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where wisdom gathers, poetry unfolds and divine light is sparked…

Month: September, 2014

mullipuffed

dandelion_gone_to_seed

…it is written.

those were the words onto which my eyes locked, as i turned to page 108 in the morning prayer service of the new union prayer book for the days of awe:

“on rosh hashanah it is written..” 

those words burrowed deeper than they might otherwise have burrowed, those words that inform us that God is on high, is etching our fates into the great book of life, of destiny; a refrain of the jewish new year that is ancient and every year new. it is the beginning somber note of a two-part doxology: on rosh hashanah, it is written; on yom kippur it is sealed.

weighty enough. but even weightier this year for me.

for far beyond the walls of the synagogue, where i bent in prayer yesterday, i knew that cardboard boxes were plopping on door stoops, sliding into the hungry maws of mail boxes. i knew because blessed friends had been sending me pictures. a book landing here, landing there. each one a birth.

indeed, it was written.

and that’s when suddenly the image popped into my mind: the wafting seeds, airborne puffs roto-coptering across the landscape, over farmer fields, over desert mountaintops, from sea to shining sea.

there’s a word that’s gone out of vogue, but i am on a one-woman campaign to revive it, breathe life back into it. it’s mullipuff, a delightful collection of syllables and spill-from-your-mouth cotton-ball consonants, and it is the word for the seed head of the dandelion, when its yellow fronds are spent, but its deepest job is just beginning: it’s about to take flight, and in that breathtaking way, transformation has occurred. it has seed dropping to do. holy act of faith, indeed. flinging itself to the winds and the rains. counting on calm blanket of air, of breeze, to carry it to where it might plop, sink in, begin the birth and rebirth.

mullipuff.

…it is written.

and so i find myself this morning, twirling and spinning the thought of all those books, of those pages being turned, and i know this is where i need to pray most mightily. this is where the holy act begins. the book is landing, and with it the words, the prayers burrowed deep down inside. lying in half-sleep this morning, i prayed that those words — like seedlets in motion — would begin their journey, their voyage, their sacred beginning….i imagined each word propelled, each one decked out with little flagella, those microbiological wings — propellers — that scurry amoeba along. if you’ve ever put your eye to the microscope lens, you know what i mean, the little flippers that make the droplets of pond water swim across the microscope slide.

so, i imagine, the words. so i pray for the words. now that they’re unloosed on the world, now, i pray, “please do your job.”

it’s what happens, i suppose, when you don’t set out to write literature, don’t sink your heart into plot twist or narrative arc. but when all you do is set out to unfurl your heart, to write a plainspoken book of common prayer. the prayer from one harried mama who is looking so hard for the holy. who, after practice and practice, is beginning to gather it, to fill her heart with it. to find the holy bliss she’s been looking for. looking for so very long.

and so, this morning, i hold my breath, i pray my prayers, i ask the heavens to take over where i can’t go. the words that i typed are dandelion seeds. they are wafting now. landing, burrowing down.

dear God, let the seedlings take root. let something begin deep in the hearts and the souls. a scratching the surface, and quietly quietly sinking deep down where wonder takes root. where eyes are widened, and ears are perked. let the holy begin to rustle. let it quiet the noise, and peel back the hard dull edge, make known the unnoticed. let the hours be mined for all that they hold — magnificence, mystery, luminescence and shadow. let us see the beauty, behold the beautiful. let the books that land on the doorsteps, let them be the field guide to what lies deep within. the wonder, the wisdom, the Sacred.

so now you’ve read along as i prayed out loud. saying your prayers aloud gives them a bit more heft, adds ballast. i’ve been blanketed in that prayer all week, as i knew that little book, the one called Slowing Time, was miraculously being boxed and shipped and delivered. it’s as if a hundred thousand prayers of my heart, the seeds of the mullipuff, are finally released, finally getting to work. and all i can do is pray that they land where they’re likely to burrow and bloom.

what constitutes the mullipuff you choose to blow into the world?

p.s. because i was enchanted by the noun, mullipuff, i turned it into a verb (up above), as in a weightless something blown upon the whisper of breath out across the landscape. mullipuffed. may what matters to your heart, be mullipuffed….

because i was wholly entranced, as i always am, by the prayers i find in the jewish prayer books, and because i was struck by how deeply i’ve been informed by the lens through which ancient jews marveled at the world, i carried home the prayer book, so i could share this prayer with you. it’s called, Your Endless Blessing, and it begins on page 82.

