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Category: savoring moments

baselines of hope

baselines of hope

these times, they are shaky.

that’s one way to put it, waking up, catching the first snow fall on my nose as i lope outside with coffee can and birdseed in tow, on a mission to make my first act of the day one of tender caring, even if the caring comes in the form of feather balls who float on the wind, who fill the air with chirps and cheeps and fluttering wings. and then, while that peace-filled breath is sinking deep in my lungs, in my soul, i lope back inside, click this lit-up clamshell that brings me the news — oh, the news — of the world, and just now told me of atrocities in melbourne, australia. australia, a nook and cranny of the world we like to think of as too far from the madness, somehow immune, inoculated. if only there was a vaccine against having our hearts blown to shreds.

every day now, it seems to come. to find its way in. to shake us, rattle us, frazzle our hope and sometimes our faith, deep to our core. australia. thousand oaks. tree of life. kentucky kroger grocery store. pipe bombs across america. (and that’s just the shorthand of horrors for the last 30 days.)

but i stumbled into a lifeline this week. or a little something that might just help.

by the grace of God, i have this crazy wild job that puts me in the front line of books for the soul — i read them, lots of them, and pluck out the ones especially worth passing along — and every once in a while that means i get an early crack at a book that just might save us — or at least give us a place to eddy our hearts for awhile. that’s how it happened that anne lamott’s newest, “almost everything: notes on hope,” came to be following me everywhere i go.

because she’s the master of embedding rocket blasts of wisdom unsuspectingly into the middle or ends of a sentence (p. 45: “help is the sunny side of control”), distilling knock-your-socks truths into words or combinations of words you’d never before known could work in that way (p. 47: life is “like free theater in the park — glorious and tedious; full of wonder and often hard to understand, but right before our very eyes, and capable of rousing us…”), lamott is someone to read with pen and post-its at the ready. you’ll want to scribble in the margins, and up and down the end papers, too. (best not to play this game with a library book, so i’d urge you to buy your own copy so you can play along without racking up ginormous library fines.)

one of the tripwire lines she’d buried deep in one of her sentences was one that — as plotted, i’m certain — stopped me in my tracks and got me to thinking. (the very best books for the soul can take a very long time to read start to finish because they are filled with cul-de-sacs and ridge trails that force you to plop down on the side of the mountain and look out over the valley, far and wide and clearer than you’ve ever before noticed.)

she was writing about how even when life seems to be humming along, “the cosmic banana peel awaits.” in other words, stuff happens. bad stuff. stuff that makes us feel like our heart’s been blown to bits. banana peel stuff. “without this reality,” lamott writes, “there would be no great art or comedy.” and then she goes on to remind us to “savor what works when things are sort of harmonious.” the million and one things that don’t steer us into the ditch, don’t trigger the air bags.

it’s these little-counted miracles — the toe that wasn’t stubbed when you nearly walked into the bathroom door in the night, the pink dot by your eye that didn’t turn into a sty, the vote tally that did fall in your favorite faraway candidate’s favor — these “fleeting, lovely satisfactions” that lamott writes give us “a baseline hope.”

baseline hope.

it was as if she’d twisted the kaleidoscope just enough for me to see from a whole new angle. it was white-on-black instead of the usual black-on-white. take one minute (or be radical and take maybe five, or 10), consider the census of everyday barely-noticed things that do go the way you’d want them to go if you were the one in charge of your plot line. the things you barely pause to realize have saved you from falling into the rat’s nest, the ant hill, the gutter.

the baselines of hope.

i’ll go first: there might be a recount in florida. the furnace is humming, not sputtering. my slippers are fuzzy and warm. my hopefully-college-bound kid got his essays written on time. the computer did not crash as he was submitting said essays to college. the kid i love who’s in law school, he put down the books long enough to go to the symphony last night (a sign he’s learning to live like a human, and not just a caffeine-fueled freak of high-stakes angst).

you catch the drift, i’m certain.

these days the world can and does bombard us. it’s incoming always. and it’s not often pretty. but underpinning our everyday, more often than not, the furnace is working, the gas tank is filled, someone we love remembers to call us.

baselines of hope.

what’s required is the root of all sacred practice: pay attention. pay close, close attention. harvest the joys and the wonders and the narrowly-missed calamities. those fine few things that keep the trap door from ripping right open, catching us, tumbling us down to the cobwebby cellar.

consider the miracle of most of the time….

what constitutes your baseline of hope?

awake to awe

awake to awe

two holy things happened in synagogue this week, on the night and the long day of prayer that marked the new year: one, the boy who now towers over me, he grabbed my thumb with his, and inch by inch enfolded his fingers over mine. he wouldn’t let go. he leaned in, so much so that i yielded my head to his shoulder. felt the rise and fall of his breathing against the tide of my own. we sat like that, entwined, silent, for long stretches of prayer. it was the holiest prayer i’ve prayed in a very long time. over and over — it never gets old — i remember how unlikely it was, how impossible it was, that he came to me, to us. that in the midst of our believing it would never be, the unbelievable happened: he happened.

a mother’s deepest prayers, sometimes, are the ones she whispers only to herself. those were the prayers i prayed on the new year. each breath was emboldened with the knowing that a year from now he will not be by my side. i will not feel him pressing against my shoulders. there will be miles and miles between us. and it will ache. i will ache.

the other holy thing, the thing that’s washed over me all week, and will wash and wash for days still, is the notion that we carve these 10 days of awe out of the whole cloth of the year, and do as commanded. we are commanded to be awake to awe, to make each passing moment be a prayer, the prayer of paying attention, the prayer of drinking in all that surrounds us, that buoys us, that lifts us and carries us on a current unattached to the dreck of the everyday.

the prayer in my prayer book is this, and the title of the prayer (composed for the High Holy Days in the early centuries of the Common Era, according to the footnote) happens to be How Do We Sense God’s Holiness? Through Awe. here are the first lines…

And so, in Your holiness,

give all creation the gift of awe.

