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where wisdom gathers, poetry unfolds and divine light is sparked…

Month: June, 2016

comings and goings

dining room window

any minute now, the big rumbling moving van will lurch to the curb out front. a flock of muscled men will emerge, the ramp will be erected at a certain angle, and all day long a flurry of boxes and arms and legs and the contents of a life long lived will parade from house to deep dark truck interior, and back again for more.

by day’s end the house will be boxed into cardboard containers, slapped with tape, labeled. it will be hollowed of all but the fading echo of years spent raising boys, three boys, each now a father living far away, soccer cleats and bicycles long emptied from the garage. the tinkling of forks and knives, from all those family dinners, all those dinner parties, silenced. the flickering of candles i watched as recently as last night, snuffed out.

the next door neighbors, after forty-some years, are moving. and in the flow of life, the rhythm of comings and goings, each exit leaves a dent. a carved-out hole. a dimming and a darkness.

while, for the past 14 years, we’ve mostly flowed side-by-side, not been the sort of neighbors where we dash and ring the bell, borrow a cup of sugar here, a splash of merlot there, love grows anyway. the sight of him, bent and shuffling slowly in the yard, puttering with his tomato plants, stooping down to haul away a branch after storms have tossed the trees. the sound of her, warbling in the early morning, when the screens were in the windows, and the windows open, as she warmed her cords, her lungs, her voice, for the church choir, or the swing concert, or just the show tune of the hour. it will all be gone now. moved three miles north, out of sight and out of ear shot. hardly out of heart.

their presence, one i always likened to knowing someone sturdy was pressed against my shoulder, was most days felt when darkness came, and the lights in their kitchen, or the glassed-in study just beyond the picket fence, or those flickering candles at the dining room table, glowed golden against the twilight, against the cloak of night.

there’s a broad-winged window in our dining room, one i see out of the corner of my eye when i’m at the cookstove. i am often at the cookstove toward the end of day, at dinner time, at put-away-the-day time. and that soft burning light through the window panes, through the bramble of bushes, it whispered from next door: we’re home. life is flowing inside our house, too.

i admit to a lifelong imagination animated by the doings inside houses all along the lane, any lane anywhere. i spend time considering the animation of each and every house, of the hours and the duties that bind us, make us more in common than apart. even looking down from clouds, when i fly from here to there, i spy the little towns, especially, and see the lights inside the itty-bitty boxes of the houses, and i wonder who’s inside, who’s stirring sauce at the stove, who’s just getting a phone call that will change everything, who’s all alone.

with the house next door, i didn’t have to imagine too, too much. i knew the players. had come to love the players. over time, you learn things, peel back the stories, allow the bond to build — the new year’s ladies lunch she always hosted; the time we went together to the tracks, put down dollar bills on the horse he assured would win; the day we moved here nearly 14 years ago when she came to the door with a tinfoil-domed platter of the best chocolate chip cookies anyone ate that day, and she looked me in the eye, said, “i think we’ve a lot in common,” and it would be awhile till i realized what she meant was that she, too, was irish catholic, married long ago to a brilliant jewish fellow; they’d trod this interfaith path long before i’d even met the man i would love and marry.

she told me, after years of back and forth at the invisible line that divides our yards out back, about the time her little brother ran in front of the car, and died. right before her eyes. she told me how she up and packed three boys, left behind the house she loved, and moved to england for a time, when her husband was a rising executive and the boss said, “move!”

over time, you learn the heart aches, divine the heroism, the everyday grit that muscles some of us forward, that some days topples others of us. over time, you come to count on the quiet rhythms from the house next door. you learn their ways. how, as soon as the air outside warms to, oh, 78, the air conditioners will begin to hum. and how, come sunday morning, the singer’s warmups will punctuate the chatter of the birds.

over time, their story seeps into yours. you’ve watched her boys come home on weekends to mow the lawn, you’ve watched them marry, and just last night you watched her youngest rock his newborn baby girl to sleep.

life passes while we’re watching. which is why it matters so very much to keep close watch. which is why the practice of paying attention brings riches — and countless wisdoms — to our soul. which is how and why we fall in love, day after day, with those who fill our hours with the hum of their every day.

when we’re watching closely, we get peeks at the human spirit exposed. even when it’s by simple accident of geography that we’re entwined through the light and shadow cast on all the passing hours. when what’s drawn us into each other’s close orbit is the single-digit difference in the address that we call home.

until the big van comes, and we’re left looking into darkness next door.

what are the quiet rhythms of your everyday that you’ve come to count on? who are the ones whose lives have slowly softly seeped into yours, by virtue of geography or habit, the ones whose lives you know through occasional encounters rather than uninterrupted unspoolings, whose presence over time adds up to someone you count on in your own quiet way? what peeks at heroism have you gleaned from those who pass you by on a regular basis? 

and mickey and alicia, we send you off with love. much love….

