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eddies of joy

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for months and months, and especially as august drew near, and september tumbled upon us, as this old house turned quiet and oftentimes hollow, it was a question i fielded over and over and over again: what will you do now that you’re an empty nester? or, the variation: how will you handle this empty nest?  

one friend came to the door with a jumbo-sized carton of kleenex. it was an apt gesture.

the truth about our lives is that, more often than not, it’s a current that’s rushing and there’s little, quite frankly, we can do to alter its course, to slow it or stop it from running down rapids, to re-route the channel it’s gnawed through the earth.

but the thing about rivers is this, a thing that i learned long long ago in the woods where i played on the banks of a creek, tracing the course of the flow with a long pointed stick, or by tossing a log or a leaf or a twig and watching it go, making the invisible visible: sometimes rivers — or even a rain-swollen creek — run fast, and run wild; sometimes, the river runs lazy, its waters scuttled off to the side, caught in a pile of leaves, or tangle of sticks, idling or whirling in some extra-deep groove spooned from the oozy bottom.

in river talk, that’s an eddy.

ed·dy /ˈedē/ noun: a circular movement of water, counter to a main current, causing a small whirlpool.

in life talk, it’s the wholly unexpected moment that seems to come out of the blue, the ones we hadn’t seen coming. in this particular case, at this turn in the bend of my particular river, it’s a dollop of joy. the sudden awareness that, without a whole heckuva lot of planning nor thinking too hard, you find yourself idling in a nook or a cranny you’d not wholly imagined, in a newfound pool of something that soothes you.

turns out that in these vast stretches of days where it’s mostly just dinner for two, where my most frequent companion for hours on end is unbroken silence, the dinner party is my newfound eddy of joy. aside from the fact that our overdue list is long enough to leave me penniless if life was charging fines, i’ve unwittingly found myself delighting in the joy of dinner table equations: mixing and matching various combinations of conversationalists — the deep and quiet listeners, the ones who say not a lot but whose words when they do choose to speak are the ones that rumble for days in your head, the laugh-out-loud storytellers, the ones who lean in and soak up each word, the ones who always know something you’ve never heard of.

i consider the ones to seat around the table, and then i consider just what to concoct for a multi-course feast intent on striking a particular note: autumnal warmth. winter cozy. and i never stop at the food. that’s just a part of the stage set. to me, all of it matters: the crackling logs in the fireplace, the fireworks-worthy explosion of blooms soon as you walk in the door. the candles flickering on the table, yes, but all along the window sills, too. what i’m after is a whole-body immersion, a wrap-it-around-your-shoulders sense that you’re in a house that wholly and emphatically welcomes you. we want you here. we want to hear what stirs you and strikes you. we want you lavished in welcome.

the dinner party — unlike my other most favorite gathering, just the two of us, leaning in over hot mugs of tea, pouring our hearts out — is all about the alchemy of a particular cast of characters. it’s less certain than the tete-a-tete. there’s a sense of adventure, of risk, of putting yourself more on the line (especially if you’re the one practicing prestidigitation at the stove).

and, as i am wiping dry the very last glass or the fork at the wee end of the night, when i awake the very next morning to the afterglow of a leftover-stocked fridge and the lingering echoes of laughter, i am reminded that sometimes the river of life — even when you’ve been nervously cowering on the side of the bank — will carry you into nooks and eddies you’ve been seeking forever and ever.

so here’s a recipe that practically made me jig with joy. a friend who’s a vegetarian was coming for dinner, and this one tickled my fancy. it’s a variation of nigella lawson’s roast stuffed pumpkin. whether you make it for one or two or eight, it’ll carry you to an eddy of joy. that’s a promise.

roasted stuffed pumpkin, ala nigella + me

INGREDIENTS

  • 1 6 1/2- to 7-pound sugar pumpkin, or other pumpkin suitable for eating
  • 1 tablespoon vegetable oil
  • 1 onion, finely chopped
  • 3 cloves garlic, 2 minced, 1 halved
  • 1/2 cup dried cranberries
  • 1/2 cup toasted walnuts
  • 1 teaspoon thyme
  • 1 teaspoon dried oregano
  • 1 teaspoon cumin
  • ¼ teaspoon 
  • 10 mushrooms, chopped
  • 1 large handful spinach leaves
  • 2 cups basmati rice
  • 4 cups vegetable stock
  • Salt

PREPARATION

  1. Heat oven to 400 degrees. Fill a kettle with water, and bring to a boil. About an inch below the top of the pumpkin’s ”shoulders,” about where it would be cut to carve a jack-o’-lantern, slice a lid from top of pumpkin, and set it aside. Remove seeds and fibrous flesh from inside.
  2. In a large saucepan over medium-low heat, toast the walnuts for a minute or two, moving constantly. Remove from heat, and set aside.
  3. Using the same saucepan, heat the oil, and sauté the onion until it is softened. Add 2 minced garlic cloves, and sauté for 30 seconds. Then add mushrooms, and cook for one minute. Stir in the cranberries, and spices. Add the rice, and stir until it is glossy. Pour in stock, and bring to a boil. Cover, and reduce heat as low as possible. Cook for 15 minutes. Meanwhile rub the inside of pumpkin with cut garlic clove, and rub with some salt to taste.
  4. When rice has cooked for 15 minutes, it will be damp and not very fluffy. Adjust seasoning to taste, and spoon into pumpkin cavity. Press lid firmly on top. It may sit above stuffing a bit like a jaunty cork. Wrap bottom two to three inches of pumpkin in a double layer of foil to protect it from contact with water during baking. Place in a roasting pan, and add about 1 inch of boiling water to pan.
  5. Bake the pumpkin until it is tender when pierced with a knife, about 1 1/2 hours. (If there is resistance when pumpkin is pierced, allow more baking time.) To serve, remove pumpkin from pan, and allow it to rest for about 10 minutes. Discard foil, and place pumpkin on a serving platter. Slice into segments like a cake. Place a wedge of pumpkin on each serving plate, and mound with rice stuffing.

what are your eddies of joy? what are the ones you never saw coming?

