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Category: courage

some words are hard to say. . .

i don’t think i will ever forget the first time i heard the word cancer spoken in a sentence in which i was the unspoken subject. i was groggy from anesthesia, but there was my surgeon, leaning against the curtain in the recovery room. he was dressed in street clothes, his backpack slung over his shoulder, headed home to dinner, i imagined, with his little brood up here in the leafy suburbs, where we happen to both share the same zip code. i heard him say “it was cancer,” and i heard him say he was so surprised. i don’t think i heard much after that. and for all the days since i’ve been trying on that word. 

it’s a word that’s hard to say. it’s a word that’s hard to slip your lips around. especially when it belongs to you. and when the cancer in question is the one that was settled quite inconspicuously in your very own lung. i’ve thought a lot about the eight years since they first saw it there. no one thought it was cancer. they thought maybe it was a scar, from a pneumonia i’d once had. or an old broken rib. nothing to worry about. all those years. all those christmases and birthday candles blown. all those graduations and droppings off at college, and at law school. all those late late nights when a million worries kept me up, but never that one. never ever a worry that i had cancer in my lungs.

until december, when someone once again saw it by accident and decided we should not ignore it anymore. i owe that someone every year of the rest of my life. and while the next weeks of january into march were a wild, wild ride, it took till april 18 to finally figure out what it was, to finally figure out that the suspicious “neoplastic process” was in fact just that: neoplastic is another word for cancer. 

and it’s gone now. they cut it out. all of it, we hope. my surgeon called the other day and in the cheeriest voice i might ever have heard, he said “congratulations;” said “it’s as good a report as we could hope for, knowing it was cancer.”

i am writing the word here, because words are how i make sense of life. i have always found my way with words. words on paper most of all. words on paper even more than words in air. words on paper are the tracings across the topography of my life. i find my way stringing one word to another, groping along from one to another till the sentence ends. and right now i am in a thicket that makes very little sense. for a few days there, i could not for the life of me tell which way was north, and which was south. i was all turned around, and upside down. i wept and wept some more. 

but slowly, slowly, i am feeling my way. and i am feeling very brave. braver than i ever would have guessed. i would have guessed i’d crumble. but maybe all my crumbling is only in my imaginings. maybe, over the years, when i’ve played out my potpourri of disaster scenarios, i’ve been getting the crumbling out of the way, so that when the real thing came along i was practiced, i was ready to step boldly, bravely, even valiantly up to the plate. 

part of being brave is learning to say those two words, strung together: lung + cancer. lung cancer. i am now part of an unwelcome sisterhood; i’m among the ones to whom those words now belong, and whose lives are shaped and re-shaped thereafter and ever after. and i am linking arms emphatically with the ones who know these hauntings and these hollows. i am, so help me God, intending with every ounce of will and fierce determination to be among the ones who say aloud that we’ve had lung cancer and we are here to prove you can live beyond it. you can live with it shrinking––day by day, month by month––into the distant distance. 

i am still going to dance at my firstborn’s wedding, and my secondborn’s too (or whatever is the life event for which cakes will be ordered and flowers strung). i am going to sashay through my garden, the wise old woman who communes with birds and bumblebees and baby ferns. i will some day tell stories that include the chapter of the time they made the words lung and cancer a part of my vernacular. how never in a million years did i think those words would find their way into my narrative. but here they are. and who knows where they’ll take me, though i’ve a hunch it will be a heady, heady heart-swelling somewhere. i’m not one to leave life’s sheddings by the wayside, unstudied, unplumbed for all their wisdoms and epiphanies.

these might be the two hardest words i’ve ever said. but i am going to say them till they shrink in size, in wallop. i am going to say them till they’re stripped of high-voltage burn capacity.

we all have words that are hard to say, words we don’t think will ever be ours. words we don’t want to be ours: widow, widower, survivor, victim, divorcee, depressed, anxious, anorexic (the word that used to be my hardest one to say), amputee, diabetic, dyslexic, broken-hearted. maybe the point is to take on those words, slip our arms through their sleeves, make them a part of who we are, but not the whole of who we are. to be not afraid, nor defined solely by their simple syllables. but to allow them to deepen who we are, to add contour and dimension, to layer on the empathies. to shape our particular view of how we see the world. and where we find our place within it. 

i don’t intend to turn this into a place where we contemplate cancer. not at all. but right now, it’s the woodsy thicket in which i am trying to find my way. if i—someone who never smoked a single cigarette, someone who never lived with anyone who smoked—can bring the words out into the open then maybe, just maybe, it won’t be such a surprise to the next someone who finds herself stymied by a spot on her lung that cannot be explained. i will be the first one to wave my hand in the air, and say, please don’t wait. don’t hesitate. bite the bullet and let them have at it. find out if it’s cancer or not. don’t dawdle. cuz dawdling does not buy time. 

only courage buys time. stare it down, this cancer. let it know who’s in charge. let it know that you’ve no intention of letting it steal a day of your most precious life. 

i have always known that life is fragile precious. i’ve known that since long before the day my papa died, and i somehow kept on breathing after he was gone. i’ve known it over and over and over again. i’ve known it on the day i got married, when walking down the aisle was something i never really knew i’d know. i’ve known it when i birthed each of my two boys, one whose birth almost felt as if it was about to slip away, but i was determined, and i was not going to lose the answer to the million prayers i’d prayed. i knew it, too, the night i miscarried my baby baby girl, a night as real to me as the ones that ended with babies cradled in my arms. 

i’ve lived so many days i’d never thought i’d see. 

and i am going to live even more. and i am going to say aloud that i once had cancer in my lung, but they cut it out, and now it’s gone. and i am going to tell the story of what it’s like to live emphatically after the doctor in the recovery room tells you he was so surprised. so so surprised to find out that it was, in fact, cancer idling in my lung. 

cancer i hope and pray is gone. completely, totally, forever gone. 


the two little bits i found this week seem fitting for a day of telling hard truths. first, musician Nick Cave’s advice to a 13-year-old:

“Read. Read as much as possible. Read the big stuff, the challenging stuff, the confronting stuff, and read the fun stuff too. Visit galleries and look at paintings, watch movies, listen to music, go to concerts — be a little vampire running around the place sucking up all the art and ideas you can. Fill yourself with the beautiful stuff of the world. Have fun. Get amazed. Get astonished. Get awed on a regular basis, so that getting awed is habitual and becomes a state of being. Fully understand your enormous value in the scheme of things because the planet needs people like you, smart young creatives full of awe, who can minister to the world with positive, mischievous energy, young people who seek spiritual enrichment and who see hatred and disconnection as the corrosive forces they are. These are manifest indicators of a human being with immense potential.

“Absorb into yourself the world’s full richness and goodness and fun and genius, so that when someone tells you it’s not worth fighting for, you will stick up for it, protect it, run to its defence, because it is your world they’re talking about, then watch that world continue to pour itself into you in gratitude. A little smart vampire full of raging love, amazed by the world.”


 and next up, annie dillard on why we read and write at all….

“Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed? Can the writer isolate and vivify all in experience that most deeply engages our intellects and our hearts? Can the writer renew our hope for literary forms? Why are we reading if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage, and the possibility of meaningfulness, and will press upon our minds the deepest mysteries, so that we may feel again their majesty and power? What do we ever know that is higher than that power which, from time to time, seizes our lives, and reveals us startlingly to ourselves as creatures set down here bewildered?”

