pull up a chair

where wisdom gathers, poetry unfolds and divine light is sparked…

Category: housekeeping. comfort sounds

coming home.

coming home kitchen

i slipped back in as if gliding my arms through the sleeves of the oldest soft-knit sweater from the back of my closet. the sort of sweater you reach for when it’s the end of the day, and you want the goosebumps to go away, but even more you want woolen threads that breathe against your skin, woolen threads that whisper to your soul, “here we are, home.”

that’s pretty much how it felt to unlock the door after a few days away, to plop the duffel in the front hall, to wander about in that way that one does, to check for what’s happened while you’ve been gone. i saw right away that chipmunks must have upturned a brick or two at the steps that lead down to the garden. and the old house all but hollered to please open the windows, to let the hot dry air back out where it belonged.

wasn’t long till i found the note left on the kitchen counter, the note written by a dear, dear friend — the one who’d stayed at our house while we were away, since she needed a place to sleep and we had one. she wrote:

“in this house, one is always aware of time. the ticks and tocks, the chimes of multiple clocks evoke shared joys, episodes of comfort and sorrow, presences long gone but still close to our hearts. the rhythms of those machines wake me in the mornings, lull me to sleep…and call me to return.”

it’s a fine thing to hear your house through the ears of a friend, a soulful friend, a friend who has always put words to page with more grace than nearly anyone i know. my blessed friend’s words only amplified what i already know. what i know every single hour of every single day i live here.

coming home — even when there’s not a note to remind you — sharpens your ears, and all of your senses. wakes you up once again to this place you’ve spent your life making — making home.

home, for those of us lucky enough to have one, is that place that over time has come to hold the living breathing narrative of perhaps your most essential essence, those threads in your life you hold to be sacred.

my old house is one layered with story upon story. each old clock tells a story. the sounds that ooze in through the windows — the fact that i almost always leave a window open at least a crack — the birdsong, the breeze rustling the leaves, the faraway train whistle, the dog down the block. those are the sounds of home to me. i know its gurgles and burps so intimately that if one is off-kilter i know it’s time to call the plumber or the fellow who stokes the furnace. i am the guardian of my old house, and my old house returns the favor: my old house guards my heart and my soul.

and so coming home to it was coming home to a friend i’d left behind. we’d gone off to see the boy we brought first into the world. we’d packed a two-week visit into four short days — whirled our way through the hottest days DC has seen in a mighty long time (and lived to tell the tale, though for a while there we were gasping for air and long, tall quenchable waters). i’d be lying if i didn’t admit to wiping away a tear (or more) when we said goodbye to the sweet sweet legal-scholar-in-the-making, the one who was working so hard he couldn’t even take in the fourth of july fireworks. and while i wouldn’t trade a single one of those days away for anything, the sweet joy of finding myself back in this place where i most belong made the absence more than worth it.

i’ve come to know my particular custom for coming home: right away i dump the laundry down the chute, i gallop off to the grocery store, tear through the stacks of mostly-junk mail. i’m a madwoman restoring order. and then the puttering comes: i pour drinks down the gullets of my garden. i reach for the clippers and snip here, there, and yon. i stuff the old pitchers again, and tuck a fresh batch of cookies under the shiny glass dome that sits atop the pedestal (my nod to the ’50s diner).

i always take time to listen. to breathe in the ticks and the tocks and the chimes and the rhythms. to be quelled and lulled by all of the quirks of this place i so know by heart.

by the time i plop my creaky bones atop that old familiar mattress, perk my ears to the night sounds seeping in through the screens, whisper my litany of thank-you prayers, i am thoroughly deeply home. and more than grateful to call this old friend by that most blessed of names — home.

thank you, sweet home.

what’s the thing you relish most when you come home? and, just because i’m curious, do you have a quirky way of reacquainting yourself with the place once back from where you’ve roamed?

here’s a little extra morsel, a link to a story about retro and vintage cookbooks i wrote for the chicago tribune. it ran on the fourth of july, a day not too fit for browsing through the news pages. it’s a story whose reporting made me swoon — for the fine cast of characters from the literary kitchen, tamar adler, graham kerr (the famed “galloping gourmet”) and a very fine baker with a yen for updating retro pies, cakes and confections.  

heartbeat home

heartbeat home clock

it’s quiet here this morning, too quiet. it’s been that way for 10 long weeks.

the only sound is the susurration of the furnace. poor overtaxed furnace. burning kilowatts to try to keep us warm, to keep the goosebumps at bay.

the missing sound is the tick that follows the tock that follows the tick. and on and on and on.

there’s a clock, an old old clock, one once packed up in a florida house, laid carefully atop a formica-slabbed kitchen table, not unlike a baby after a bath, wrapped in towels, slipped in a box, and carefully carefully sent from west palm beach to chicago. where, once it arrived, we lifted it, hung it, wound it, and listened.

i’ve been listening ever since.

