perhaps you have visions of some victorian chamber, with a velvet tufted fainting couch, at the top of a curving stair. perhaps you imagine, ala virginia woolf, a room of one’s own where even the logs in the fire waft a delicate perfume. that, you might imagine, is the inner chamber of one who strings words into sentences into paragraphs into pages for a living. (well, there’s not much of a living there, but that’s a story for another day, and one i shan’t get near.)
but back to the room of my own. i’ve got one all right. and once upon a time it was the one-car garage, likely a Buick or Olds, that puttered up the drive here in this circa 1940s house, when the war tragically was full-steam ahead, and the doctor who built this old house–a doctor who delivered babies deep in the night–must have been proud of that room for his Buick or Olds.
i park myself in that room. for interminable hours these days. from the dark before dawn till the dark in the night. and, mostly, i love every minute of it. even when it’s hard. even when the words are sputtering out like someone forgot to grease the cogs and the wheels in the word factory.
i thought i’d let you peek at my highly categorized filing shelf (up above), where the alphabet of books i’ve read for this book (did you realize that many, many books are compendiums of many, many books tossed into the word whizzer, where they whirl and they swirl, and they come out the other side a veritable library now distilled and condensed into the one single volume you hold in your hand?) are stored in their hardly sophisticated, but highly utilitarian, toppling strip on the floor. i’m certain a shelf would be a handy thing, but all the shelves in the house are previously occupied, so i was left with only this strip on the hardwood floor of my once-garage.
anyway, these are some of the more than 200 books (i just did my taxes, i now know precisely the number i bought), i’ve read in the note-taking phase of this so-called literary endeavor. it appears that i still write like a newspaper reporter, when it was my job to run about the town, and sometimes the country, asking all sorts of questions of all sorts of people who knew what i wanted to know. only this time around, many of the folks who know what i want to know are, well, dead. many died a long, long time ago. take the desert elders of egypt. they died some 1,800 years ago. but their wisdom was timeless, and i hope to absorb at least a mere pinch of it. moving a bit closer in time, there are the transcendentalists, emerson and thoreau, and in my book they seem rather young, having died not even two full centuries back. you get the point. and not all the geniuses whose words i am scouring are no longer among us. many, many are living and breathing and writing more sentences all their own.
i’ve also realized that a pandemic is the perfect time to write a book. there’s nowhere to go anyway. and each day is a wide-open block on the calendar, with little variation except for the chores that punctuate the morning. there’s water-the-plants day, and haul-in-the-groceries day. the middle of the week + sunday are wind-the-clock days, and in a week as wide open as that, why not plunk yourself down in your word-factory chair and get to work on a book? i realize this is my second such endeavor this pandemic, which, honest to goodness, is not too pathetic.
anyway, since this morning is write-the-chair day, i thought i’d let you peek behind the curtain before i plop back down and start typing some more. after all this time pulling up to the very same table, week after week, month after month, year after year, i figure you’re due a backstage tour.
i’m up to 37,226 words, in case anyone’s counting. and i hope to tack on a few thousand more today. i’m not too far from the end of the rough first draft, and then the hard part begins: reading it all from the start, trying not to wince, or fall off the chair in utter humiliation. round two is where you get serious. and each word is a test; each word, each thought, each big idea needs to be tested for muscle and truth, and, yes, poetry. it’s all due the first of june, which means i’ll be typing straight through the return of the songbirds and the blossoming of the lilac. it’s a very good thing i love the topic–the Book of Nature, by the way, that ancient theology that all of creation is infused with the sacred in all its wisdoms and truths, and that your closest encounter with the one i call God just might come lying under the stars one night, or cradling a broken-winged bird in your palm. what i love most is that it’s a wisdom woven with threads from all sources, ancient and not quite so old. so the books on my floor are books from the Celts and the Choctaw, from ancient Egypt and China, and right here in the Land of the Free, from Walden Pond and Cape Cod and clear out to the Great Salt Lake and the Redwoods Forest. which is all making me feel very Woody Guthrie. (and notice my knack for hitting the upper-case key here? that’s because my day job–there in the word factory–insists we show up with our capitals.)
so that’s the news from the factory floor, where i’m due any minute to be back in my chair and hitting the keys–caps shift and otherwise.
on the topic of books, what are the ones on your must-share list? and why?
in which i tell you a bit of the backstory of my next book, book No. 4, The Stillness of Winter: Sacred Blessings of the Season, coming soon to a bookstore near you…
The call came just about a year ago. An editor I adored had dialed me up seemingly out of the blue. She had an idea: Our good friends at Abingdon Press had an itch to launch a small line of really beautiful gift books, the sorts of books you might tuck into the drawer of your bedside table, the sort you might leave in a nook where you often curl up for a long minute’s ponder. The sort of book you might stash in your glove compartment, or the cupholder next to your steering wheel, to steal a few minutes’ solace while idling in the after-school car line.
The wise and wonderful editor thought that maybe Slowing Time was the book with which to begin. Specifically, she wanted to draw from the winter sections of that long-ago very first book with my name on the cover — from Winter, Season of Deepening (basically Advent, the counting-toward-Christmas month of December), and Winter, Season of Stillness (the dawn of the newborn year, the quiet and cold months of January and February) —the sections that began and ended Slowing Time’s spiral through the wonder and astonishments of the year.
Would I be keen to nip and tuck, to add and subtract, to make something wholly new out of something already well-worn, its pages rubbed soft at the edges, its corners turned in, in that way that we mark a place to return to? Would I be willing to dive into winter all over again?
The answer was an unqualified and emphatic, Why, certainly!
So, as the nights grew longer last December and started to brighten minute by minute through January and February, long before anyone ever imagined the pandemic about to strike, about to change just about everything, I daydreamed and plotted all over again. Just what would I tuck into a field guide to winter’s often unwhispered wonders?
I settled on Stillness. I charted my way through the months by the sun and the moon and the stars in the heavens — by the solstice on the longest darkest night, and by Epiphany when the star shines brightly. I traced the stirrings in meadow and forest, and paid heed to the invisible but certain stirrings underground, deep within earth and within our very own quieting selves.
As is my capricious way, I jampacked wonderments of sacred contemplation and delighted in the kitchens of December, January and February. I paused to inhale snippets of poetry. And I counted out blessings for week after week, a calendar of meditative post-its, for each winter’s month.