– Annie Dillard


and, this, maybe more than anything. . .

a friend who will be a lifeline sent me this late last night, and i breathed it in through my tears. we can do hard things. humans have done hard things since the beginning of time.

a little note: i am not going to share any medical details here, only the rumblings of my heart. please know that i have a team of angels on my side, medically.

what hard things have you done? and what lightened the load?

maybe we do one, just one, bold (but little) thing…

and by bold i mean one something, anything, in the name of bending that stubborn arc of justice. by bold i mean do one certain something today — maybe even within the next hour — that you otherwise wouldn’t have mustered the will or energy or courage to do.

feeling the full weight of what we’re up against in this world that is not letting up in this long hot summer, so many mornings feeling knocked back, feeling impotent, frozen in the face of injustice, in the wake of sirens and spilling blood and streets chaotic, i turn — as i so often do — to the words of dorothy day, who in turn had leaned into the holy wisdom of therese of lisieux, the little saint who preached a spirituality of “the little way,” to mine her everlasting, every day truth:

From Therese, Dorothy learned that any act of love might contribute to the balance of love in the world, any suffering endured might ease the burden of others….We could only make use of the little things we possessed — the little faith, the little strength, the little courage. These were the loaves and fishes. We could only offer what we had, and pray that God would make the increase. It was all a matter of faith.

Dorothy Day: Selected Writings, Edited and with an Introduction by Robert Ellsberg

it’s a place, and a way to begin, for us little people, the ones of us who know full well the real battlefield that calls us every day is the one not too far from our front door, the quotidian one, the one whose players we might know well or not at all. the strangers within our reach. the ones who might be taken wholly by surprise by a sudden gust of kindness, out-of-nowhere kindness. the ones who might find courage a little bit contagious, who might pick up the pieces and pass it on.

once upon a time, stoked by pictures of starving children from biafra, fueled by the stories in time magazine i’d take to my room to read when no one was watching, i used to dream i’d cure world hunger. i imagined i could lope the globe, fill bellies, spoon unicef gruel into mouths open and hungry, like little birds.

it hurts plenty to shed those dreams, to watch them wither away, to realize you were pie in the almighty sky, and some crazy fool besides. what gets tough, gets real, is to station yourself squarely in the middle of your humdrum life, to look out across the landscape, and seek the moments where you might infuse your own cockeyed brand of dorothy day’s little kindness, little strength, little courage.

this bedraggled world needs every bold (but little) drop.

where will you begin?

redoubling

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sign in a shop window on a busy street nearby

redouble re·​dou·​ble | \ rē-ˈdə-bəl \ v. 1. make or become greater greater, more intense, or more numerous; make twice as great in size or amount. we will redouble our efforts. 2. a. (obsolete) to echo back. b. (archaic) repeat.

 

dear people, these are our marching orders. and we do need redouble today. redouble. quadridouble. centidouble. be fruitful and fruitful and multiply.

be kind and kinder. be fierce in your kindness. unclench your fists, resist the urge to punch at the walls. rise above the lowest common denominator. set a new holier bar.

as i dipped into silence this morning, stared out the window at the blessed quiet of this snowfallen morning, where only the cardinal and a few of his acolyte sparrows are animating the tableau, i thought of what this day will bring, what this weekend might be steeped in. i remembered that we are a nation of vitriol at this too-long moment in time. i remembered how crushed we might feel, and how in times of feeling the hard boot heel of history pressing against the breakable bones of our ribcage, the prewired instinct might be to fight back. to wield weapons in kind.

so this is an appeal to resist and redouble. to not knock down vitriol with more vitriol. to put our faith in the longer game. to rustle up every voter you know. to drive them to the polls. bring a bundt cake for good measure. try to believe that goodness might once reign again. that we can be rinsed of this age of disregard, of indecency, of school-lot bullying. in the meantime, write a thank you note. call up the white-domed Capitol, and ask for whoever it is you want to pat on the back. tell them in no uncertain terms what a hero they are. and how you are so eternally grateful. how you hope your kids grow up to be half the hero they are. how they filled you with hope, watching, listening. how contagious their courage was and will be. how you promise you’ll pay it forward, the courage you saw in the face of unthinkable pressure.

there’s an expression–kill ’em  with kindness; i say melt ’em. melt ’em with kindness in the hours ahead. try to make sense, and let your simple acts of kindness be your foot in the door. even with tears in your eyes.

there are corners of the world, not far from our very front doors, where mercy is needed. be merciful. seek out the ones who have no one to turn to. be the face of kindness, be kindness in the flesh. listen to those who are talking into the wind. be the short burst, the certain burst, of goodness dropped from the heavens. we’re all born fully equipped. God gave us two arms so one could reach out while the other held tight. redouble your kindness. redouble your hope.

be the instrument of peace. clear a path in your world and pave it with act upon act of tenderest mercy.

some days, some moments in time, it’s our only hope.

how will you redouble your kindness today?

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inscribe this on your heart…

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“I‘ve said it before: the area of dignity and respect is my red line. Let me be clear, it won’t be crossed without significant repercussions.” Lt. Gen. Jay B. Silveria, superintendent US Air Force Academy

it’s not too often these days that we hear, loud and clear, the voice of moral conviction. there is so much noise and distraction, a soul like me might get drawn into the deep and unending quiet of the golden-dappled woods. or behind the thick-stone walls of the monastery, where the drone of the outside world can’t drown out the whisper of the One who pries open the doors of our heart.

we need to hear what it sounds like when one sharply-chiseled soul digs down deep and puts a megaphone to moral courage, to standing up and elucidating in no uncertain words what it means to walk the narrow path of decency. no wobbles allowed. no excuses, period.

there is so much garbage spewed these days — so much back and forth and swirling vitriol — it makes me want to give up some days. to crawl into my hole and stay there.

but then, along marches a rare one, and the words i hear are so clear and so fine-hewn in stone, i sit up and notice. i feel the goosebumps rise up. i feel a wafting cloud of relief rise up from my long-slumped shoulders.

oh, yes, this is what moral courage sounds like. this is conviction spewed forth on human breath, i hear myself thinking, the thoughts practically rising to murmurs as i can barely contain the words.

we are long overdue — amid a moral drought, you might say — nearly forgotten, the sound of true and unmuddled moral conviction.

here’s what happened: five cadets at the US Air Force Academy in colorado springs woke up to the words “go home, [racial epithet],” scrawled on the message boards outside their rooms. the superintendent of the academy, a lieutenant general named silveria, wasted no time, drew a sharp red line in the landscape of human decency. he convened an all-campus assembly, 4,000 students, the entire faculty and staff. he stepped to the podium and launched straight in.

have a listen: lt. gen. jay silveria’s unforgettable five-minute red-line moral-clarity speech. 

and here’s some of what he said:

“So just in case you’re unclear on where I stand on this topic, I’m going to leave you with my most important thought today,” he said. “If you can’t treat someone with dignity and respect, then you need to get out. If you can’t treat someone from another gender, whether that’s a man or a woman, with dignity and respect, then you need to get out. If you demean someone in any way, then you need to get out. And if you can’t treat someone from another race, or a different color of skin, with dignity and respect, then you need to get out.”