 

my line of defense in the Age of Pugilism

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you might have noticed. it’s hard to miss. over the airwaves, on the streets, even at your neighborhood checkout aisle: pugilism is rising to intolerable levels. i blame the bully in chief. have spent months now in my head composing the letter i would like to carry to washington, read on the capitol steps. just little old pewter-haired me, politely hollering at the top of my lungs: stop all the insidious idiocy. stop all the name-calling, the bullying, the devilish tricks. cease with the stomping down hallways and stairs, slinging god-awful descriptors on decent and honorable human beings. stop pummeling this one blessed earth. leave all the children alone, nestled by the sides of their mothers and fathers, where they belong. practice decency. exude kindness. invoke gentle tenderness. start behaving like there might be a tomorrow. imagine your deathbed: these are the moments  you’ll at last call to mind. are you wincing? are these the ways you want to be remembered? a toxic trail in your wake?

it’s toxic, all right. a drip, drip, drip of toxicity. some days, more of a deluge.

my ever practical, commonsensical mother has five words of advice: turn off the damn tv!

i do, more than i used to. first few years of this siege, i admit i was glued to the loud little box. couldn’t take my eyes or my ears off the madness, praying it would end. just kept hoping against hope we could all go back to our quiet neighborly ways. might welcome the stranger, clothe the naked, feed the hungry. maybe even pick up the trash that litters the woods and the waterways.

nowadays, worn down to the marrow, i find myself building what amounts to a fort, a tall wall of defense. literally. my house is piled with books. they rise up in teetering towers all over the place: kitchen counter, window seat that looks out on the trees, floor and chair and desk in the itty-bitty room where i write.

i read to escape. but not in the way of bodice-ripped beach reads. i read to remind myself that the way of this world, of this moment, is not the only option. i read the masters: thoreau and merton and hildegard of bingen. rilke and c.s. lewis. i read newfound saints and poetesses: jane hirshfield, margaret renkl, timothy egan. i carry them wherever i go. they are my talismans, my shields against attacks of the soul.

i read lines like these, from anita barrows’ preface to rilke’s book of hours: love poems to God:

…suddenly it occurred to me that God created the world because he was lonely. He needed it — needed the ripeness of autumn, the bright air, the sunlight making patterns on the sidewalk through linden leaves that were yet unfallen. God had created all this, and us as well, to keep him company.

or this, from minnesota’s poet laureate, joyce sutphen, from her brilliant collection carrying water to the field: new and selected poems:

Some Glad Morning

One day, something very old
happened again. The green
came back to the branches,
settling like leafy birds
on the highest twigs;
the ground broke open
dark as coffee beans.

The clouds took up their
positions in the deep stadium
of the sky, gloving the
bright orb of the sun
before they pitched it
over the horizon.

It was as good as ever:
the air was filled
with the scent of lilacs
and cherry blossoms
sounded their long
whistle down the track.
It was some glad morning.

or this, the very first sentences from c.s. lewis’ a grief observed:

No one ever told me that grief felt so like fear. I am not afraid, but the sensation is like being afraid. The same fluttering in the stomach, the same restlessness, the yawning. I keep on swallowing.

At other times it feels like being mildly drunk, or concussed. There is a sort of invisible blanket between the world and me. I find it hard to take in what anyone says. Or perhaps, hard to want to take it in. It is so uninteresting. Yet I want the others to be about me. I dread the moments when the house is empty. If only they would talk to one another and not to me.

or, finally, this from my brilliant friend mark burrows’ (and jon sweeney’s) meister eckhart’s book of secrets: meditations on letting go and finding freedom:

What do you think?

That God has abandoned you,
especially now?
What person sees a friend
in sorrow, pain, or loneliness
without encouraging,
without being near, present?
Don’t be foolish, my friend,
God is here.

how do you build your wall of defense? what are the bricks in your wall?

(p.s. in part, i included the bit on grief because friends here at this very table are suffering terrible griefs, loves lost and achingly so. please, remember them in your incantations. the whole of c.s. lewis’ classic, grief observed, by the way, is one that goes a very long way toward healing a brokenness, or as lewis’ stepson writes in the introduction, “it will help us to face our grief, and to ‘misunderstand a little less completely.'”)

a consideration of saints

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long long ago, when i was a wee little thing falling asleep in my tight twin bed, the hand-sewn squares of quilt pulled up to my nose, i, like many a girl who donned scratchy plaid uniform skirt and buttoned all the way up (no matter how hot or humid outside) my navy blue uniform cardigan each day for holy cross school, i drifted off to dreamland wondering what it would take to become a saint, a little flower of jesus, perhaps, or the patron saint of fallen feathered things. i wouldn’t have minded aspiring to patron saint of bicycle pedals, or patron saint of clearing the table, two fundamentals of life i knew well, fundamentals i could work at — perfect even — if given the hope of a life under halo.

it’s not a bad thing to each and every night pluck from among a roster of heroes, sainted not for their football-field prowess, nor the velocity with which they swung a bat at a ball, but for those more ephemeral, ineffable things: gentle kindness, a selflessness that verged on self-erasure. it’s a good thing i hadn’t yet read too deeply of the tortures some of the saints endured. i might have swerved left from a life of good grace. i’ve utterly no interest in strapping myself to a windmill, going round and round in eternal upchucking dizziness. nor any one of the other tricks from the saintly bag of horrors (too gruesome to type at this early hour).

but — tortures aside — the morning after all-hallowed sugar-high (aka trick-or-treating) dawned onto what might have been the super bowl for saint seekers: november 1 in the catholic vernacular is the day of all saints, a feast day of joyous proportion. and that brings us to today, when with a few decades under my belt, i still awake with a particular zing.

only now, my consideration of saints has been jangled a bit. and moved far beyond ecclesiastical strictures. i’m more inclined to look to the everyday for my roster of saints. i see saints every day. have spent a good chunk of my life keeping watch. worry that we live in an age antithetical to saintliness. no saint seeker ever imagined an instagram reel of a life where every good deed was captured, captioned, and cast to the cybersphere. utter humility, a sense of one’s smallness against the vast majesty and unimaginable genius of the one we call God or Abba or Adonai, that’s non-negotiable, an essential place to begin.

the world we live in — at least the public world — seems to have turned it all on its head. it’s all bombast and braggadocio. when, to my mind, the deepest ripples are those that move through the world with barely a whisper. the gentle soul who considered it his life’s holiest work to show kindness to pigeons, to call them by name, to notice when one of his flock was wounded or lame. the one who knew 100,000 cars each and every day passed by him and the fire hydrant upon which he sat, the one who quietly told me “i’m really advertising to the public how easy it is to be good without an attitude.”

the woman who lives down my alley, who cooks by the gallon and, like a sprite in the night, sprints from house to house, doorknob to doorknob, leaving her wares in large plastic bags dangling from handles and knobs. because to her, to feed is to love, and her heart knows no bounds.

i know saints gather at this very table. saints who seed love, day after day in a thousand unscripted ways: the one who feeds a banquet of fine organic greens to her bevy of hard-shelled centenarians; the one who whispers a prayer into every stitch and tug and pull of her needle and thread; the one who every other weekend flies halfway across the country to sit beside her faraway, struggling son; the ones who day after day visit old friends who no longer remember, who feed them spoonful by spoonful, who read them love letters from long ago in hopes that it just might spark a burst of remembering, of story, of unfettered joy.

on this day for considering saints, and counting the saints among us, i turn to a glorious book i reviewed a few years ago, a book of poetry by susan l. miller titled, communion of saints. it opens with this glorious beauty, “manual for the would-be saint,” and it begins like this:

Manual for the Would-Be Saint

by Susan L. Miller

The first principle: Do no harm.