The point is perhaps countercultural. It is, in my book, imperative: Dare to be still, dare so even in, especially in, December, when the world typically kicks into overdrive. And keep at it clear through to the first rumblings of vernal awakening. Relish January’s blessing of starting all over again, wiping clean our soulful slate, resetting our sights on the determined ascent. Consider the ways February calls us to reach beyond our solitude, beyond the walls of our very own hearts, to attend to the urgencies of those we love, and those we don’t even know — yet.
Last winter, deep in the making of Stillness, I didn’t know, in those long and glorious weeks of tapping away on my keyboard, that its October birthing — and this coming winter — would come on the heels of months of locked-down fear and worry and heartbreak. I didn’t know that we — the people of this holy Earth — would have been sequestered into a stillness that was not to our liking, one dictated by an invisible virus, one that’s barely understood even all these months later. I didn’t know how hungry we’d be for face-to-face, shoulder-to-shoulder, heart-to-heart connection.
And so the invitation now is more urgent than ever: Seek a stillness that draws you quietly, gently into your deepest self. Look more than ever for the small wonders that punctuate your every day. Make your own joy. Savor an Advent — or a Festival of Lights — that’s stripped of the crazy-making cacophonies. Kindle a flame, night after night. Awake in the first light of dawn. Cloak yourself in layers and layers of illumination, ones you stir on the stove, ones you pull from the bookshelves, ones you gather on a snow-laden walk through the woods.
The Stillness of Winter: Sacred Blessings of the Season will tiptoe into the world in just a month, on Tuesday, October 6, to be precise. But I’m telling you first, because everything I write begins here, where some of the holiest stirrings of my life have been birthed.
I’m going to leave you a few little excerpts, and the peeks at the pages and cover above.
But first, one penultimate thing: my editor promised Stillness would be beautiful, and I am humbled to say that I do think it is. I was delighted to discover that Abingdon hired a brilliant book designer — Jeff Jansen is his name and, among other brilliant strokes, he’s the genius who designed a few wonders for best-selling author Ann Voskamp’s One Thousand Gifts.
I gasped the first time I saw the red bird perched on the red-berried bough on the all-white cover Jeff designed for Stillness, and once I turned the pages, spotted the hand-drawings of the fat-cheeked raccoon, the wily squirrels, the pine cones, the gingerbread babies and the bright shiny kettle, I swooned again and again. When the first finished copy landed with a plop on my doorstep a few weeks ago, my knees nearly buckled when I discovered they’d graced Stillness with that rarest of book-publishing graces: the sewn-in satin ribbon that might mark your travels through the season soon upon us, the season of stillness, and so many wonders awaiting.
Though the peddling part of book publishing is the part that breaks me out in hives, my publisher would be not too pleased if I failed to mention that you can pre-order Stillness now from your favorite indie bookstore, from Amazon, Barnes & Noble, or Cokesbury, the sales arm of Abingdon. The marketing team already sent me custom-made bookplates, so in this age of virtual book signing and book tours, I can — and happily will — scribble a love note, sign it, date it, and send it off for you to affix to the title page, whether it’s a gift for yourself or someone you love. Just leave me a note, with instruction, and via email I can get your mailing address, and ship off your bookplate soon as your books arrive….
so now you know the story behind the pages of Stillness…
and now, a few little excerpts, one from each month…
*excerpt from “December: Sacred Invitation”:
December, I like to think, is when God cloaks the world—or at least the northern half of the globe—in what amounts to a prayer shawl. December’s darkness invites us inward, the deepening spiral—paradoxical spiral—we deepen to ascend, we vault from new depths.
At nightfall in December, at that blessed in-between hour, when the last seeds of illumination are scattered, and the stars turn on—all at once as if the caretakers of wonder have flown through the heavens sparking the wicks—we too, huddled in our kitchens or circled round our dining room tables, we strike the match. We kindle the flame. We shatter darkness with all the light we can muster.
Here’s a radical thought, for December or otherwise: Live sacramentally—yes, always. But most emphatically in the month of December. To be sacramental is to lift even the most ordinary moments into Holiness. Weave the liturgical into the everyday.
December is invitation. December is God whispering, Please. Come. Closer. Discover abundance within. Marvel at the gifts I’ve bestowed. Listen for the pulsing questions within, the ones that beg—finally—to be asked, to be answered. Am I doing what I love? Am I living the life I was so meant to live? Am I savoring, or simply slogging along?
December invites us be our most radiant selves. And we find that radiance deep down in the heart of the darkness. The darkness, our chambered nautilus of prayer. The coiled depths to which we turn in silence, to await the still small voice that whispers the original love song. Chorus and refrain, inscribed by the One who Breathed the First Breath: Make room in your heart this blessed December, make room where the birthing begins.
*excerpt from The January Kitchen (the section headnote plus the table of contents, which includes essays + recipes):
The January Kitchen:
As the curtain rises on the newborn year, we find ourselves tucking away tins, now emptied of all but the last sweet crumbs, vestige of merriment, of splurge upon splurge.
Hibernation—an old-fashioned word for hygge (that au courant Danish term for “cozy comforts”)—beckons. Which might be why depth of winter is the season that draws me closest to the cookstove. I practically purr puttering around the kitchen. All-day pots bubble away, lulling me into dreamy meditative fugues. Slow cooking, I’d wager, was made for snowy days, stay-inside days. Doughs rise. Wine-steeped stews simmer. Chowders thicken. Fruity compotes collapse into jewel-toned ooze. It’s all a plethora of stove- top seduction, as what you pitch into the pot gives way, a few hours in, to heat and spice and saintly patience. It’s kitchen adagio, the slow dance of surrender. And at the cookstove, trophies come dolloped on fork or soupspoon. Either way, you won’t want to dash too soon.
(The January Kitchen table of contents…only recipes listed here)
Elixir (Bread) Pudding
Cure-All Mac and Cheese
Beef Stew with Pomegranate Seeds, Nestled Beside Aromatic Rice
Winter Salad: Roasted Fennel, Red Onion, and Orange
*and, finally, a wee little bit from the Count-Your-Blessings Calendar for February…(just three of the fourteen included here…)
A Count-Your-Blessings Calendar
Fourteen Blessings for February
Here, fourteen blessings to wrap yourself in the end-of-winter’s hardest won gifts—peace, quiet, and the contentment that feels most like purring. Especially when you’re bursting to break out of February’s days upon days of dreary.