 

bee balm

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maybe, in a week like this one, being mesmerized by a bumblebee is not so much distraction as act of mercy. for the broken heart. for the heart that cannot quite absorb the rat-a-tat of horrors. for the narratives that began to emerge from the bathroom stalls of a nightclub in orlando, where the scenes painted in the tellings were nearly impossible to fathom. bodies piled atop bodies. playing dead. being dead. not knowing if the body atop you was a dead one. finding out later, it was.

you can see why bumblebees and old roses and the draw of the garden — nodding heads that begged for air, for sunlight, amid a stranglehold of weeds — you can see, perhaps, why, amid this particular week, the hours and the sunlight and the shadow, all lured me in. i couldn’t seem to keep away. i’d plant myself in front of screens: i’d watch, i’d click, i’d read. i’d gasp and gasp again. and then, while i had no intention of doing so, i’d find my toes sliding into muddy garden clogs, i’d find my fingers curled around the necks of clippers, and next thing i knew i was waist-high amid the weeds, snipping my way to clearer, purer oxygen.

it’s the power of the garden in a week like this one. when the balm of sun and breeze might root out the nettles that settle in our soul. when i begin to imagine sighs of relief rising up from flocks of old baptisia (otherwise known as “wild indigo”), because i’ve finally paid attention to the fact that they were suffocating under boughs of runaway lilac. when i might have heard a soft round of applause from the out-of-control clematis that begged for fortitude in the form of twine on which to climb, to reach for the clouds. i have a habit (you’ve just witnessed) of assigning voice and charm and personality to the growing things in my garden, at least i do when i begin to notice they’re out there, straining against the forces — the inattentions — that threaten to do them in. i suppose, truth be told, i tend to garden in two speeds: que sera, sera (whatever will be, will be); and ferociously. this week, ferocious was the speed.

whole spells of time — a morning here, an afternoon there — seemed to be swallowed up in the odd postures and contortions of gardening (no wonder stinky potions rubbed into achy joints are a gardener’s best ally). i seemed to lose whole portions of the day, and finally, the week, wrestling, lassoing, chasing after trespassers, calling beds to order.IMG_7742

and then, the occasional mama wren darted by. or the cardinals commenced a game of catch-me-if-you-can. and then the bumblebee. the zaftig bee in coat of velvet stripe. the bee that practically flies in freeze-frame slo-mo, hovering mid-breeze, playing eenie-meenie-minie-mo perhaps, deciding which tuffet of rose she’ll nuzzle into next. that old bee feasted on the rambling rose for a quarter of an hour (or that’s as long as i managed to keep watch, anyway).

i couldn’t shake the sense, somehow, that i was out there playing hooky, delicious hooky. why, i had books to read. sentences to type. piles of paper on my desk called to me.

but i couldn’t break the spell. the spell of taking time to sink my toes into the deliciousness of a summer’s day. a hot and sweaty day. or a cool and cloudy day. didn’t matter. it was only in the act of whole-body immersion, of flinging my old self into the elements — thorns that scratch, dirt that worms its way under fingernails and toenails, sun that beckons freckles to come out of hiding — that i was able to find a way to untangle the brokenness of my heart, to put a breath of pure soft air back into my lungs.

of course i know — full well — that it’s all just distraction. but somehow, deep in the ministrations of gardener to garden, of human hands to tender growing things, i found a way to exercise an urge to heal, to fix, to chase away the hurt, the ugliness, that had descended on the planet. day after day, hour upon hour, there comes darkness in forms we can’t imagine. and so we’re left with the scant few things we know, to bring back light. to sow seeds of tenderness and love. of holiness, perhaps.

to lose a day, or a week, upside down or sideways in the garden, is to find a thread that just might stitch us close to whole again. or at least steady us enough to tumble forward. till the next bee buzzes along. and once again we’re swept away by wonder, antidote to that which leaves us broken.