The second: The air calls us home.

Third, we must fill the bowls of others

before we drain our own wells dry.

The fourth is the dark night; the fifth

a subtle scent of smoke and pine.

The sixth is awareness of our duties,

the burnt offering of our own pride.

Seventh, we learn to pray without ceasing.

Eighth, we learn to sense while praying.

The ninth takes time: it is to discover

what inside the seed makes the seed increase.

…(the poem goes on for 14 more lines…)

please, do yourself an all saint’s day favor, and find it and read to the end. and now, quietly, without even a ripple, i will leave you to your own consideration of saints…

what might be the opening lines of your manual for the would-be saint?

p.s. do you know the saint pictured above? here’s a hint: she was kicked out of the calendar of saints for reasons i will never know, yet she remains in some books as the patron saint of architects. it’s saint babs, aka barbara, as a matter of fact, and isn’t it uncanny that de-sainted though she is, her affinity for architecture is akin to the one to which i’ve wed my life…(a saintly patronage that must have brought my jewish husband so much relief upon discovery!) (st. babs is linked to architecture because her father is said to have locked her in a tower after she rejected an offer of marriage he’d relayed to her. egad. i’m telling you, some of these saintly tales belong in the annals of the absurd. forgive me….) 

this old house is so much more…

 

not long after nine the other morning, an army of painters pulled to the curb and launched what appeared a military-level operation on this old house. ladders upon ladders were hauled from the lid of a van, drop cloths were draped over bush, tree and stoop. brushes were slid from plastic wrapping, buckets of paint shimmied up ropes, dangled from hooks that swayed in the breeze. in all, 15 painters had at it, each with his eye on the darkening skies, the skies that threaten a freeze by daybreak tomorrow.

it’s been 15 years — at least — since this old house was slathered in beechwood semi-transparent stain all across its shingles, its windows and mullions traced in white white, its doors in van deusen blue. that was back in the long-ago days, back before high school and colleges and law school, back before a broken neck and assorted orthopedic adventures, back in the days when a fat cat prowled the so-called acreage. back when we were deep in the grain of making this old house our own.

this old house has harbored much in our short slice of its 78 years. it’s become the place we come home to, the place we miss when we’re away. a few weeks ago, when the tree cracked in half in the dark of the night, both boys — faraway now — wrote home with alarm. they begged for pictures, needed to see for themselves; hauled out the exclamation marks on their keypads. even from a distance — long distance — they did not cozy to the notion that their old house and the tree that harbors it had suffered a blow.

home is like that. home roots us. home is our ballast in the storms — and, oh, there will be storms. we come to consider home — the old house with its particular creaks and moans and recalcitrant sashes — something of a character in the life of our family. its floorplan is the one we trace in our imagination, the narrative throughline of all of our stories. we picture it, no matter how far we roam. sometimes we physically ache to run our palms down its bannister, to click open the door that insists on a shove. sometimes, when we’ve been away a long while, we begin to feel its pull, its true magnetic pull, soon as we come through the underpass, take a left at the smoke house, retrace the leafy lanes, see the place standing, just as we’d left it. sometimes, we can’t get the key in the lock to turn quite fast enough. sometimes we don’t fully breathe till we’re standing there in the old front hall, and we inhale the smell of home again.

there’s a book on one of my shelves titled, a home for the soul: a guide for dwelling with spirit and imagination, by anthony lawlor, who happens to be an architect and author of the acclaimed the temple in the house. in the opening pages of home for the soul, lawlor writes:

from the moment we are born, we seem compelled to travel homeward. in places and people, we seek that elusive feeling of being welcomed. home is the goal of the epic journeys of the human spirit. jesus returns to his heavenly father. moses leads his people to their homeland. buddha reaches the immovable spot of enlightenment beneath the bo tree. 

i like it even more when lawlor turns to a lakota medicine man named Lame Deer who writes of the sacredness right under our noses, a sacredness woven into the everyday fibers of home, yet a sacredness we sometimes forget to see.

writes lame deer:

what do you see here, my friend? just an ordinary old cooking pot, black with soot and full of dents. it is standing on the fire on top of that old wood stove, and the water bubbles and moves the lid as the white steam rises to the ceiling. it doesn’t seem to have a message, that old pot, and i guess you don’t give it a thought. [but] i think about ordinary, common things like this pot. the bubbling water comes from the rain cloud. it represents the sky. the fire comes from the sun, which warms us all. the steam is living breath. it was water; now it goes up to the sky, becomes a cloud again. we sioux spend a lot of time thinking about everyday things, which in our mind are mixed up with the spiritual. we see in the world around us many symbols that teach us the meaning of life. we try to understand them not with the head but with the heart, and we need no more than a hint to give us the meaning.

the painters are gone now. they’ve folded up their drop cloths and hauled them and the ladders away. our old house this morning is redolent of eau de semi-transparent stain. when i wandered out to gather up the newspaper at the curb, i turned to ogle the beechwood shingles and the van deusen blue door in the first light of the day. i’m certain this old house is standing just a little bit snappier today. it’ll be good for at least another chapter, this one that now echoes too often and too loudly with the sound of not quite full.

where do you find the sacred pulse point in the place you call home?

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the painters tied up the bushes so they could paint my window to the world

i missed the moon

missed the moon, so gillson

…not just any moon, the great warrior orb of autumn, the hunter moon. round and orange and overwhelming, like a dreamsicle melting from the night sky. and i missed it.

well, at least i caught a peek, the skinniest sliver of a peek, as i was darting here or there or nowhere.

but it takes some work to miss the moon that bathes the world below in luminescence. i must have been holed up inside a world of worries, of syria and betrayals and beheadings. i must have been nursing the tender spots of a mama who’d just packed up her youngest and dropped him at the jetway that would carry him 300 miles from where i’ve doted over him all these years.

in the house where i grew up to miss a moon — or a cardinal, or a loon, or the frog’s croak rising from the pond across the way — to miss any of the sighs and moans and spectacles of god’s creation was what amounted to a sin. in my mama’s book of rules, anyway.

you daren’t let on that you were too busy with your nose in the news. or worrying about the dustballs under your bed. too distracted to notice was not allowed. or so’s the truth as i absorbed it.