Blessing 1: The earth’s turning dollops one more minute of sunlight onto each February day. Ancient Celtic spirituality considered dawn and dusk especially permeable thresholds, “a time that is not a time,” when the sacred is more apt to seep through. Consecrate the sacred hour. Tiptoe outdoors once twilight deepens into darkness. Read the night sky. When you spy a twinkling star, whisper a prayer of infinite thanks for heaven’s lamplights.
Candlemas (Feb. 2): Amid the winter’s darkness, pause to consider the blessing of the candles, ordained to illuminate the hours. Fill your kitchen table, gathering a flock of orphan candlesticks. Adorn with winter branches and berries clinging to the bough.
Blessing 3: Behold the hush of snowfall. The flakes free-falling past the porch light, their hard-angled intricacies and puffy contours tumbling, tumbling, lulling all the world and its weary citizens into that fugue state that comes with heavy snow—when at last we take in breath, and hold it. Fill our empty lungs.
hmm, not sure what stirred me to write this whole meander with grown-up capital letters; perhaps the whisper to act like a real-live someone with her name on the cover of a book. anyway, i’m sure this is more than you ever wanted to know. but my dear mother has been asking for weeks and i’ve been sketchy with details, so this is — mostly — for her.
questions, comments, big giant thoughts? more aptly, do you shudder at the notion of winter, or do you — like me — relish the hygge months?
it’s dawned on me, as i haul my load of books from nook to nook, that i just might be building myself a bunker of books, a wall of words to crouch down beside, steer clear of bombs and missiles shrieking overhead. all these long and fractured months, the one sure solace, the one oasis is the place i go when i crack a book, haul out a pen (if the book belongs to me and not my kindly library), turn page after page.
i tend to read in stacks, one book begets another. one wise soul points me toward another, and like a sparrow pursuing trail of seed, i follow. hungrily.
the corner of the world into which i’ve staked my flag–of late–is the landscape at the intersection of the sacred and the natural world. it’s a country with permeable borders, ensuring easy entry into neighboring poetry, and down the chute of saints (modern-day sectarian as well as the medieval and monastic kind). the immediate agenda is research for a book i just might write, but really it’s because i could spend all the days of my life catching up on books and minds i missed in my earlier blurrier chapters.
it seems a safe bet, does it not, that the minds that have survived across the ages might be the ones with something wise to say, to remember, to press against my heart. and so i backfill with the classics (john muir and c.s.lewis, and even justice william o. douglas, in the current stack), and move fluidly through the ones hot off the press.
against the backdrop of the daily news, it’s a much quieter terrain. surely, a sacred one. one infused with those rare things, in case of fire, we’d grab and run: shimmering epiphanies, the ones that shimmy open the chambers of our hearts; words so wise we commit them to memory almost as soon as they fall across our lips; poetries that soothe the soul, while simultaneously making us see anew, snapping the whole tableau into finer-grain focus.
it’s the underpinning of my everyday, my subplot to live simply, nearly monastically, amid a world of noise and unceasing distraction. no wonder they call this the age of attention deficit disorder. when’s the last time you sat on a log in the woods, drinking in the symphony of birdsong and silence?
all this to bring me to the latest soulful book i reviewed for my friends in the books section of the chicago tribune. it’s my one excuse for reading that comes with (scant) paycheck. i still pinch myself to think i get to read for work. and every once in a while one of those books takes me to a kingdom i never knew. there seems to be a backlog at the tribune these days, and one of the most glorious books i’ve read in a long while is still sitting on the runway. (here’s a peek into the future: it’s the late great brian doyle’s one long river of song, a collection of take-your-breath-away essays that will leave you gobsmacked at the capacity of the human heart and soul. and if i was allowed to post here before my review runs in the tribune, i surely would. but alas, not allowed…) in the meantime, here’s the review that just posted the other day, a collection of the sermons and speeches of chicago’s very own, rev. jesse l. jackson, sr.
‘Keeping Hope Alive’
By Rev. Jesse L. Jackson Sr, edited by Grace Ji-Sun Kim, Orbis, 256 pages, $25
Jesse Jackson’s sermons, now collected, stir the soul
By BARBARA MAHANY |CHICAGO TRIBUNE
The pages of “Keeping Hope Alive: Sermons and Speeches of Rev. Jesse L. Jackson Sr.” are separated into two sections; one for sermons, delivered in churches, and another for speeches, delivered in arenas most aptly tagged “political.” The thing that leaps out most emphatically, though, is that the separation doesn’t matter at all: For Jackson, one of the great orators of the civil rights movement in America and around the world, religion is political, and politics is religion. One without the other is rootless and decidedly dismissible.
Over the last half century, Jackson — the Chicago-based founder of the Rainbow PUSH Coalition, ordained Baptist minister, and twice Democratic presidential candidate — rightly earned his slot as one of the soul-stirringest preachers on the national stage. He proudly occupies his podium at the intersection of religion and politics: He lives and breathes the Gospel as well as the moral imperative to feed the hungry, clothe the naked, reach out to the oppressed, the stranger, the ones unjustly shoved beyond the margins.
As he beautifully writes in his concluding remarks (perhaps the most powerful piece in the collection), “When I traveled I stayed in people’s homes instead of downtown hotels. Coal miners’ homes. Meat cutters’, housing projects, gang bangers’ in LA. And when I was speaking I saw them. My refrain at the time was, ‘I understand.’ I knew who I was talking to — the woman, the coal miner …. And I wasn’t quoting Scripture, I was scripturing.”
Indeed, Jackson’s most profound gift seems to be his capacity for not seeing the line between religion and politics. The Jesus found in these pages — a selective sampling of those rare few sermons (six) or speeches (19) actually written down, compiled for the first time and edited by Grace Ji-Sun Kim, an associate professor of theology at Earlham School of Religion — is a deeply personal Jesus, one Jackson seamlessly translates into one who knows the pain and struggle of whomever Jackson is preaching to. “Jesus was the victim of the most horrific lynching on a tree,” Jackson declared in an Easter sermon at his Rainbow PUSH headquarters in 2003. “The cross was Rome’s electric chair,” he says later in the same sermon, dissolving the line between persecutions ancient and current.
As powerful as each sermon or speech is on its own merit, it’s the sweep of history that most startles and gives weight to nearly every sentence gathered in these pages. Jackson was there, just below the balcony of the Lorraine Motel in Memphis, when the Rev. Martin Luther King Jr. was gunned down in April 1968. Jackson was there, in Cape Town, South Africa, in 1990, when Nelson Mandela walked out of jail on Robben Island after 27 years locked behind its prison gates.
