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Category: birds

nursing tender things along. . .

barely perceptible nub of palest green, on the first outpost of the left branch of what might once again be my peewee hydrangea…see it?

i found myself crouching down as low as i could go the other day—likely lower than a girl with slits in her side should wisely have gone. but i was intent on inspection. i was searching clumps of stick for little nubs of green. of life. of any sign that the last shrub i planted in the fall — the day before the frost came — had survived the long winter. 

it was a long winter for plenty of us — certainly for my garden, newly planted in the weeks not long after the dreaded fence went up next door, and indeed for me. 

and yet now the season of birth and rebirth is upon us. from every bough and limb, from every red bird’s throat, the song of springtime’s hallelujah bursts forth and keeps on forthing. 

i find myself particularly intent on the tendernesses of this holy spring. i am crouching down low day after day, keeping watch for signs of life, coaxing beauties to unfurl.

poor mama robin laid her egg on a porch railing. oops. fear not, all now is well.

seems a wise posture, that of nursemaid to the birthing earth. it’s one i am learning to mimic as i consider my own deeply tender places, as i picture the convulsions of my poor little lung that likely has no clue what hit it, and why all the folderol and commotion a week or so ago. but it is now doing its darnedest to sew itself back to whole, pressing tight the seams that now are held in place with metal threads. the miracle of the human body is not unlike the miracle of holy earth, and as i slowly walk my garden’s edge, stooping here or there to lend a hand — lifting clematis vine to its fallen trellis, rescuing a robin’s egg mislaid on a railing’s edge — i am breathing in the tender caretaking ways of the God who so tenderly holds us in God’s sacred trusted hand. or so i imagine. none of us has a clue really just what form this God of ours inhabits, so from time to time i apply my storybook imaginings to make it all more apprehensible. i understand the naiveté of picturing a God who scoops me in God’s hand, but somewhere deep in that vision there is a grain of holy comfort. there is an image put to the ineffable. and right in here, i need that image.

i’m not the first to put pictures to my God, and i know i’m not the last. it’s a hard task here on earth to imagine the Divine goodness that inhabits all the cosmos, and surely all the heavens, and then the questions come: is heaven the holy light deep in our hearts? is heaven that palpable knowing that we are held by a goodness beyond our wildest imagination? once upon a time the nuns taught that heaven had a pearly gate, and was carpeted in clouds. oh, lord, they shouldn’t teach such things to wide-eyed little children; it can take a long long time to revise the picture reel inside your head, and why waste time in lala land when God is so much more and vaster and infinitely deeper.

i am spending many chunks of time pondering the presence of God in this messy chapter of my life. what i know is this: when i was deep in the dark tunnel of an MRI that scanned the vessels of my brain, and told not to flinch a single muscle for 45 excruciating minutes, i surrendered to the softest arms i’ve ever known. i imagined them as the arms of God, cradling me. and in that space of utter peace, i rested. and did not flinch, did not cough, did not exercise the itch or cramp in my shoulder; i found the holy wherewithal to do precisely as the doctor ordered. 

and that is how i pass the hardest hours. i go deep down under. into the place where God and angels dwell. i’ve no knowledge of this landscape. it’s all uncharted and unknown. but when i go there i am safe. and i am cradled in what feels like love. and that to me is how it feels when i walk my garden’s edge, crouch down low, and lift a hand to bud or vine or mislaid egg. we are all nurturing each other along. God and all of us. and i’ve no idea just how it works, or what it is. but i know i sense a holiness that i am choosing to call my God.

amen.

(i fully grasp that i’m going out on limbs here, groping along in wholly naked ways, but if i don’t use these hours of my life to plumb the deepest questions, to fumble for the truest answers i know, then what worth will these struggles hold? we have a chance to be our best selves in our darkest hardest hours. and these are mine. so far. so why not open the book and see what stirs? i’m impelled to wonder and to muse aloud….)

mama robin, safely atop her mislaid egg. photo by kerry, who saved the egg and whose porch is mama’s birthing room….

and now a few morsels, as has been my way in this year of gathering up bouquets of wisdoms…

Julian of Norwich, an English anchoress who experienced a vision in 1373 and wrote about it in a work titled Showings or Revelations of Divine Love — the earliest surviving book by a woman in the English language. my friends at the SALT Project (emmy-award-winning visual storytellers with a spiritual bent; check them out) laid this excerpt out as a poem. i found it lovely….