chased in part by guilt (a guilt that unlike the moon never ebbs), but even more so by an unquenchable thirst, a sense that i’d strayed too far from the thin-spun silken thread that ties heaven to earth to what passes for my soul. if i missed the moon, the great wide-cheeked nightbeam of october, i wonder what else i’d missed, what stirrings of the earth that were sure to launch my own deep-down stirrings, remind me of my own still small place beneath the immensities of the one who’d carved us — and all creation — from the depths and heights of divine imagination?

so i strapped on my sturdy walking shoes, and found myself crouched down low amid the grasses that swish and sway against the sand mounds, the ones that catch the wind off the lake, and rustle as do the faithful in the pews when sabbath comes.

i sank low and lower, not to hide so much as to immerse myself in lowliness. to drench myself in the posture of humility, of raw-edged vulnerability so necessary for reverence.

to behold the miracle of heaven above and all around, i find i need to grow small and smaller. ours is a world of oversized ego, oversized hubris, oversized oversize. the bigger the better. except, quite frankly, in matters of the blessed. to be willing to hear the holy whisper. to find satisfaction in steady footfall, one after another. to partake of the arithmetic of saints, by little and by little, by little acts of kindness, of courage, of hope. to relish the infinitesimal, the dew drop of the dawn, the twilight song of the red-bird preacher on highest bough, the flutter of the heartbeat when love swoops down, wipes away the loneliness, the ache of the empty vessel.

i stayed long enough to walk the beach, playing catch-me-if-you-can with rippling waves. i walked and watched the roiling sky. charcoal gray, i find, is supremely lovely up above. it portends drama just ahead. and, indeed, when raindrops came in dime-sized plops, i picked up my pace. ducked beneath a maple tree whose boughs had just been daubed by autumn’s crimson paintbrush.

i inhaled a quart or so of morning vapors. filled my lungs, my heart, my soul with God’s most necessary ingredient: quiescence, the underlay of all the richest risings, the prayers that wend their way past worldly noise, the ones that from the deepest stillest dancepoint of our earthly selves ascend. to there, where prayers are heard, even in their wordlessness. and the One Who Hears echoes in kind the blessing, sating us in ways no other ever will.

how do you drink up all the holiness you crave? where’s your deep down quiet place?

gillson row of trees

stockpiling

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it felt almost like instinct. as the weeks narrowed to days narrowed to hours, i couldn’t keep from stockpiling. soon as the boy — now sleeping just overhead, in the bed by the bend in the stairs — soon as the boy told me he’d found a ride after all, was coming home for a three-day break — fall break, officially — my fill-the-larder instincts kicked in.

lavish him in all the tastes and smells and textures and offerings he could possibly wish for. that seemed to be the propelling mission.

so i stockpiled. stockpiled pumpkin pie from the farmer’s market, grabbed a loaf of banana bread while i was at it. stockpiled cider and raspberry rugelah. ordered up a chicken pot pie from a mama who makes it delicious.

the sheets on his bed hadn’t been touched since the day after he left the room empty as empty could be, the day i scrubbed every last inch of that room, as if preserving something ineffable. the room, more relic than place to hang out these days, barely needed a flick of my wrist. but i vacuumed anyway.

the prodigal papa back in the bible, he wasn’t the only one who knows of the fatted calf. i too might have tossed a beast onto a pyre if chicken pot pie hadn’t been to his liking, the kid who rode six swift hours in the back of a minivan, the kid who all but tumbled onto the street once the four wheels pulled to a stop there at the curb.

we squeezed so tight it’s a miracle all my ribs are still in one piece. i wiped away tears (of course) and then we loped in the house, past the welcome home sign that only made him laugh, because it’s a truth in this house that you can hardly take a trip to the grocery store without finding a welcome home sign upon your return.

inside, once he kicked off his shoes, he too seemed to kick into some instinctual and ancient reflex: he walked room to room to room to see if anything had changed, to make sure all was as he’d left it. then, and only then, did he settle into his most native rite of settling in (be he gone for merely an hour or long weeks on end) as he began to circle the kitchen island in the way he (and his brother; it must be genetic) forever have done, ambulation propelling cognition it seems. story spilling upon story, each one told to the beat of his footfall.

he punctuated his stories with poking around the pantry, inspecting the fridge, and, after all the wind-up, picking a plain old box of make-your-own mac-n-cheese, the kind he’s loved since he was three. and so his first feast at home after seven and a half weeks wasn’t the hoosier mama chicken pot pie, wasn’t the homemade cranberry-studded applesauce, wasn’t the farmer-baked banana bread or the kosher-deli raspberry rugelah. it was the starchy pile of pasta shells swirled with powdery cheese turned into goop. he nearly licked the pot, my boy who’s grown three-quarters of an inch since last he was home (we pulled out the tape measure and measured).

all that spooning into his mouth must have left him exhausted, for the next stop on the homecoming tour was a flop backward onto his bed, and a sigh of pure joy like nothing i’ve heard in a very long while. he mumbled something about how glorious it was to sleep on a mattress that cared for a spine and all its spiky little vertebrae. but then he was off in dreamland, not to be heard from for hours and hours.

it didn’t take me long to realize there’s something (very much something) of the human heart involved in all the stockpiling. it’s almost as if in shopping and shlepping and stocking the shelves (and the fridge and the countertop and the blue willow plate under the cookie dome) we’re giving the blood-pumping muscle a boost. almost as if all the comestibles are edible poetry, are the extensions of our vocabulary. as if they pick up where words cannot go. as if they’ll reach deep into nooks and crannies, as if they’ll saturate every last cell that just might need to be bathed in the notion that someone loves you through and through and through. as if we can’t go the distance all on our own.

it’s almost as if the stockpiling is squeezing every last drop of that thing we call love out of the tired old muscle — the magnificent vessel — that is the human heart. that storehouse deep inside our ribs where all the love is churned, is harbored, is pumped into the ether. almost like it’s a little bitty factory, a production line of loving, that never ever dies. not even when we do, i’m utterly certain.

it all made me wonder if this might be the rhythm from here on in, in these days when the boys i love most dearly are far far from home, and their visits grow less and less frequent: will i learn to stockpile, to fill the larder with all the love i used to lavish day upon day, hour after hour, the barely-noticeable ministrations of the heart — the kiss on the forehead while they’re sleeping, the whiff of their hair while setting a plate at their place at the old maple table, even the occasional deep inhale and sigh when tossing piles of muddy sweaty clothes into the wash? will i store it all up, every last drop of it, and save it for when they come home, when it will all but ooze out of me, when i all but plant myself at the door of his sleeping room, just to watch the rise and fall of his breathing? will i ever not miss the days when i used to wear them, literally strapped into bundles across my chest? the days when their itty-bitty plump-dimpled hands were always reaching up for a lift or a hug or a squeeze round the neck? all our life long, the gestures of love shift and evolve. and while the deep caverns of the mind grow more and more nuanced and brilliant, sometimes it’s the old ways, the skin-to-skin entanglements of mother and child that i miss, that can’t be replaced, can’t be once again, all over again. IMG_0365

so we stockpile. we store it all up, and we ooze it all out for those short few hours and days when they’re close enough that we can hear their breathing, bury our nose in their necks. one deep inhale, one that’s going to need to last for weeks or months on end.