His is a hard-won, authentically lived moral authority, and now, Jackson writes, “I’m old and I have Parkinson’s, but once I was young. I went to jail with my classmates when I was nineteen, trying to use the public library, and now I’m seventy-seven …. After all these years, what remains for me is God is a source of mystery and wonder. Scripture holds up. The righteous are not forsaken. We’ve come a long way since slavery time. But we’re not finished yet. Running for freedom is a long-distance race.”
Reading Jackson, absorbing the clarity of his moral vision, should be required. It’s fuel for the miles yet to be run. “Keeping Hope Alive” is the place to begin.
Barbara Mahany is the author of several books, including, “Slowing Time: Seeing the Sacred Outside Your Kitchen Door.”
on the eve of the night before she died, she asked me to write her obituary. and then, a month later, after her brother had read her will, she tapped me on the shoulder (or he did for her, literally, in a jam-packed cafe after her memorial, when he came up from behind, leaned in and whispered the question that made my knees go weak); she asked me to be the custodian, the caretaker, of her creative work.
to peel back the tape from a dozen or so boxes and crates, to lift from layers of dust, old essays, typed and stapled, some typewritten the old-fashioned way, others spewed out from every iteration of computing in the late-20th century. another four years of 21st-century essays, dustlessly tucked away inside her sleek hulk of a computer, one that would be boxed and moved and plugged in at my house, where for weeks i couldn’t bear to click open folders, never knowing if i’d find cold, hard diagnostic reports, chemo spreadsheets, or an essay that would rip my heart out.
my job was to sift and sort, read and re-read, move from pile “yes!” to pile “maybe?” to chisel away at the stack till what was left were those words, those essays that could not, should not, be left to crumble into paper flakes, the ink fading by the year, passwords lost and irretrievable.
but, more than anything, to be the caretaker — to be asked in someone’s last will and testament, for heaven’s sake, not just some passing rumination — is to take to heart the work of seeking light. of lifting up what amounts to someone’s heart and soul and inextinguishable brilliance, and offering it sacramentally to the world, believing wholly that it will find its way to every pair of eyes, to every thirsty soul, to every pathfinder who cannot find her or his way. especially, in this case, anyone who happens to be searching for a path through the tangled woods of cancer, a path my friend mary ellen knew too well. and took on like no one i’ve ever known.
admittedly, my drop caps are not quite so frilly…
it’s been three years, with fits and starts, and sudden rushes of momentum. i’m riding a tail wind right now, have been deep in teaching myself the ways of self-publishing. yesterday laid out 71 pages, complete with drop caps (those giant-sized first letters of every essay, a typographic wonder with roots in the illuminated manuscripts of eighth-century British isles, and those bent-over cloistered monks who traced Biblical text with quill of peacock, crow or eagle, and ink from insects, plants, burned bones or bits of gold).
along the way in this modern-day manuscript making, a brilliant friend (formerly a new york times book review editor) was hired as a second pair of eyes in the sorting phase, to add her voice to the hard task of editorial umpiring, calling balls and strikes and the occasional grand slam. a proposal was written, sent to a literary agent and a publisher, both of whom deemed the writing “beautiful” — “smart, reflective, emotionally transparent,” declared the agent — but because publishing in any circumstance is a steep uphill climb, doing so posthumously is even steeper. they pointed us toward doing this on our own: meaning, learning the ways of self-publishing.
in recent weeks, as i puttered about my garden and my life, it began to feel as if my friend mary ellen was traipsing behind me, tap-tapping me on the shoulder once again, getting antsy (as might have been her way), wondering what the heck the bottleneck was all about. and if i’ve learned anything in my decades here on earth, you do not — repeat, not! — ignore the sotto voce whispers of one you’ve loved, now keeping watch from wherever it is those whispers come.
so i got to work. and we’re ready to grab our ISBN (the 13-digit numeric monogram that makes a book a book, gets it entered into the library of congress, for crying out loud; next best thing to tying it up with a frilly bow, baking it a cake).
if writing is holy work, and for some of us it is, burrowing deep inside the wisdoms and epiphanies of someone wise and wiser as her death drew near is among the holiest. and the most blessed. i am blanketed inside the skeins of her sentences. i punctuate paragraph after paragraph with my tears. i hear her voice so loudly, so emphatically, and yet more gently than i’ve ever heard before, i wouldn’t be surprised if she tapped me in a dream, whispered blessings for bringing her holy work across the finish line.
it’s what she dreamed. it’s what she asked. and it’s a task carried not on our shoulders, but in our twinned hearts. where the magic is this: along the way it can sometimes feel impossible, and too heavy a load. but sticking with it — be it this book, or any seemingly unbearable assignment — forgiving the lulls and sabbaticals, carrying it into the light, just might make it the most essential work in a long long while, love’s true labor.
mary ellen, any day now you’ll have your ISBN. and your name forever gracing the cover. and someone, some day, will pull you from the shelf, and your words will be inscribed in countless hearts. which is what you set your sights on from the very beginning…
Mary Ellen Sullivan, author of “On the Wings of the Hummingbird: An Invitation to Intentional Joy,” ISBN coming soon. (photos courtesy of Maureen Butler)
have you considered the holiness of the daily work you do? what moments in particular seem shot through with something a bit bigger than the moment at hand? and how might your daily tasks illuminate this too-dark world?
i admit to a particular fondness. soon as i held the sweet little thing in the palms of my hands, i felt a tug at my heart. i should have known it was coming, for i’d felt a rising affection, a weaving into the nooks and crannies of my heart, over the long slow summer.
soon as i spied the fat manila envelope on the front step the other evening, soon as i’d snipped the blades of the scissor through the envelope’s corner, and pulled back the padding, soon as i dumped it onto the counter, and lifted it ever so gently, i felt that rush of newborn awe that oddly might be something akin to the way willy wonka must have felt when the first everlasting gobstopper came spitting out of the chutes and the tubes and the silvery pipes of wonka’s crazy-candy-concocting machine. only i’d spooned in words, lots and lots of words, 219 pages of words, and with little more than 10 months wait, and a bit of hocus pocus, out came a little book. a little book with yet another nest and a robin’s blue egg.
it’s called the blessings of motherprayer: sacred whispers of mothering, and in the vernacular of the publishing world, it’s called “a gift book,” a word whose meaning i had little understanding of back in may when i first got the call from my editor, not long after the birthing of motherprayer: lessons in loving, that collection of motherly essays plucked from the front lines here on the homefront.
