pull up a chair

where wisdom gathers, poetry unfolds and divine light is sparked…

Category: joy of cooking

sixteen.

sixteen years old. old enough to drive a car, the chair now is. not quite old enough to vote, but we’ve stayed away from politics all these years; allowing only goodness, grace, to be our guide––even in those rare few times we’ve wandered in the public square, celebrated the election of a president, felt crushed by the words and ways of another.

we’ve stood watch here as the world crushed us (i can still see the image of that precious little two-year-old, the syrian toddler––alan kurdi was his name, the little boy in the bright-red T shirt, the little black sneakers, and scrunched-up navy pants––washed up on the sands of the aegean sea, trying to escape a war’s unimaginable horrors and terrors). we’ve felt the crushings, too, of close-to-home heartaches, the ones not felt much beyond our own intimate borders, but more piercing than all the rest sometimes. 

why do we invite in crushings here? because it’s how i’m wired, i suppose. i’ve always felt hurts so, so deeply (some say too deeply; to them i say not sorry). and i have always wished for a place where tender comforts, heart healings, might occur. where the one who’s hurt could find a featherdown place to curl into. to be tucked under fuzzy afghans. handed warm mugs of tea. and a bowl of clementines, for when the tears paused long enough to give way to nibbling. maybe it’s the nurse in me, the heart of me. i can’t bear to see, to hear, to feel, to imagine hurting. but i will witness every time. for every hurt needs witness. needs bearing. needs extra body parts––shoulders to lean on, hands to squeeze, eyes to gently smile––to bear and share the load.

sometimes, i’ve brought silly here. not because i’ve any proclivity for clowns or clownishness. but because life not seen through comic lens is sometimes too unbearable. to laugh is to lighten the load. to be lifted by the effervescence of a good giggle. or even a guffaw. there’s alchemy and medicine in the sound of joy rising from the lungs.

in sixteen years, we’ve held up to the candlelight life’s beginnings and endings and all in-betweens: goodbyes and homecomings, births and death, and the littlest flickerings of the everyday. 

i’ve uncorked a bit of my soul here, let you see my heart’s wanderings as i moved deeper and deeper, bolder and bolder into saying aloud what i was sometimes plenty timid to whisper. somehow, over the years, the sacred i call God––God, a name that resonates a tenderness to me, a name whose very uttering fills me with a knowing, a hope––has pulsed so palpably through my every day, i now put breath to it without too much trembling. and in words––i hope––that do not close doors. i’m more intent than ever to draw forth the wisdom, the wonder, the light from any path that winds toward God, Allah, Adonai, Divine and Holy Wisdom. i reach for the doorways, have no use for locks on doors.

i’ve brought tinkerings at the cookstove here, too. in part because i will always be trying to find my way back from a dark, dark place when i was just 18, and, for reasons that escaped me at the time, i’d somehow decided i’d see how little food i could swallow in a day. it’s a place that filled me with cringing shames for years, and years. and tangled me in terrible knots. not knowing how to eat, being daunted by and quaking in the face of simple food, is a scourge i’d wish on no one. the question i’d long asked, and which was long asked of me: how does the homecoming queen find herself riding an elevator to a full-blown psych ward? (1975 was back in the day before anyone really knew what anorexia was; and there were no such eating disorder programs as there are today. and the movie “one flew over the cuckoo’s nest” had just come out on the very big screen, so it set the stage for a most awful fright.) i can type those sentences now because the years have gentled my shame, and slowly, faithfully, i’ve found my way to a shore of my own. a shore where olive oil doesn’t scare me anymore. and where just last week i drizzled honey (on dorie greenspan’s sweet & smoky roasted carrots*). and it seems that when you’ve struggled so to feed yourself, you find a quiet certain joy in feeding those you love. (and maybe by osmosis you’re hoping to absorb some ease…)

i didn’t intend for this birthday note to grow so confessional. but over all these years, you’re the ones who’ve made this place into the sacred, gentle, quiet space i once dreamed of. and always believed in. you’ve shown me, though your unending kindness, that what i write here is safe here––and i will protect to the end your safety to say here what you will. and, hard as it might be to imagine (given the crude world in which we live), never once in all these years have i found a harsh or mean-spirited comment left here at the so-called “old maple table.” (it would crush me if i found one.) your gentle graces, your heartfelt, heartfelt notes and comments, as well as your incredibly heavenly occasional snail mails, have emboldened me to tell only truth here. life is short, too short, we know. and why waste a day fudging around the edges when what draws us whole––and into each other’s embrace––is saying who we are, and what hurts us, and what makes us giggle? and aren’t we all, in truth, wobbly creatures at the core, only slowly ascending from all the snags and quirks that make us so delightfully who we are? 

so here’s to truth. and sixteen, a number imbued with introspection, and spiritual purity, and a sign of good things to come, according to those who study numbers, find meaning therein. 

may this next whirl around the sun bring blessings to us each and all…

i have an especially lovely birthday present for all of you, one i will leave here on the table (down below). my friends at the SALT project dug it up from wendell berry’s bookshelf, and it’s a beauty like no other. it’s called “the birth (near port william)” and as you’ll see, it’s a nativity poem for all. happy blessed birthing day, for whatever it is you’ll birth today….(the poem is long, so i will leave it at the very bottom here….) (p.s. because the formatting itself is lovely and i can’t get it replicated here, and because you might love the SALT project, i’m leaving the link to their page here.)

one other gift, before i leave you the poem. little alan kurdi’s father, the only one of the family of four who survived the escape in a rubber boat back in the early autumn of 2015, a few years later started a foundation to help children whose lives have been torn apart by war. it’s yet another miracle of the human spirit’s capacity to rise from the deepest, darkest ashes. you can find out more about the kurdi foundation here.

and another treat: the other evening i time-traveled to amherst, mass., for a birthday celebration in the glorious home of emily dickinson, the great butter-yellow house on the hill, known as the homestead, and during that hour and a half of marvelousness, one of curators mentioned that emily’s beloved sister-in-law susan had written emily’s obituary, which was published in the springfield republican on may 18, 1886. immediately curious, i asked for the link, and here tis, with some of the most lovely writing, and most charmed intimacies of emily’s life, written in the immediate wake of emily’s death by the one who perhaps knew her most dearly…. https://www.emilydickinson.it/edobituary.html

here is but one passage i found delectable…

As she passed on in
life, her sensitive nature shrank from
much personal contact with the world,
and more and more turned to her
own large wealth of individual resources
for companionship, sitting thenceforth, as
some one said of her, “In the light of
‘her own fire.” Not disappointed with the
world, not an invalid until within the past two
years, not from any lack of sympathy, not be-
cause she was insufficient of any mental work
or social career – her endowments being so ex-
ceptional – but the “mesh of her soul,” as
Browning calls the body, was too rare, and the
sacred quiet of her own home proved the fit
atmosphere for her worth and work.

and the obit ends thusly:

To
her life was rich, and all aglow with God and
immortality. With no creed, no formulated
faith, hardly knowing the names of dogmas,
she walked this life with the gentleness and
reverence of old saints, with the firm step of
martyrs who sing while they suffer. How
better note the flight of this “soul of fire in a
shell of pearl” than by her own words? –

Morns like these, we parted;

Noons like these, she rose;

Fluttering first, then firmer,

To her fair repose.

*oh, and those carrots drizzled with honey? dorie greenspan’s sweet + smoky roasted carrots you’ll thank my sister-in-law, brooke, who sent them my way…

and that, dear friends, is the stack of gifts i have for you this blessed early morn…..(one question, and then wendell berry’s poem…)

so here’s the question: how did you find the chair?

