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where wisdom gathers, poetry unfolds and divine light is sparked…

Category: quotidian wonder

low tide

at the dawn of this new year, i am drawn into a particular quiet, the quiet of entering in slowly, and deliberately. i am turning pages, pulling taut the threads of a thick new wrap, stirring onions and garlics and soups on the stove. i am looking out windows, with little inclination to step into the misty fog of the morning. i am content. content to be quiet. content to be still.

i am, you might say, at low tide.

and i’ve no desire to barge in on your own quietudes and stillness. and so i am simply leaving a few traces here, gatherings this week has brought me. i find myself more inclined these days to bring you the wisdom of others. i am holding this space for the days when i will have something worth saying, but for now, my offerings come from the wonders of others. it’s my hope and my prayer that you find here a little nourishment for the week. i’m inclined to think that my most generous offerings these days come not from my own well, but from reading and looking and living through the days with an eye toward deep curiosity and a never-ending sense of the wonder that always seems to find its way in to our most closely-held nooks and our crannies…


i begin with a book, a book mailed to me by my oldest best friend in the world, the one who long ago all but scooped me off the floor and propped me up, and spooned goodness into me, and shone sunlight on me till i ripened and pinkened, and has never ever let go. she’s the one i call when my heart hurts, and when i can barely breathe. over the years we’ve woven a lifeline that stretches from here on the shores of lake michigan to her house along the pacific coast. she and i share a love for quirky artists and writers and painters of marvelous colors. and she sent me this week maira kalman’s latest: women holding things, described as “a love song to women and the many things they hold, literally and metaphorically.” maira kalman is the madcap artist and illustrator who lights up pages of the new yorker, and lately has been making books so bright and beautiful and hilarious and heart-melting you might want to devote a whole shelf just to maira. you almost might wish to invite her to tea. but it would have to be tea in a room with armchairs covered in eye-popping colors. and you’d need to wear leggings in vivacious stripes and a skirt made of patchworks of peacock-hued threads. and you might serve pomegranates sprinkled on white peaches in winter. because maira seems like a someone who would like the most exotic fruit you could find. and if you served petit fours they would come swirled with coils of sugary buttercream in rose-petal colors. because maira seems like someone who has never colored inside the lines, and never turns down a dollop of whimsy.

and what i love so very much about maira is that you are merrily turning pages, pages so bright and colorful you almost need sunglasses, and then you come to a page that just about stops your heart for a second. a page like this:

but maira is always maira, so page after page is simply marvelous to look at, and absorb in all its whimsy. pages like these (woman holding a pink ukulele under a giant cherry tree, woman holding shears, woman holding red balloons, fruits and jam):


Don’t think the garden loses its ecstasy in winter.

It’s quiet, but the roots are down there riotous.

Rumi

and then, in a maria popova posting about how to beat back a sense of helplessness in a world of so much suffering, i ran across this from the musician nick cave:

The everyday human gesture is always a heartbeat away from the miraculous — [remember] that ultimately we make things happen through our actions, way beyond our understanding or intention; that our seemingly small ordinary human acts have untold consequences; that what we do in this world means something; that we are not nothing; and that our most quotidian human actions by their nature burst the seams of our intent and spill meaningfully and radically through time and space, changing everything… Our deeds, no matter how insignificant they may feel, are replete with meaning, and of vast consequence, and… they constantly impact upon the unfolding story of the world, whether we know it or not.

i found it a profound burst of a reminder that every little move we make matters. every little one. only nick cave says it beautifully: “the everyday human gesture is always a heartbeat away from the miraculous.” it’s a very good thing to tuck in your front pocket at the start of the year, to remember that every single day we hold the possibility of being makers of the miraculous. all it takes is a whole lot of love, and a wheelbarrow full of humility, enough to be willing to turn the other cheek, and love as you would be loved…


and, finally, a friend i love sent me this, and it took my breath away, and i am leaving it here, in case you needed to read this very thing. and maybe it will take your breath away, too.

i studied lots and lots of elisabeth kubler-ross in nursing school, but i don’t think i ever came across this. and it’s so true, and so beautiful. “beautiful people do not just happen.” bless the beautiful people who populate our every day with their everyday gestures that hold the possibility of becoming the miraculous.

who’s inspiring you in your new year?

p.s. there are a bevy of birthdays upon us here at the end of the year’s first week: dear friends of the chair mary jo and mary beth, may your days be bursting with the miraculous, large and small….