“If you can’t treat someone with dignity and respect, then get out,” Silveria repeated.

and then the lieutenant general turned on his heels, and left everyone in the cavernous hall — and the country beyond — to stop and think and let that truth sink in. and to remember what it sounds like when a leader is chiseled from the raw stuff of courage and conviction and moral clarity.

i for one am deeply grateful. i for one am so relieved to finally hear someone with the guts to get up and tell it bold and straight and clear, according to the ancient code of decency, the one we should all know and live by heart. every last one of us.

who has been the voice of moral courage in your world this week?

by the time i post this, you might have seen this all over the modern-day public square that is social media, but i am less and less often in that melee these days, having crept toward the quiet of the dappled woods. apologies if this is a repeat for anyone. it’s truly worth a deep sinking in. may your week — and your atoning tonight and tomorrow — be blessed.

front-row seat

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it’s the miracle of being thisclose, ushered to a front-row seat, for the drama of the unfolding human spirit, that more than anything takes my breath away. my whole life long, i’ve found myself perched in watch posts where i could absorb and chart every flinch of the face, every swelling of the human heart, as i learned just how expansive the soul could be.

i’ve watched children bravely take their mama’s hand, as they were rolled into rooms for spinal taps. i’ve watched those unflinching children tell their mamas not to worry, it would all be okay. i’ve watched those children make their mama laugh, as she brushed away a tear, and then found herself doubled over, caught in i-can’t-believe-he-just-did-that, as the kid was rolled away in mickey mouse glasses (pulled out from under the pillow case).

i’ve watched a kid sit down to write a letter to the principal, letting the head of school know that he’d witnessed injustice at the lunch room table, injustice in the name of bigotry because of the way that someone prayed. i watched that kid fold the letter, and send it off, awaiting eighth-grade justice.

this week i’ve been watching a kid i love live and breathe the sort of courage that means everything when you’re a soccer-loving kid, and you’ve been told once already that you don’t belong on the high-school roster. i’ve watched that kid all summer lace up those soccer cleats, lift weights, all but stretch himself with ten-pound discs tied to his ankles as he lay in bed at night. he’d do anything to grow a couple inches. maybe half a foot, if there’s one to spare. i’ve watched him forego cherry pie on his birthday, because he thought the sugar just might shave a chance off his hopes of winning this time round. it’s a three-day test of courage, and we’re not yet at the end.

so all i can do — resigned to supporting role as scrambler of eggs, purveyor of blackberries, filler of water bottle — is stand back and hope and pray like there’s no tomorrow. because, darn it, tryouts end today, and we’ve lived once already through that crushing silence of a kid whose heart is shattered.

for those who think it’s mere cliche to say “my kids are my teachers,” i say this: phooey.

take a seat. open up your playbook. and watch a kid whose shoes you used to lace, to tie in floppy bows, watch that kid hold his head high, step onto the playing field — in the face of all his friends and coaches charting every move — watch him show you how it looks to stare down kids who tower over you in half-foot measures, watch him take the balls at full impact, dive into unforgiving turf, dust off the scrapes up and down his knees and elbows, and rise up again.

watch him hope. watch him hope so hard it hurts.

and you, not nearly so brave as the kid who teaches you, you sometimes get withered by nothing more brutal than a nasty line shot across the internet. from someone you don’t even know. for all you know, it’s nothing but a bot (one of those cyber-ghosts who churn out idiocies and fake news by the megabyte). talk about lessons to be learned.

of all the breathtaking filaments that comprise the growing of a human child, it’s the front-row witness that astounds me most, that leaves me brimming with blueprints for how to be a fuller version of who i thought, who i hoped, i could be.

it’s not just parents, of course, who get the chance to see the inch-by-inch stretching of another’s soul. doctors see it every day. can you imagine looking someone in the eye and delivering the most somber news? watching that someone not crumble, not lash out, not let spew a mighty line of damnation, but instead take the diagnosis with more grace than you swear you could ever muster? can you imagine being the teacher who day after day tries to navigate a kid through vowels and consonants that insist on being muddied, that appear to the kid to be indecipherable hieroglyphics, and then one day, without a drumroll, the kid, who’s never wobbled, suddenly reads straight across a line? and what about the priest or pastor or cop who takes in confession, who looks into the crumbling face of someone who bares his sin? who makes no flimsy excuse, lays no blame, and is crushed by the truth of how much irreparable hurt he’s done?

it’s in those rare uncharted moments when the screen is pulled away, when the screen that stands guard in front of stripped-down soul is erased from the equation, and what you see is unfettered human character. like peeking into the knobs and wires that make an engine run. only in this case, it’s the fibers of courage, of resilience, of this-is-where-i-choose-to-take-the-higher-road.

it takes your breath away — every blessed time. offers you a glimpse of straight-up holiness, the way that God meant for us to be. and, frame by frame, i am taking notes, stockpiling all these lessons. front-row student in the school of courage, of immeasurable blessedness, of grace in action.

and so, i crack and scramble eggs. i keep watch from my post here at home. i wave from the front stoop as the car pulls away. i watch the clock. i pray. and i gird my heart for what may come. and marvel at the gift of watching a very brave kid stare down the very odds that would wither a less determined soul.

dear patron saints of soccer, have mercy.

who are your heroes in the soulful department?

one brave thing

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i forget sometimes that i can be brave.

i sometimes think the countervailing forces of the world — the ones that whisper to me that i’m not good enough, don’t belong, won’t pass muster — they’ll knock me down. buckle me at the knees.

i especially hear those whispers when i’m standing at a precipice, about to take a flying leap off a ledge. a ledge like walking into a newsroom as a nurse + 1 year of grad school (as if that gave me any cred to run around the big bad city, with my reporter’s notebook flapping in the wind). a ledge like walking into labor and delivery, knowing the lump in my belly would soon be cradled in my arms and heart forever after. a ledge like writing a book from the deepest place in my heart and being afraid it will be panned.

i sometimes think of myself as a chicken. a wimp of the first order. i keep watch on folks who look to be brave, and wonder, “how, oh, how do they do that?” here’s a secret: sometimes when i talk to them, when we both unfold our hearts, i find out that they’re just as scared as i am, but they shush away those nasty whispers. or march headlong into them, never minding the awful bluster.

of course i have to remind myself — over and over and over — of that little truth. that the courage to face fears is sometimes simply plugging your ears to the noise, and deciding to hum your own little courage tune.

and just in case, i’ve come up with a back-up plan, or maybe it’s a fortifying plan. it’s modeled off the vitamins of my youth. it’s the one-a-day plan. one brave thing each day. that’s it.

i understand deeply that the trail up the mountainside comes one footstep at a time. no one’s taking giant leaps for womankind. they’re taking normal human strides, one foot in front of the other, and suddenly they’re at a point that’s halfway up. or nearly at the top.

it’s the one-brave-thing plan. i muster as much courage as it takes for one bold move — sending off the email that makes me quiver in my clogs. making the scary phone call before my voice gets caught in my throat. taking five deep breaths then plunging in.

and here’s the beauty: once you’ve done the single deed, you’re done for the day. no more bravery required. or if you do decide to fling on your bravery cape, you do so with the triumphant knowledge that you’re now in extra-credit land. (i admit to being one of those little kids who always loved the buffer zone of extra credit; more or less the shortcut up the mountainside. or at least a remarkable insurance plan, there in case you need it.)

this one brave thing can work for anyone. no matter what the commodity you’re in search of. it’s just as easily the one-blank-thing plan. say kindness is what you quest; do one kind thing a day, and you’re on your way. maybe it’s patience. same plan. fill in the blank, and tackle it one sure feat at a time.