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mrs. bee has at the old and succulent rose.

what’s your healing thread, when you find yourself in tatters? 

summer’s clubhouse

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when i was little, summer commenced when martha hackney and i would take to the woods. or the cardboard box cupboard. a boggy wood stretched between our two houses, complete with babbling brook, and stepping stones, and a pond we named “green,” because it was carpeted in teeny-tiny french knots of muck. if we’d inspected with magnifying spectacle, we’d likely have noticed they were lilliputian lily pads, perches for froglets the size of half your pinkie. once in a while, we’d stretch out on a log and inspect. and try not to plop in (for that would certainly lead to tuberculosis. or worse. so we feared in our nine-year-old minds).

i can’t remember a summer in which martha and i did not devote every waking hour to the construction of one of our clubhouses. the woodsy variety. or the ones where we spent hours upon hours with scissors and glue and snippets of fabric, and leftover rolls of wallpaper, too. and boxes. boxes by the boxload. we upholstered. we carpeted. we strung make-believe lights. we made resplendent rooms for our miniature dolls. we daydreamed the day away, hands smudged with glue.

perhaps those are the roots of my summer-y inclination to tuck away in a spot that’s away from it all. under a willow tree might be ideal. but i’ve no babbling brook near this old shingled house where, more often than not, i’m the one in charge of flipping grilled cheese and stoking the fridge. so the clubhouse i call my own is the one at the end of a short winding walk, a brick walk that leads from the house through the garden to the slapping screen door. there, just inside, is a steep-ceilinged room, one with a fan that undulates the summer’s breeze. and old wicker chairs, ones i once scooped from the alley (yes, i did; rescuing the flock from unseemly demise), tucked to one side, while an old wobbly door, perched on four legs, now makes for a wobbly table.

IMG_7681we call it the summer house, for that’s what the real estate lady once called it. it’s a name with far more pizazz than really it musters. if you don’t mind a rip in your screens, if flaky paint from the chairs doesn’t bother you, if a teetering dinner plate doesn’t ruffle your feathers, well, then, we have a room for you.

IMG_7682this week, in a week that might be labeled “intensive care” (for the task of the week was intensively caring for one un-done heart), it’s the place to which i skittered away. i carried my load of summer reading. i settled my bum in the old wicker seats. and before i could turn a single page, i was wholly absorbed in the magic of that odd little place. a mama wren flitted in and out of the birdhouse (she was tending her thimble-sized brood, delivering wren-sized delectables on a quarter-hourly basis). a cardinal paid me no mind, heralding the dawn, and later, the twilight.

a place to escape is a critical place. a place that, perhaps, no other season so offers. but summer, after all, demands it. promises it. it’s the one time of year when you can stretch out your legs, cross your ankles, and know you’re doing your duty: you’re summering. however you define it.

for me, summering is a verb with pages to turn. it’s sipping slowly from tall sweaty vessels of lemony water. it’s slapping away mosquitoes, and keeping watch for the firefly. it’s taking time out and not feeling guilty. it’s feeling like friday afternoon stretches for days. it’s relishing: a balsa wood baskets of berries; fat spears of asparagus charred from the grill; a book i don’t want to end; daybreak with a hot mug of coffee; mama wren enchanting with her motherly duties; nightfall with a flute of prosecco.

it’s the one time of year that begs us to savor the succulence. to consider the high art of nonchalance and lull without purpose. it’s the deep down knowing that if you’re turning a page, staring into the distance, or keeping watch on a wren, you are more than doing your job. you’re inhaling the whole of the blessing, the one that now is upon us: welcome to summer.

how do you define summering? and what’s your tucked-away spot?

summer starts here lemonade

rail riders

swamp king

“swamp king surveys his realm”

it was one of those ideas that tumbled into place. the two of them — one intrepid, the other more than willing to follow — would set out on uncharted adventure. road trip, in the first iteration. brotherly road trip. but then, suddenly, as was the case long ago in one boy’s history, the rails beckoned. the city of new orleans, in particular beckoned. that’s the name of the rail line, the legendary rail line, as well as the crescent city itself.

a line made famous when steve goodman penned the song, and arlo guthrie, and willie nelson, and john denver covered it. a song that burrows into your brain waves and takes a few days to shake itself out. goodman wrote that “i’ll be gone five hundred miles when the day is done.” but really it’s 924, give or take a twist in the tracks, from chicago to nawlins, meandering along the mighty mississippi.