not knowing quite what a gift book might be — is it a book with a ribbon tied in a bow? — i did what any scrambling writer might do: i made it up as i noodled along.
what i knew mostly boiled down to this: it would be part-motherprayer, part-brand-new, and it would be pretty.
i gathered that the gist of this idea is to pull out a few glimmering threads, the parts that might jingle around in your brain or your heart for more than a few minutes or three after you turn to a page. i also gathered — because i’d heard so from plenty of most blessed readers — that a snippet here, a snippet there, is a marvelous way to read a particular sort of book (the sort that, so far, my books tend to be).
so i set out to make a patchwork of bits that i loved, bits that might nestle into those places of the heart that come alive with just the right care and attention. and because i realized there’d never been “a gift book” for slowing time, my first collection of see-the-sacred essays, i decided to do a good bit of plucking from its pages, too. and then, for good measure, i combed through a year or two of writing that hadn’t yet been pressed into anyone’s pages. essays and thoughts scribbled during the long aching months when two beloved friends were dying, when the words they spoke shook me through and through, and in which i was blessed to carry their words from their lips, or their texts and their emails, to the page, where now they will live on forever.
i’ve never been a quilt maker, though my great grandmama was a fine one, not so much for the art as for the pragmatics of keeping folks warm, and doing so with bits and scraps of old pretty-patterned cloth. i grew up with those patchwork triangles and squares pulled up to my nose every night as i dreamed. so maybe that’s why i find such joy — three generations later — making patchworks of words, sewing blocks of type into pages of books.
this was my third summer doing so, and with the screen door inviting in the breeze and the birdsong, i sat for hours and hours at the old kitchen table, thinking and snipping and stitching.
and somehow along the way, this little book — for it is a little thing, just big enough to tuck in your purse or your backpack, or perhaps the pocket of your snuggliest coat — wormed its way into my heart. i pulled out parts and pages and paragraphs i’d loved the first time around. i stuffed in ones that never fail to put a lump in my throat, or even to brush away a tear.
it’s tender and quiet and full of my heart.
and, by jove, it’s pretty (all thanks to the wizardry of the book-making wizards at abingdon press).
here’s a recipe page:
and here is a page with a wonderlist (left) and count-your-blessings calendar (right):
i’m rather too shy for the part of the publishing equation that’s next on the docket: the peddling part, where i need to ferry this little book into the world, and ask if you’d like to add it to your bookshelf (or bedside table). so for now, i’ll simply say you should be able to find it — or request it — at your favorite bookseller’s shop. or, on that behemoth of book peddling, amazon, where you can let your fingers do the clicking. (egad! i just clicked over there and saw that already, somehow, since it’s not out yet, it’s gotten two reviews, one good, one not-so-good, and the not-so-good seems to dislike my version of prayer, which is more conversational, less liturgical than some desire, and my wonderment with the stirrings of earth and sky seems to rub the reader* the very wrong way (too flowery, though i’ll admit the sentence cited in the review is a bit over-the-top, and one i wished i’d nipped and tucked). a few years ago, in a slowing time review, one amazon reviewer labeled me “pagan,” for my reverence for sun, moon, and stars, which i see purely as the artistry of the sure hand of God.) (and now you see, perhaps, why this book-writing business is a tough one for the tender of heart.)
while my typing fingers are now trembling, i’d best sign off from this adventure in friday-morning writing. i’ll go gulp a stiff mouthful of coffee and meander through my now-thawing garden.
the little book will be officially birthed on april 3. i might go hide under my patchwork covers till then……(as you have now witnessed the real-time humiliations and humblings that come with baring your heart and your soul….)
p.s. *amazon has this program called “amazon vine customer reviews” in which they send out, for free, samples of products — books, diapers, headphones, you name it — to a phalanx of volunteer reviewers, who in exchange for the product write a customer review, posted right there on the amazon website. from what i understand there’s little pre-screening about who gets what product (which is how a fellow who gave five stars to a book titled “angry white men” saw fit to give only two stars to “slowing time.” the results, as you might gather, can be brutal).
what’s your latest work of the heart? and what gives you the gumption to keep going, even when it hurts?
it’s pitch black as i sit here at the old maple table. the softest ping-ping-ping syncopates the ticking toward dawn. it’s the sound of rain dripping from the downspout, a sound we’d nearly forgotten, the long parched days washing out the memory, the garden all but shriveled, each leaf clasped, as if in prayer, awaiting benediction from the heavens in the form of holy blessed rain. it’s the ablution this old world needs, the rinsing away, we can only hope, of all our brokenness and sin. the sin of evil, a dust that’s blown in, caked every surface in fine-grained sediment. we might need a long day’s rain, to rinse us, cleanse us, clear away that which dirties this old and broken world.
but this morning brings with it a swelling-up of love, of gratitude. and that, for me, is the lasting ablution, time after time. i woke up early because last night i came to the close of a months-long chapter, a chapter of being out and about with my little book, motherprayer, the one that gathers up quiet little moments from the landscape of mothering, the one that whispers in no uncertain terms: this is holy work, this mothering. this just might be my life’s deepest calling, this curriculum in loving, sacred instruction like no other i have ever lived and breathed or known.
for months now, i’ve done what writers do when they birth a book to the world. they carry it forth, literally. they amble hither and yon, and say a few things about why in the world they sat down to write those words. it scares me every time. scares me something fierce. but then a holy thing begins to happen: people raise their hands, tell their stories. or come up to me, clasp my arm, my hand, and whisper stories, their stories. or send me notes, ones that break me out in goosebumps or find me wiping away yet another tear.
last night i came to the end of the last such outing on my calendar, the last one for awhile anyway. and like every other outing that preceded it, it was stitched with moments and stories i’ll not forget. this love letter — a thank you, really — is for each and every someone who’s raised her hand, whispered her story, who’s added verse and stanza to the motherpoem that will not end….
dear you who raised your hand, you who told your story, you who never said a word but brushed away tear after tear,
thank you. i’ll never forget you. i’ll never forget your story.
the one about how you were one of nine, and you’d all but gotten lost in the noise of your old house, so you wandered down the lane, found motherlove in the old lady who lived alone, but who always made time for you. the one (your “other mother,” you called her) who asked what you wanted for dinner, a question you’d never realized existed, a question you’d never before been asked in the house where you were growing up. the one, the other mother, who taught you love in the way she sat across from you, looked you in the eyes, listened to your words. the one whose house you would have stayed at night and day, and sometimes did, because sometimes no one noticed you were missing from your own.