Turn our fear to reverence;

let us be witnesses of wonder —

perceiving all nature as a prayer come alive….

the prayer goes on, and the leitmotif of paying attention arises again and again through the hours of prayer that are rosh hashanah. it’s as if the prayer found my soul, found the soul that had been waiting for just those words, just that command: “let us be witnesses of wonder — perceiving all nature as a prayer come alive.”

and so i’ve done as commanded ever since i walked out of that sacred space where the prayers and the limbs of the boy wound around me. i’ve opened my eyes and my ears and my soul to the majesty — the breathtaking, trumpet-blasting, cymbal-crashing beauty — that is this stretch of time and season-turning, the enflaming of the planet as the last-blast palette engulfs the trees and the nodding heads atop the stems that bend in autumn breeze.

it’s not just a ho-hum isn’t-this-lovely that punctuates my days, it’s a notch beyond. it’s a command from God. “perceive all nature as a prayer come alive….”

there is a certain holiness imbued. there is a sure clear knowing that the hand that created all of this, all of this fathomless wonder, is the hand of the Creator, the one who breathed first breath into each of us. the one who has tumbled the unbelievable into my life — more than once.

my watch-keeping this week feels anointed. as if God is right there over my shoulder, delighting each time i spy one of the wonders. delighting when i pause to drink it in — slow the car, plop down on a stone, tiptoe out the door to count the stars.

i felt God the morning i drove along a field shimmering in golden rod, and the glowing slant of sun streaked radiance like lightning bolts, set the dew drops shimmering — jewels of the dawn.

i felt God when i glanced toward the night sky through the heavy boughs of trees last night and caught the crescent moon winking at me. bright. certain. daring me to slow my dash and pay attention. stop and marvel, i almost heard it whisper.

i will feel the certain hand of God when i first hear the faraway cry of the geese, crossing sky, crossing miles, crossing half the globe in search of thermal sanctuary. leaving us behind to shiver in the winter’s cold.

i am living in a census of wonder. i am living awake to awe. i am knowing that all of God’s creation is prayer come alive. and i am praying right along.

what moments of wonder have you counted this week? begin the litany here….

(i am dashing to drive my sweet boy to school, and clicking the publish button before my litany is done. but so be it. we weave the rest together…..)

awe bee nuzzling

 

ordinary time

noddling bells of spring

deep in the recesses of my DNA, these knowings lurk. those little bits of knowledge slipped in once upon a time, those bits that order time, that frame the paradigm, the window frame, through which i watch the passing picture show called life.

somehow this week there was a whisper barely heard that told me ordinary time had come. technically, liturgically, it had come because the church i grew up in, the catholic church, ordains the monday after pentecost sunday as the opening of the long chapter of the year called “ordinary time.” and so, this week, as i slipped into this time, i couldn’t keep myself from considering the folds and undulations of just what ordinary means.

all around me, as lily of the valley sent up its flagpoles of perfume, as apple blossoms drifted down like vernal snowfall, as songbirds in feathers shocking pink and golden yellow darted in and from my feeders, i hardly thought things “ordinary.” the world’s in exultation.

and in my daily everyday, there was no relenting from the news that never stops and never slows to a trickle, nor was there quelling from the firehose of bumps and bangs that comes with loving widely, deeply. one night had me up till 2 a.m., making sure a young typist came to the end of his bibliography and junior theme (aka massive term paper) before we clicked out the lights. that same night had me dispensing nursing cures to a long-distance patient whose neck was in some spasm. all while keeping track of a train chugging to st. louis, where my sweet mate and familial co-conspirator drew more distant by the minute and the mile. by day, i somehow managed to turn in — on deadline — my own newspaper assignment, the first such one (a cookbook tale, complete with half a dozen lively interviews) in quite a while. none of this seemed “ordinary,” if by ordinary we mean “having no distinctive features,” as the oxford american dictionary tries to persuade us.

oh, around here, it’s distinctive all right.

i even plopped my bum on the old cedar slab i call my prayer bench, amid the ferns and bleeding hearts of my secret garden, intent on keeping watch on this so-called ordinary time.IMG_0172

lured by curiosity to the pages of old books, i dug around to learn a thing or three about this ordinariness. here’s a bit of what i learned: the church, in all her wisdom, divides the year into chunks of time (perhaps to fine-grain our focus, knowing full well we’d succumb to blur if not for demarcation). the church knows, according to one wise writer, “that human psychology desires the marking of moments.”

there are, apparently, two liturgical mountain peaks in the year, easter and christmas, each with preamble (lent and advent, respectively) and in between (here comes “ordinary time”) “the pasture between the mountains,” otherwise referred to as “vast verdant meadows,” of ordinary time, of tempus per annum (my church loves its latin, and, according to my resident latin translator, this literally means “time throughout the year”).

it must be the quiet season, the chunks of year when — inside the church and beyond — there is not the cacophony that comes with birth (christmas) or death and dying and its glorious resurrection (easter).

in one lovely meditation, i read that God, in infinite wisdom, invented the notion of seasons (not unlike the kaleidoscope that turns a notch and explodes in all new shapes and colored bits) as “invitation to reflection,” to jostle us awake as the all-around ever shifts. yet another meditation opined that God uses seasons to “translate wisdoms into a language of purpose for our lives.”

what that means, i think, is that it’s no accident that some of us walk around fully willing to be klonked on the head by the 2-by-4s of revelation that have us extracting lessons from earth and sky and trickling waters in between. it’s why a vine that blooms long after deadline (the week before thanksgiving, one year) might speak to me of undying courage, and the quiet of the dawn reminds me to settle my soul and breathe deep before the launch of day. it’s why the springtime stirs me full of hope, and all but insists i power up my rocket blasters.

ordinary, i read, comes from “ordinal,” or numbered, the weeks of the year simply counted off, one by one. amid the canvas of quiet, without profound distraction, our task in this stretch of time is to think hard and deep about the mysteries in the weft and warp of being alive. as this is the longest time of year, a full 33 to 34 weeks of ordinary time, depending when the feast days fall, i suppose the point is to settle in, sink deep, into the extraordinary work of living, with our attention meters cranked as high as we can muster.