“THE BIRTH (NEAR PORT WILLIAM),” BY WENDELL BERRY

They were into the lambing, up late.
Talking and smoking around their lantern,
they squatted in the barn door, left open
so the quiet of the winter night
diminished what they said. The chill
had begun to sink into their clothes.
Now and then they raised their hands
to breathe on them. The youngest one
yawned and shivered.

                         “Damn,” he said,
“I’d like to be asleep. I’d like to be
curled up in a warm nest like an old
groundhog, and sleep till spring.”

“When I was your age, Billy, it wasn’t
sleep I thought about,” Uncle Stanley said.
“Last few years here I’ve took to sleeping.”

And Raymond said: “To sleep till spring
you’d have to have a trust in things
the way animals do. Been a long time,
I reckon, since people felt safe enough
to sleep more than a night. You might
wake up someplace you didn’t go to sleep at.”

They hushed awhile, as if to let the dark
brood on what they had said. Behind them
a sheep stirred in the bedding and coughed.
It was getting close to midnight.
Later they would move back along the row
of penned ewes, making sure the newborn
lambs were well dried, and had sucked,
and then they would go home cold to bed.
The barn stood between the ridgetop
and the woods along the bluff. Below
was the valley floor and the river
they could not see. They could hear
the wind dragging its underside
through the bare branches of the woods.
And suddenly the wind began to carry
a low singing. They looked across
the lantern at each other’s eyes
and saw they all had heard. They stood,
their huge shadows rising up around them.
The night had changed. They were already
on their way — dry leaves underfoot
and mud under the leaves — to another barn
on down along the woods’ edge,
an old stripping room, where by the light
of the open stove door they saw the man,
and then the woman and the child
lying on a bed of straw on the dirt floor.

“Well, look a there,” the old man said.
“First time this ever happened here.”

And Billy, looking, and looking away,
said: “Howdy. Howdy. Bad night.”

And Raymond said: “There’s a first
time, they say, for everything.”

                                   And that,
he thought, was as reassuring as anything
was likely to be, and as he needed it to be.
They did what they could. Not much.
They brought a piece of rug and some sacks
to ease the hard bed a little, and one
wedged three dollar bills into a crack
in the wall in a noticeable place.
And they stayed on, looking, looking away,
until finally the man said they were well
enough off, and should be left alone.
They went back to their sheep. For a while
longer they squatted by their lantern
and talked, tired, wanting sleep, yet stirred
by wonder — old Stanley too, though he would not
say so.

          “Don’t make no difference,” he said
“They’ll have ’em anywhere. Looks like a man
would have a right to be born in bed, if not
die there, but he don’t.”

                         “But you heard
that singing in the wind,” Billy said.
“What about that?”

                         “Ghosts. They do that way.”

“Not that way.”

                         “Scared him, it did.”
The old man laughed. “We’ll have to hold
his damn hand for him, and lead him home.”

“It don’t even bother you,” Billy said.
“You go right on just the same. But you heard.”

“Now that I’m old I sleep in the dark.
That ain’t what I used to do in it. I heard
something.”

               “You heard a good deal more
than you’ll understand,” Raymond said,
“or him or me either.”

                        They looked at him.
He had, they knew, a talent for unreasonable
belief. He could believe in tomorrow
before it became today — a human enough
failing, and they were tolerant.

                                 He said:
“It’s the old ground trying it again.
Solstice, seeding and birth — it never
gets enough. It wants the birth of a man
to bring together sky and earth, like a stalk
of corn. It’s not death that makes the dead
rise out of the ground, but something alive
straining up, rooted in darkness, like a vine.
That’s what you heard. If you’re in the right mind
when it happens, it can come on you strong;
you might hear music passing on the wind,
or see a light where there wasn’t one before.”

“Well, how do you know if it amounts to anything?”

“You don’t. It usually don’t. It would take
a long long time to ever know.”

                                 But that night
and other nights afterwards, up late,
there was a feeling in them — familiar
to them, but always startling in its strength —
like the thought, on a winter night,
of the lambing ewes dry-bedded and fed,
and the thought of the wild creatures warm
asleep in their nests, deep underground.

Wendell Berry

**sixteen, in case you wondered, is how many years the chair has been this quiet little place where these days we gather every friday morn. or at least that’s when i pull up a chair. you’re welcome to stop by any time, stay as long as you’d like. or, for years and years….’twas launched, the chair was, on 12.12.06, with this little post…

in the dregs of winter, follow along…

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it was, to put it somewhat crudely, the armpit of the week, in the armpit of the winter. it was a wednesday night and one of us had broken out in spots. it was february and the snow could not decide to come or go. and the hoary shade of gray out the window was unrelenting.

so i turned to that source of so much solace (and heartache) over the years: the pages of the news. specifically, to the squat square pages the new york times had generously tucked into sunday’s paper. ONE pot|pan|skillet: 24 brilliant recipes for everyone who hates doing the dishes. while i am not among the doing-dishes haters, i am hot on the trail of hauling only one vessel from the depths of where i stash those things. i flipped pages till i came to this: IMG_1327

perhaps it was the orange and red mosaic that reached out and grabbed me. perhaps it was the whisper of my lovely doctor, nudging me to eat more fish, to interrupt the endless nights of skinless, boneless chicken breasts. perhaps it was that nip of spatula en route to plopping a mound of mouth-watering hake onto my dinner plate.

mostly, i think it was the february doldrums, the pitiful sight of the man i love covered in spots we thought were shingles (turns out, they were not), and the simple hope that i could cook myself out of the late-winter rut.

i set out with shopping list, promptly scooped up peppers red and orange and yellow. zipped past the vinegar shelf and got myself a jug of sherry-tinged such stuff. stopped by the olive bar and scooped up a quarter pound from the briny vat in which they swam. oh, and i waited in line for the fishmonger to pluck from his case a hefty chunk of midwest hake (aka plain old cod).

i’m not usually a follower of recipes, but this day — in need of being pulled deep into something other than the news squawking from the box, and the spots at home — i sunk right in. i played along. step 1 to 2, all the way to 5.

IMG_1319i chopped myself my own peppery mosaic, in shades matisse or van gogh would have applauded. i skimmed the itty-bitty leaves of thyme right off their stems. and then i chopped (chopping in the end of winter is highly therapeutic; i recommend).

at last, as the chilly afternoon turned to chilly twilight, i cranked the oven. there began the shifts of submission, as heat turned peppers into succulence, and then raw fish — and olives and olive oil and scattered bits of thyme — became magnificence, as if lifted from aegean seas, and the kouzina of someone’s expert greek grandma.

what wound up on dinner plates was nothing short of wait-who-made-this?! had he not been busy scooping up every last bit with knife and fork, the gent across the table might well have lurched to his feet, and pressed palms in rapid-fire rat-a-tat (aka applause). instead, we both took certain note of what a difference a bit of concentration in the kitchen, the mere act of following instruction, submitting to excursion in the land beyond routine, could do to an otherwise humdrum wednesday.

it’s those nearly invisible moments, the ones we lift out of the ordinary, make sacramental through the sheer gift of our attention and our intent to lift them up, to hoist them from the ho-hum, that in the end makes each day count. and turns out swell eats, besides.

should you care to play along, here’s a very fine place to begin:

Sheet-Pan Roasted Fish With Sweet Peppers By Melissa Clark

YIELD 3 to 4 servings (i made for two, cutting quantity of fish in half, but keeping all the peppers)

TIME 40 minutes

Quick to make and very pretty to behold, this easy weeknight dish has more verve than most. The roasted bell peppers turn sweet and golden, while olives add a salty note that goes nicely with the mild, flaky fish and a garlicky parsley dressing. If you can’t find hake, cod or flounder make fine substitutes, though you may have to adjust the roasting time. The thicker the fillets, the longer they will take to cook. (i cooked cod at 475-degrees for 8 minutes.)