Great and holy Maker of all the living, 

You create the world, Your child, anew at every moment.

An instant’s pause in Your creative love, and all things would turn to naught.

But Your blessing glows in every spark of time.

Again and again the morning stars unite to hymn Your love.

Again the sun comes forth to sing Your light. 

Again the angels sing their sacred chant to You.

Again the souls intone their need for You.

Again the grasses sing their thirst for You.

Again the birds chirp their joy before You.

Again abandoned chicks voice their orphan-song to You.

Again springs softly bubble their prayer to You.

And still the afflicted pour out their complaint to You.

And still their souls’ prayer splits Your heavens. 

And still they tremble in awe of Your glory.

And still in hope they lift up their eyes to You.

One ray of Your light, and we are bathed in light!

One word from You, and we are reborn!

One hint of Your eternal presence, and we are refreshed with the dew of youth!

Author of life, as You renew all things, take us, Your children, and make us new.

Breathe Your spirit into us, that we may start life afresh, with childhood’s unbounded promise.

cradled

sunflowers

cradled (v.) hold something gently and protectively.

that’s the dictionary doing what it does: defining.

and then we come to the part i always love best, the underpinning of every word, its linguistic DNA, its etymology, its roots reaching back in time, across oceans, deep into the vault of centuries past. and here we read this (from my friends at the online etymology dictionary):

cradle (n.) “baby’s bed,” c.1200, cradel, from Old English cradol “little bed, cot,” from Proto-Germanic *kradulas “basket” (cognates: Old High German kratto, krezzo “basket,” German Krätze “basket carried on the back”). From late 14c. as “device for holding or hoisting.”

in the sixteenth century, circa 1500, the etymologists tell us, the noun slipped into its form as a verb, and that’s how i like it best. to be cradled. to cradle.

i was humming around in my head, coursing the bumps and the vales of my brain, in search of a word that means “what’s keeping me from wafting away.”

“grounded” didn’t work because it sounded like i’d been sent to the doghouse. “tethered” came close, but only if you pictured a space walker tied to a lifeline, the sort that NASA so solidly builds, a lifeline that allows for floating, drinking in the sights of the heavens. literally. “tethered,” if you pictured a leash, did not work.

and then, in that way that sometimes makes you feel there’s an angel plopped on your shoulder, leaning in, whispering words in your ear, suddenly, out of the vapors, “cradled” appeared. and all at once, i felt my shoulders go soft, in that exhale of a way. when you whoosh out your worries and cares, and all’s right with the world, as robert browning once put it (“song from pippa passes”).

and so i am — we are all — being cradled. each and every day. breathing or not. we are cradled in great tender arms that hold us. i particularly love the notion from the german Krätze, “basket carried on the back.” breathe that one in for a moment.

right in here — the past luscious whirling days — i’ve been feeling a wee bit lightheaded, and my heart’s been pounding so hard i worry, as i so often do, that it just might give up the ghost. so, as if my life depended on it this morning, i pulled myself out from under the sheets. and i tiptoed out to the holy cathedral just outside the kitchen door, the one that vaults to the heavens, the one that this morning was lit by a crescent of moon. looked to me, more than anything, like one big eye winking at me. God’s eye?

and all around me, the dawn’s soft cool blanket fluttered, as if on a clothesline. the cardinals, cloaked in scarlet as always, were up and chirping away — it’s fairly hard to beat a cardinal out of bed. the dew glistened. my toes took a bath when i tiptoed across the yard to fill the feeder with seed.