all of that is literal, is what the books i sought spelled out. i tend to veer off the page. and that’s when i began to really contemplate the power of unencumbered ordinary. as if we’re given unfettered canvas on which to quietly and without bother absorb the sacred simple. the gift of being alive without all the inner chatter. the charge to scan the hours of the day for those moments that break us out in goosebumps. the blessing of deep, slow breathing. the chance, scant chance, to catch God in the act….
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of late, i’ve become intrigued by what i call the theology of the sacred ordinary. not the loud bangs and pyrotechnics, not the stuff that comes at the end of miles-long, desert-crossing pilgrimage, but rather the stark and quiet notion that we are living the Holy right now.

it’s the hush of a whisper, the percussion of the rain, those are the sounds that call us in, call us to behold the simple pure sacred. it’s the humility of the moment that belies its grandeur, its magnificent majesty……

and perhaps that’s the invitation of ordinary time, to dwell amid the plain-jane, stripped-down quotidian of the everyday. to awaken our deeper senses, our fuller attentions, to behold the Beautiful, the Wise, the Profound amid our daily stumbles and bumbles. to live as if the Book of Wonder has been placed upon our open palms, its pages spread akimbo. to extract, inhale, deep breathe its mighty and eternal lessons. the ones that whisper, the ones we hear only when we truly, truly listen.

what does ordinary time mean to you?

this morning’s writing came in fits and starts, as it sometimes does, as somehow this morning this old house clattered like it was grand central station, locomotives and the people who aim to board them rushing in and out the station, barely and noisily keeping to the clockwork schedule.

the marvel of the capacious soul

i’m convinced that one of the reasons we’re down here on this messy planet, this planet that sometimes feels overpopulated with goons and wise guys, is that on occasion, as we mill about among the masses and misfits, we run into the occasional breathtaking specimen from whom we will undoubtedly learn a thing or three.

i bumped into one this week, and once again i scribbled notes into my chunky fat notebook, the one titled, “how to be a better human. volume 61.”

the most accurate way to phrase it, quite honestly, would be to say that i didn’t so much as bump into him — he’s a time zone away, after all — but rather that this gorgeous soul pretty much flung himself onto the skinny little trail i was traipsing through the day. and it took all of a fraction of a second for me to read his words, feel the breath sucked straight out of my lungs (in that marveling sort of a way), and remember why oh why i’ve always adored him, and would like to be like him when i grow up.

he arrived, my old friend did, in an out-of-the-blue email, one announcing that he — whose wife had died just 10 days before, and whom we’d not seen in years and years — was jumping on a plane to chicago, where he and his wife had lived a couple decades ago, back when both of us were starting out in this experiment called “how to birth and raise a child.” we had all succumbed, his wife and i and our respective mates, at just about the same moment in history. they sped off to the birthing room first, and we followed fairly close behind. then, they sped again shortly after us, so we all spent a few years there cradling newborns, trading tales and names of pediatricians. in fact, the day the chicago tribune decided to unveil a room (more like a rehabbed closet) for “lactating reporters,” my friend’s wife and i showed up to pose for pictures with our little guzzlers well attached (clinging to our shoulders, people; all of us fully clothed and covered, merely suggesting that we young mothers might at some point put down notepads and plug into breast pump (i forsook the whole endeavor and worked from home, with nary a pump in sight)).

i digress.

back to this blessed friend who dropped in this week. he wrote this:

Hi guys,

Corey and I have sort of tumbled into a Chicago comfort trip. He’s there already, and I am flying out in a few hours.

It’s exceedingly last minute, but he and I would love to see as many of you as we can in a gathering of some design. I’ve been thinking brunch Saturday or Sunday, at a restaurant or (if one of you has the stomach for it) a home (I’d ecstatically cover the catering).

Let me float the idea of 10 am Saturday or Sunday. Other times will in truth be tougher (I’ll be doing things with/at the theater, etc.).

Maybe we can reply-all in order to see whether this might work?

I adore you all, and thank you for words and sustenance over months, weeks, and years.

Love,

(old friend)

i should mention that this old friend is a professor of shakespeare in new york city, and from the first day i met him he has used the english language in measures that far exceed just about anyone else i’ve ever known. he matches his eloquence with an effusion of the human spirit that is, frankly, a force of nature. something akin to sharing a room with a hurricane of most glorious refinement.

amid a world of ways of mourning, i was bowled over by this friend’s instinct to surround himself — immerse himself, really — with stories, tears, and laughter. to reach out for old, old friends. to throw himself onto a plane to shrink the distance, to not wait to lather himself in the healing balm, to quite emphatically wrap himself in the company of those who’d lived and breathed the chapters before cancer trod his heart, and stole his lifelong love.

it’s why capacious is the word that best fits his soul, his spirit, the magnitude of how he exercises love and life and full-throttle humanity. “having a lot of space inside; roomy,” the pocket OAD tells us. my friend is roomy, all right, and he makes room for the whole whirling wild climate zone of grief and grieving.

i imagine that tomorrow morning, when my kitchen is filled with lox and bagels and stories tumbling atop stories, when the coffee flows endlessly and big bowls spill with the fattest sweetest berries i can find today, it will get messy. there will be rivers of tears. and once or twice someone might laugh so hard they’ll spit strawberry across the table. i’ve been around enough grief to know it’s uncharted.

what i’ve not often seen, and what i love and what finds me marveling, is this old friend’s willingness to plunge right in, to immerse himself in the anguish and the joys that old friends know by heart. almost none of us witnessed up close the past few years of surgery and chemo and the inevitable dying, but we were all there for the thick of what came before — the births, the strollers, the raucous Shabbat dinners, the summer sunsets from their rooftop terrace.

and we have stories in which to wrap him, and tears to bathe his broken heart, and great good laughter on which to lift and carry him.

from deep inside his fog of pain and loss and rudderlessness, he thrust out a hand, and called on an old unbroken circle of the heart. we will hold a shiva here tomorrow. and there will be prayer in the form of story. and the wailing and gnashing of teeth will be shared in the company of those who remember well the days long before the whiff of cancer slid into the room, and took away our old friend’s truest deepest love.

may his capacious ways remind me to never shrink from the confines of the soul so blessedly breathed into each of us at the moment we were first imagined, and sent forth to fill this planet…..

who are some of the ones in your life who teach you how to be? and in what form have some of those lasting lessons come? 