i used to think — and often still do, truth be told — that courage was black or white, an on or off switch. you have it or you don’t. and i was pretty sure i would never be called up to the courage major leagues. but what i’m working on — trying to teach my thick-headed little self — is that, like muscles, you can build it, drop by drop, layer by layer, bit by bit.

so i’m not looking to turn into the queen of confidence. i’m just trying to start and end the day with one new checkmark in the courage column. i’ve sent off notes — one by one — to  folks whose work i love. i still await reply. but honestly, the replies might not matter as much as figuring out that i can dig down deep and yank out my daily dose of being brave.

one of these days i just might glance in the foggy mirror and see a brave girl looking back at me.

till then, i’m working on it: one brave thing, my humble quota for the day.

we’re all works in progress and isn’t that the place from which our beauty comes? and speaking of courage, top of my mind this morning is a boy i love who is walking into a very big meeting but feeling VERY under the weather. he is being oh so brave. and i am offering up all my courage — and whatever else it takes — for him to glide through that meeting, unscathed. 

no need to answer down below (these are private matters of the heart and soul, after all), but what one thing might you submit to the one-a-day plan? what’s the commodity you long for, and might you find it slowly surely certainly?

a bit of housekeeping: i know some of you have loved “on the wings of the hummingbird,”the blog of my beautiful friend mary ellen sullivan, who died last year. for a few weeks, it’s seemed the hummingbird was lost, but the good news is that it’s forever in the cybersphere, thank you to the great good folk at wordpress.com. and you can find it here. (it’s just a slightly longer url, but it’s all there, beautiful as ever.)

baking bread: essential communion

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i baked bread a sunday ago. all day. with a beloved friend. and in the rhythms of yeast and friendship — yeast leaping into action, yeast rising, yeast resting, interlaced with the pas de deux of courage instilled, folly shared, revelation of heart — i found an elusive blessing, one necessary, curative, in these steep and shaky times.

it began with the humblest of offerings (as all friendship, all holiness does): wheat milled into flour; grains from the field; seed from the sunflower; honey, the bees’ sweet contribution; and yeast, God’s gift to the belly — and parable, too.

by the time the oven was blasting its gas-fueled insistence, we’d savored the blessing of pushing up old sweater sleeves, one friend reciting instruction, the other (uncertain and seeking conviction) following along, the blessing of slow time, of deep unspooling conversation, and an afternoon in which the slant of light slipped imperceptibly away. all punctuated with a thick slice of grain, slathered in soft salty cheese.

it’s as determined an equation for healing as any i’ve stumbled into of late. it was the gift of the sharing of hours — not a phone call squeezed in between errands, not a text passed in the night — that held the miracle. it was the rare chambered nautilus of friendship, a structure within which we could burrow, nestle into sacred uncharted spaces.

perhaps, too, it was the particular alchemy of shared labor — engaged task — across those hours. we’d started from scratch and were working our way — together — toward shared triumph. it was altogether richer than my usual preferred art of sitting side-by-side or foot-to-foot under blankets, sharing words and stories and mugs of spiced tea.

indeed, the tea kettle would sing before the afternoon ended, before two toothsome loaves would be pulled from the oven. and ever since, each time i pull a slice from the loaf, each time i sit down to lunch, i return, at least a part of me does, to that fine afternoon and the knowledge that i can bake my own bread, leaning all the while on the sturdy friendship of the rarest of companions.

there is something breathtaking about baking with a friend. something in sharing a kitchen, a cookstove, something in finding our way together. i grew up afraid of two things (my inventory here is confined to fears in the kitchen): yeast and pie crust. the former i thought i could kill, a notion that felt murderous to me; and the latter i thought would crumble in my indelicate fingers. so i did what any deep-fearing girl would do: i stayed away. steered clear. bought my bread, more often than not, from the very nice baker who shared not my particular fears.

for me to enter the kitchen, to haul out the mixer with bread hook and paddle, to tear open the packet of yeast, to try not to wince when i submitted said yeast to the bath my friend promised would not kill it, leave it gasping for breath, well, that was, in fact, a small act of courage. and i find i’m in need of courage-building these days. there is a world that needs our voice — our calm and gentle and deeply considered voice. and there is a world that needs our conviction, our conviction put into action.

it came as something of a surprise that my starter class in courage, my beginner’s curriculum, unfolded in the kitchen. yet there i found steadier footing. it all came in the certain embrace of a friend to whom i could bare my uncertainties, my qualms about yeast and life far beyond. it’s friendship that weaves the strong with the faint. none of us come to the kitchen, to the world, with all threads emboldened. we are, each one of us, tapestries; some threads glimmering, some threads too thin, too easily frayed. and in the submission to friendship, the willingness to say aloud, “i’m scared of this” (be it yeast or life or speaking up in the face of opposition), and then dive in anyway, well that’s what finding courage looks like. and courage is the thing we need — in double doses, at least — if we stand half a chance of making a difference, making our one small life matter, of leaving this world more filled with even one drop of grace, of goodness, of kindness, of light.

and so i started with wheat + yeast + the dearest of friends, and i wound up with two fine loaves, and the wisp of knowledge that i’d moved a baby step or two closer to finding my way across the rocky landscape.

in these times that tear at my heart and my soul on a daily or hourly basis (depending on the news of the day), i found something holy, i found essential communion, in the baking of two loaves of power bread. and i did not kill the yeast.

my annotated recipe: power bread from food52
by someone who goes by the name boulangere

makes 2 large loaves

1/2 cup kamut*
1/2 cup buckwheat groats*
1/2 cup pearled barley*
3/4 – 1 1/2 cups tepid water
1 1/2 tablespoon active dry yeast
3 cups whole wheat flour
3 cups unbleached bread flour
1 tablespoon kosher or sea salt
2 ounces canola oil
2 ounces honey
1/4 cup chia seeds
1/4 cup golden flax seeds
1/4 cup sunflower seeds, toasted
1/4 cup polenta

*my dear friend tells me that you needn’t follow precisely the rules (see why i love her); any combination of grain will work, as long as you start with a total of 1-1/2 cups uncooked. i for instance skipped the kamut altogether and then forgot to double the buckwheat, and all ended well anyway.

Place barley, kamut, and buckwheat groats in saucepans with ample water to cover, bring to a boil, then reduce heat to a simmer, cover pot, and cook until not quite done through. They still want to be a bit toothy when you take them off the heat so that they retain their integrity in the dough. Kamut will take the longest, about 1/2 hour; barley about 15 minutes; and buckwheat groats about 10. When done, strain off water and allow to cool a bit before adding to the dough.

img_8884To mix dough, pour water into the bowl of a stand mixer fitted with the paddle. (my dear friend tells me 25 seconds in the microwave gets water to just the right non-murderous temp.) Add yeast and whisk to blend. Add all other ingredients, including slightly cooled grains. Mix on lowest speed until dough comes together and looks homogenous. This will be a sticky and fairly soft dough, but it should generally leave the sides of the bowl, so add some bread flour if necessary; just don’t add so much that it is too firm. (here we have the debate on whether to use the bread hook or the paddle on the super-stand mixer; we tried both, first hook, then paddle, then quickly back to hook.)

When dough comes together, stop the mixer and wrap a piece of plastic wrap around the top of the bowl. Let the dough have an autolyse for 20 minutes. (that’s a scary word to me, but my friend tells me not to be afraid, just let the dough have at it.) This will allow the whole wheat flour to become fully hydrated, and also allow the water in the grains to settle down. If you overknead this dough, you’ll essentially start squeezing water out of the grains.