i stood there breathing. feeling the arms wrap around me. winking back at the moon. then, i looked to my old shingled house, melted at the buttery light of the kitchen, glowing. sighed a deep sigh of thanks for the house that never fails to keep me safe.

i stood there for a short little bit, unfurled my morning vespers, felt the soles of my feet sinking soft into the earth that holds us, always holds us. and then i puttered back toward the kitchen, where a lunch box awaited, and upstairs, a growing boy slept.

as i poured my first mug of coffee, i stopped to drink in a clutch of sunflowers that peeked from the old chipped milk pitcher. i thought of the blessed beautiful friend who had scooped up those wide-faced wonders from the farmer’s market. and then i climbed the stairs to wake the sleeping boy.

i pressed my cheek against his, longer than i usually do. i drank him in, my sweet sleeping child. and, as i’d been doing all morning, i leaned; this time, on him. i leaned on all of these wonders — winking moon, chattering bird, morning’s dew pearled, old blessed friend, and miracle child — and fortified myself for the hours to come.

i was cradled.

the cradle is there, always there. if we’re willing to climb to the basket strapped to the back — the glorious, heavenly back — that carries us, even on days when we’re dizzy.

what cradles you? as in what are the wonders that hold you gently, protectively? 

an invitation

an invitation

the invitation is broader and deeper than simply offering you a date and a time and a place. yes, there is that (details below). but the invitation i’m gently laying here at the table, it’s a doorway, an entering in….

the invitation is to slow time, to savor, to pay attention, to carve out quietude in the rush and the whirl of your every day.

we’ve been circling around those notions for years now, here at the chair. and somehow, in a mystical, magical, marvelous way, those quiet ideas have tucked themselves into the pages of a book, a book that might plop onto my front stoop any hour now. while i’ve not yet lifted it out from a box, haven’t felt its weight hard against my palms nor flipped through its pages, haven’t marveled forward and back that words typed here in the murky first light of so many mornings have found their way off the screen and onto the page. spelled out in ink — a newsgirl’s primary intoxicant.

but i’ve seen proof that those pages are finally off the printing press. they’re bound, slipped between covers.

any hour now, i’ll christen those pages with my freshly spilled tears.

so it’s time for the invitation.

for starters, consider the book, Slowing Time: Seeing the Sacred Outside Your Kitchen Door (Abingdon Press, Oct. 7, 2014), a portable iteration of this old chair. why, you can take it wherever you go. you can bring it to bed, tuck it under your pillow. you can spill it with crumbs (and not have to worry that your keyboard gets jammed with a bit of a cracker). you can climb into a tree, and turn its pages. you can even slink in the bathtub (and not have to worry about glug-glugging your screen under the bubbly suds). it’s the chair unleashed. the chair on the loose. we’ve snipped the cords and numbered the pages.

ah, but there’s something even more enticing than the fact that Slowing Time, the book, can follow you anywhere, can go where’er you go.

and that’s where the invitation begins: my prayer all along has been that what’s tucked in the pages of Slowing Time is simply a field guide into the depths of your holiest hours. my hope is that it might become your whispered companion. a place to begin to contemplate how your life might look and feel and radiate if we dial down the noise, hit pause, and sift through the mess for the shards of the Sacred.

it’s a sketch pad, really, in which the flickers of half-baked ideas clothe themselves in words. and those words become the stepping path into the woods, into the depths. or at least point you in intriguing direction.

professor elisa new, beloved poetry scholar at harvard, talks about how a poem is a “communal resource, a convening space — written in a language we all understand.” it’s a place, she says, “where one human being has tried to make meaning, using a tool — the language we all share — that belongs to all of us. and so, by entering into inquiry, discussion, and interpretation of that poem, we can fully engage in that activity so central to the humanities, that activity of human conversation about what it is really to be human.”