***

it’s been a busy week around here: my first book review for Orion Magazine is online. twas of a beautiful, beautiful memoir, The Salt Path, about an epic journey propelled by unlikely homelessness and a dire diagnosis, one that leads to epiphany, and you can find the review here.

but the bigger news of the week is that the book i’ve been working on for months (years, actually) is officially published and stocked on the amazon bookshelves. it’s my friend mary ellen’s book, “On the Wings of the Hummingbird: A Chronicle of Joy, Grief, and Gratitude,” a collection of her beautiful breathtaking essays. here’s what i wrote when i posted something of a birthing announcement on facebook yesterday:

When Mary Ellen started her blog, “On the Wings of the Hummingbird,” on March 2, 2012, she harbored a flickering hope that someday it might lead to a book. She never dreamed she would die just four years and 11 days after “Hummingbird” first took flight. Yet her dream of a book never died. And so, after a few years of culling and sorting and weaving her essays into a whole (a labor of love that became mine when I found out a month after her death that in her will she’d appointed me “custodian of her creative work”), it is with pure joy that Mary Ellen’s family and I announce the birth of her book, “On the Wings of the Hummingbird: A Chronicle of Joy, Grief, and Gratitude.” It’s a distillation of Mary Ellen’s profound wisdom, her unending gratitude, and her unrelenting search for and discovery of joys even amid the shadow of grief and fear as she traversed the uncharted landscape she’d never imagined. It’s slim and it’s elegant and it shimmers with a beauty that was hers alone. Her words, her urgent pleadings, are sure to etch deeply into your heart. It’s available in paperback and e-book, and you’ll find it on Amazon.

two versions of covers, one for the e-book, left, and one for the paperback, right. i was constrained by the strictures of the platform, but tried to make the whole of the book as beautiful as mary ellen’s indelible words…..

how do you stockpile — and lavish — the love in your life?

book for the soul: sister helen prejean’s “river of fire”

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i’ve been waiting to tell you about this one, one that pulled me in from the very first pages.

here’s how it begins:

“They killed a man with fire one night. 

Strapped him in an oaken chair and pumped electricity into his body until he was dead.

His killing was a legal act.

No religious leaders protested his killing that night. 

But I was there. I saw it with my own eyes. 

And what I saw set my soul on fire–

a fire that burns in me still.”

that’s the very beginning of Sister Helen Prejean’s fiery baptism into her role as the Dead Man Walking nun who, ever since that night in the killing chamber, has devoted her days to fighting mightily and gutsily against the death penalty. and as she writes a few paragraphs later in the preface to her latest book, River of Fire, a memoir at once hilarious, soulful, and intimately detailed, recounting the spiritual journey that drew her to the executioner’s cell that night: “Once when I was inside the Louisiana death house awaiting an execution, Captain John Rabelais, a guard, asked, ‘What’s a nun doing in a place like this?'”

River of Fire is her answer to that question. and it’s as soulful a book as i’ve read in a rather long while, and a glorious read to boot! as i didn’t write in my review for the Chicago Tribune, i wound up hauling that book wherever i went for a few days, carving out hours and space in which to sidle up beside Sister Helen, who came to feel like the nun i didn’t have in fourth grade. oh, i loved sister leonora mary, but she wielded a sharp-tipped pointer, kept every hair on her head in hiding, and sure never told me the tales of the loves in her life, nor referred to herself as “a sort of free-range chicken version of a nun.”

sister helen is, by her own admission, highly free-range. and that’s how i best like my chicken — and, apparently, my nuns.

oh, lordy, to sit down beside her in real time…who knows the tales that she’d tell in the confessional of kitchen-table tête-à-tête?!

turns out, two fine friends here at this very table know her well (one is and one was a sister of the congregation of st. joseph, the very order of nuns to which Sister Helen belongs, and one is spelled out in the shortlist of acknowledgements at the end of River of Fire). both can — and animatedly do — unspool a skein of Sister Helen stories: how she shows up at sundown on the front stoop fully equipped and raring to go for a long night of story-swapping; how she holds any audience anywhere utterly spell-bound and never brings so much as a note to the podium; how in real life she’s the real deal — every bit the iconoclast and rabble-rouser she seems on the pages of her books.

before i plop down my tribune review, i’ll add this one community service announcement: sister helen will be at The Well Spirituality Center in lagrange on wednesday, october 30 at 7 p.m. (click the link above, and secure your $25 seat in the room). without notes, of course, she’ll be telling tales from the pages of her life and her books. and, as she does in her book, she’ll leave you laughing one instant, and covered in goosebumps the next, so utterly stirring is her brand of free-range wisdom and soulful epiphany.

here’s the review, as it ran in the tribune:

‘River of Fire,’ Sister Helen Prejean’s new memoir, is as irreverent as it is wise

By BARBARA MAHANY

CHICAGO TRIBUNE | OCT 02, 2019

‘River of Fire’

By Helen Prejean, Random House, 289 pages, $27

Sister Helen Prejean is known as the nun from New Orleans who wrote prayerfully and piercingly about witnessing death-row electrocutions in a Louisiana prison. That her book about her experience, “Dead Man Walking,” rocket-blasted to best-seller status, spawned a movie, an Academy Award-winning performance, a play, and an opera that’s been produced on five continents, says something undeniable about her storytelling powers.

Prejean has done it again in her new memoir, “River of Fire.” While the subject here — her own spiritual evolution — might not be as harrowing as what she terms “government killings,” Prejean’s capacity for truth-telling, for holding little back, makes for can’t-put-it-down page-turning.

A truer title might have been “Inside the Nunnery: 1,001 Things You Were Afraid To Ask.” And Prejean tells plenty. We start innocently enough, reading about life beneath a nun’s habit of so much black serge she felt “mummy-wrapped.” She recounts the story of a nun friend once mistaken in a fabric store for a “bolt of black material,” so voluminous was the to-the-floor flesh-masking swirl of standard-issue black wool. Prejean holds back little in detailing a seven-year relationship with a hard-drinking priest, a celibate bond, to be sure, but one charged with more than some of us might ever have imagined vis-a-vis our fourth-grade nuns.

