowly, slowly turn the pages over and over again — a soul-rippling book to be absorbed as much as one to be read. And that second copy, perhaps, so you can frame the pages that most make your heart sigh. You’d not be foolish to want to rouse every morning and rest your eyes on the heart-piercing wisdoms of this improbable quartet journeying across the pages.
That’s how beautiful is this tender fable, a story for all ages, a story of unlikely friendship, infinite kindness, and the poignant lessons of love, so apt for these tumultuous times.
It’s a stirringly-drawn, achingly-unspooled tale that belongs on the treasured shelf of storybook classics that are never outgrown, alongside the likes of “The Velveteen Rabbit,” “The Little Prince,” and any one of the originals from A. A. Milne, he who gave us Christopher Robin and Winnie-the-Pooh.
Don’t think that the mention of titles from long-ago childhood in any way diminishes the potency of British illustrator Charlie Mackesy’s genius. Mackesy, long a cartoonist for The Spectator, a British politics-and-culture weekly, and a book illustrator for Oxford University Press, has over the years collaborated with Richard Curtis for Comic Relief and with Nelson Mandela on a lithograph project, “The Unity Series.” In other words, he’s been incubating his extra-large heart for a rather long while.
And here he bulls-eyes his target.
In these pages, with words penned in brush and ink, and fresh-off-the-drafting-pad ink drawings, often washed over in watercolor, we meet, one by one, the charming quartet, an assemblage of misfit archetypes encompassing a tender arc of all creatures great and small.
The boy is lonely we find out right away. Mole, though, befriends him without hesitation. Mole, of course, can’t see very well as moles are not known for their visual acuity. But as is often the case in fable or parable, tracing all the way back to Sophocles in ancient Greece, the great seers are often the ones who are blind. And so it seems here, where Mole is the voice of infinite wisdom (and insatiable appetite for sugary cake).
“What do you want to be when you grow up?” asks Mole.
“Kind,” said the boy.
“What do you think success is?” asked the boy.
“To love,” said the mole.
Not long after, we bump into Fox, yet another universal character, and Mackesy tells us in his prologue that “fox is mainly silent and wary because he’s been hurt by life.” Isn’t that a not-unfamiliar affliction? Horse, Mackesy tells us, might be the biggest thing the other three have ever encountered, but he is “also the gentlest.” Again, don’t we all know — and love — someone like Horse?
When crossing a river on horseback, the boy slips and falls. But Horse catches him, and says, wisely, “Everyone is a bit scared. But we are less scared together.” And then, nuzzling against the bowed head of the boy, Horse adds: “Tears fall for a reason and they are your strength not weakness.” Remounting Horse, and riding deeper into the story, Boy asks: “What is the bravest thing you’ve ever said?”
“Help,” said the horse.
Traveling on through snow and storm, huddling gently together in the inky-dark of the night, the quartet offer up wisdom upon wisdom, settling deeper and deeper into a contemplative landscape in which love and loyalty quietly win the day. It’s the simplicity of the question and answer, the unfettered truth, that serves as arrowhead to Mackesy’s heart-seeking quiver.
In the end, any of us might long for permanent residency in this unlikely landscape where when asked, “What do we do when our hearts hurt?” as the boy asked his friends, the answer is this: “We wrap them with friendship, shared tears and time, till they wake hopeful and happy again.”
Barbara Mahany is the author of several books, including, “Slowing Time: Seeing the Sacred Outside Your Kitchen Door.” Twitter: @BarbaraMahany
feel free to fall in love with any of the pages i’ve brought here to the table. here’s one more to make you chuckle…..
i’d give the boy, the mole, the fox and the horse to anyone i loved — anyone little or not so little. do you have a picture book you fell in love with long long ago, and every time you crack it open you fall in love all over again? what is it?