or, just last night, you with your blessed story about how you had only one child, and you were older when she was born, so surprised, really, to find yourself a mother so late in the game. you knew, you said, that roots and wings were what was asked of you. your job, a mother’s job, you said, was roots and wings. and then you said, so unforgettably, how you were really good at roots, really good. but wings, not so much. you struggled with the wings, you said. you struggled so with letting go. you struggled the whole first year she was away at college. and then, her sophomore year, when she regaled you with college stories, you realized, “she’s never coming home.” and so, you said, under cloak of nightfall, sitting in a football stadium, you needlepointed a pair of wings. you sent them off to her, your beautiful daughter (the one who sat beside you, held your arm as you spoke last night, just home from the cancer doctor). you said she called you “in hysterics.” (we think you meant that she was laughing.) what in the world was with the wings, your daughter asked. you said she wondered if maybe you were telling her it was time for her to fly away. you told her, though, that they were wings for you, the mother who was having a hard time coming up with the requisite pair. and she, your daughter, was to hold onto them so that when she flew (not if), she could give them to you, because you were having a really hard time with the wings part of the mama equation, you were the one who’d need help with all this letting go. and your daughter, who is breathtakingly alive and beautiful, she piped in to tell all of us crowded in the room that all these years later, 38 years later, she had those needlepointed wings hanging in her closet, so each morning when she got dressed, she’d remember that her mama gave her wings.
or the stories you’ve whispered to me about grandbabies who nearly died, who at the brink of death got a liver transplant from a baby two beds away in the pediatric ICU, and how you’ve watched your daughter’s motherlove as she stood guard, stood watch, loved beyond measure. or the stories about kids at college who got so sick, so scared, so you name it, you leapt on planes and stayed for days or weeks or months, depending on the reason you leapt in the first place.
or you, the woman who months ago raised your hand to tell me that just that afternoon you’d lamented to your grown and beautiful daughter that you regretted that you’d “never done anything important with [your] life.” and that after listening to all of us talking about motherlove and motherprayer, you’d started to think that maybe, just maybe, you had done something important with your life, mothering those two lovely daughters who were now, in kind, mothering good and gentle children of their own.
and i’ll never forget the very first mama who reported back that she was reading motherprayer and — an answer to my prayer — she’d filled the end pages with scribbles all her own, as story after story uncorked for her some tale from her own raising of three boys, stories she’d all but forgotten, but now recalled and recorded vividly.
i know i don’t know all your stories, but i do know you have them, tucked away in your heart. i know that every room i’ve been in these last many months has been brimming with stories, told and untold. there is not a motherer among us who is not a profile in courage, who is not an encyclopedia of loving. it all comes with the job. the holiest job that’s ever landed in my lap, my arms, my heart, my whole.
may motherGod anoint you, bless you, and whisper holy words into your heart: you are living breathing blessing, you motherers of the world. however and wherever and to whomever you ply your love, you are putting flesh and sinew to the gospel. love as you would be loved.
and thank you.
i mean it, of course. as trembling as i get before i clutch a podium — as if holding on for dear life — it always erupts in blessing. i open my heart each time i write, and thus i’m endlessly showered in the reciprocal opening of others’ hearts. and i am blessed beyond words. if you’ve not had a chance to raise your hand and tell your own story of motherlove, from any angle, feel free to tell it here. it’s why this old table has so many chairs. we always find room for one more story. who taught you motherlove? what are some of the most powerful lessons you learned, and how? what are the moments when you’ve found it easiest to love beyond the point of exhaustion? and the most challenging? who inspires you? how do you refuel? have you ever considered the motherly capacities of the Divine?
my definition of heaven: a summer morning, the breeze blowing in through the screen just enough to tickle my bare toes. the chirp of papa cardinal syncopating the click-clack of my typing, as i pull up to the old maple table and weave a word here, a sentence there, taking threads and making whole.
making a book. weaving a book. yes, writing pages and pages, and snippets and bits. but even more — in the case of this sort of book — stuffing in a little treasure here, pausing for a bit of joyfulness there. it’s a crafting that feels something like making a collage, a heart’s collage. snipping bits of beautiful, and figuring out how they most stand a chance of leaping off the page into a blessed someone’s open heart…
my favorite sort of summer — all these years beyond the summers when i’d spend the weeks crafting intricate home-spun cardboard-box dollhouses with my best friend martha — is to spend the weeks plonked at my old maple table “making a book.”
and that is indeed how i’ve spent this summer (when i wasn’t rushing to take my one sweet boy off to law school, or holding my breath while the other one tried out for soccer).
my deadline is september 1. but i turned in my last stash of pages on monday. which means i beat my deadline, i’m breathing again (but only momentarily — i never really breathe till delivery), and since it’s already listed in my publisher’s spring 2018 catalog (which i discovered by accident the other day), i’m letting you in on the not-so secret. and, voila, that’s the cover up above.
the idea was that we’d make something of “a gift book” of motherprayer, pulling a few favorite bits, and adding a dash of this, a dollop of that. i wasn’t quite sure what exactly a gift book meant, so i nodded (if we’d not been on the phone, with several hundred miles between us, my lovely editor might have seen the quizzical tone to my shaking my head up and down slowly, very slowly…) and then i leapt in to try to find my way through to the other side of whatever that meant. along the way, i decided that i was going to pull bits, too, from slowing time, my first book. and i was going to tuck in other bits of words that just might tinkle someone’s heart chimes. and i suppose that’s how it all began to feel like i was making a soulful collage.
or, as i describe it in the opening pages, “this book might read a bit like you’re peeking into my occasional jottings, something of a journal of the heart.”
and i go on to say: “all in all, this is something of a patchwork. a patchwork of joy. of love. of wonderment. and it’s the closest i’ve yet come to field notes on the blessings of motherprayer, fueled and put to flight on the wings of sacred whisper.” (p.s. in the actual book, i do put on my grown-up-alphabet shoes, put away the all-small letters and reach for the “Caps Lock” key on the keyboard. just in case you were worried…)
and what it means is that this is a book especially for all who love in the way a mama loves — and remember, i EMPHATICALLY (see, i can find the caps keys!) believe that the verb, “to mother,” is not is not is not confined to those who’ve birthed a babe, or raised a babe from and by heart, or even spent more than a few consecutive hours chasing a little person round a swing set or plopped on the couch for a string of heart to hearts. the verb to mother is a verb that belongs to all, all who reach down deep, consider what it means to love as you would be loved, who are wise enough and willing enough to move mountains if need be to buffet someone’s oozing broken heart, to provide the words that amount to the roadmap through tight mountain pass, or simply to share soulfully in all the joy stuffed inside some sweet and hungry someone, be it a kid-sized someone or one who’s all grown up.