i’ve aligned my heart to the tick and tock of that old clock — a clock whose provenance we have only guessed at. i thought dutch. a clocksmith told me “mexican.” what i do know of its provenance is that my beloved, that tall bespectacled fellow, had a grandpa who loved clocks. and that grandpa’s pride and joy — or the ticking one, anyway — was his wall of clocks from across the time line and the world map. that wall, in that house down florida way, it clanged and squawked and chimed, a ticking-tocking  quarter-hour reverie.

i never met that grandpa, but the grandma to whom he’d long been paired, she became, in one fell swoop, the dearest grandma i ever knew. i might have spent the rest of my happy days bopping around as the irish catholic granddaughter of a teeny, wrinkled, jewish fireball, but she died 11 years ago this week, far too soon even though she was pushing 93 and change. they called her the “teaneck tornado,” my jewish grandma, the one who took college classes into her eighties, the one who once threatened to fly a slab of cow in her suitcase so she could teach me how to make a brisket. the one whose squeaky “barb!” — a puncturing pronunciation that launched every long-distance rapid-fire tete-a-tete — i still can hear, without even closing my eyes to crank the long-gone volume.

that grandma — her name was syl — she shipped off the clock, and twice a week for 23 years, i wound it. the rest of the time, i counted on it to keep the rhythms of my hours, to be the heartbeat of our house. it moved, in the back seat of the station wagon, from our city house to this old house out where lanes are leafy and the lake is near enough that, on a windy day, i can make out the rhythms of the waves shooshing against the shore.

and there’s no sound that says “i’m home” more certainly than the tick and tock and quarter-hour chime of that old timekeeper.

so when it slowed to the silence that follows the tick, when i realized the tock was not coming, we all stared wide-eyed at the wall. as if there’d been a death in the family. certainly, there’d been a silencing. the heartbeat of the house was gone, erased, snuffed out. and in a house where these days most every purchase is weighed, is considered, we didn’t take lightly the news that this clock’s stay in the timekeeper’s infirmary would tally quite a bill.

but, not unlike the ancient cat who prowls the soft spots of the house, the house’s heartbeat is beyond domestic calculation, outside the accountant’s domain. if your striped old cat is ailing, you wrap the furry fellow in a towel and you ferry him to the vet. so, too, the clock.

i swallowed hard as i lifted the old clock from the wall. and, yes, i wrapped it in old bath towels. i parked as close to the door of the timekeeper’s shop as i could get — anything to slash the chance of me and the clock skittering to the sidewalk, in a thousand irreparable pieces. and i turned it over with all the solemnity of a mother sending off her little boy for a tonsillectomy (okay, maybe minus the tears, but trembling nonetheless).

we endured a christmas without a clock, and the new year too slid in without the ceremonial clang-clang-clang (our old clock never has been aligned with the hours). heck, we bumbled right through ground hog day without the metronome of time passing audibly. and here we are, the clock is coming home today. any hour now, i’ll strap on my snow boots, maybe even add the yaxtrax to keep from slipping on the ice, and i’ll plow through mounds and glide on icy patches to fetch my clock and bring it back where it belongs — home, hanging on the red-red wall that’s been achingly absent its old, old ticker.

all this, of course, has got me to thinking. thinking about how it is that humans are hard-wired to the song of the heartbeat. how it’s the first of the sensory awakenings in the unborn child. long before the eyes have anything to see, the human eardrum begins its lifelong percussive beat (if, God willing, the auditory system is developing as hoped and prayed). somewhere between the 17th and 19th week in a mama’s womb, the unborn baby’s world is wakened to the sound of breath and heartbeat, rhythm and vibration at their most elemental, most soothing i’d imagine.

the wonderful scientists who study these things have found, among other pulse-quickening wonders, that the baby’s heart echoes the mother’s response to music. when the mama hears soothing dulcet tones, her baby’s heart settles into slow steady intervals. when the mama is jarred by cacophony, by dissonant screeching, the baby’s heart rate accelerates, startles.

hearing, we know, is the last of the earthly threads to be severed when death is but a breath or two away.

so is it any wonder that in the blessed interval between in utero and death, we humans turn to heartbeat — be it of a clock, or the drip of rain, or our own ear pressed against the chest of whoever it is we love deeply enough, tenderly enough, to be invited to the chest wall’s quiet ticking?

and is it any wonder that some of us are soothed by whatever brings us back in time and rhythm to that one first murmuring, that percussive pounding, that told us we were safe, enwombed, nestled up against a mama’s ever-pulsing heart?

what are some of your favorite soothing sounds? 

long ago, back in 2007, on the jewish “new year of the trees,” known as tu b’shevat, which we marked this week, i wrote a meander called vernal whisperings. because it’s a moment of the jewish calendar that i find especially breathtaking, i’m offering it back here at the table.

here’s a bit of tu b’shevat’s deliciousness, as taught by 16th century mystics:

“known as the kabbalists, these deeply spiritual thinkers believed that we elevate ourselves by the eating of certain fruits on tu b’shevat. if done with holy intention, they taught, sparks of light hidden in the fruit could be broken open from their shells, freed to float up to heaven, to the great divine, completing the circle of the renewal of life.

“oh my.”