-30-

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in the newspaper world, -30- means “the end.” at the bottom of every reel of type flying off the typewriter, once upon a time, a big-city scribe tapped four keys to signal the end, so the typesetters knew to move onto the next big story in their end-of-day unreeling of the hot breaking news.

all these years, the -30- stuck. only i grabbed it from my typesetting keys this morning not because of an ending, really, but because a bespectacled scribe i happen to love, one whose flight i’ve witnessed from an up-close unedited perch, he’s been waiting and waiting for today. today is the day he gets his 30-year watch. thirty years of calling himself a “chicago tribune reporter.” thirty years of chasing down just about any I-beam that dared to move in this old town. thirty years of thumbs-up or thumbs-down on wild-eyed architects’ intentions to make no small plans.

but more than what’s beautiful, soaring, inspiring, or not, he sees the way the carved-out hollows and high-rises of a big american city might move the human species into communion, or tear them apart. he understands the nuts and bolts of design, but he’s keen on justice and social equity; he understands the political powers and petty feuds that sometimes stand in the way of what makes a city — and its peoples — work, or not work.

and he’s spent three decades teaching all of us, teaching anyone who turns the pages of every day’s news, to do the same. it’s a way of seeing he’s intent on not keeping to himself.

and ever since the hot august morning of 1987 when he strolled into the chicago tribune newsroom in his navy brooks brothers blazer, white oxford, and khakis — aka “the uniform” — i’ve been watching. took another year till i rose to my rank as “girlfriend,” and then another three years before “wife” was affixed to my status (we had a lot to figure out, mostly in the religion department, during those long should-we-or-shouldn’t-we years).

so i know, more than almost anyone, just how much it means to him to have hit the sweet 3-0. to know that tonight, at the annual bacchanal that is the tribune awards hoopla, he will, at last, get his chicago tribune watch. actually, in a move that is so classily elegant and fair-hearted and loving as to be a signature BK move, he’s getting two tribune watches tonight. he put in an order for a pair, one for each of our boys, so someday, both will have a relic from their papa, one he wrote soooooo many stories to snare, one that in some scant way captures the nights after nights that he kept watch over stories, called in corrections to the desk, gave up a friday night dinner, surrendered a holiday, took yet another call from a “source,” chased a hot tip. because when you’re the son of a newspaper man (and he is) getting the news and getting it right, and never ever backing down from the truth, well, that’s religion to him. and he is devout, if anything.

and that might be the beauty of nights like tonight: they squeeze you into the think-back machine. have a way of making you stop in your tracks, think back across the long arc of your history, sift for those gold nuggets of meaning. (and you know i never ever miss a chance for gazing back over my shoulder, for rubbing my palms against the fine grain of time, squeezing out every succulent drop of “significance.”)

it’s the pause in the plot that always, always holds the possibility of taking life up a notch. that slows us down long enough to realize this isn’t just a race to the finish line, but rather a slow contemplative unspooling that is best lived and best understood, most certainly held up to the radiant light, if we pay close close attention to all the unspoken strands, the subtle and poignant shifts along the way, the moments where we rose up to champion status, where we lived with every ounce of hope and faith with which we were created and dreamt into being, and where we humbly account for our stumbles, realign our compasses and set forth again.

it’s a magnificent reel, this thing called our life, and it’s most closely savored when every once in a while we watch it in slo-mo, stop-gap, how’d-we-get-here, hallelujah style. and then, to anoint the moment, we bend knee, bow head, and whisper a holy thank you.

never, ever, in a million years did i imagine this 30 would bring my bespectacled scribe — and me, and thus W and T (our two and only double-bylines) — along this most blessed road to here.

a billion blessings, BK. and thank you.

-30-

BlairKamin4-1

have you hit the pause button lately, to look back on the road to where you are now? what have you gleaned, and what lessons might you carry forward?

p.s. an emphatic post-script to clarify, clarify, clarify: BK is NOT leaving the tribune, merely collecting his 30-year watch. he will be writing and writing and writing. so sorry for leaving wrong impression. it’s a tribune tradition that you get your watch and get right back to work. so so sorry if i left anyone thinking this was The End…..

we always pause for seaweed: on savoring a day, another year

seaweed salad

maybe it’s because he’s about to leave. maybe it’s because the moving van is scheduled, the boxes piling in a room upstairs.

maybe, though, it’s simply that he wanted to be here, to be among us. an arc of days stitched with all those things he loves.

and so we paused. turned off all the things that ping and beep. clipped roses from the garden. tucked stems in vases. made cards, wrote letters. awaited word from inbound trains.

the birthday boy was coming home, and we were slowing time. we were holding up the hours, sinking deep into the pure and simple gift of being side-by-side.

love is like that. love needs little embellishment. time — hours upon hours stacked together, in one fell swoop — that’s plenty. that’s priceless.

once or twice i heard a whisper from somewhere just beyond my shoulder, or deep inside my head: “he’s turning 24, for heaven’s sake. the clock on this has well run out.” but then i heard another voice, the voice of my heart, and i surrendered. wholly. that voice is the one that will always, always win for me. it said: “doesn’t matter to me how old he is. savoring the day with him will always be the dearest gift of my whole life.”

and so it was. i plucked him from the train, we grabbed a sack of sushi and seaweed salad. always seaweed salad on the first full day of summer, because long ago, in 1993, on the eve of his birth, an obstetrician i loved determined that seaweed applied in particular ways precipitated labor. got things opening, as it were.

we’ve celebrated seaweed ever since.

birthday eve dinner

birthday eve seaweed + sushi

we must have sat for hours at that after-soccer feast, night before last. i know the moon and stars were out before we got up from the table, before we moved deeper into birthday countdown.

there is nothing so fine as falling asleep in a house where every bed is filled. where the sounds of doors closing, sheets being thrown off, odd faucets shushing in unfamiliar rhythms, is lullaby to sleep.

nor is there much finer than tiptoeing down the stairs in the morning, setting the birthday table. opening cards and letters that make you weep as one brother tells the other that he will always be his hero. you can hear the clock ticking toward the day the birthday boy moves away. and so, you hold time, you hold all that fills these hours, as fully and preciously as you know how. you glide through a day savoring. sinking wholly into what’s before you, all around you. you know that soon the distance once again will come. the miles and miles between you. the necessity of phone line. the certainty that law school and life will make these sorts of days just that much more out of reach.