After the autolyse, remove the plastic and again begin kneading on the lowest speed. Within a few minutes, the dough should come fully together, leaving the sides of the bowl. Knead for 5 minutes, then test for a windowpane. It will not be as thin as what you’d expect from a dough without all the grainy content, but it will form a general windowpane.

Transfer dough to an oiled bowl large enough to contain it as it doubles. (my friend tells me to use the largest possible bowl. i used one that might have bathed a plump tot.) Turn dough over once, then cover bowl with plastic, not a towel. Let it proof at room temperature until doubled in size.

img_8892Flour your work surface – remember, this is a sticky dough! Gently turn dough out onto it. Keep your piece of plastic! Divide dough in half, and shape each as you wish: either shape it for conventional bread pans (my friend says don’t forget to oil your pans), or shape as hearth loaves. Dust the top of each with flour (I love that rustic look!), then drape your piece of plastic over them. While your bread is proofing again (and the second proofing goes faster, so keep an eye on it), preheat oven to 375 degrees.img_8893

Just before putting bread in oven, decoratively slash the tops a good 1/2″ deep. Bake for about 30 minutes, rotating loaves halfway through. This bread is deceptive – it tends to look done before it is. When done, an instant read thermometer inserted in the middle should read 180 degrees. (or, says my friend, who is now your friend, anywhere between 190- to 210-degrees Fahrenheit.)

Remove from oven and cool on a rack. Because of all those great, moist grains, and a touch of honey, this is an excellent keeper, and also freezes just fine. While it is still warm, cut a slice, butter it, maybe add some honey or your favorite preserves, and get ready to power up!

notes from food 52 and boulangere:

Food52 Editors’ Comments: Boulangere’s multi-grain bread is hearty and delicious. The combination of grains and seeds makes the bread both flavorful and texturally appealing. I had to use the upper end of the water amount for my dough to have a good consistency. I was unable to find chia seeds, so substituted millet instead. One of the beauties of this recipe is its ability to accommodate different grains and seeds based on what you have in your pantry. It makes 2 pretty huge loaves of bread. I made mine 2 days ago, and have been nibbling on it ever since. I highly recommend giving this bread a try — you won’t regret it! – hardlikearmour

I developed this bread originally using spent grains from a friend who is a gifted and endlessly creative artisan brewer, along with a mix of seeds, depending on what I had on hand. I never knew exactly what the mix would be, but it always made bread so deeply good that people would call ahead on bake day to reserve loaves of it. I adapted it for the Bulk Bin project to replace the mix of spent grains with some of my other most favorite grains and seeds. I still call it Power Bread for the intrinsically wonderful protein, fiber, and EFA qualities of kamut, buckwheat, pearled barley, chia and golden flax seeds. And I always toss in some uncooked polenta for a bit of crunch in every bite. It makes great toast, and a killer grilled cheese sandwich! As you read through the list of ingredients, if you think the water measurement seems unclear, bear in mind that you’re going to cook the whole grains, and though you’ll also drain them, they contribute a lot of hydration to the dough, depending on how thoroughly you drain them. Don’t press water out of them, in other words. And feel free to add additional water to the dough if need be. – boulangere

and a note from me, not about bread but about the state of the world and what i write about here: dear beloveds, because long ago i set out to make this a sacred place, a place that keeps close watch on the world, and close watch on the soul, i am trying to thread a very fine needle here and keep politics off the table. i know we come from myriad perspectives, and because i want to preserve the sense of shared communion, of a place where we can all breathe deeply and purely, away from the everyday noise and congestion, i am aiming for matters of the soul. you might have gleaned that these are hard times for me, and that would be an accurate assessment. but because i can’t stand the dissolution of conversation i see in so many places, because i can’t stand the sense that division is the math of the moment, i’m trying for inclusion, trying to weave and not tatter, staking my hopes on the deep faith that we have many places in our hearts that spark to the same beauties, crack at the same shatterings. i hope we all speak up for justice and never ever muffle our outcries against what we see as injustice — and i won’t muffle here. i emphatically aim to live a gospel of love, an instruction found in every holy book of every world religion, and, yes, in the books of those who claim no religion but follow a sacred light. as a journalist i have long practiced the art of keeping my politics out of my stories, and so even here, especially here, where my aim is deeper and higher at once, i continue to pray that this is a sacred place, a place for everyone of gentle heart, fierce belief, and carefully considered thought. 

your thoughts? or if you prefer, your bread baking tips? or, perhaps, what you’ve found as the most delicious ways to deepen a friendship. xoxox

red bird pie: a recipe of courage

red bird pie before

perhaps its name is misguided, a culinary blunder nearly as stark as the dough with the mind of its own.

perhaps in calling it red bird pie, instead of the more ingredient-precise — say, peeled-granny-smith-with-occasional-appleseed pie — i’ve sent you and your brain cells tumbling down the very wrong path. perhaps you envision a meat pie. a pie filled with bird. i can’t even bring myself to type “red bird” when typing in this particular vein. for that would be a slaughterous pie, and we’ll have none of that here, not in this teetering-on-greens-only house.

it’s all just poetry, the poetry of pie naming. and once i discovered i could play with my pie dough, could press my old tin cutter, a wee red-bird cutter, you see, well, i was suddenly in joyful terrain. i pressed and i lifted and plopped. i was going gaga for the red birds i pressed in my pie top.

and deserving was i of this romp and reckless dough-cutting. for it had been a long way to red bird.

and thus is the story of the red bird of courage.

you see, as long as i’ve been alive i remember the words of my mama: “i’m afraid of pie dough,” she once said (though the minute i type that, i expect the phone to ring and denial to ring out across the land). for the sake of maternal peacemaking, let’s just say that someone once uttered the words, pie dough = fear, and they stuck.

if my forebears in the kitchen were fearful of dough, well, then, i too held ancestral right to be fearful.

so, all these years, i’d never done it. not until the day before yesterday, that is. the day before thanksgiving 2014, the day my dough dread crumbled. and the red bird rose to my rescue, served as my bent-tin medal of courage.

red bird cutter

it so happens that this happens to be my season of conquering fear. and one of the very last bastions was the one splayed across the now flour-streaked pages — clear from page 24 to far yonder 44, a full 20 sheafs of schooling in butter + flour + water! no wonder i shook in my tattered-and-splattered over-head apron!

i’d turned in my hour of fear-mounting to “the hoosier mama book of pie,” a nestled-to-the-bosom book of pie tutelage if ever there was (though ms. paula haney, the hoosier mama herself, does seem to revel in raising the rolling pin higher and higher with each and every pie-baking instruction).

pie page instruction

why, before the day was done — and it was a long one — i would have fumbled my way through these fine kitchen verbs: i macerated. i reduced. and i chilled. i would have pulsed, but the food processor also is among the kitchen wares i dread (or simply hate to haul from the pantry shelf), so i rocked with old-fashioned half-moon pastry cutter. i sprinkled “crust dust” (who knew?). and before i’d so much as frozen the butter, i’d stalked the grocery store shelves in search of tapioca starch. (i went with minute tapioca. oh, well. chalk it up to kitchen transgression.)

apparently, i’m not so good with numbers, either. at least not when it comes to butter. i grabbed two sticks, but promptly forgot that the wee little fraction tucked alongside the 1, there in the ingredient roster, spelled out 3/4 — as in less than a whole, as in fraction of buttery stick. so my virgin voyage of pie dough had an 2 extra Tbsps. of land o’ lakes unsalted butter.