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INGREDIENTS

1 small bunch lemon thyme or regular thyme

1 1⁄2 pounds hake fillets (for two, i used 3/4 pounds cod)

Fine sea salt and black pepper

3 large bell peppers, preferably 1 red, 1 orange and 1 yellow, thinly sliced

4 1⁄2 tablespoons extra-virgin olive oil, plus more for drizzling

1⁄4 cup pitted, sliced black or green olives, or a combination

1 teaspoon sherry vinegar, plus more to taste

1 garlic clove, grated

1 cup loosely packed Italian parsley leaves, chopped

 

PREPARATION

Step 1 Heat oven to 400 degrees. Pull 1 tablespoon thyme leaves off the bunch and finely chop.

Step 2 Season fish all over with a large pinch or two of salt and pepper and rub with chopped thyme leaves. Let rest at room temperature while you prepare peppers.

Step 3 Spread peppers on a rimmed sheet pan, and toss with 1 1/2 tablespoons oil, 1/2 teaspoon salt and the black pepper to taste. Top peppers with the remaining thyme sprigs. Roast, tossing occasionally, until peppers are softened and golden at the edges, 15 to 20 minutes.

Step 4 Increase oven temperature to 500 degrees. Push peppers to the edges of the pan, clearing a space in the center. Lay fish out on that empty space and drizzle with oil. Scatter olives over the top of fish and peppers. Roast until fish turns opaque and is just cooked through, 6 to 10 minutes.

Step 5 Meanwhile, make a vinaigrette by combining vinegar, garlic and a pinch of salt in a bowl. Whisk in remaining 3 tablespoons olive oil, then whisk in parsley. Taste and add more salt or vinegar, or both, if needed. Serve fish and peppers drizzled with vinaigrette.

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i intend to cook my way through at least a dozen of the double dozen choices the times has laid down before me. we’ll be almost at the cusp of the vernal equinox by the time i’m there, and that, i’m certain, will all but save me.

what’s your sure cure for late-winter doldrums? have you heard the shift (and acceleration) in birdsong? that’s hope on a limb, if you ask me…..startles me with joy each and every morning…..

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stockpiling

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it felt almost like instinct. as the weeks narrowed to days narrowed to hours, i couldn’t keep from stockpiling. soon as the boy — now sleeping just overhead, in the bed by the bend in the stairs — soon as the boy told me he’d found a ride after all, was coming home for a three-day break — fall break, officially — my fill-the-larder instincts kicked in.

lavish him in all the tastes and smells and textures and offerings he could possibly wish for. that seemed to be the propelling mission.

so i stockpiled. stockpiled pumpkin pie from the farmer’s market, grabbed a loaf of banana bread while i was at it. stockpiled cider and raspberry rugelah. ordered up a chicken pot pie from a mama who makes it delicious.

the sheets on his bed hadn’t been touched since the day after he left the room empty as empty could be, the day i scrubbed every last inch of that room, as if preserving something ineffable. the room, more relic than place to hang out these days, barely needed a flick of my wrist. but i vacuumed anyway.

the prodigal papa back in the bible, he wasn’t the only one who knows of the fatted calf. i too might have tossed a beast onto a pyre if chicken pot pie hadn’t been to his liking, the kid who rode six swift hours in the back of a minivan, the kid who all but tumbled onto the street once the four wheels pulled to a stop there at the curb.

we squeezed so tight it’s a miracle all my ribs are still in one piece. i wiped away tears (of course) and then we loped in the house, past the welcome home sign that only made him laugh, because it’s a truth in this house that you can hardly take a trip to the grocery store without finding a welcome home sign upon your return.

inside, once he kicked off his shoes, he too seemed to kick into some instinctual and ancient reflex: he walked room to room to room to see if anything had changed, to make sure all was as he’d left it. then, and only then, did he settle into his most native rite of settling in (be he gone for merely an hour or long weeks on end) as he began to circle the kitchen island in the way he (and his brother; it must be genetic) forever have done, ambulation propelling cognition it seems. story spilling upon story, each one told to the beat of his footfall.

he punctuated his stories with poking around the pantry, inspecting the fridge, and, after all the wind-up, picking a plain old box of make-your-own mac-n-cheese, the kind he’s loved since he was three. and so his first feast at home after seven and a half weeks wasn’t the hoosier mama chicken pot pie, wasn’t the homemade cranberry-studded applesauce, wasn’t the farmer-baked banana bread or the kosher-deli raspberry rugelah. it was the starchy pile of pasta shells swirled with powdery cheese turned into goop. he nearly licked the pot, my boy who’s grown three-quarters of an inch since last he was home (we pulled out the tape measure and measured).

all that spooning into his mouth must have left him exhausted, for the next stop on the homecoming tour was a flop backward onto his bed, and a sigh of pure joy like nothing i’ve heard in a very long while. he mumbled something about how glorious it was to sleep on a mattress that cared for a spine and all its spiky little vertebrae. but then he was off in dreamland, not to be heard from for hours and hours.

it didn’t take me long to realize there’s something (very much something) of the human heart involved in all the stockpiling. it’s almost as if in shopping and shlepping and stocking the shelves (and the fridge and the countertop and the blue willow plate under the cookie dome) we’re giving the blood-pumping muscle a boost. almost as if all the comestibles are edible poetry, are the extensions of our vocabulary. as if they pick up where words cannot go. as if they’ll reach deep into nooks and crannies, as if they’ll saturate every last cell that just might need to be bathed in the notion that someone loves you through and through and through. as if we can’t go the distance all on our own.

it’s almost as if the stockpiling is squeezing every last drop of that thing we call love out of the tired old muscle — the magnificent vessel — that is the human heart. that storehouse deep inside our ribs where all the love is churned, is harbored, is pumped into the ether. almost like it’s a little bitty factory, a production line of loving, that never ever dies. not even when we do, i’m utterly certain.

it all made me wonder if this might be the rhythm from here on in, in these days when the boys i love most dearly are far far from home, and their visits grow less and less frequent: will i learn to stockpile, to fill the larder with all the love i used to lavish day upon day, hour after hour, the barely-noticeable ministrations of the heart — the kiss on the forehead while they’re sleeping, the whiff of their hair while setting a plate at their place at the old maple table, even the occasional deep inhale and sigh when tossing piles of muddy sweaty clothes into the wash? will i store it all up, every last drop of it, and save it for when they come home, when it will all but ooze out of me, when i all but plant myself at the door of his sleeping room, just to watch the rise and fall of his breathing? will i ever not miss the days when i used to wear them, literally strapped into bundles across my chest? the days when their itty-bitty plump-dimpled hands were always reaching up for a lift or a hug or a squeeze round the neck? all our life long, the gestures of love shift and evolve. and while the deep caverns of the mind grow more and more nuanced and brilliant, sometimes it’s the old ways, the skin-to-skin entanglements of mother and child that i miss, that can’t be replaced, can’t be once again, all over again. IMG_0365

so we stockpile. we store it all up, and we ooze it all out for those short few hours and days when they’re close enough that we can hear their breathing, bury our nose in their necks. one deep inhale, one that’s going to need to last for weeks or months on end.