by nightfall, savoring had pulled me in so deeply that i was on a stool reaching to a shelf in the hall closet. i hauled down the old, old, vintage video recorder. i started popping in old tapes. i was mesmerized. i watched my firstborn on his first birthday, not yet walking, barely saying words. i watched my firstborn on his second birthday, all skinny legs and long arms, reaching for a train. calling the train by name. informing all who listened — and we all always listened, believe me — all there was to know about each and every train.

willie yawntalk about binge watching. i could play and replay those tapes from now till law school graduation, i suppose. i ached that i hadn’t been a more committed recorder of the hours. wished i’d spent even one slice of time silently positioning the lens on one ordinary day in the life of that blessed child — not simply the cacophony of a birthday celebration, when so much noise got in the way. wishing perhaps that i could leap back in time, live it once again. inhale more wholly this time the miracle of being mother to this blessed child, who has taken my breath away since the day he was born. and who now, on the cusp of his departure, his moving east, 1,000 miles from where i spend my days, still takes my breath away, still puts the pit-a-pat in my heart that once beat in time with his.

willie shoulder

love you, beautiful will. bless you, today, tomorrow, ever…

an unabashed love note to be sure. i will never run out of words, trying to capture this particular love. it’s the moment that struck me most this week. he leaves any hour now, to catch a train to new mexico, then a plane to martha’s vineyard, then we will all pile in the red wagon and follow the moving van to connecticut, where he’ll move in to his new address. and we’ll drive home, just the three of us, leaving him behind to absorb the law. i’m thinking this move out east will be the one from which there’ll never be a return to the heartland. we’ve trod this ground before, when he went off to college, and i had to learn long-distance. i will do so again. and maybe some day, we’ll be the ones who move — closer to his every day, and the every day of his little brother. i know plenty of you live far from the ones you love. i know distance isn’t measured only in miles. and i’m blessed (beyond measure) that there is no distance in our hearts. 

and with seaweed salad in mind, what are the quirky ways you mark birthdays at your house? 

 

telling time

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listen in: tick tock chime 

in this old house, bed linens are worn thin. old quilts bare their threads. spoons stir porridge for decades. chairs are passed from generation to generation. in the right slant of light, you can make out particular dents in the old kitchen table, where long ago, my third-grade self, or one of my brothers, pressed pencil to homework to maple slab, and the addition in columns, the ill-formed alphabet letters of some week’s spelling words, still stand. even the potato masher in this old house bears the weight of half a century — at least.

new things aren’t often acquired here. but we made room last week for an old, old clock. a new-to-us old clock. a beehive clock, it’s called. with westminster chimes. and from the very first gong, it’s felt as if it’s ever been here. right away, it lulled me. made me feel even more at home.

it chimes every quarter hour, the progression of chimes compounding with every passing slice of the hour, for a total of 96 chimes in a day. and when the minute hand points heavenward, points due north, it gongs the big ben gong, one for each accumulated hour, of course.

it sounds to me like honey dripping across a slice of poundcake. or molasses poured onto flapjacks, if sound came with pictures. velvety, smooth, utterly unruffled and unruffling. it’s the very definition of soothing. it might sound, in its quieter intervals, the ones where it’s merely ticking and tocking, like water dripping. because i’ve been reading all about clocks, i understand why i hear the water-drop sounds. in ancient times, back near the beginning of measured time, the greeks devised a water clock, realizing that the drips fell at a particular rate per hour, and thus could be harnessed for time-telling purposes.

i tried to find out if there was some physiologic connection between the sound of time ticking and the workings of the human body, the heart perhaps. i’ve not yet found my answer, but i have a hunch: the sound of a ticking clock is the closest we’ll come to the in utero sounds, when our newly-formed ear was pressed against the wall of our mama’s womb, and the whooshing and swooshing of her heart was the first thing we heard, was the round-the-clock soundtrack of our very beginning.

i know that in nature there’s a particular universal set of shapes and designs and symmetries and proportions (consider the snowflake or the rose petal, the starfish or even the tiger’s striped face), and that the patterns repeat and repeat throughout creation. mathematicians and artists alike have spent their lives obsessed with these ineffable truths. they’ve put names to them, names like divine proportion or the miraculous spiral.

i like to imagine God dipping into God’s paint kit to pull from that oft-used palette, applying God’s favorites here, there, and everywhere. do you think it’s true too of the patterns of sound? clock ticking = water dripping = human heart, no matter how you rearrange it. do you think God had a shortlist of sounds, of ones reserved for the soothingest jobs?

affection for clocks is not new in this old house. in one of those curious entwinings of the histories we’ve woven together in this adventure called “our married life,” the tall bespectacled fellow and i both grew up with grandparents whose walls were covered in clocks, and whose hours erupted in cacophonous gongs and chimes and whistles and tweets (in the cases, of course, of the cuckoo clocks). sleeping at grandma’s, for both of us, meant falling asleep and awaking to clang upon clang upon cuckoo.

long ago, in our very first house, we hung on our wall a simple kitchen clock, one with gingerbread carvings and etchings in paint the color of gold. it had belonged to the tall one’s grandfather, and i’ve long considered it the heart sound of this old house. i didn’t need another one.

but the man i married started thinking about clocks a few years ago, when i was writing a book called “slowing time,” and he thought a clock was the perfect way to mark the birth of that dream. we’d considered a true grandfather clock, one that stood against the wall like a wood-limbed soldier. every once in a while we’d amble through a clock shop, one where the clocks came with history, and sometimes with pedigree.

then we traveled to london, and beelined our way to big ben, the best clock that ever there was, you might argue (and i might). we stood beneath that tower of chiming and gonging, feeling the sidewalk beneath us quiver with the vibration of the bells. we listened and listened, made sure we were there for high noon and midnight, to get the full bravura.

a year passed, and for me, another decade ended, a new one began. we went back to the clock shop, and this time, we both stopped in front of the clock that sounded just like big ben.

my beloved blair bought it, the clock man gave it a cleaning, and a few days later i drove back to carefully carefully carry it home.