you might wonder why if i started this whole rigamarole at 2 in the afternoon, i didn’t pull that ol’ bird-pocked pie from the oven till half past 10 in the night? well, it seems ms. hoosier mama believes in slow baking. meaning every step was punctuated with full stop — freeze for 20 minutes, rest for 20, macerate at least 25, drain for 25, chill for 20, freeze for yet another 20; 130 full minutes of pause, pause and more pause.

in which, i suppose, the ponderous baker is supposed to deep breathe the wonders of all this mindful attention to butter and flour and water laced with red wine vinegar (the better the chances to shorten the protein strands, ms. haney explains, the ones that make your pie dough tough to the tooth).

seeing as this was my first run-through, i more or less sighed deep sighs of exasperation at each and every prescription to pause. by dinner time, when everyone’s tummy was growling, and i was still pausing to freeze or to drain, i’d gotten to calling this “apple pie interruptus,” for the way i seemed to take two steps fore and one step to the side.

and i flubbed plenty along the way: besides the mistake with my buttery math, and despite the fun i had thwopping the cold ball of dough with the girth of the rolling pin (lest all the rolling toughen it into one hard-bitten bird), my dough circles never did reveal themselves (more like a raggedy-edged oblong was the best i could do).

so i did what any self-respecting virgin pie baker would do: i scrimped. scraped the doodads of dough right off the cutting board. dabbed droplets of water there at the seam, where dough met dough, and i made like a band-aid.

and then, at last, i got to the side note, the one about cutting to vent, and that’s where all my years of flipping glossy pages in foodie tomes came to bear: i plundered my mostly-unused-but-abundant collection of old cookie cutters, and there, at the way bottom of the basket, lay a toppled wee red bird.

and that’s how i wound up reveling in pie dough, just before the 10 o’clock news. i pressed myself a whole flock of dough birds. i had red bird holes in my pie top. and red bird doodads of dough, rising up to a second dough layer. i had so very much fun with my birds i barely noticed the disastrous crimp to my crust. nor did i mind the splotches of dough bandage.

which leads me to think that, as with all acts of courage, the recipe reads something like this: shove up your shirt sleeves, take it one step at a time, don’t flog yourself for dumb mistakes and necessary U-turns, and let rip when it comes to the part where you’re in your glory.

in the end, does anyone other than you give two whits that you’ve mastered the thing that you feared?

but once you find yourself grabbing the hot pads and oven mitts, and you’re yanking your prize from the sizzling oven rack, all you need do is deep breathe the truth that, step by step, blunder upon blunder, you’ve inched your way over and across the very terrain that once made you tremble.

life is like that. pie-baking is too.

red bird pie after

and what fears have you conquered of late? the ones you’ve batted down with rolling pin, or ones of whole other ilk? and how did you muster the courage?

led by a deep, still voice

 

enter to grow wisdom

here is an essay i wrote this week for the nieman storyboard, a writerly nook of the nieman foundation for journalism at harvard that explores the craft of longform narrative and storytelling in all its guises. this was an essay that took particular courage. you’ll read why. you can read it below, or see it here on the storyboard, where you might decide to poke around and find a host of marvels and morsels….

I’ve written about my mother’s cancer. And the string bean of an unborn baby who slipped through my fingers in the dark of the hollowest night, amid clots of blood and a wail of primal grief.

I’ve written about the abyss of the hour when I paced an emergency room, waiting to hear if my older son’s spinal cord had been severed when he flew from his bike to a trail in the woods. I even once dared to write — in the pages of the Chicago Tribune, my hometown newspaper — how I became anorexic my senior year of high school, and, in the flash of a few short spring months, plunged from glory to shame in my infamy as the homecoming queen who had to be hospitalized after dropping 50 pounds.

But saying out loud that I look for and find God nearly everywhere I wander? That scared me.

Especially among my fellow journalists, for whom skepticism is religion. Pulling back Oz’s curtain, taking down the too-powerful, those are the anointed missions. To stand before an imagined newsroom and say I bow to the Almighty source of all blessing, I believe in the Unknowable, the Invisible, a force I know to be tender and endless and ever in reach, a magnificence that animates my every hour, that is to stand before the firing line. That is to expose yourself, I feared, as unfit for Fourth Estate duty.

But I did it. Led by a deep, still voice.

Now, it’s all bound in a book, called Slowing Time: Seeing the Sacred Outside Your Kitchen Door (Abingdon Press, 2014). And, as of Oct 7, you’ll find it in bookstores, on Amazon, even on the shelf of my town’s library.

The burning question for a journalist who’d dare to chart the spiritual landscape is how, using the tools of the craft, do you toughen the fibers, sharpen the edges, of a subject that, by definition, is formless? How do you put hard-chiseled words to believing, indeterminate act that it is?

For me, it boils down to three non-negotiables: Pay exquisite attention, even when it’s your soul you’re sliding under the examiner’s lens; root yourself in the earthly while soaring toward the heavenly; and don’t flinch. Your edge comes from your capacity to pull back the veil where others dare not.

Paying Attention.

It struck me recently that my paying-attention curriculum, the part that came from syllabus as much as natural-born curiosity, began in the halls of a college of nursing, where in shiny-linoleum-tiled classrooms, in the fall of 1976, a whole lot of us — sophomore nursing students on a four-year track — began to learn to see the world through a nurse’s dare-not-miss-a-detail eyes.

My very first assignment, once a white nurse’s cap had been bobby-pinned to my run-away curls, was to bathe a woman who was dying of a cancer. I was taught, straight off, to look deep into her eyes, to read the muscles flinching on her face, to hear the cracking of her words as she tried to tell me how warm she liked her bath, and which limb hurt too much for me to lift it.

And on and on, the learning went — as I became a pediatric oncology nurse at Chicago’s Children’s Memorial Hospital, and watched the waning light in the eyes of a 15-year-old boy at the hour of his death. As I gauged the depth of blue circling the lips of 6-year-old girl with cystic fibrosis. As I buried the sobs of a wailing father against my shoulder, as he absorbed the diminuendo of his 12-year-old daughter’s final breaths.

At the precipice of life and death, I learned to live a life of close examination. And when I made the leap from nursing to newsroom, a narrative twist brought on by the sudden death of my father, and an off-handed comment after his funeral that I ought to try my hand at journalism, I only broadened my lens. Paid keener attention to the singular detail that revealed the deeper story.

Root yourself in the earthly.

Even if I’ve never broadcast the holiness that informs my every day, it’s always been there. It was front and center, back in 1985, when I criss-crossed the country, documenting the faces and forms of hunger in America, for a 10-part series unspooled in the Tribune. It was a pilgrimage that put flesh to my own personal gospel: One that drove me to see the face of God in everyone whose path I happened to tread, everyone whose story spilled into my notebooks. From ramshackle cabins in Greenwood, Mississippi, to urine-stenched stairwells in Chicago’s Cabrini-Green, high-rise housing hell.

I never set out to be a religion writer, though when the slot opened once at the Tribune, I gave it a moment’s consideration. Nor did I ever set out to expose the whispers and truths of my soul. All I wanted was to hold up to the light the stories of everyday sinners and saints who so richly animate the grid, urban or rural or spaces between. It was in the backwash of the forgotten, the pushed aside, the indomitable that I noticed the glimmering shards.