***

it’s been a busy week around here: my first book review for Orion Magazine is online. twas of a beautiful, beautiful memoir, The Salt Path, about an epic journey propelled by unlikely homelessness and a dire diagnosis, one that leads to epiphany, and you can find the review here.

but the bigger news of the week is that the book i’ve been working on for months (years, actually) is officially published and stocked on the amazon bookshelves. it’s my friend mary ellen’s book, “On the Wings of the Hummingbird: A Chronicle of Joy, Grief, and Gratitude,” a collection of her beautiful breathtaking essays. here’s what i wrote when i posted something of a birthing announcement on facebook yesterday:

When Mary Ellen started her blog, “On the Wings of the Hummingbird,” on March 2, 2012, she harbored a flickering hope that someday it might lead to a book. She never dreamed she would die just four years and 11 days after “Hummingbird” first took flight. Yet her dream of a book never died. And so, after a few years of culling and sorting and weaving her essays into a whole (a labor of love that became mine when I found out a month after her death that in her will she’d appointed me “custodian of her creative work”), it is with pure joy that Mary Ellen’s family and I announce the birth of her book, “On the Wings of the Hummingbird: A Chronicle of Joy, Grief, and Gratitude.” It’s a distillation of Mary Ellen’s profound wisdom, her unending gratitude, and her unrelenting search for and discovery of joys even amid the shadow of grief and fear as she traversed the uncharted landscape she’d never imagined. It’s slim and it’s elegant and it shimmers with a beauty that was hers alone. Her words, her urgent pleadings, are sure to etch deeply into your heart. It’s available in paperback and e-book, and you’ll find it on Amazon.

two versions of covers, one for the e-book, left, and one for the paperback, right. i was constrained by the strictures of the platform, but tried to make the whole of the book as beautiful as mary ellen’s indelible words…..

how do you stockpile — and lavish — the love in your life?

not your mother’s pot roast

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back when i was peeking into the kitchen, the room where my mother ruled, what happened to pot roast happened once every couple weeks. and, seeing as my papa was an ad man in the mad men days of american advertising, a three-piece-suited man who came home on the train with a brief case sometimes spilling with mystery boxes, boxes marked X, boxes we were meant to try, i came to count myself on the front line of the post-industrial-space-age kitchen revolution. which means i was among the first to suspiciously nibble hamburger helper, bundt cake in a box, and — our favorite — space food sticks, those tootsie-roll-like batons sheathed in crinkly silvery paper; “breakfast in a bite.”

is it any wonder my culinary quirks got cross-wired?

back to the pot roast. as best i recall, pot roast meant my mama was ripping open packets of dehydrated onion soup (thank you, NASA), spinning off the lids of cans, exercising her dumping skills. (i’d like to imagine that when no one was looking, she poured in a glop of old red wine, but that was likely the kitchen down the street, where my best friend’s mama was likely to pour a little red wine into, well, her first mug of coffee.) the whole pot-roast caboodle was entombed in aluminum foil, and set in the oven till the 6:30 train pulled into the station, my pa motored home, and we all sat down together to hear the highlights of the day downtown where the ad men re-wrote the national narrative, in 60-second pitches with the catchiest tunes.

another thing about the pot roast: i’m pretty sure we never called it pot roast. i think it had a name that ended in “steak.” when you were feeding five kids, and trying to stick to your weekly grocery budget (those were the days when my ma prided herself on a week’s worth of groceries for seven, paid for with $100 bill — and change to tuck back in her pocket, change that became her “funny money,” money to spend as she darn well pleased), you named whatever you could a name that ended in “steak.”

which is how i came to not really know what in the world a pot roast was. all i knew was that it sounded like something donna reed or dick van dyke’s laura petrie would make.

which is all an even longer-winded way to say i was mighty intrigued when i spied a food52 instructional guide for something called “pot roast with 40 cloves of garlic.” if you ever want to grab my attention, toss in any sort of big number. i’ve always liked playing with numbers, and 40 cloves of garlic had me, truth be told, at 10.

as i count down the dinner hours with my sweet senior in high school, i seem to have slid into an ulterior plan of feeding him in ways he’ll never forget. ways that might seep in as he stands in yet another cafeteria line with a dishwasher-splattered cracked plastic tray, awaiting a ladle of whatever swims in the hot metal bins. (it’s sneaky, i know, but we mothers must out-think our offspring, especially when they grow to be big enough that they don’t like to be smothered with our hugs and our kisses and the little red hearts we used to scribble onto their lunch bags.)

which is where we arrive, at last, and once again, at the pot roast. something about “pot roast” seemed to ping that place in my brain that’s on the prowl for unforgettables. a boy who sits down to dinner on a thursday night, or — back up the clock — a boy who walks into a house where 40 cloves of garlic have been infusing the kitchen, front hall, heck, making their way down the whole dang walk, all backed up with notes of grass-fed beef, and chunks of carrot, onion, and vegetable broth (with a splash of red wine, because i learned watching my best friend’s mama….), well that is a boy who might remember his mama — or at least her pot-roasty roast once in a while.

so i set out on my mission. secured me three pounds of grass-fed beast, peeled garlic till my fingers called for time-out, chopped and seared, and cranked up the oven.

because i never want to keep these little miracles to myself, i am herewith sharing my secrets. this comes from my friends at food52, those geniuses of community recipe gathering, where so many cooks have their fingers in the pot, you’re assured that whatever makes it onto the site is vetted up, down, and sideways. and usually delicious.

pot roast with 40 cloves of garlic

Serves: 6 

Prep time: 30 min 

Cook time: 4 hrs 30 min

Ingredients

2 tablespoons canola (or other neutral) oil
3 pounds boneless beef chuck, patted as dry as possible
1 1/2 tablespoons kosher salt, plus more to taste
2 medium onions, peeled and roughly chopped
1 1/2 pounds carrots, peeled and roughly chopped
40 peeled garlic cloves
4 cups vegetable broth

Directions

  1. Heat the oven to 325°F.
  2. Set a large Dutch oven on the stove over high heat. While it’s getting good and hot, season the beef all over with salt. When the pan is hot, add the oil. Sear the beef all over—figure 4 minutes per side—until the outside is deeply browned and crusty. Transfer the beef to a plate.
  3. Add the onions and carrots to the pan. Toss in the rendered beef fat and season with a pinch of salt. Cook for 5 minutes, stirring occasionally. Add the garlic, another pinch of salt, and toss. Cook for another 5 minutes.
  4. Nestle the seared beef on top of the vegetables, then pour the broth around the perimeter. It should rise about halfway up the meat. Bring the liquid to a simmer, then cover the pot and get in the oven.
  5. Roast for 3 1/2 to 4 hours, flipping the meat halfway through. You can start checking the meat at 3 hours—exactly how tender or toothsome you like it is totally personal.
  6. Before serving, remove any butcher’s twine (if it was there, holding the meat together) and use 2 forks to tear and pull the meat into big hunks and shreds. Season with more salt to taste.
  7. Serve with something starchy. This keeps perfectly in the fridge for leftovers all week. I also love freezing portions for pat-on-the-back weeknight dinners down the road.

so there you go. have at it. i can gleefully report that for a minute there last night dinner was silent. silent in that way that the taste of what’s at the end of the fork is so unusually good, the taste buds take over and the vocal cords go mum.

and that’s the story of pot roast. and how i added one notch to the score board, the one marked, “reasons to come home from college. or at least miss my roast-searing mama.”

what’s your secret sure-fire hit to lure those you love back home to your kitchen?