and i’m reminded that today, january 6, is epiphany, which in ireland is sometimes celebrated as Women’s Christmas, a tradition we’d be wise to take up. it’s described by the brilliant artist Jan Richardson thusly: “some folks celebrate Epiphany (January 6) as Women’s Christmas. Originating in Ireland, where it is known as Nollaig na mBan, Women’s Christmas began as a day when the women set aside time to enjoy a break and celebrate together at the end of the holidays.” you can find your own copy of her wonderful at-home retreat PDF by clicking to her “sanctuary of women” webpage here. it’s free but her artistry and her soulfulness might stir you to drop a figurative dime in her coffer.

merry blessed women’s christmas, and holy new year….

undulations of the everyday

IMG_0985and, zap!, like that we’re back to the real world. the everyday. cinderella sweeping the hearth after the ball. our sparkly slippers are somewhere left behind, though the sparkliest shoe i’ve ever slipped on was the mary jane i polished with a glob of vaseline back back when i was about to see my grandmama (she who would notice such things, who would remark on a gloss-less mary jane).

one kid pulled out of the station 12 days ago, is nestled back by his keyboard in connecticut, churning out words as a foreman in detroit once churned out carburetors and mufflers. only my kid’s business is complex legal puzzles, ones i stretch to comprehend. the other kid, the one still kid enough to let me make him one last batch of his favorite mac-n-cheese, he’s in countdown mode, leaving just the other side of this wallop of a storm hurling our way.

the tree, my sumptuously fat fraser fir of a tree, it’s missing from the corner it’s lit up these past three festive weeks. it’s stripped naked and currently residing on its prickly limbs, toppled by the winds that are hurling forth that storm. for now, it’s just outside the kitchen door, my way-station of sorts, a mid-point when i can’t quite bear to haul it shamelessly to the alley.

Unknown

socrates: 469–399 B.C.E.

i’m back to my business of books: reading them, writing about them, maybe even writing one or two in the year (or years) to come. somehow i seem to have made it my business to read with a ferocity that teeters toward insatiable. one big thinker leads to another and another, as if i’m the freshman in college and my curriculum is as old as the ages. this week, somehow, it was socrates under whose trance i fell. i can’t stop thinking about the bug-eyed thinker whose devotion to big ideas, to the why behind it all, got him a big ol’ spoonful of hemlock, and it makes me wonder why it is we as a human race are so quick to expunge the ones who think outside the box, the ones who try in vain to correct the course of human decency and depth.

because it’s the new year, i tackled my wild herd of books unread. i lined them up in little piles, marked certain ones with a sticker of urgency. i galloped through a few of those: mary oliver, first up; thomas berry, next. david whyte’s essentials, a wee slip of a book proving what comes in smallest packages might well pack the biggest wallop. it’s a collection of his poems from a span of 35 years (collected by his wife, which adds a note of devotion that melts me), and each one comes with a whisper, whyte’s from-the-wings tale of how and why the poem came to be. whyte is a poet-philosopher with a degree in marine biology, making him exquisitely trained to look and look closely. this line from the flap jacket gets at my devotion to him and his work: “this collection…forms a testament to whyte’s most closely-held understanding — that life cannot be apportioned as one thing or another; rather it is best lived as the way between, made beautiful by darkness as well as light, at its essence both deeply solitary and profoundly communal.”

and this first poem, perhaps, holds necessary wisdom for the new year. it’s titled, start close in, and here are two stanzas (never mind, here’s the whole thing):

Start close in,
don’t take the second step
or the third,
start with the first
thing
close in,
the step
you don’t want to take.

Start with
the ground
you know,
the pale ground
beneath your feet,
your own
way to begin
the conversation.

Start with your own
question,
give up on other
people’s questions,
don’t let them
smother something
simple.

To hear
another’s voice,
follow
your own voice,
wait until
that voice

becomes an
intimate
private ear
that can
really listen
to another.

Start right now
take a small step
you can call your own
don’t follow
someone else’s
heroics, be humble
and focused,
start close in,
don’t mistake
that other
for your own.

Start close in,
don’t take
the second step
or the third,
start with the first
thing
close in,
the step
you don’t want to take.

–david whyte: essentials

whyte writes in the poem’s afterword that it was inspired by dante’s commedia, and “it reflects the difficult act we all experience, of trying to make a home in the world again when everything has been taken away; the necessity of stepping bravely again, into what looks like a dark wood, when the outer world as we know it has disappeared…”

david whyte, it seems, is a very fine way to enter into the undulations of the everyday, the ones that follow, one after another, after another…

bless you in this new chance to quietly, certainly, begin again. may your journey be intentional….

IMG_0995

who will be your guideposts through this new and fresh terrain?