the homecoming was delayed. the homecoming was complicated. by COVID, of course. it entailed a long drive, half across the country, nights in borrowed beds, and one in a hotel with a curious chandelier fixation. but, at long last, the station wagon, packed to the gills with the siftings of law school life that won’t be moving to the next chapter, pulled into the garage just as the sun lowered in wednesday night’s sky.
i leapt as soon as i saw the light shining through the garage window, realizing the devoted driver (the one who’d set out across the country simply to shave one airplane ride’s risk from the summer’s complicated travel equation, the one who’d driven 28 hours just to shield his firstborn from the fear of worrying if the guy with the coughing fits two seats away was spreading the dread disease), had picked up the pace on the drive through america’s flatland–ohio, indiana, the surrounds of chicago.
i wish i’d had a picture of the sight i saw next: the graduate in graduation robe, (the tassled-cap had been momentarily misplaced under the heap in the wagon’s rear spaces) with N95 mask strapped round his beard (yes, we know that beards are not optimal tonsorial fare, not in the age of the red-ringed virus), bare legs, and the crumbs of a cross-country car trip. for a pause of a moment we air hugged. but then, i surrendered. if COVID comes roaring this way, i’m going down with the rest of us. and, anyway, it seems biologically impossible to dwell in the same house and avoid rampant exposure. (COVID tests have now been taken, and we await the results, in two to four business days.)
ever since, it’s been decidedly noisier here, and far less monastically choreographed. as i type, two laptops are spread across the kitchen island, conjoined by a wire, as the old one disgorges its contents into the new one. tax returns are piled next to the laptops, leftover business best dealt with with mom and dad’s stamps. the peanut butter jar is curiously emptying, by the giant-sized spoonful. and the pile of laundry is teetering toward the basement rafters.
the most curious thing, or maybe the most complicated, is my heart. i find myself aswim in an aching as i realize just how uncommon, how far-apart-and-few-between these homecomings will be. how we’re not really his home anymore (something i certainly know intellectually–i’ve been sending packages to new haven, connecticut, for the last three years, after all, and before that, for four years, to amherst, massachusetts–but in that way where the heart is at peace with a knowing, is humming along with the whole of it, well that certainty is not yet ground into the walls of this ol’ ticker), and i’m not really ready to swallow that truth. truth is, we feel something like a way-station. a place to store old paintings for a year. a place to tuck the graduation gown into the back of the closet. a place where old stories are the ones that most vividly percolate.
and i find myself yearning–sometimes just a tad, other times with every ounce of my heart–for the old days, when night after night all four of us fell asleep under the same single roof, and every morning was a mad-dash to somewhere, with someone or something inevitably lost, left behind, or stuck in the laundry chute. wishing i’d known then–amid the full-on, high-decibel chaos–just how much and how soon i’d come to miss the whole of it.
i promise i’m savoring the sweetness of now. savoring every blessed drop of it. cooking like there’s no tomorrow (and the way the dinner plates are being piled high, there might be no food for the morrow; the fridge looks to be draining in double-time). throwing my own to-do list to the wind. we are staying up far too late, all of us curled on the couch, trading wit, witticism, and old family barbs as we catch up on netflix.
but the sense of evanescence is inevitable, undeniable. already the flights to oregon have been booked. the lease in downtown portland, soon to be signed. the summer is short. i’m catching my breath.
and, for now, i’m wrapping myself in the strands–tangled and not–of my mothersong, the one that pours from my heart’s truest, deepest stillpoint. the warbles and wobbles, the uncertain off notes, they’re all a part of its beauties. the heart, at its glorious best, is a vessel of many scales, chords, and rhythms.
and i’m finding my way, line after line.
a premise here at the chair is that truth–even when it’s messy–is what we trade in. in the ordinariness of our lives, we pay attention, we alight on illuminations. i teeter here on the brink, the edge between chapters and verse. i write to find my way, to make sense, to reach for understandings.
how do you navigate the in-betweens of your life, those stirrings that animate the not-yet-settled?