it’s home now. it chimes now. we call it little ben. every time i hear its chimes, i melt all over again. i can’t seem to help it.

my sweet blair, a very wise soul in the deepest and surest of ways, he stood back the other evening, the glow of the lamps falling across his face, and whispered quietly, “it’s a celebration of time.”

and it is. every minute noted, every quarter hour chimed. every hour a loud and resonant reminder: the time is now, savor it.

bless you, and thank you, sweet blair. and little ben, too.

if you click the link just below the clock (way above), you can hear a bit of the ticking and half-hour chiming (i hope!). and be sure to note that i’ve linked to big ben announcing high noon in the paragraph near the bottom, the one about traveling to london. both are your clock songs for the day. 

a few things i learned about westminster chimes: they first rang out from the church of st. mary the great, in cambridge, england. the year was 1793. the chimes are comprised of four permutations of four pitches, all in the key of E major. three crotchets (or quarter notes) are followed by a minim (half note). and they’re believed to be a set of variations on the four notes that make up the fifth and sixth measures of “I know that my Redeemer liveth” from handel’s messiah. they were first heard in america in 1875, ringing out from the steeple of trinity episcopal church in williamsport, pennsylvania. and, the first two notes are the very ones heard to this day on every NYC subway train, warning that doors are about to close. the whole shebang is played at yankee stadium whenever the home team scores. and if there’s a 3-point shot that glides through the basket on the LA laker’s home court, you’ll hear it there too. 

do you, too, love the tick and the tock of a clock? do you have a clock story to tell? what are the sounds that most soothe you, or make you feel as if God is whispering in your ear?

blessing, stitch-by-stitch

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but one of the blessings i count…

the dome of heaven, thin veil between earth and sky, is only now daubed with morning’s light. when i tiptoed down the stairs, eager to begin my count of blessings, there was only deep dark shadow, no stars stitched the dawn, not that i could see, constellations occluded by cloud.

i began the day in the hour where i find my deepest prayer: the still-slumbering hours when i alone animate the house. when the creaks in the floorboards come from my soft-fleshed soles pressing against the slabs of oak, when lightbulbs burn — or not — because i flick the switch. when clocks tick unencumbered. when my morning ministrations — scooping seed for the birds, scooping beans for my coffee, cranking the furnace, fetching the papers from the curb — become a liturgy of gratitude, as i lift the curtain on the day, as i sweep my heart in prayer.

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cranberry and pear, under a raw-sugar cloud, before they simmer into relish

and never more so than the dawn that follows thanksgiving, when the refrigerator groans under the weight of turkey carcass, and every inch is strategically occupied with cranberry and cold mashed potato and autumnal roots roasted into surrender. and, because i was on my knees scrubbing last night, with a vat of vinegar and water by my side, the maple slabs by the stove no longer are slick with splattered butter and olive oil.

it’s become something of a tradition on this day when the world screams of one-day-only sales and count-down bargains, and the stories of mobs at the malls are enough to make me break out in hives, i retreat. i take to the woods. to the rustle of brittle grasses under my boots. to the chill against my cheeks. and when i come to a clearing, where a singular oak rises up from the prairie, i trace my gaze heavenward, beyond the bare naked limbs that scrape the late november sky.

the more the world rushes at me, the more certain i’m beating retreat.

but first i wrap myself in prayer, in the count-down of blessing, more emphatic than ever this year as i set out to steady myself in the aftermath of these weeks that have shaken me to my core, as the din all around seems fueled by a hate i can hardly fathom, as the discourse too often appears to have lost its soul.

i bow my head and begin.

before my feet hit the floor beside my bed, i am washed over in the knowing that this morning is especially blessed: all the beds in this old house are filled. the two boys i love, tucked under blankets, their dreams rising up from their pillows. i whisper infinite thanks for these two who, more than anyone, wrote the script of my sacred instruction, who taught me how to be alive, how to love, through their hours of question, and struggle, their shadow and light.

i pause in the closet to stretch a holey old sweater over my head. thank you, dear heavens, for old familiar clothes, the ones that make us feel deeply home, the ones that put on no airs, the ones not afraid to expose their thinnings and raggedy threads.

i find my way down the stairs, passing the wall of so many people i love, ancestral gallery, some in sepia tones, some black-and-white, all framed, all blessed and blessing. not a morning goes by that i don’t pass under their gaze, under their vigilant watch. thank you, all of you who came before, all of you who are wired into our DNA and our souls.

and then i round the bend to the kitchen, the high altar of this old house, really, where pots are stirred, and conversation bubbles up by the hour. where butcher-block counters hold up bottomless vats of talk, of questions and quandaries, as certainly as they bear the weight of my chopping and mincing. thank you, old stained maple block. and thank you, Most Sacred One, for the wisdom that sometimes comes to me, and the holy communion of shared silence in between.

i turn to brew coffee. my hand bumps into an old glass jar stuffed with thyme and oregano snipped from the window box just beyond the sill. thank you, dear God, for thinking to make leaves with a smell and a taste redolent of holiday, or our grandma’s kitchen, or some faraway place on the globe. thank you, too, for star anise and cinnamon stick simmering on the stove, my definition of heavenly vapors.

i tumble out the back door, my old banged-up coffee can spilling with shiny black sunflower seed. in the not-so-distance, i hear the ruffling of feathered wings, and soon as i dump my morning feast, the yard erupts in the darting and dashing of flocks hungry for their sustenance, hungry from the long night’s staving off the freeze. i’ve yet to run out of thanks — nor do i imagine i ever will — for the miracle of the sparrow and the scarlet-coated cardinal and the pair of blue jays who squawk like there’s no tomorrow.

i dash inside, shake off the cold, plop into my old red-checked armchair. i consider the wonder of a chair that wraps its wings around you, and sturdies your spine. thank you, Blessed One, for the hours i spend here, turning pages, inhaling the poetry that life can’t stanch.

and so it goes, our days a litany of blessing. i begin with the tiniest of stitches, a petit point of gratitude that stretches across the vast canvas of my every day.

the more i read, the more i listen, the more deeply i understand that the miracle we’re after, the wonder we seek, the beauty that tingles our spine, it doesn’t come with trumpets blaring, but rather in the accumulated whisper of one small blessing after another. the blessings at once unadorned and majestic. the blessings that make us whole, and fill us when we’re hollowed.