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aretha + eggplant + me

there oughta be a soundtrack here. because there is in my kitchen these days. i might have found a cure for my MSNBC addiction. i spell it R-E-S-P-E-C-T.

the other morning, not long after a raucous ride to the schoolhouse door, i decided there was no better cure for the late-summer blues than cookin’ up a feast for the boys i love, especially the one whose days at my kitchen table are now in official countdown mode (i’m in the slow lane on these matters, so i make sure i get a long head start, and yes, the countdown is roughly in the 350-and-subtracting stage — and, yes, i realize this puts me squarely in the odd zone). but anyway, back to the kitchen. i decided that one more night of grilled chicken might send the kid bawking from the table, so i upped my ante. i decided lasagna — from scratch and in two modes, meatless and otherwise — was the hurdle i’d leap.

and that’s when i turned to two mavens: the barefoot contessa, who nimbly guided me through my cooking instructions, and the goddess of soul, who every time i plug her in takes my heart and turns it up a notch. or three notches.

30 greatest hitstwo minutes after i heard aretha had died, i turned toward motown and bent not my knees but my finger, the one that clicked on the iTunes. the one that bought me two hours of instant therapy. (since i seem to play it on infinite shuffle, 30 greatest hits over and over and over, i figure it cost me — in the first day alone — less than a dollar an hour.)

i rocked and rolled through “baby, i love you,” and “chain of fools,” and, oh yes, “i say a little prayer” (please, aretha, say one for me…). and all the while i read through ina’s instruction. and then, in keeping with the queen of soul, i began to scat. through my roadmap for roasted vegetable lasagna, with a side (a whole other pan) bursting with plenty of beef.

because i tend not to keep eggplant and whole-milk ricotta on hand, my efforts entailed a trip to the grocery. my simple feast wound up costing me a whopping 45 bucks, by the time i plucked top-of-the-line tomatoes and beef off the shelves. (no one said blues-breakers come without cost.)

and then, for the better part of an afternoon, i amazed myself as i roasted and stirred, chopped and dumped, plucked and sautéed. by four bells, i tell you, i was more than humming….i was wailing right along with the queens…

call me “old-fashioned” (you won’t be the first), but by the end of that long afternoon, when the sweet boy bounded through the door, took a big whiff, and exclaimed, “what in the world are you making?” i smiled a little smile deep down inside.

i’d taken a day — an otherwise unremarkable do-little day — and i’d dialed it up a fine notch. i’d used a bevy of produce — eggplant and zucchini, red pepper and mushrooms and spinach and onions and garlic and basil and parsley galore — and great glops of olive oil. i’d sizzled up beef, and stirred marinara. i’d hot-water-soaked whole-grain lasagna ribbons (a trick of ina’s i might not repeat). and then, come dinnertime, i plopped onto the kitchen table, two 8-by-8 squares of oozy, cheesy deliciousness.

there are plenty of days when words alone can’t say what i want to say: i love you like crazy. i miss you already and it’s not even september. and i fully intend to make the most of this one last hurrah of a year.

this week aretha chimed in, she belted it out for the both of us. we served up a feast, me and the queens. and we finished it off with “baby, i love you.”

should you be inclined to play along, here’s where we started. feel free to scat or to vamp or to add your own notes….(and here’s your soundtrack, to boot!)

gettin started

Roasted Vegetable Lasagna 

(from Barefoot Contessa) SERVES 6-8 

1-1⁄2 pounds eggplant, unpeeled, sliced lengthwise 1⁄4 inch thick 

3⁄4 pound zucchini, unpeeled, sliced lengthwise 1⁄4 inch thick
2⁄3 cup good olive oil
1 tablespoon dried oregano 

Kosher salt and freshly ground black pepper
1 tablespoon minced garlic (3 cloves)

10 ounces lasagna noodles, such as De Cecco 

16 ounces fresh whole-milk ricotta 

8 ounces creamy garlic and herb goat cheese, at room temperature 

2 extra-large eggs, lightly beaten
1⁄2 cup chopped fresh basil leaves, lightly packed
1 cup freshly grated Parmesan cheese, divided 

4-1⁄2 cups good bottled marinara sauce, such as Rao’s (40 ounces) 

1 pound lightly salted fresh mozzarella, very thinly sliced 

veggies*bam note: besides the eggplant and zucchini, i decided to sauté onions, red pepper, mushrooms (two kinds) and spinach. i made that yet another layer on top of the eggplant and zucch.

** in my meaty version, i ditched the veggies and sautéed one pound of ground chuck, with onions, garlic, oregano, fennel seeds, salt and pepper. then i added a can of whole tomatoes, a few squeezes of tomato paste, and let it all come to a fine pitch. in the instructions below, i  layered my beefy concoction in place of each veggie layer. 

Preheat the oven to 375 degrees. Arrange the eggplant and zucchini in single layers on 3 sheet pans lined with parchment paper. Brush them generously with the olive oil on both sides, using all of the oil. Sprinkle with the oregano (I crush it in my hands), 1 tablespoon salt, and 11⁄2 teaspoons pepper. Roast for 25 minutes, sprinkle the garlic evenly on the vegetables, and roast for another 5 minutes, until the vegetables are cooked through. Remove from the oven and lower the temperature to 350 degrees. 

Meanwhile, fill a very large bowl with the hottest tap water and add enough boiling water to bring the temperature to 140 degrees. One at a time, place the noodles in the water and soak them for 15 -minutes, swirling occasionally so they don’t stick together. Drain and slide the noodles around again.  noodles

Combine the ricotta, goat cheese, eggs, basil, 1⁄2 cup of the Parmesan, 11⁄2 teaspoons salt, and 3⁄4 teaspoon pepper in the bowl of an electric mixer fitted with the paddle attachment and mix on low speed. 

Spread 1 cup of the marinara in a 9 × 13 × 2-inch baking dish. Arrange a third of the vegetables on top, then a layer of the noodles (cut to fit), a third of the mozzarella, and a third of the ricotta mixture in large dollops between the mozzarella. Repeat twice, starting with the marinara. Spread the last 11⁄2 cups of marinara on top and sprinkle with the remaining 1⁄2 cup of Parmesan. Place the dish on a sheet pan lined with parchment paper and bake for 60 to 70 minutes, until the lasagna is browned and bubbly. Allow to rest for 10 minutes and serve hot. 

what’s your sure cure for the late-summer blues? and, more emphatically, what’s your soundtrack?

mangia!!!

p.s. so sorry i was a tad late this morning: i had two boys who needed a few hours of my time, and thus the chair had to wait in line. 

i’m-not-sure-who-it’s-comforting-more food

peach-blueberry bread pudding.3

in which we momentarily retreat to the comfort kitchen as the world wears us ragged, and sometimes our sphere of true influence has shrunken to a concentrated radius of one (maybe two on a good day…)…

the leftover challah called to me, as it so often does. every friday the braided loaf of eggy dough finds its way to our shabbat table, and every morning thereafter the mostly untouched loaf (for we tear off only a few shabbat chunks on most friday nights) whispers louder and louder from the basket where it idles in quasi-retirement.

it begs to be rescued from its shoved-aside status, to be transformed in miraculous ways. bread pudding, most often, is the solution.

this week, once i plunked the getting-staler challah onto the cutting board (my tangible reminder to do something with it) my getting-taller-by-the-hour almost-senior in high school chimed in. “oh, mom, could you make it with peaches and blueberries this time? remember you said you would?”

this was not such a radical advance, this seasonal iteration of the bread-egg-and-milk puddingy pablum. but it was a certain departure from the same-old, same-old in which i chop up apples, throw in handfuls of shriveled-up raisins or cranberries, await cloud-like perfection. this called for summery attention to be paid, called for a trip to the produce bin where i found white-fleshed peaches in all their colorless glory, and blueberries by the bushel-load.

wasn’t long till i was sinking into the familiar rhythm of this recipe i know by heart (though for good measure i nearly always pull mark bittman off the shelf — or, specifically, his “how to cook anything” bright-yellow-covered cookery volume).