and so, with a few clicks of the computer, tickets were had, bags were stashed with the few things a boy needs, and the days between soccer weekends were suddenly filled with visions of beignet and po’ boy and, because their grammy insisted, praline. old dear friends who know new orleans like the back of their hand, they dispatched guides to the back alleys and tucked-away treasures. and how perfect that a friend we love just happens to be restaurant critic/food writer for the new orleans times-picayune and, occasionally, the new york times, where his prose lures millions, i’m certain, to the eateries of his adopted metropolis.

we set out to union station monday night, where, according to the amtrak website, the dining car, the famed dining car that boasted of jambalaya and red beans and rice, it would welcome sleeping-car riders a full hour before departure. they’d be clinking forks and knives against china plates, sipping from crystal goblets, as soon as the sleek engine lurched out of the station, through the shadows of a city being drained of its daylight. or so they had every reason to think.

until we got to the counter where they check the tickets. and the lady barked, “oh no. not anymore. that website needs update. all they have now is express meals.”she went on to say the meals were “awful,” went on to explain that she was talking about pre-made sandwiches zapped in a microwave. she advised a trip to the train-station food court before boarding. and i saw the glimmer drain out of two pairs of eyes. i saw a jaw drop, i swear. but that lasted only an instant. they were set for adventure, and a boxed set of bread and cold meat couldn’t derail this duo.

we dashed up the escalator to scoop up the last helping of chicken fried rice, as the vendor closed shop for the night, then we grabbed two stale bagels for the price of one, an end-of-day deal at the bake shop. then, kisses all around, and hopes for the best.

the brothers were off.

the mother and father, not used to this absence of children, motored away. worried, if truth be told (and it always is around here). one or two of the boys was showing sign of distress. one with brewing case of heat stroke, a case that only started to surface the nearer we got to the station.

and, as is often the case in these parts, the narrative plot grows thick with unanticipated turns. so much for unadulterated joy ride.

it started out semi-comically enough when the door to their sliver-sized sleeper car decided to lock behind them as they set off for the dome car. took a train engineer, a dining car waitress named joy-ann, a porter, and a crow bar to get the door unlocked — more than half an hour later — amid a chorus of “never saw this before, not in 35 years working the train. door’s not supposed to do that.”

then, as night fell across the central illinois farmland, the heat stroke of the little one — the one who’d been up for soccer at 5 o’clock that morning, and had played two games on a field that shimmered with 100-degree heat — it got worse and worse, and he got sicker and sicker.

and if you think it’s hard to tend to the sick when they’re splayed out on the couch right before your eyes, you can double the duress when they’re on a train headed south, and you’re stuck home, farther and farther away by the minute. yes, there was a midnight phone call. or two. and yes, there were more in the morning. took the whole of a day before the kid could guzzle enough to slow his breathing, quell his tummy, and stop seeing stars.

and all along a brotherly miracle was underway. each one worried about the other, so much so that every time i talked or texted, the only thing they wanted to talk about was their concern for the other guy. and then, not long after hitting rock bottom, things turned around. i don’t yet know all the details, because as i type they’re rolling home through illinois farm fields, having left behind memphis, and mississippi’s delta, and the swamps and bayou of louisiana.

all i know is that they packed in as much as humanly possible in the 24 hours both were upright and breathing. i know there were po’ boys of various renditions, and something called “snoballs” that turned one of their tongues deep midnight blue for the whole of a day and a night, “no matter how many times i brushed my tongue, mom.” i know there were fried oysters, and an old man on a trolley who filled them with stories and a wallop of wisdom. i know they felt something “sacred” at preservation hall, where the jazz wailed deep into the night. and i know they warmed mightily to the slow southern pace. and the charms of the characters they gathered, like souvenirs, all along the way.

and more than anything, i know they got each other through one of those very tight tunnels, the kind where you can’t see the light at the end. and all you can do is hope and pray and wheedle each other forward.

we set them off on the rails in the hopes that they’d seal their holy blessed year with a cajun-steeped hallelujah, of the summery sort. we hadn’t thought one would be nurse to the other. weren’t anywhere near to witness where and how they discovered the magic. all that matters, though, is they figured it out. they fended for each other. one led, and one followed. and then the tables were turned. as is the way on any zydeco dance floor. as is the way in any life well loved.

welcome home, sweet boys. i missed you.

i love that photo above, “swamp king surveys his realm,” snapped by the older one — photo by will kamin, the credit would read — as they rode the rails home. the one in the photo, aka “swamp king,” was feeling infinitely better by then, the magic of nawlins indeed.

have you taken a trip that turned into far more of an adventure than you’d plotted? and what are the life lessons you carried home?