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my blessings, entwined

 

before i ask what blessings fill your day, and your soul, i want to leave a poem i stumbled across yesterday, one that seems to belong here at the table. it’s a meditation on the blessing of a kitchen table. 

Perhaps the World Ends Here
BY JOY HARJO

The world begins at a kitchen table. No matter what, we must eat to live.

The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.

It is here that children are given instructions on what it means to be human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.

This table has been a house in the rain, an umbrella in the sun.

Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.

We have given birth on this table, and have prepared our parents for burial here.

At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.

Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.

“Perhaps the World Ends Here” from The Woman Who Fell From the Sky by Joy Harjo. Copyright © 1994 by Joy Harjo. 

and now, what are the simple unadorned blessings that stitch together your day — and your soul?

pausing for hello

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it’s as old-fashioned a gathering as any i know. the one where — instead of just waving while hauling out the trash, or yelping a how-d’-do as you dash three-bluestones-per-leap up the walk — you let out a holler, a hospitable one, up and down the block, and invite the whole flock to your kitchen, warm mugs palmed in your hands, stories brewing.

i’ve not hauled out my vat of a coffee percolator in a very long time.

but it’s time. we’re long overdue. that’s what we all said, as each and every reply trickled in.

on the block where i live, we used to find ourselves in each others’ kitchens, oh, at least every few months. there was summer theatre in the alley, where the kids, the whole lot of them, sang and danced and sewed, learned their lines, built their stage sets, even rigged up contraptions for flying. there were new year’s day parades, with the tykes all bundled and barely able to shuffle, what with the layers and layers that padded their limbs. there were the occasional no-real-reason gatherings, and the annual swedish extravaganza for santa lucia’s feast day (complete with candlelit caroling and bottomless kettles of svedish meatballs and lutefisk).

we all knew each other as deeply as neighbors might. we thought nothing of calling in the middle of the night if need be, and yes, there were nights when the needs wouldn’t wait for the dawn. all our kids grew up rubbing elbows and shoulders and wits. growing into each other’s hand-me-down pants, and more than one blazer that had barely ever been worn. more than one kid might have had a wee crush on another, learning love over the backyard fence.

but then, one by one, houses changed inhabitants. kids grew up, moved away. every once in a while a kid hit a rough patch, and we all prayed mightily. and then, without a word, we would give the mama room and time to untangle the knots, and drop off dinner once or twice with no need for a thanks.

and not too long ago, the house next door to mine, it welcomed new folks for the first time in 47 years. so, this time, i’m the one plugging in the industrial-sized caffeine machine. and cranking the oven. and slicing the pumpkin-cranberry loaf.

they’re all making their way to my kitchen. only for a short spell of time — a mere couple hours — on a friday morning, as the week draws to a close. but i want my new next-door neighbor to know the good souls who surround her. i want to make sure this circle of mostly old friends takes time to pause, to not only learn her name, but some of her story as well. i want her days to be stitched with the small wonder of a neighbor who drops a sack of just-picked tomatoes onto your doorknob. with the joy that comes when the lady down on her knees in the mud of her garden shouts out something so hysterically funny you find yourself chuckling for the next three hours — or days. want her to know who she can call in the middle of the night should, God forbid, she ever need to.

we’ve tumbled into each other’s lives through accident of geography. because we all found a particular house, a place where we’ve nestled our dreams and fluffed a few pillows besides, on the very same block in the very same village, in the very same era of time.

life does that: throws you together. makes you bump up against each other in the comings and goings of your humdrum day. and, soon enough, once you’ve caught the gleam in someone’s eye, once you’ve licked a spoon of the apple butter they leave at your backdoor, once they’ve cried with you over the death of your cat — or your very best friend, or your mama or papa — or shown up at the hospital just to see if you need anything, you find yourself falling in love. with this one patch of earth that seems to ooze old-fashioned kindness and goodness of heart. and the very good people who grow there.

i’m hoping that by the time my new neighbor strolls home, after a mug or two of high-octane coffee, after a spear of pineapple, and maybe a clementine, chased with a steamy mound of hot-from-the-oven cheesy strata, she’ll know a bit more deeply just how priceless was her real estate find.

so while i dash to the kitchen to chop the pineapple, pile high the clementines, and slice a few loaves of autumnal breads, i’ll leave you with a taste of what i’m pulling from the oven: the recipe for the spinach-cheese strata i’m serving all the mamas of maple avenue, the ones i’ve known for a very long time, and the ones who are new to the brood.

Spinach-Cheese Strata
from Gourmet magazine
Yield: Makes 6 to 8 servings
Active Time: 30 min
Total Time: 10 hr
Ingredients
• 1 (10-oz) package frozen spinach, thawed
• 1 1/2 cups finely chopped onion (1 large)
• 3 tablespoons unsalted butter
• 1 teaspoon salt
• 1/2 teaspoon black pepper
• 1/4 teaspoon freshly grated nutmeg
• 8 cups cubed (1 inch) French or Italian bread (1/2 lb)
• 6 oz coarsely grated Gruyère (2 cups)
• 2 oz finely grated Parmigiano-Reggiano (1 cup)
• 2 3/4 cups milk
• 9 large eggs
• 2 tablespoons Dijon mustard
Preparation
Squeeze handfuls of spinach to remove as much liquid as possible, then finely chop.
Cook onion in butter in a large heavy skillet over moderate heat, stirring, until soft, 4 to 5 minutes. Add 1/2 teaspoon salt, 1/4 teaspoon pepper, and nutmeg and cook, stirring, 1 minute. Stir in spinach, then remove from heat.
Spread one third of bread cubes in a buttered 3-quart gratin dish or other shallow ceramic baking dish and top evenly with one third of spinach mixture. Sprinkle with one third of each cheese. Repeat layering twice (ending with cheeses).
Whisk together milk, eggs, mustard, and remaining 1/2 teaspoon salt and 1/4 teaspoon pepper in a large bowl and pour evenly over strata. Chill strata, covered with plastic wrap, at least 8 hours (for bread to absorb custard).
Preheat oven to 350°F. Let strata stand at room temperature 30 minutes.
Bake strata, uncovered, in middle of oven until puffed, golden brown, and cooked through, 45 to 55 minutes. Let stand 5 minutes before serving.
Cooks’ note:
• Strata can be chilled up to 1 day. Let stand at room temperature 30 minutes before baking.

have you paused to make a new friend lately? and, what’s your favorite welcome-to-the-‘hood recipe?