once i sliced into the peaches, though, my grandma entered the room. there she was, in pure imagined vapors, standing just behind my shoulder, urging me to reach for the brown-sugar canister, where i would partake of one of my grandma’s signature summery moves: douse the sliced, moist peaches in spoonfuls of deep-brown granular sweetness, allow the peachy juices to swirl with the sugar; tuck aside while golden-hued syrup emerges, the taste of summer defined.

and that was precisely the moment i realized that this comfort food for my sweet boy was just as much comfort for me in the making. there i was alone in my kitchen — me and my bread and my cream and my summery peaches — when all of a sudden i was visited by my long-gone grandma, i was swooped back in time and in space to her cincinnati kitchen in the ivy-covered brick house as sturdy and ample as was my grandma.

i was, for one sweet interval, far far from the news of the day, far from the grown-up worries that some days so weigh me down. it was just me and days-old bread, and the alchemy of sugar and peach. who knew such potency lay just beneath the fuzzy-fleshed skin of the fruit?

it’s the one room where this summer i’ve found a joy that might make me hum. that and the porch where i read.

should you want to play along, here’s my roadmap to summery joy — the blueberry-peach bread-pudding rendition thereof….

teddy’s bread pudding, the peachy summer edition*

  • 3 cups milk (or cream)
  • 4 tablespoons (1/2 stick) butter, more for greasing pan
  • 1-1/2 teaspoons ground cinnamon
  • 1/2 cup sugar, plus 1 tablespoon
  • Pinch salt
  • ½ loaf sweet egg bread like challah or brioche, torn into 2-inch cubes (about 5 to 6 cups)
  • 3 eggs, beaten
  • 3 peaches, sliced
  • 3 to 4 tablespoons brown sugar
  • 1 cup blueberries
  1. Heat oven to 350 degrees. Over low heat in a small saucepan, warm milk, butter, 1/2-cup sugar, 1 teaspoon cinnamon, and salt. Continue cooking just until butter melts. Meanwhile, butter a 4-to-6-cup baking dish and tear the bread into bite-sized bits. Place the bread in baking dish.
  2. Slice peaches into separate medium-sized mixing bowl; stir in brown sugar. Set aside (wherein magic ensues, and syrup emerges). Rinse blueberries, and allow to drain.
  3. Once peaches are bathing in their brown-sugary juices (anywhere from five to 10 to even 15 minutes should do it), dump fruits atop bread chunks. Stir gently.
  4. Pour hot milk over bread, peaches, and blueberries. Let it sit for a few minutes, poking down the occasional chunk of bread that rises to the top. Beat the eggs briefly, and stir them into bread and fruit mixture. Mix together remaining cinnamon and sugar, and sprinkle over the top. Set the baking dish in a larger baking pan, and pour hot water into the pan, to within about an inch of the top of the baking dish, effectively making a bath for your bake.
  5. Bake for 45 minutes to 1 hour, or until custard is set but still a little wobbly and edges of bread have browned. Serve warm or at room temperature.

inhale the endless comfort vapors….

*thank you, mark bittman, for your endless guidance and your recipe on much-splattered page 662.

what foods bring you as much comfort in the making as in the consuming?

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baking en masse: when you need to jumpstart your holiday heart

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the calendar was cajoling. winking, taunting. counting down the days till Christmas. and there i was, slumped in my red-checked armchair, curled in what amounted to the fetal position that even the president (the one still dwelling in the white house) advised was not a wise position (and not because he was worried about my posture or my crooked spine). no matter how hard i tried, i just could not muster the oomph the holidays demand.

so i did the surest thing i know to beat back the mid-december blues: i cranked the oven. i hauled an armload of oranges from the fridge. grabbed the canisters of flour and sugar. soon found myself slamming my grandma’s rolling pin against a sack of walnuts (therapy with a mighty bang!). already, i was starting to feel a little oomph in my kitchen dance. i grated. i measured and dumped. i inhaled the sweet scent of orange. delighted at the garnet bits swimming through the mixing bowl of batter. i was baking my way to Christmas. and on the way, i found my merry heart.

there is something deeply therapeutic about not just baking, but baking en masse. making like you’re a factory of one. i lined up all my baking pans. buttered, floured in one long sweep. i found it much less onerous to tick through required steps in quadruplicate, so much more satisfying than one measly loaf at a time. there was some degree of superpower in seeing my butcher-block counter lined in shiny tins, a whole parade of Christmas possibility. i found a magic in the multiples. in not just joy times one, but joy by the dozen.

i made a list of folks i love, and folks i barely know. folks who might do well to find themselves cradling a still-warm loaf of cranberry-orange-walnut (sometimes pecan) holiday bread. it took hours, of course. because each batch demanded an hour in my crotchety old oven, the one that deals in approximation rather than precision. the one that might respond to Fahrenheit, or might play in Celsius. it seems to change its mind day by day. all the while i cranked the Christmas tunes (truth be told, i played “Mary, Did You Know?” till even my little radio called it quits, fritzed out from all the times i clicked “replay”).

and therein came the joy. the simple act of drumming up a recipe, ticking off the short list of recipients, wishing more than anything i could wander down the lane to souls i love who live miles or time zones away. suspended in a day’s long animation, in the act of making plump golden-domed loaves from scoops of this and pinches of that, it was december’s holy balm.

this seems to be a season, in this particular whirl around the sun, when old tried-and-true rhythms and routines just aren’t working. but scooping your way through a whole sack of flour, grating the zesty peel off a whole orchard of oranges, it held out hope. it nudged me from the dark shadow of ho-hum into the more glimmering terrain of well-it’s-Christmas-after-all. and at every house where i rang the bell, and left behind a loaf, i felt a little thump inside my heart. every once in a while, someone was home, which led to invitation to step inside, to shatter the cloak of isolation that harbors all of us inside our solitude and day-long silence.

it’s a merry tradition, the merriment that’s spread by the baker’s dozen. the simple act of creation — not just for me or mine, but for folks beyond my own front stoop. the simple equation of making to give away. addition through subtraction.

midday i found myself thinking i should take this up for all sorts of holidays, for groundhog day, perhaps, for flag day. for the annual first wednesday in september (a holiday i just declared). point is, sometimes the distance between loneliness and shared company is no farther than the few footsteps from my front door to a door across the way, or down the block. it’s no farther than the mailman’s empty hands once he drops off my daily pile of circulars and bills. no farther than the garbage fellow whose heart-melting smile is carrying me through these days.

it’s not escaping me this year that the deeper i burrow into my own silence, the harder it is to extricate my soul.

and sometimes a simple place to begin the cure is with the canisters that line my kitchen corner. and that cranky oven that lives and breathes to warm my kitchen — and, indeed, my soul.

what’s your recipe out of the doldrums this year? 

and merry almost Christmas to each and every one of you, and happy blessed almost Hanukkah, too. here’s hoping you find scraps of joy, and bundle them into just enough to carry you through these ever-longer, darker nights till the solstice comes, and light creeps in, minute by minute, day by day.

by the way, here’s a link to the cranberry-nut-bread recipe (from gourmet magazine, via epicurious) that got me started. i vamped, as always, from there: more orange zest. more nuts. 