But Prejean isn’t practically a household name in social justice circles and beyond because of her knack for titillation. She oozes hard-won wisdom, soulful epiphanies, and wraps it all in breathtaking humility that shrinks any distance between author and reader. The whole way through, “River of Fire” reads as if a tête-à-tête on the schoolhouse steps, where one sits beside a beloved, much-wiser soulmate and sops up a lifetime’s worth of lessons learned, often the hard and roundabout way.

Most of all, Prejean cuts through church-preach. Time and again, she zeroes in unswervingly on the essence of radical non-conformist Jesus, the one who preached love, the one who reached out to those on the ragged margins of society.

And she’s laugh-out-loud funny. And irreverent. Sometimes, both at once. Writing about the saints — Joan of Arc in particular, the saint who was “burned at the stake on charges of heresy and the unpardonable sin of cross-dressing” — Prejean writes matter-of-factly: “I just know I’d never be a good martyr. I burned my hand once making brownies and I nursed my wound and talked about my wound and held up my poor burned hand for all to see and sympathize with. Burn at the stake? For something as trivial as holding beliefs considered to be a little unorthodox? Be burned alive for that?”

Don’t mistake her narrative hijinks or her yarn-spinning capacities as sideshows to dilute an otherwise indelible confessional and testament to the power of a life devoted to God and godliness. Rather, it’s the pure joy of reading Prejean — her gift for knocking herself off any saintly pedestal, making the reader believe that we might all leap into her river of holy fire — that makes this a spiritual work of high and radiant order.

“I have a hunch I’m going to be waking up till the moment I die,” she writes. And in so writing, the good sister opens up for all of us the doorway into our own humble stumblings toward what can only be termed the lifelong walk toward holiness.

Her parting words, almost as if she’s leaning in, there on the schoolhouse step, where you’ve now been sitting side-by-side for 286 pages, as if imploring one last life-or-death time: “I urge you to get in the conversation on human rights and stay in it. It’s the only way the arc of the universe bends toward justice.”

Barbara Mahany is the author of several books, including, “Slowing Time: Seeing the Sacred Outside Your Kitchen Door.”

Twitter @BarbaraMahany

and what fine reads have you read of late?

things that go bang in the night.

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until the rat-a-tat-tat, it had been a silent night. not even the usual tossing and turning. but then the big bang came. sounded like gunfire. or maybe a long string of firecrackers. i did what any night-rousled someone would do: i flung back the sheets and leapt toward the window (not such a smart idea as i look in the rear-view mirror).

peering into the murky darkness, trying to make out shapes against the silhouette of the street lamps, i couldn’t see much. only what looked like lots and lots of leaves.

so i did what any half-witted, mostly-asleep someone would do: i ran outside.

it took a half circle of perambulation, as i walked down the bluestone walk and into the street, to realize what was appearing before my still-blurry eyes: a good third of our giant locust tree had decided to fall to the ground, and on its way down the rat-a-tat i had heard was the sound of the big ol’ locust shaving off half the parkway maple.

oh, lordy.

now i am a girl who loves her trees. i come to befriend them. consider them living, breathing specimens with layers and layers of stories. of history. of keeping wise watch on all that unfolds below and above and within. and this particular tree is the muscular one, the centerstage one that, long as i’ve known this old house, has harbored and shaded the front. it’s as if the big old tree is reaching its arms round the house and all who dwell there. it stands in the way, as if the sentry dead-set on keeping us safe. in fact, i’m certain i fell in love with the tree at the very same instant i fell for the house. likely before, since i had to walk beneath and around that fine lacy-leafed locust on my very first traipse up the walk.

it’s the tree whose branches — in the years when it’s grown inches and inches before we’ve brought in the trimmers — tap against our bedroom window panes, and let us know when a storm is stirring up trouble. it’s the tree whose filagree makes for the lacy dapples of light and shadow in the window seat that’s held me through long hours of long-distance phone calls with the boys i so love, and pages and pages and pages of books (i think of it as my “therapy nook” as emphatically as i call it my book nook). it’s the romping ground of sparrows and woodpeckers, and the high-up perch of the cardinal. it’s where the squirrels, whole generations of squirrels, build their nurseries and stash their winter’s larder.

it’s the tree that has long made my night sky an alchemy of heaven and earth, as the stars play peek-a-boo between the tossing branches and leaves.

and now there’s a hole in my sky.

that night, the night of the big crash-bang-boom, our street looked not unlike a crime scene: the cops rolled right up, set flares glaring into the night, all around the perimeter of the tree now sprawled clear across the street. the guy with the chain saw came too, once he was roused from his sleep, clear up in wisconsin he told me, as i tried to fill his mug with coffee. some of the neighbors came too, all of us decked out in our jammies and various iterations of footwear. (one came in big rubber rain boots, i — stupidly — left my flip-flops behind.)

the next morning, still another big branch came crashing to the ground. (i lost another night’s sleep, tossing and turning over the what-if’s with that one, knowing how often our sidewalk is filled with nannies and babies en route to the park down the lane.) the tree gurus are pretty sure the first fallen chunk of the tree had been holding up the one that fell hours later. and everyone’s certain the big tree is strong as it’s ever been. (last winter an old oak in the yard next door fell to the ground, pulled right up out of the earth, and the tree man told me our big locust likely lost one of its buffers from the wind, and now took all westerlies straight on, thus shaking loose any precarious limbs.)

but the part where the story turned decidedly sweet, the part where it really got me to thinking, was what happened once the sunlight came up, and i sent a note off to my faraway boys, to let them know what had happened during the night.

you would have thought an old friend had died.

both sent notes with lots and lots of exclamations. and not the happy kind. both wanted pictures. both knew exactly how shaken i was — because, suddenly, they were too.

it made me think about home. and how even when you’re no longer there, day after day, night after night, you expect it to stay just as it was. home is defined by a curious set of particulars: the creaks in the stairs, the way the bathroom window always gets stuck. the tree that’s always out front.

and when the picture is changed — even when you’re far far away — it takes a bit of realignment. our world is not right. not right away anyway.

so it is with our living, breathing, hurting and healing selves. in the course of our lives we take a mighty long string of blow after blow. it starts early on. most of us can’t even recall what first set us to tears. we take skinned knee and knocks to the head. we fall off swings, we tumble down stairs. we take hurt after hurt, and each time — miraculously — we heal. or we regain some piece of wholeness again. we learn to live with the bruise, or the scar. we learn to live with our hearts shattered to pieces. somehow, some miraculous how, we are stitched back together again. we might even forget just how much it hurt. or maybe we learn to remember without feeling the whole of the sting. sometimes, we even realize the horrible, unbearable hurt has opened the door to some unimaginable room. when my sweet papa died, i decided not to run off to faraway nursing school. instead i stayed close to home, and learned how to type — and a thing or two about newspaper writing — and there in a newsroom six years later, i met the love of my sweet life. and from that came our beautiful blessed couplet of boys, the ones we call our first and second double-bylines.

the point here might simply be that all our life long we are taking hit after hit, and somehow finding the hope and the faith and the possibility that stitches us back together again: never the same, and maybe just a little bit stronger.

and in the meantime, when i look up into the night sky, from down by the trunk of my big old tree, i see heaven’s dome, more stitched with stars than i’ve ever seen before….