 

hummingbird wisdom, continued

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six months ago, my dear and longtime friend mary ellen sullivan died. she was a writer, a chronicler of joy, i called her when i sat down to write her obituary, trying to distill her essence into a few short sentences and paragraphs that swept across the arc of a life too short. a month or so after she died, i found out she’d written me into her will, appointed me the keeper of her “creative work.” it’s a mantle i accept with heavy heart. a week ago, on a hot august afternoon, i met her brother in her emptied-out apartment, and he handed me boxes and boxes and boxes, her creative work, in all its iterations. it was perhaps the heaviest load of papers i’ve ever tried to lift. i didn’t wait long to open the lid of one of the boxes, to lift pages, to begin to read, to inhale the story of a life i knew well, a story told this time in mary ellen’s own words. i all but felt her beside me, or sitting across the table. i knew the intonations, the emphases of every single sentence. i knew she’d tiptoe into my dreams. i knew she’d left wisdom that i was to unearth, to not let die along with her.

night after night, i pulled up to the kitchen table, not far from the screen door, where the breeze blew in, not far from the night sounds, the buzzsaw of cicada, the chirp of the crickets. i’d pile a stack of journals and notebooks and paper-clipped papers to my left, papers lifted from the boxes that waited in the dark of another room, the load of mary ellen’s boxes.

it was, i tell you, like sitting down with a dear friend, pulling in close enough to brush knees against knees. it was as if i’d said, “so tell me your story,” and thus she began, in whispers. i’d known these chapters in real time, and here i was, reading, hearing the whole of it in details sometimes so intimate i closed the book and tucked it aside. i promise you my tender heart is guiding me through what’s mine to shepherd to light, and what’s best tucked away.

i read page after page from the writing classes she’d take, from the book about africa she’d long hoped to write, to publish.

and then i picked up this: two stapled pages, curled and yellowed at the edges, typed in a font from computers of long ago, early HP perhaps. i read the first sentence, and started to tremble. i had a hard time reading through tears, but this is what i began to read…

“If I were to die in five minutes, I would miss sleeping, and the warm wood of my apartment floor. I would miss talking to Barbie on the phone on Saturday mornings with a cup of coffee in my hands. I would miss running errands in the neighborhood and going for long hard runs after work when the air is clean and cool and gives you the shivers when your sweat starts to dry. I would miss the ocean most of all. Any ocean, any beach. The feel of wet sand between my toes and the waves breaking over my body and the sand going from warm to cool in the early evening when the sun starts to set and everyone but me and my family leave the beach and we just sit there and talk and read and watch the sand turn purple and the water a deep blue and the sky orange and very beautiful. I will miss running in the water and splashing so much that you might as well go swimming so you do.

“I’ll miss kissing a man for the first time…..”

and then, i tell you, i could barely read, the tears were falling so hard, so fast. (they are now, truth be told….) so i waited, and breathed, and wiped away the tears, and i looked back at the page, the page trembling in my hands by then, and i read the litany of things my friend would miss, if she were to die in five minutes, five minutes from the moment she wrote all those words. in fact, she died on march 13, 2016, far sooner than she’d ever imagined. she never thought the ovarian cancer would kill her. she fully intended to vanquish the cancer. to become someone who had had cancer.

but my friend who died, who wrote this litany in a writing class, an exercise titled, “death is the name,” who wrote this thinking death was the last thing that would ever happen to her (yes, i see the unintended word play, and i’m ignoring it), whose words i now inhaled half a year after she had died, she wrote that she’d miss her down comforter, and staying up late by herself and “the freedom the night gives.” she wrote that she’d miss the first taste of an expensive dinner, and the last gritty drop of a bottle of red wine. she wrote that she’d miss hot baths and getting lost in paperbacks.

her sentences grew more and more beautiful, the deeper she sank into the exercise, wrapping herself in the velvet cloak of worldly magnificence.

i was struck, hard and deep, by the simplicity of the litany. the depth and dimension of each pulsing joy, now taken away.

she made me think hard about how our lives are stitched of thin but mighty threads, glimmering delicate threads, threads we’d be wise to notice, to run our fingers across, again and again, for they’re what’s woven into the beautiful whole.

our lives, she made me realize once again, are a textured tapestry of heartache and joy, of blessing and softness and shadow and light, of everyday wonders that awake us to the moment, so the moments slow to a pause, so we behold each blessed minute of our awareness, our awakeness, so each hour is relished for the gift that it is. so not an hour goes by unnoticed.

“if i were to die in five minutes,” she wrote. and i read those words six months after she did. and thus, each word came to me as if shouted through a megaphone: be awake. pay attention. savor the blessed, the beautiful.

the warmth of the mug you hold in your palms? notice it. bless it. you’ll so miss it when it’s gone, when you’re gone.

a question and a challenge: what would you miss, what blessing upon blessing across the quotidian arc of your day? make a list, compile your litany. and then, pay closest attention today. and tomorrow. and the day after. my friend mary ellen would love you for that.

i titled this “hummingbird wisdom, continued,” because my friend mary ellen was all about the hummingbird. she wrote a blog called, on the wings of the hummingbird. and she once wrote these words explaining her captivation with the hover-winged bird:

“My favorite description of the hummingbird magic comes from Ted Andrews, who wrote the seminal book on animal totems called ‘Animal Speak.’ He says, ‘There is something inside the soul of all of us that wants to soar through sunbeams, then dance midair in a delicate mist, then take a simple bath on a leaf. There is something in our souls that wants to hover at beautiful moments in our lives, making them freeze in time. There is something in us that wants to fly backwards and savor once more the beautiful past. Some of us are just hummingbird people.’

“Guilty as charged.” — Mary Ellen Sullivan, May 30, 2012