In my own way, always drifting toward stories that fell in the crosshairs of human struggle or anguish and rose in crescendo toward triumph or wisdom gained, I was gathering notes on the human spirit, and never surprised when I felt the hand of God — like a thud to the heart, or, more often, a tickle at the back of my neck.

There’s an ancient Hebrew text, one with echoes of Plato’s “Allegory of the Cave,” that teaches us that while we can’t see God, we can see God’s shadows. The more etched the shadows, the more we know God, according to the teaching. It’s wisdom that drives me to tether my prose in the concrete, to allow the metaphor to spring from the particular, to capture a glimpse of the Holy from the depths of ordinary.

Don’t flinch.

Back in 2006, my then 13-year-old, who’d scored enough in bar mitzvah gifts to cash in on a refurbished MacBookPro, bequeathed his old laptop to me. As part of the deal, he built me a website one December night when the winds whistled in through the cracks in the door. He told me I could handle a blog. I shivered.

Then I started to type. Called it “Pull Up a Chair.” Set out to write about the heart and soul of the home front.

Each weekday morning for a year, I rose before dawn, poured a tall mug of caffeine, and I wrote. Exercised narrative muscles I’d never known were there. Connected dots in the course of free-flowing sentences. Sometimes felt the particular buzz that tells you you’ve tapped just the right vein. The one, in my case, that flowed from my heart to my soul. I’ve been writing that blog ever since. Nearly eight years of accumulated essays.

By day, I forged on with the daily grind of newspapering. But what happened at dawn – the writing that drew me into places I’d never explored aloud – it freed a particular voice. What had been un-utterable became a tremulous whisper, and, in time, a brave clear call.

Along the way, I’ve endured what might be the hardest lesson: The one where I find myself plumbing depths that are truer than true, though I’d never quite put them to words. As in: “I seem to hum most contentedly when my canvas has room for the paint dabs of God. When I hear the wind rustling through pines, when I take in the scarlet flash in the bushes, when I trace the shift in the shadows through the long afternoon, that’s when I feel the great hand of the Divine slipping round mine, giving a squeeze. That’s when I know I am not deeply alone. But, rather, more connected than in a very long time.”

Or: Writing of the sleepless night when, in desperation, I reached for a rosary I’d not fingered in years. “It’s the [rosary] I squeezed till my fingers turned white when they threaded the wire into the heart of the man who I love, the man who I married. And when they dug out the cancer from the breast of my mother. And that I would have grabbed, had I known, on the crisp autumn night when the ambulance carried me and my firstborn through the streets of the city, his head and his neck taped to a stretcher. I prayed without beads that night, I prayed with the nubs of my cold, clammy fingers.”

Call me crazy — or oddly courageous — to invite readers under my bedsheets, where I finger the rosary. To whisper aloud the words of my prayer, not cloaked in cotton-mouthed vagaries, but laid bare in the most intimate script, the one that unfurls from my heart to the heavens.

Instead of playing it safe, instead of turning and running, I plunge forward. I follow the truth. I say it out loud. And then I hit “publish.” Often, I find myself queasy. Call a dear friend. I rant, and I fret. Consider deleting the post. Then the emails come in, the ones that tell me I’ve captured a something someone never quite noticed, something that gave them goosebumps. And therein, I discover communion, in its deepest iteration. That’s how you learn not to flinch.

The story of how my book came together — how hundreds of pages were sorted and sifted and whittled and culled, how words written in silence at my old kitchen table would emerge to be passed from friend to friend — is, like most things spiritual, an amalgam of the mystical and the prosaic.

It all traces back to books I spied on the desk of the Cambridge professor who would become our landlord during our Nieman year. I knew, once I saw the stacks of poetry and divinity titles, that his book-lined aerie, the top floor of a triple-decker just off Harvard Square, was the one we needed to rent. What I didn’t know is that the gentle-souled professor would soon introduce me to a Boston book editor he termed, “the best of the best.” Nor that I would fly home to Chicago at the end of that Nieman year with a contract and an end-of-summer deadline for a book I’d loosely conceived of as a Book of Common Prayer, believing it’s the quotidian rhythms that hold the deepest sparks of the Divine, and it’s in the rush and the roar of the modern-day domestic melee – held up to the light — that I find improbable holiness.

And so, what had been occasional dabblings into the sacred realm — written over seven years, refined over one summer — became a tightly woven tapestry that now, as I read from beginning to end, feels something like a banner. Or maybe a prayer shawl in which I quietly, devoutly, wrap myself.

I’m braced – I hope – for the cynicism, or maybe worse, sheer dismissal. A dear friend, one whose book spent the summer on the New York Times best-seller list, gave me what amounts to a lifeline: “The real reviews,” she said, “come in handwriting and human voices.” Already, those voices have begun to trickle in, to tell me they’re staining the pages with coffee rings as they read and ponder and read some more. To tell me they’re giving the book to their dearest circle of friends. To tell me they’ve underlined and scribbled in the margins. To tell me one particular essay carried one reader through the week-long dying of her mother.

I’ve found my holiness slow and steady. It crept up unawares, almost. I never expected that I’d write a prayerful book, with my name on the cover, and my heart and my soul bared across its pages.

But nothing has ever felt quite so right. Nothing so quietly sacred.

Barbara Mahany is an author and freelance journalist in Chicago, who writes these days about stumbling on the sacred amid the cacophony of the modern-day domestic melee. She was a reporter and feature writer at the Chicago Tribune for nearly 30 years, and before that a pediatric oncology nurse. She tagged along on the 2012-13 Nieman fellowship of her husband, Blair Kamin, the Tribune’s longtime architecture critic.

veritas

beef stew matters

beef stew

a confession: all week i’ve been considering the fine points of stew. i’ve pondered the layering of flavorful notes. ruminated over anchovies. weighed root vegetables. detailed the pluses of rutabaga, countered with low points of turnip. i’ve dwelled on umami, that quixotic elixir we’re all after.

i’ve settled at last on a roadmap. any hour now, i’ll be cranking the flame, putting grass-fed beef chunks to the iron-hot scald of my three-thousand-pound cook pot. it’s what you do when you want a fine stew.

now this stew won’t be spooned to anyone’s mouth — not unless you count the teaspoons i’ll taste as i stir and i fiddle — till saturday’s eve. and that’s the whole point. i want the whole universe contained in my pot to cross-pollinate, to send ambassadorial missions from, say, the rings of the leek to the eye of anchovy (do those little squirmers have eyes? i’ll soon know the answer, once i peel back the lid and give them a look-see). i want a marriage — not a divorce — of fine flavor. i want the chunk of the beef to waltz with the dice of the carrot.

why, you might wonder, am i plopping my self into such a pressure-packed cooker? why in the world does this simple potage so very much matter?

take your pick:

a.) a wintry stew, served to a hungry tableau, is the raison d’être of this season of ice and blustery winds and bone-chilling temps that makes us ponder the wisdom of bears who pack it all up and go under cover from, say, the thanksgiving feast till the rising of easter.

b.) i quake in fear of that hushed moment when forks put to mouths lead to the audible verdict. i’ve sat there before when only after a pause does some polite — and half-hearted voice — pipe up with a “oh, this is good.” or, worse: not a word.

truth be told — and we’re truth-tellers here — it’s b more than anything that has me engaged. cooking for me is not just a dalliance, not a way to whittle away a few friday afternoon hours. no, cooking for me is self-taught survival.