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the new hole in my sky

how have the hurts — and holes — in your life, opened you to wide new starry-stitched vistas? 

autumn is the season that begs your attention

All creation holds its breath, listening within me,
because, to hear you, I keep silent.
~ Ranier Maria Rilke ~

i’m deep breathing poetry and wisdom at the 2019 Catholic Imagination Conference in downtown chicago, a biannual sacred-infused assemblage this year drawing a roster of glorious writers including alice mcDermott, tobias wolff, patricia hempl, mary gordon, paul elie, and poets mary szybist, paul mariani, and dana gioia, and more and more to the shores of lake michigan. this year’s biennial is subtitled: “the future of catholic literary tradition,” a subject to which i am curiously drawn. while i’m off inhaling all that these wise ones offer, and as the seasons take their pivot, exuberant summer into majestic autumn, i am leaving here at the table the longer, unedited version of something i once wrote: a count-your-blessings calendar for autumn, the season of awe, the season that begs your deepest attentions. in all, there are four weeks in my blessed-be autumnal calendar, but i might leave two here now, and circle back with the next two later in the season. (on the other hand, i might leave the whole thing here now…)

slowing timean abridged version of this is found on pages 134 to 138 of Slowing Time, my first foray into the world of book publishing, a book that still sells at a slow and humbling trickle. (though not as humbling as the next two…) delight in making this the backdrop to your hours of quietude in the shimmering weeks ahead. i find i can’t ever wrap myself enough in the velvety folds of this turn in the year…

A Count-Your-Blessings Calendar: Blessed be Autumn, Season of Awe…*

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In the Christian calendar, Ordinary Time continues, punctuated with Feast Days, All Saints’ and All Souls’, chief among many. Advent comes as autumn turns toward winter. We kindle lights amid the blanketing darkness. We await the Holy. In the Hebrew calendar, harvest time brings the Days of Awe, the holiest of holy days, from Rosh Hashanah, the Jewish New Year to Yom Kippur, Day of Atonement, and on to Sukkot, Feast of Tabernacles, the harvest celebration where we wrap ourselves in the whole of Creation and God’s abundant glory. From the golden glowing autumn light to the morning’s brisk first breath, this is indeed the Season of Awe.

Week One:

Day 1: Blessed be the golden days and star-stitched nights of autumn. Blessed be triumphant blast of light and jewel-toned tapestry, as the Northern Hemisphere lets out its final hallelujah before deepening, drawing in. And bless those among us who are wide-eyed to the wonderment that is ours for belly-filling feasting.

Day 2: Now’s the interlude when leaves drop their drab summer-worn green for jaw-dropping amber and gold, copper and crimson. Air turns wake-me-up chilly. Pumpkins weigh down the vine. The slant of sun drops in the sky, as we twirl farther and farther away, it is all autumn’s call to attention.

Day 3: Season riddled with goodbyes: Winged flocks take flight on night winds. Hummingbirds hover but an instant. The hearts and souls we love shove off, back to school desks and leafy college quads. Bittersweet the partings, filled with prayer for safe return.

Day 4: There is faith galore in tucking in a bulb, concentrated life. In setting it just so, roots poking down and the shoot facing skyward, where the vernal sun will come, will tickle it awake, coax it from the frozen earth, break through unannounced, startle us with tender slips of green. Resurrection, sealed beneath the earth.

Day 5: Wrap yourself in the prayerful cry of the cello, the orchestra’s autumnal offering. No deeper plea for hope than Bach’s Cello Suite No. 5 in C Minor, especially as unspooled by Yo-Yo Ma. Might it be the backdrop to your autumn prayer? 

Day 6: Behold the piercing, minor-key dissonance, raining from on high. It’s the trumpet blasts of geese in Vs, far above the trees. In this season of migration, as feathered flocks follow heaven’s call, let us bow our hearts when we hear the mournful siren’s song. 

Day 7: English poet and polemicist John Milton says of geese: They are “intelligent of seasons.” Contemplate that wisdom when next you absorb the snow goose’s unseen night cry. 

Week Two:

Day 1: Some call this “the wabi-sabi season,” so defined as the season that pulses with the beauty of sadness and the sadness of beauty, and the breathtaking poetry of imperfection and impermanence. Embrace your own wabi-sabi self.

Day 2: Be on the lookout for the first frost of the autumn, the glass-beaded luminescence that captures the slant of the sun, refracts it, refines it. Wraps it in a ball, makes it more than it was, broadcasts it. When first frost comes — when the architecture of water and cold finds itself frozen — that morning light is magnified, glorified, held up for ovation, a show that won’t last. It’s all part of the whole-cloth majesty that is the autumn.

Day 3: Holy chores of autumn: Head outdoors to chatter with your birds and squirrel friends. Protect them from the coming cold. Toss corn. Pour water into shallow bowls. Smear peanut butter onto tree bark so they can peck it off, stave off the shivers and the rumbly tummies that we fear for them.

Day 4: Partake of autumn’s poetic fruits: honeycrisp apple, mission fig, pomegranate, persimmon, ruby-breasted pear, quince. 

Day 5: Bless the miracle of the monarch, the one of all the 24,000 species of butterflies who migrates the farthest. And whose story brings on goosebumps. For most of the year, the monarch, like every other butterfly, lives an ephemeral life. It’s born, and within weeks, it dies. Not so the monarchs of autumn, they are the Methuselah generation — named for the oldest old man of the Bible, who, according to Genesis 5:27, lived “nine hundred sixty and nine years.” Monarchs born at summer’s end, way up in Canada, live as long as eight months. They exist for one purpose: To fly south, and, come spring, beget the next generation. Who in heaven’s name dreamed up such almighty wonder?

Day 6: Crack open the autumnal recipe box. Bake a crisp or crumble that draws upon the orchard’s harvest. Offer up a prayer for heirloom apple tree, and the woodsman who tended it, and plucked its drooping boughs.

Day 7: Fill the table with invited friends, friends whose big ideas soar like kites against the wind, and whose laughter makes the walls shake. We are blessed with such companions, a word with Latin roots meaning, literally, “bread fellows.”  