and so, too, with the words you find spilled on the pages of Slowing Time, it’s an invitation to “shared inquiry.” and its words are, at heart, prayer unfurled in plainspoken prose. one someone’s prayer searching, searching for companion — be that gentle journeyer God, or the soulmate you find along your stumbling way, or sitting just inches across from you.

after all, the geometry of the old maple table, and the chairs that are tucked up against it, is the circle. heart linked to heart, hands within squeezing range, eyes close enough together that we can catch the sparkle on a joy-filled day, or the empty hollows in the hours when sadness or grief has eclipsed the light.

it is in those circles of our life — the circles we create out of love, or even when carved by accident of geography — that we find communion. and our own plumbing of the depths becomes shared inquiry, scaffolded exploration. a safe zone, where even our rawest tender spots can be laid before us, with no fear of harm or scorn or raised eyebrow.

still, though, it is in solitude, and in the sanctuaries of time we’ve hollowed out of the day, that the deepest paying attention begins.

as with so many spirit-filled vespers, slowing time — here at the table over the years, most lately every friday morning — has become a practice. practice, as in trying over and over and over to hew closer to the anointed edge at our most blessed core. practice, as in a ritual that surrenders to a rhythm. and, as with all holy acts, the holiness is found burrowing into the nooks and the crannies of a place — an interior, our interior — at once familiar and still to be explored.

it is the nautilus of prayer.

and it is the invitation that pulses at the heart of Slowing Time: use these words, little more than one pilgrim’s prayer, to lead you deeper into your own heart’s vault. settle in. deep breathe. catch the light. embrace the shadow.

and, once you’ve breathed Holiness in and in and in again, lift your eyes, and discover the light of the circle around you, within you. there is Holiness abounding, and it’s ours, radiant with grace.

and here’s the date-time-and-place invitation:

Slowing Time begins here: Reading, Conversation and Book Signing 

Wednesday, September 17 (feast of St. Hildegard of Bingen, the great medieval mystic, composer, writer, visionary)

7 p.m. to 9 p.m.

Francis Xavier Warde School at Old St. Patrick’s Church

120 South DesPlaines Avenue, Chicago

(leave it to Old St. Pat’s to prompt the heavens to rain down books before the publication date…)

 

yet another reading, after the actual publication date of Oct. 7, is now inked onto the calendar of a marvelous magical bookshop in Evanston:

Slowing Time Reading and Conversation

Bookends & Beginnings bookstore, a magical bookshop tucked in an alley that feels as if it’s popped off the pages of Harry Potter. Co-hosted by Evanston Public Library. To reserve a seat, please contact Bookends and Beginnings at 224-999-7722.

Thursday, Oct. 9

6 to 7:30 p.m.

1712 Sherman Avenue, Alley #1, Evanston

bookendsandbeginnings.com

and yet another marvel:

Slowing Time Reading and Conversation and Autumnal Joys

Women & Children First, a Chicago literary landmark in magnificent Andersonville, is hosting a reading, conversation and celebration of autumn, Season of Awe.

Wednesday, Oct. 29

7:30 p.m.

North Clark Street, Chicago, IL

womenandchildrenfirst.com

more readings to come…..stay tuned.

and now a question: how do you slow time? (oh, and what will be your crumb of choice to spill onto the pages and clutter the book binding gulley?)

slowing time cover

tracks to my heart

engines of youth

the email slipped in with no more than the ubiquitous ping. it came from my faraway brother, the one with a boy of his own now, a fine little lad rounding the bend toward two.

the email couldn’t have been clearer:

“Hey Babs, we are thinking of getting a train set for milo. I recall you guys had a great Thomas Train set up. If you still have it, would you be open to our borrowing it for couple years?  We would pay all packing and shipping both ways. Saves us buying new.  I totally understand you might not want to let it go. Just wondering.”

in an instant, the snapshots came tumbling: my own firstborn’s second birthday, a summer’s day so hot and sticky he wore just a onesie as we tiptoed down the stairs to see what the birthday fairy had tucked in the living room corner. my heart nearly burst as i handed him the very first box i’d ever gone out and bought for him. it was a box so heavy the little guy couldn’t lift it. he needed his papa and me. inside: an oval of track, wooden track; one ivy-wrapped train station; and a little blue engine named thomas, thomas the tank engine, a train who’d ascend to a starring role in the celluloid loops of one boyhood.