i am still, after all these decades, battling away demons you’d maybe not notice. did you know, for instance, how much pride i felt when i typed out the sentence about tasting spoonfuls? i’ve promised myself — as i’ve made so many promises before — that i will taste as i stir. that doesn’t sound one bit scary to you, i imagine. but it does to me. and it’s why that moment of fork-to-mouth, that very first taste at a table of people i love or especially a table of folks i don’t know too well, has at times left me feeling as if the chair’s been pulled out from under me. all these years i’ve cooked by feel, cooked without tasting — a veritable braille at the cookstove — and i don’t know till everyone else does if i’ve over-walloped the salt, or short-changed the wine.

but that was then, and this is now. i am nudging myself into a new chapter. i am filling my table with people i love, and a few who i only scantily know. i am a living-breathing believer in the power of putting ideas to the world, and the best place that i know for birthing fine thought, for bridging frames of reference, is the dinner table.

it’s curious, perhaps, that i invest so much faith in the gathering of great good souls to my table. but the way i see it, the dinner table is merely the classroom, the seminar chamber, set with knives, forks and a battalion of glassware.

so, if you want to bring together great stews of ideas, of stories, of wisdom, of light, you need to stoke the flame with the richest, most sublime assemblage of feast and drink and, yes, a darn lovely haul from the old plate collection.

it’s why i’ve been turning to my panel of master teachers, all lined up on the shelves of my kitchen — and a few who walk and talk and dispense real-life secrets. it’s why i am hurling martha stewart across the room, but sidling up to david tanis, a generous-hearted cook (formerly of chez panisse and a regular in the new york times, for heaven’s sake) endowed with a down-to-earth soul who finds perfection in a simple soft-boiled egg and who writes that the peeling of carrots and onions for a simple stew “can be meditative.”

it’s not about wow-ing. it’s about allowing the feast to speak for the part of my heart and my soul that breathes beyond words.

the equation i’m after, the blueprint i seek, is one that’s infused with humility, yet banks on the notion that dolloping grace and deliciousness — both in measures sublime — onto my table is bound to spiral the talk a notch or two, and kindle the room with a shared sense of the sacred: this table matters, what unfolds here is sacramental; and as the one who’s done the gathering, i’ve infused it with the very best i could muster.

i’m finding my way. even at this late date in the game. and, any moment now, i’ll be feeling my way — and tasting my way — to a beef stew that matters. perhaps, more than it should. but not really, not when you know all that’s infused in its making.

here’s the roadmap i’m more or less following, a revamping from two solid sources: food52, that amazing online kitchen of amanda hesser and friends, and the pioneer woman, who has proven herself to stand on two solid legs when it comes to the cookstove.

My Secret Ingredient Pioneer Woman Saturday Night Beef Stew

Provenance: Food52 + Pioneer Woman. annotations by bam (and remember, this is a work in progress).

Ingredients

STEW:

2 Tablespoons Olive Oil

3 pounds Beef Stew Meat (chuck Roast Cut Into Chunks)

Salt And Pepper

1 whole Medium Onion, Diced

2 Leeks, sliced

7 cloves Garlic, Minced

2 carrots, peeled and chopped

1 package (8 oz.) Baby Bella Mushrooms

6 ounces, weight Tomato Paste

2 Anchovies

Dried Porcini Mushrooms (1/2 ounce; Melissa’s packet)

4 cups Low Sodium Beef Stock Or Broth, More If Needed For Thinning

1/2 cup Red Wine Vinegar

1 cup canned whole Tomatoes with Juice (or 1 can)

1-1/2 teaspoons salt

2 Bay leaves

3/4 teaspoon dried thyme

2 whole Carrots, Peeled And Diced

1 whole Turnips, Peeled And Diced

1/2 Rutabaga

1 Parsnip

Pearl Onions, frozen; about a cup.

1/3 cup to 2 Tablespoons Minced Fresh Parsley

MASHED POTATOES:

5 pounds Russet Potatoes (peeled)

1 package (8 Ounce) Cream Cheese, Softened

1 stick Butter, Softened

1/2 cup Half-and-Half

Salt And Pepper, to taste

Preparation Instructions:

Pat dry, then salt and pepper stew meat. Heat olive oil in a large, heavy pot over medium-high heat. Brown 1/3 the stew meat until the outside gets nice and brown, about 2 minutes. (Turn it as it browns.) Remove the meat from the pot with a slotted spoon and put it on a plate. Add the rest of the meat, in thirds, to the pot and brown it, too. Remove it to the same plate. Set the meat aside.

Add the leeks, onion and garlic to the pot, stirring it to coat it in all the brown bits in the bottom of the pot. Cook for two minutes, then add the carrots and mushrooms and again, cook for a few minutes. Add tomato paste AND ANCHOVIES to the pot. Stir it into the alliums and vegetables and let it cook for two more minutes.

Meanwhile soak dried Porcini mushrooms in 1 cup warm water.

Add wine vinegar, tomatoes with juice.

Pour in the beef stock, stirring constantly. Add salt, bay leaf and thyme, bring to boil. Stir in porcini mushrooms; then add beef back to the pot, cover the pot, and reduce the heat to low. Simmer, covered, for 1 1/2 hours to 2 hours.

After 1 1/2 to 2 hours, add the diced turnips and carrots AND RUTABAGA AND PARSNIP to the pot. Stir to combine, put the lid back on the pot, and let it simmer for another 45 minutes to 1 hour. The sauce should be very thick, but if it seems overly so, splash in some beef broth until it thins it up enough. Feel free to add beef broth as needed!

When the ROOT VEGETABLES are tender, stir in minced parsley. Taste and add salt and pepper as needed. Cool to room temperature. Refrigerate.

When cool, skim off much of the fat from the top. Reheat over low heat, letting the stew simmer 45 minutes to 1 hour before serving.

Serve piping hot in a bowl with mashed potatoes, letting the juice run all over everything. Mix in half of the parsley and garnish with the rest. Sprinkle with extra minced parsley at the end.

MASHED POTATOES:

Cut the potatoes into quarters and cover with water in a large pot. Boil until potatoes are fork tender, about 25-30 minutes. Drain the potatoes, then put them back into the same pot. With the heat on low, mash the potatoes for 2 to 3 minutes to release as much steam as possible.

Turn off heat, then add cream cheese, butter, cream, seasoned salt, salt and pepper. Taste and adjust seasonings as needed.

Serve potatoes immediately or spread them into a buttered baking dish to be reheated later. To reheat, put them in a 375 degree oven, covered in foil, until hot.

happy tasting, sweet friends.

it’s a scary thing to write as open-heartedly and honestly as i just did. but sometimes when i’m sitting here at the old maple table, i consider the connection we’ve all forged over the years, and i reach for the bottle of truth serum and swallow a spoonful. i feel like i owe it to the chairs, to not just write some mamby-pamby distraction about how i’ve whiled away a week, but rather, if you’re going to take the time to put eyes to these words, you deserve a dose of courage. it’s especially scary to tiptoe into this realm when i know my mothers — my own mama and my mother-in-law whom i adore (along with my father-in-law) — are among the readers. but when you write from the heart, you’ve made a commitment to not pussyfoot around. you straight shoot even when it makes you tremble. if you believe in authenticity — and i do — there’s only one path up the mountain. and it sometimes gives me the shakes. but in the long run, i just might find my way. and look out from that long-awaited vista. 

a multiple choice of questions (take your pick): a.) what makes you quake? or b.) what’s your go-to winter recipe?