Week Three:

Day 1: Bless the season of winged flight, of thousands of miles of flapping wings. Of painted-wing songbirds carrying off their full-throated melodies and charmed warblings, leaving us to absorb the new-found silence of the leafless trees.  

Day 2: It is in the few fat fruits — American cranberry, rosehips — left on the bough and thorny stem, and the up-reached arms of oak and serviceberry that we might find the combination lock to our imagination — and our most satisfying comfort.

Day 3: Treat yourself to a mid-night’s moon lace. Tear off the bedclothes, tiptoe to a window — or if you’re feeling brave, straight out to under heaven’s dome. On a night when the moon is full or nearly so, behold the full-strength moonbeams as they spill across the boughs, the grass. All the earth is dappled in inside-out shadow. Better than Chantilly, and sure to take your breath away. 

Day 4: Savor the gray days of late autumn. When all the world is stripped of excess, pared back to strictly elemental. When even a smidge of color — save, maybe, for the blood red of a clump of berries — is uncalled for, unnecessary.

Day 5: Regard the autumn frost, redux. Miracle of sunbeams captured in wee globes of dew. Or might it be the cold sweat of dawn’s labor, the hard work of night turning to day? Either way, let it take your breath away. First blessing of the day. 

Day 6: Unearth a long-buried tome from your bookshelf, and curl up for a long afternoon’s contemplation. What title tickles your autumnal fancy, and gets you in the mood for counting all your bounty?

Day 7: Dollop sweetness, the gifts of summer’s labor harvested in autumn. Might you choose amber-liquid honey, or bronze molasses? Or do you take your sugar squared, in lumps? Heaped blessing, indeed. 

Week Four:

Day 1: The world is at work in its tasks that trace back to the birth of all time. There was darkness, there was light. Genesis says so. There are seasons, turning. Ask Ecclesiastes.

Day 2: Look out into tangled labyrinth of branch on branch — interrupted only by unkempt knot of leaves assembled by some squirrel intent on keeping warm — and understand what November reveals.

Day 3: As you begin kindling wicks, come nightfall, consider the honeybees’ hard labor to beget the beeswax. It’s estimated that, to gather the pollen to make the honey that’s consumed by bees to craft the honeycomb, the bees fly 150,000 miles to yield one pound of beeswax. 

Day 4: Or, as Bavarian thinker named Karl von Leoprechting wrote, in 1855: “The bee is the only creature which has come to us unchanged from paradise, therefore she gathers the wax for sacred services.” Ponder that when next you strike a match to illuminate the darkness.

Day 5: These are the days when the stark poetry of gnarly branch and endless sky open up to us. When all around is naked, bared, stripped of its cloak, exposed. We might be spurred to pare away all but our very essence.

Day 6: It is jagged silhouette against the charcoal sky that haunts, rustles us, seeps slowly deeply in.

Day 7: “If the only prayer you said in your whole life was ‘Thank you,’ that would be enough.” — German philosopher and mystic Meister Eckhart (1260 – 1328).

what would you add to your own count-your-blessings calendar for this season of deepest awe?

black-eyed susan* © 2006-2019 Barbara Mahany. All Rights Reserved.

the cartography of discovery, one page at a time

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i am finding my way, or trying anyway, one page at a time.

the stacks of books are growing at a precipitous, and possibly murderous, rate. it’s not quite as death-defying as the bibliophiles who cowered on the cover of middle june’s new yorker, the brilliant bruce eric kaplan’s “bedtime stories,” which made me laugh out loud (in sorry self-recognition). but it’s growing at a rate that might make ol’ jack and his beanstalk shudder.

certainly propelled by the question of the season — what will you do with your one wild and precious life? — i climb the stairs of this old house, this increasingly arthritic house (the old wood slabs and my old bones now creaking in something akin to unison). i am, more often than not, carrying a small armload of books. i carry them, logs to the pyre, to see what i might kindle from the depths of their pages.

IMG_0265my destination is the nook by the window that’s become my signature perch. my aerie. the crow’s nest for those not tossing on the seas, but merely tossing in the undulations of her own uncharted life.

i am, i suppose, reading my way toward some more certain path. and, more often than not, i find myself inside poetry. i find poems the surest way toward clarity. it’s the way a poem illuminates the barest wisps of the everyday, the quotidian. imbues those moments with the volumes of understanding, or wisdom, i’ve always sensed. poetry puts dimension, puts shadow, light, and a spectrum of color, to the otherwise unnoticed.

and therein i find what i call sacred. the holiness of the every blessed moment. if only we stop to mine the depths, the strata, the igneous rock bed beneath the flimsy shale.

this week, as i squirm inside the borderless plateau that is my newfound station, as i arch this way and that, wondering where my path is hiding, i stumbled onto this most perfect poem, one that almost seemed to be a polaroid of the moment in which i find myself: the work of my lifetime, mothering, now coming to a turn.

but what i love the most about this poem, “things you didn’t put on your résumé,” by the brilliant minnesota poet laureate, joyce sutphen, is that it holds the everyday up to the light. shines incandescence on the otherwise invisible. she says it more pulsingly and achingly than i’ve ever managed to capture it (though i wrote three books trying…..)

so from my corner nook in my window seat, looking out into the linden boughs and the serviceberry where the sparrows romp, here’s the perfect poem for this moment when i am looking back at all that’s been, missing it terribly, and wondering where oh where will i next find the closest thing to holiness in my everyday?IMG_0262

Things You Didn’t Put on Your Résumé
by Joyce Sutphen

How often you got up in the middle of the night
when one of your children had a bad dream,

and sometimes you woke because you thought
you heard a cry but they were all sleeping,

so you stood in the moonlight just listening
to their breathing, and you didn’t mention

that you were an expert at putting toothpaste
on tiny toothbrushes and bending down to wiggle

the toothbrush ten times on each tooth while
you sang the words to songs from Annie, and

who would suspect that you know the fingerings
to the songs in the first four books of the Suzuki

Violin Method and that you can do the voices
of Pooh and Piglet especially well, though

your absolute favorite thing to read out loud is
Bedtime for Frances and that you picked

up your way of reading it from Glynnis Johns,
and it is, now that you think of it, rather impressive

that you read all of Narnia and all of the Ring Trilogy
(and others too many to mention here) to them

before they went to bed and on the way out to
Yellowstone, which is another thing you don’t put

on the résumé: how you took them to the ocean
and the mountains and brought them safely home.

“Things You Didn’t Put on Your Résumé” from Carrying Water to the Field: New and Selected Poems by Joyce Sutphen, University of Nebraska Press.

simply: what are the things you don’t put on your résumé?