Mary Oliver, a Pulitzer Prize-winning poet whose work, with its plain language and minute attention to the natural world, drew a wide following while dividing critics, died on Thursday at her home in Hobe Sound, Fla. She was 83.
so begins the New York Times obituary for Mary O, polestar of poetry as prayer for some of us, for many of us. for me, most certainly.
as with most every death that shakes you at the marrow, my first response was cloudy, was confused. why, out of the blue yesterday, was a dear friend sending me lines from Mary O poems in the middle of an ordinary afternoon? then i looked again, closely, at the subject line and saw the dates spanned by hyphen, 1935 – 2019, our vernacular shorthand for “death has come.” it sank in slowly, as if my brain cells refused to register.
it’s not everyday that a death in the news so dizzies me, jerks me into momentary disbelief before settling with a thud, one that opens into sorrow. but mary O had long ago burrowed deep inside my soul; i’d made a whole room for her in wherever is that place that holds our heaven-sent synapses and soarings.
mary O had the gift of belonging to each and every one of us who read her, who memorized her lines, who traced our fingertips across the page, all but absorbing the unspoken, the shimmering sacred, she infused between the words, the images. to read a mary oliver poem is, often, to feel “the telltale tingle of the spine,” as nabokov so unforgettably put it. it’s as much what mary oliver doesn’t say, the unspoken, that catapults off the page, that reverberates, that catches in your chest, your throat, your mind, and lies there pulsing while you absorb the holy inference, the Truth.
mary oliver takes us by the hand, and down the trodden path into the woods, along the marsh, the tide pool, the ocean’s noisy shore. we sit beside her on the sodden log. keep watch with her as she keeps watch on the box turtle slithering into the pond. we hear the cry of the owl, the heron, the kingfisher, the red bird, the stirring in the trees. we are right beside her, footsteps behind her, always, when we enter into her poetry.
she was for me — and maybe for you, too — my polestar of prayerful poetry, the poetry of astonishment, the poetry of the Book of Nature. she was my doorway into all those poets — w.s. merwin, david whyte, wendell berry, terry tempest williams (i’ll think of more) — whose critical attention teaches us to see the divine — feel the divine, know the divine — in the stirrings of the earth and sky, those poets who remind us that the holy is all around, and it’s ours to enter any time. all it asks is that we open — even just a crack — the doorways of our soul.
mary O opened those doorways every time.
i met her once. sat in the same room, breathed the same air. shared words, shared silence. listened. laughed. it was heavenly, but i’d dreamed of more. had hoped to trek to cape cod when she was there, and i was in cambridge. hoped to comb the beach with her. walk the woods. then, when she up and moved to florida, i rearranged my dreams. imagined sending her a letter, asking if perhaps she’d meet with one of her disciples. i fully imagined sitting beside her on that log, listening, absorbing. learning.
she was, though, famously, intensely private. and it’s that thin-shelled soul, the porous, almost fragile cell wall of self that i recognize. that i honor with my distance. i’d not dare disturb.
i did though send her a letter. i had to once. i wanted to begin my first book, slowing time, with a mary oliver epigraph, her poem “praying;” these lines especially…
pay attention, then patch
a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway
into thanks, and a silence in which
another voice may speak.
so i wrote her, asked if i could please have permission. her assistant wrote me back. but the letter came from mary O’s writing place, and that was close enough for me. (that and a letter from wendell berry are among the two treasures in the narrow drawer of my writing table.)
i never met her. but she knew me — or so it felt as her words slipped over me, put voice to my heart’s beat, my breath, my prayer, my hope, my faith. and that’s what made her my patron saint of poetry. delicate as the little bird she spoon feeds up above, a close-up from the cover of her last collection, her life’s work, bound. 455 pages.
Her poems, which are built of unadorned language and accessible imagery, have a pedagogical, almost homiletic quality.
so says the new york times, which goes on to say:
For her abiding communion with nature, Ms. Oliver was often compared to Walt Whitman and Robert Frost. For her quiet, measured observations, and for her fiercely private personal mien (she gave many readings but few interviews, saying she wanted her work to speak for itself), she was likened to Emily Dickinson.
Ms. Oliver often described her vocation as the observation of life, and it is clear from her texts that she considered the vocation a quasi-religious one. Her poems — those about nature as well as those on other subjects — are suffused with a pulsating, almost mystical spirituality, as in the work of the American Transcendentalists or English poets like William Blake and Gerard Manley Hopkins.
i say, simply, thank you, mary O. thank you, thank you, thank you.
When it’s over, I want to say: all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.
When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened,
or full of argument.
I don’t want to end up simply having visited this world.
bless you, mary O. may astonishment be yours eternally.
what’s your holiest line or poem from mary oliver?