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proper porridge

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i stand at the cookstove, stirring. and stirring. and stirring.

five minutes, maybe seven, bent in prayer. for that’s what seems to happen every time i stand there, spoon in hand, circles upon circles lifeguarding the oats.

oats + water + salt.

that’s the equation. quite simple. all the rest is alchemy, and stirring. keeping the oat bits from crusting against the bottom of my little blue pot, my pot the color of mama robin’s eggs, my pot that made the trip long ago from merry old england, sacred stirring ground of porridge.

oats in the morning — oats done properly, i’ve found — unfurl the day in slow time. meditative time. if ever the cookstove becomes prayer altar it is at the dawn, when the house is only beginning its morning grunts and hisses and shivers and burps. when the kitchen is dark except for the flame of the burner, and the single bulb that casts its faint beam on my pot.

i didn’t used to stand at attention, not for so long a stir anyway. but then i went to londontown, and one chilly morning i found a plump pot of porridge standing sentry on a shelf at a cozy corner cafe. i admit to being charmed by the name — porridge (poetic, with a hint of the ancient, the celtic, perhaps; and as opposed to the more plebeian, american, oatmeal) — as much as the contents lumped inside.

but then i dipped in my spoon. and what i tasted was pure soothe. if food has the capacity to sandpaper the rough spots of our soul — and i believe it most certainly does — then that first spoonful of proper british porridge declared itself “necessary balm.” balm begging to begin the day, every day. or at least the ones when fortification is needed. when what lies ahead in the hours to come just might fell you, buckle your knees.

while swirling the velvety porridge there in my mouth, i noticed the words on the sweet paper pot in which the porridge was served. again, a call to attention.

here’s what i read: proper porridge prescription

WELL WORTH THE WAIT

porridge is a surprisingly tricky dish to perfect (it’s taken us years to get ours right). stirring is good. boiling is bad. slowly, slowly simmering is the key. you just can’t rush a good porridge. so we don’t.

it was cooking instruction as koan, as kenshu (buddhist notions, both; the former a puzzle prompting deeper enlightenment, the latter a way of seeing).

and it captured my attention, all right.

deliciousness was only part of it. if something so simple demands such attention, such practice, i wanted to get to the bottom of it. even if it meant scraping the golden-crisped bits off the bum of the pot.

i turned, logically, to the patron saints of porridgery. i turned to british cookery writers. and there, what i found — for a word girl, anyway — was as delicious as anything i’d slipped onto my tongue.

consider this fine instruction from f marian mcneill, author of the 1929 classic, The Scots Kitchen, who advises that the oats should be sprinkled over boiling water, “in a steady rain from the left hand, stirring it briskly the while with the right, sunwise.”

which prompted this, the sort of snappy retort you might only find tucked in the pages of the british press, where one felicity cloake (oh, such a byline!), food scribe for the guardian of london, put dear f marian in her place thusly:

“having tested this out, it seems to make no more sense than the idea that stirring them anti-clockwise will encourage the devil into your breakfast.”

mon dieu. it’s testy at the cookstove this morning.

snippy retort aside (or perhaps because of it) this miss felicity has stirred her way to the top of my oat-writer’s heap. read along, and i’m certain you’ll promptly agree:

“to even approach the foothills of perfection, you need to use a pan,” she wrote in arguing  against the microwave as appliance of oats.

or this, weighing the intrinsic virtues of milk v. water (might we note that only the brits would get their britches all in a knot debating the ideal ratio of fluid to fluid):

“scottish traditionalists insist that porridge should contain nothing more than oats, water and salt, but such an attitude strikes me as depressingly dour: after all, if no one had ever experimented, then we’d still be eating pease pottage, morning, noon and night. full-fat milk makes a delicious, but queasily rich breakfast, but, even allowing for the time-honoured creamy moat of milk at the end, porridge made with water only has a puritan thinness of flavour. after a bit of juggling, i settle for a 1:2 ratio of milk to water.”

and finally, from the felicity file, there’s her instruction for how you might choose to finish off your bowl of oaty perfection:

“a girdle of very cold milk, or single cream on special occasions, is essential, (traditionally, it would be served in a separate bowl, to keep the oats hot and the milk cold), but a knob of butter, as suggested by readers, while melting attractively into the oats, proves too greasy for my taste.”

i might never stop stirring, so entranced am i by all this back-and-forthing across the pond on the fine points of porridge.

but one more morsel (or two) before i close the oat bin: it should come as no surprise that a lump of gruel that’s been synonymous with breakfast since the year 1000 anno domini might carry with it a millennia’s prescription and particulars. for instance, the scots saw fit to carve up an oat-stirring stick, one that goes by the name spurtle, and if you’re a proper porridge stirrer, you’ll have one lodged in your kitchen drawer. it’s practically guaranteed to keep your oats from going all lumpy.

and of course, the brits have dedicated porridge pots: the porringer, a shallow bowl, often pewter or silver, dates back to medieval times, and weaves through history, a specialty ware of paul revere, colonial banger of metals when not galloping at breakneck speeds, announcing the coming of pesky porridgey brits. nowadays, the porringer is apt to be a specially-developed double boiler, or bain-marie, preferred for keeping oats from sticking to the pot bottom. and as if that wasn’t plenty, it’s thought that the lower temperature under the oats (provided by double-decker cookpot) might boost the little darlings’ cholesterol-busting capabilities. so scurry along, and grab your porringer.   

but before you dash: the tried-and-true road to proper porridge, for which i turn to no less than london cooking sensation, nigel slater, who instructs:

THE RECIPE
Traditionally made with water ( The Scots Kitchen – F Marian McNeill’s recently republished 1929 classic – recommends spring water), it is sometimes made with hot milk. Stirring is essential if the porridge is to be truly creamy. You need a handful of oatmeal to a breakfast cup of water and a pinch of salt. To quote from McNeill: “Bring the water to the boil and as soon as it reaches boiling point, add the oatmeal in a steady rain from the left hand, and stirring it briskly the while with the right, sunwise.” Add the salt after it has been cooking on a low heat for 10 minutes. Serve with sugar, cream or a little more salt.
THE TRICK
If the salt is introduced too early, it can harden the oats. Porridge needs cooking for longer than you think if the starch is to be fully cooked. It should be served piping hot – try the old Scottish habit of spooning it into cold bowls and having a dish of cream or buttermilk handy to dip each spoonful in before you raise it to your lips.
THE TWIST
Use both coarse and fine oatmeal to give texture. (The larger the oat, the earlier you need to add it.) Stir in blueberries or blueberry compote (150g blueberries, 2 tbsp sugar, a squeeze of lemon simmered for 10 minutes). Raspberry purée is another favourite addition, as is golden syrup and cream. I have been known to add a swirl of marmalade, too, but it might upset the horses.

and that, dear friends, is a proper porridge. creamy moats. knobs of butter. slow road to morning prayer. and all.

are you of the morning oats persuasion, and if so, have you discovered the zen of stirring and stirring and stirring your oats? national oatmeal season

after the feast

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if there was one slice of time to slip-slide into a bottle, to save for a rainy day, to relish, it might be that hushed and sumptuous moment when you tiptoe down the stairs and round the bend into the still-dark kitchen, first thing the morning after a very big feast.

the kitchen counters are cleared, the cookstove is sighing a deep sigh of relief, of exhaustion, of having been put through the holiday paces; all burners now still after blasting for hours, the oven now deep in a post-prandial sleep. there might be a bottle tucked off to the side, or the one lonely crescent roll that wasn’t torn into, the odd stack of plates that never got called for duty. open the fridge, though, and the shelves nearly groan, now pressed into service in hopes of preserving just a wee taste of all that was stirred and sautéed and browned and baked and roasted and mashed and pureed and, finally, dolloped over the course of a five-day kitchen maneuver, one mapped out with lists upon lists and timelines and charts and post-its galore.

as i sit snug at the old kitchen table, keeping watch on this blustery drizzle-drenched day, sipping my mug of the one hot liquid that catapults me out from under the covers, i find myself soaked in the grace of a year stitched with sadness, yes, but just as emphatically sewn with a hundred thousand shimmering threads of blessings for which my heart whispers thank you.