it’s a book that weaves twin threads — and more. it’s a book intended to kindle the soul, and to ponder the lessons learned along the winding steep-pitched trails of mothering. we need both, those of us who see the holy work in mothering. one is oxygen for the other. and along the way, i wound up deciding that — as with mothering, in which, for the life of you, you could not would not pick a favorite among your children — i’d fallen in love with this book, too.
right now it’s working its way through the book-making wizardry, where all sorts of geniuses grab their polishers and rub it to a glisten. i’m braced for the day when someone pings me to ask if i might take another stab at this or that, or “kill the darling,” a famous newsroom directive that means, “all right, you’ve had your fun typing this sentence that all but does a cartwheel, now kill it because it’s noisy and it’s getting in the way.”
but on this fine morning at the end of blessed august, i’m closing down the month by reporting in on how i’ve most blessedly savored every drop of this one glorious whirl through summertime….
and, too, here’s my latest roundup of books for the soul, in case you care to read about those, too. this month’s lineup includes a jesuit’s wise and courageous words of compassion, dharmas from thich nhat hanh, and prayers from julia cameron.
i’ll keep you posted, but till then have a most glorious last weekend of august.
what were the joyful noises you made this summer? what wonderments and serendipities did you stitch into the season not yet over….
it’s the closest i know to a lullaby. the tap-tap-tap of the typewriter keys, ending every time in a churn and a chime. it’s how i went to sleep nearly every night of my growing-up years. my papa, perched at the kitchen table, his index fingers flying across the keys, a flick of the return arm, the telltale ping, and he was off again, bolting across the very next line.
he wrote, late into the night. i barely ever heard him come up the stairs. my bedtime was infused with words being formed, one sentence strung upon another. whole constructions of idea, unfurled across the page. i heard the whole thing.
my bedroom, just above and tucked at the back of the house, absorbed it all. especially in summer, when the screen door was open, and my window, just above and a smidge to the north, made for acoustic shortcut. every last A-S-D-F-G-H, a melody in pre-tempered steel.
no wonder typewriters soothe me. no wonder the tappity-tap-tap is more than music to my ears; it’s balm to nooks and crannies deep inside.
my papa’s been gone now, 36 years, four months, and 20 days, but i can bring him back, at least in sound, by pounding across a keyboard. oh, to have an old underwood with churn and chime. i make do, i suppose, with apple’s iteration of that soothing sound, the tappity-tap as if in padded slippers, not nearly the decibel of yore, certainly not the grind of how my papa typed. my papa typed in high-grade staccato, in rat-a-tat-tat, with cymbal crash. the whole house shook, i think.
and so this week for me was pure soothe. i too was perched at my old pine table. the one where i too try to build my house of words. where i, like my papa, string letters into words, words into sentence, paragraph into prose, one key at a time.
i was bathed in the lullaby of the alphabet keys. nearest thing, perhaps, to amniotic heart song.
it’s been awhile since a week beckoned with a single assignment: write, and write some more.
i did as instructed. and right away i knew i’d slipped into my old familiar writing groove, the one that comforts me as an old sweater soothes the arms that know it best. the posture that seems to fit me most emphatically is the one when i’m coiled into the keyboard, playing across the keys as if a child’s playground, and i am putting bum to every slide and swing. feeling breeze blow soft against my face. delighting in the pure joy of making words spring to life. prying back the hatch on my heart, and letting all that’s there leap out, and romp.
after days and weeks and months of that other side of writing, the one that pulls you to podiums, or hauls you out in front of crowds, and begs you to put breath to words, to tell the stories behind the pages of a book, i came home this week to the old hard chair that holds me up every time i sit down to write. i came home to days filled with little but the sound of thinking and the tappity-tap of my fingers skipping across the keys.
and that’s when i heard the hum that rises up from deep inside my heart. i am, it seems, most content when wrapped in quiet, when deep in thought, when lollygagging across my laptop swingset.
a writer (or at least this one) is by nature — and job description — one who takes in the world in full alert, and preferably from a lookout station planted firmly at the sidelines, not at center stage. it’s from the margins, the quiet margins, where the art of exploration, of thinking deeply, of taking in the roar and the whisper of the crowd, might best be exercised.
and so i’m home again, here at the quiet keyboard, alone with whatever rises up and spills from that sacred nautilus deep inside.
and to that i whisper a hushed and certain, amen. and thank you.
what sounds soothe you? and where is your most sacred landscape, the one that puts the hum in your heart??
p.s. i got a tad distracted this morning when i tuned into mika and joe, to catch the morning update. i seem to have lost my rhythm, the one that hummed when i awoke. twas a tough choice: take in the news, or type the morning away. i thought i could straddle both. but the revelations from the squawking box, they shook me up a bit (the national enquirer allegedly harassing mika’s teenage daughters, the word that m&j were told by the white house that the impending enquirer story could be spiked if only joe would pick up the phone and apologize to the president).
it’s just after dawn on a gauzy gray morning. the nubs of springtime are fattening on the branches. a splash of wake-up yellow here, cobalt blue there, as if someone’s dipped into the pots of children’s paints, begun to add zing to the gray and the grayer.
it’s soft outside, the day unfolds gently, as i step beneath the dome of fading stars. i stand still as still can be. i open my heart, unfurl a prayer without end. i’m casting to the breeze, to the morning’s airborne whirl, the whole of my little book. the book my heart insisted i birth.
it’s the deepest work of my mama heart, the one stack of love letters i wanted to leave behind, whenever behind comes along.
it’s a whisper to every motherer everywhere: you do magnificent work, holy work. what you do, day after day after day, long night after long night, year after year, it matters. deeply. you do the work that stands the best hope of healing the wounds and the tatters of this tired old world. the balm — the attention, the love without end — it pours from your heart, if you let it, if you will it. and the world so desperately needs it.
my deepest prayer on my little book’s birthing day is that as its pages are turned, tiny embers of light begin to be sparked, to flicker, to glow, as each and every someone who reads its words begins to unlock a litany of memories, of stories, of beauties, all her or his own.