for years and years, the consummate posture in our house was a boy perched in a crouch, his fine little fingers curled over the spine of a train as he moved it this way and that, spinning tale after tale, spewing noise after guttural noise (for that’s what trains do when they speed or they crash). one by one, we collected engines and track and bridges and tunnels. we collected stories, and friendships there on the floor where the tracks morphed from circle to oval to intricate geometries that looped and ducked and rose and forked. back in the day, the little TV by the kitchen table played over and over the tales of the trains of the island of sodor, all told in the lilting tongue of one ringo starr, who to these children was simply mr. conductor, while to his parents he was the rockstar drummer, now curiously cast as trainman. (ringo gave way to george carlin — or maybe it went the other way, carlin to starr — either way, a bizarre bit of telegenics, one that endears both gents forever.)

our sweet boy loved trains more than anything. for years, we rode them cross country, falling asleep to the sway of the bunks as we rolled through the heartland, the hudson river valley, or the rise of the rockies. we drove to where we could watch the lumbering locomotives, switching back and forth on the side tracks in the yard where they were hosed down and polished. we climbed aboard on sundays and rode up and down the “el” line, or around “the loop,” chicago’s train set for grownups.

more than once, our little trainman plopped his head to the pillow and drifted to dreamland clutching one of his engines. he rarely left home without his striped engineer’s cap. and when he was four, and we drove to a farm to fetch a striped six-week-old kitten, our little trainman inserted “choo-choo” as the mewling’s middle name.

one christmas, the very same brother who now wonders if we might send our train set his way stayed up the whole night, sawing and pounding vast planes and chunks of wood, a train table with sawdust-sprinkled landscape, one that stood on four stout legs, and rose to the precise height of one little boy’s waist, for maximum stretch of his train-steering arms. that blessed brother’s all-night labor made for a christmas awakening never to be exceeded.

and then one day, the train table was collecting dust. the trains hadn’t moved one inch in the yard. they were tumbled all in a pile. and, in time, tossed in a bin and tucked at the back of the toy shelf.

for years now, they’ve cowered in the dark. too treasured to be relegated to the attic. too forgotten to see the light of the murky playroom downstairs.

but still that bin holds so many sparks of a boyhood, i can nearly hear its whispers. maybe more than anyone in the house, i’m the one still clutching the tracks and the sweet-faced engines.

but around here we believe in hand-me-downs. and not only because it stretches a dollar. because a hand-me-down is history. is layers of story. of love. is animated even its stillness.

and so, this morning, i will sift through the train bin. i will pluck out thomas, the blue one, and james, who is red. edward, i recall, is the kind engine (and thus, always, my favorite). and toby is a troublemaker. how could you not love the cast of your firstborn’s childhood? how could you not treasure the trains that, often, came to dinner? made lumps in the bed clothes? filled little-boy pockets? spouted faucets of tears if left behind, ever?

that little train man is far from home now, 1000 miles away from the train table that is no longer. he’s all grown, and he told me just last week, with a thrill in his voice, that the window of his senior-year dorm room looks out on a train track that runs through the woods of his leafy new england college.

and just a bit farther north and east, in the little town of south portland, maine, there is a little boy who doesn’t yet go to sleep dreaming of trains. but he will. oh, he will.

as soon as i slap the shipping tape onto the cardboard box that waits in the basement. soon as the nice mailman scoops up the parcel and plops it onto a faraway stoop. soon as sweet milo crouches down in that way that boys do, and curls his fingers just so, round the spine of the train. and, full steam ahead, chugs through a childhood.

bless the tracks and the trains, and the boys who so love them….

what are the treasures from your childhood? or the childhood of someone you love? do you recall bequeathing that treasure to the next keeper of treasure?