i’d start, sure as could be, with the three beds upstairs filled with long lanky boys who come in three sizes — small, long and longer. (while we’re at it, i’d add a long note of thanks for the post-feast delirium that more likely than not will fuel their sweet dreams — and my all-alone quiet — till long past midday.)

it wouldn’t take long — not far from the top of my roster of thanks — till i ticked through the deeply-loved friends who keep me aloft through whatever storms try to yank me down under.

i am thankful, so thankful, for this arthritic old house, and its creaks and its groans. for its doors that won’t close, and the window or two that refuse to budge open. i’m grateful of course for my unruliest garden, the one that paid little mind when i left it (mostly) to its own devices this much abandoned summer. thank God, yes and yes, for my little birds, the ones who buoy my heart with every flap of their wings, each chirp that rises up from their lungs and their throats and their short little beaks. thank you, especially, for the scarlet-robed cardinal i’ve lured back to my roost with scoop upon scoop of sunflower seed.

thank you for the crotchety old cat, the one who decides most nights around 3 in the morn that there is a world beyond this old house through which he must roam; the very old cat, by the way, we’re convinced we’re keeping alive through super-strength doses of love and not a few cans of high-grade tuna.

thank you, heavens above, for brothers strung across the country, and sisters-in-law i could not love more. thank you for mothers, by birth and by heart, ever my back-up squad, at home or afar. thank you for fathers, now resting in heaven. thank you for little niece and adorable nephew, proof that growing up loved is hope for the world.

thank you for books. and thank you for nuggets of time to burrow deep into pages, to contemplate a thought or a word — an old friend of a word or one newly unearthed. garner modern usagethank you, specifically, for my brand-new “garner’s modern american usage,” a genius of a roadmap through the vagaries and tight spaces of vernacular language (the late and ever-brilliant david foster wallace claimed it “eminently worth your hard-earned reference-book dollar“).

and thank you just as deeply for the gem that arrived in the other day’s mail, wendell berry’s “sabbaths 2013,” a small-press edition of 20 poems, signed by the master, and filled with wood engravings now etched into my soul.

WendellBerry

thank you for sacred hours in light-dappled woods with a long beloved friend whose hours, we knew, were numbered. thank you, months later, for the minutes i sat at her deathbed. and thank you, yes thank you, for the long hours since, as we grope through the dark, wrapping our hearts around her left-behind beloveds, as we cry with them, make room on the couch, share blankets, pile plates with good eats, and blessedly utter her name amid the swapping of stories and deep belly laughs, and believe — even when they cannot — that the light will someday come again.

zenceci

my list of thank yous is long. my list of petitions seems to never grow shorter. so before i sign off, the ones that top this season’s beseeching: a friend and a sister i love, both still facing cancer head on. and another friend whose ankle, of late, is shot through with screws and rods and titanium plates, and who finds herself recliner-bound, though she’d never complain, not even a whimper.

lest i linger too long, before i rummage through the fridge, pile my plate with a spoonful of this, a swift taste of that, these are a few of the prayers that rise from my heart, on this, the glorious morn after the feast.

thank you, and bless you, amen and amen.

at my house this morning, one of the somethings left on the counter is a tumble of string from a box from the bakery where my husband bought brownies to stack into a tower in homage to his papa, whose november-25th birthday was often shared with the turkey, always nestled nearby, and always punctuated with thick-frosted brownies, bedecked by my sister-in-law. this year, far from new york and new jersey, my sweet mate stacked the chocolaty tower with architectural precision and not-often-seen tears in his eyes. it was a son’s salute to his bakery-born papa.photo 2photo

happy blessed birthday, dear AZK, among us always in heart — and in teetering chocolate.

what’s cobbled onto your list of thank yous this glorious day after the feast? 

heartbeat of this old house

old garland

coming home stirs deep appreciation. seeing through fresh eyes. as i wander about the house, sink back into the rhythms of living here, unfolding my day here, i find myself drawn, day after day, to particular sounds, particular light patterns. i open windows, just to flush the house with outside sounds. the chirping of the cardinals. the trill of someone else. i tiptoe into rooms, stand there, watching the way the sunlight plays through vines that have trespassed across the windows.

but more than anywhere, i am drawn, near suppertime each day, back to the old garland, my not-so-shiny stainless-steel dowager of a cookstove. she feeds us amply. she feeds me deeply.

i think of her, it appears, in the feminine — muscled, un-fancified, generous, forgiving.

weighty, she holds down the kitchen. she offers heat, flame at the turn of a knob. she is this old house’s heartbeat, and not just because of the click-click-click she sputters while the flame prepares to catch.

broad-lapped, with six burners and a grill top, she whispers no pretension. she was anchored here back in the 1970s, long before it dawned on anyone that an industrial-grade stove might belong amid a hungry family.

she was born to feed masses. and masses she did feed. first up, a family of seven, then a family that huddled three generations under this old roof. and for the last decade, merely us. with but two growing boys, i hardly feel deserving of her generous proportion, her capacity to provide. i’d always dreamed of a gaggle. but, as wise people sometimes say, God gives you what you can handle, and i suppose i was cut off after my lucky bookends, my eight-year span of boy.

so i up my ante through invitation. stay for dinner, i tell the little boys who wander by. the little boys with hand under cake dome, come three or four in the afternoon.

in recent afternoons, after long days reading and writing, i find myself stirring as the clock ticks toward five. i start poking around the fridge, seeing what’s available (or more often, what’s on the verge of wilting if i don’t use it maintenant). i eye the cutting board, and hear a beckoning. i’ve room aplenty, near acreage, it seems, after a year in the not-so-sprawling apartment kitchen. i’ve got my drawer of accoutrement again, a gaggle of whatchamahoojies and thingamabobs that help me get the job done. the cucumber peeler, the garlic crusher, the strawberry huller (a new addition, inspired by the little fellow who HATES a leafy cap adorning his juicy fruit and finds it a sport to sink in the hungry teeth of the huller and glide out the nettlesome middleparts).

after a year in which i confined cooking to a rare few nights (otherwise it was more along the lines of dumping trader joe’s oft-frozen magic in a skillet, and calling it dinner), i’ve rediscovered the therapeutic balm of chopping to the tune of NPR’s “all things considered.” although the syrian backbeat to the sauted apples last night proved a wrenching side dish.

i find i hum when cooking for my boys. and my old stove sings right along.

she and i, we’re quite a pair. she steams ahead where i stumble. tries not to scorch when i forget, get wooed away by the ringing telephone, let things blacken on the pot.

last night i was cooking merrily. whipped up all my little one’s favorites. straight through to baby peas in butter sauce, the fancy kind that come tucked inside a see-through pouch, one that bobbed along in boiling vat — deep-sea peas ensconced in thermal safety suit.

and, one by one, i was cooking for no one. the little one called to say he’d been invited out for dinner, and he was so so sorry, he really wished he could be there. then the tall fellow, the one now back to newspapering, he called from the chambers of city hall, whispering that he was elbow-deep in witnessing a landmark debate, and wouldn’t be rolling in till at least the 9 o’clock train.

no worry, no chagrin. i smiled at my cooktop, crowded with pans that were going nowhere. the buttered noodles with my grandma’s butter-bathed bread cubes, they were happily napping off to the right. the apple sausages swimming in cinnamon-spiked apple slices, they dozed. and the baby peas, ala jacques cousteau, they couldn’t have cared less.

by 10, the pots were cleared, their contents tucked in tupperware. no one had been around for the duet, me and my old stove. but that didn’t detract, not one iota, from the joyful percolating deep inside.

i was home, back at lady garland, and she and i twirled splendidly, all alone, entwined again.

what part of your house makes you hum? performs a lively duet with you, day after live-long day?