and may those sparks kindle into flame that lights the way, that reminds you how blessed you are. as frame after frame in your story — your sweet story, your heart-wrenching story — is unspooled, is held up to the incandescence, may you find your heart stirring, remembering, re-living some holy hour. you might be the mother, you might be the one who was mothered. all that matters is that in pausing to pay deepest attention to the heart-work of mothering, you catch a glimpse of how sacred, how vital it is.
that’s my whispered prayer.
may it be so….
here’s an excerpt from Motherprayer, one of its essays, which ran in the Chicago Tribune two Sundays ago. It’s titled “Why We Do It,” something of an anthem to mothering and those who ply its healing, loving arts…
this is the part of book birthing where, on one hand, you’re finally breathing, but on the other hand, your breath is beginning to quicken, and you remember you’ll soon be in the part where you feel dizzy nearly all the time.
what that means is that “the book” is off at the printers. the jacket cover too. there’s not a single mark on any page left for me to make, to fix, to erase. it’s rolling off the presses as i type. and, any week now, a big cardboard box will kerplop on my front stoop. when i lug it in the house, haul out the scissors, cut the tape and peek inside, i’ll see the one book i wanted to leave behind on this holy earth.
it’s called motherprayer: lessons in loving, and it’s the deepest work — to date — of my living, breathing motherheart.
all along — ever since the moment (a quarter century ago) when i found out a tiny heart beat inside of me — i’ve been taking notes, scribbling down the lessons learned, recounting the hours when i’d run out of answers, couldn’t quite find my way. my teachers, time after blessed time, have been those two sweet boys whose lives unfurl right before my eyes. and, nearly as certainly, the flanks of wise-souled motherers all around me.
more often than not, in hours glorious or sorrowful, when i shook with loneliness or wrapped myself in joy, i turned to the one sure thing i knew might steady me, or at least get me through till daybreak: motherprayer. those murmurations of the heart and soul that sometimes find no words. sometimes spill in time with tears. or even rise in holy hallelujah (so sweet and rare those moments are).
because part of the birthing of a book means you must practice being brave, stepping out into winds that might blow cold, blow harsh, i’m going to take a baby step here, and share with you the press release written by my beloved comrade kelly hughes, the publicist for slowing time, and now for motherprayer.
her words made me cry (i wasn’t the only one, i’m told). which is a holy anointing, indeed. here, for your eyes, before anyone beyond the publisher gets a peek, the official press release for the one book i most deeply wanted to birth.
(you can tell i didn’t write it, because kelly types with caps, something i seem so disinclined to do….)
Journalist recounts her “crash course in loving” in new book Motherprayer
Writer Barbara Mahany’s ability to capture the beauty of small moments, honed as a reporter and columnist for the Chicago Tribune, captivated readers of her first book, Slowing Time. Now, she turns her attention to the sacred mysteries of mothering in Motherprayer: Lessons in Loving (Abingdon Press, $18.99 hardcover, April 4, 2017), with a hope to apply these lessons to the world beyond our own familial bubbles.
For Mahany, who has two sons, “motherprayer” captures the essence of what mothers do: a way of loving that becomes prayer beyond words. “Mothering was my crash course in love,” she says, teaching her how to “love in the way we yearn to be loved: Without end. Without question. Without giving in to exhaustion. Love with a big and boundless heart. With eyes and ears wide open. Love even when it’s not so easy.”
“No other instruction has so captivated or ignited me,” she writes. “Nor so blessed me.”
Before becoming a journalist, Mahany was a pediatric oncology nurse. “Which means I’d spent a good many years entwined with life and death. Paying attention, asking and pondering sometimes impossible questions. And being left, too often, without the faintest answer.”
“Three threads of me—mother, journalist, once and always a nurse—combined in ways I’d not anticipated,” Mahany says. As she kept watch “on the species I birthed,” she kept field notes, gathered here in the book. The arc begins with her first pregnancy and continues on to the present day, written in real time: on the eve of first grade; the first night her firstborn drove off alone in the family car; while grieving a daughter lost to miscarriage; after a crushing baseball loss that broke a second-grader’s heart. These and other moments are extracted from motherhood “to ask the toughest questions, lay bare essential truths, and seize whatever shards of illumination I might have stumbled upon,” such as:
• “The Most Interesting Things Moms Just Know”: a reflection on mothering as “paying pure attention,” spurred by a question from her youngest son. Kids apparently have no clue that moms “live and breathe to map out his landscape; that as he shovels pasta tubes into his mouth, we are studying his sweet face; no clue that we’re listening intently.”
• Mothering Day: Mahany suggests this as a replacement for Mother’s Day, to honor all who practice mothering: “tender caring, coaxing life, leaving mercy in your wake, the art that knows no gender bounds, that the world needs in mighty thronging masses.”
• Teaching Tenderness: on taking her son out on a worm rescue mission, moving those stranded on the sidewalk after a rain. She instructs her sons in “a curriculum of tenderness toward all things living and even those that aren’t.” Mahany’s boys know their mom to be “on a mission from God, perhaps, to let no winged or multi-limbed thing suffer crushing fate or die in a wad of toilet paper.”
• “The Egg that Wouldn’t Take No for an Answer”: Reflections on a most welcome last-chance baby, “eight pure pounds of Dream Come True, Prayer Answered, birthed against all odds, as I barreled toward 45.”
• Food offerings for heart and soul: “Serving up what amounts to depths of heart, to say in mashed potatoes and Irish butter: I love you dearly, and I’m so sorry I’ve been distracted. The hours of stirring, of simmering, of thinking something through, not whipping it off in the last ten minutes before the hunger sirens screech, doesn’t it all find its way deep down in the deliciousness?”
Mahany is Christian and her husband is Jewish, so her family encounters God in the rituals and idioms of two faith traditions. She writes about this weaving together of traditions in the faith life of her family. Since motherprayer can at times be expressed through food, readers will find recipes “From the Cookery Files” throughout the book, such as “Birthday Mac and Cheese (Or for Any Day When Comfort Is All You Need),” “Height-of-Summer Peach Shortcake,” and “Welcome-Home Brisket.”
“Mothering a child is the most sacred calling of my life,” Mahany writes. “It begs all I am and all I’ve got, and then some. Without prayer—the inside line to angels, saints, and Holy God—I’d not have made it, not even close, to labor and delivery. Nor a single day thereafter.”
let me know what you think.
p.s. you have no idea how much courage it takes to hit the publish button here this morning….