And in this he showed me a little thing
the quantity of a hazelnut,
lying in the palm of my hand, as it seemed.
And it was as round as any ball. 

I looked upon it with the eye of my understanding,
and thought, ‘What may this be?’
And it was answered generally thus,
”It is all that is made.”

I marveled how it might last,
for I thought it might
suddenly have fallen to nothing
for littleness. 

And I was answered in my understanding:
It lasts and ever shall, for God loves it.
And so have all things their beginning
by the love of God. 

In this little thing I saw three properties.
The first is that God made it.
The second that God loves it.
And the third, that God keeps it.


+ Julian of Norwich


 as has been my habit in recent months, i mark the turning of each month by turning to the pages of Henry David Thoreau’s The Journal: 1837–1861. here’s a dreamy entry from the ninth of may when thoreau was 34 and aswirl in the warmth of mid-Spring. (may our warmth please come….) 

May 9. It is impossible to remember a week ago. A river of lethe flows with many windings the year through, separating one season from another. The heavens for a few days have been lost. It has been a sort of paradise instead.

Saw a green snake, twenty or more inches long, on a bush, hang­ing over a twig with its head held forward six inches into the air, without support and motionless. What there for? Leaves generally are most beautiful when young and tender, before insects or weather has defaced them.

These are the warm­-west-­wind, dream­-frog, leafing­-out, wil­lowy, haze days. Is not this summer, whenever it occurs, the vireo and yellowbird and golden robin being here? The young birch leaves reflect the light in the sun.

Mankind seen in a dream. The gardener asks what kind of beans he shall plant. Nobody is looking up into the sky.

a little dictionary for those of us who don’t know our greek: lethe: “forgetfulness,” from the river in Hades that causes drinkers to forget their past.


one more thing a brilliant woman sent me this week when i was inquiring whether a certain “tiny retreat” (that’s how it was billed) had a virtual component, for those of us whose lives are pretty zoom-y these days…..

“Be who God meant you to be and you will set the world on fire.”

Catherine of Siena

finally, a profound note of thanks, to the brilliant and bold mountain-mover of a friend i have in poet and scholar (and my former cambridge landlord) mark burrows, who sent a note to all who were at the zoom book launch a few weeks ago (a lifetime ago!), and who implored you to add a little amazon review to my “languishing” Book of Nature. well, the book isn’t languishing but its state of review sure was. i have no understanding of the algorithms of amazon, but apparently, without reviews, you’re sunk. glub. glub. glub. so mark, unbeknownst to me, rallied the forces and got the reviews boosted from 3 to 11, currently. in a million years i couldn’t have done what he did. in these otherwise upturned days, the human species has shown me in brilliant colors just how magnificently we all can be, and love is pouring forth with the might to rocket me to the holy moon, which was magnificent last night if you happened to notice.

so, thank you, blessed blessed mark. and thank every one of you who in your own magnificent ways has stepped to my side in this curious curious walk through springtime 2023…..

love, bam

slow birding

A force in us drives us to the untamed. We dream of the wild, not the domestic, for it is wildness that is unknown….It can be a daily need, a desire to connect with the wind, to live facing the unexpected.

What will bring us wildness in the places we live, domesticated with warmth and culture? For some, icy branches scratching together will suffice. A glimpse of a gibbous moon or a pomegranate-stained evening sky might help. But more than these, more than perhaps anything else, are the birds. These winged dinosaurs that have given up stored fat, hollowed their bones, and made many other compromises for flight––these organisms connect us with here and there, with then and now, as they chatter outside our windows or soar past our lives. 

Slow Birding: The Art and Science of Enjoying the Birds in Your Own Backyard by Joan E. Strassmann

i surrender my soul to anyone who looks out the window and sees so vastly, so deeply. someone who understands that the pulsebeat of all creation––timeless creation––is as near as the fluttering in the branch that scrapes against the panes of our window. 

joan strassmann, an animal behaviorist and beloved professor, is the someone who penned those words. she penned them in her new book, Slow Birding, a title that immediately caught my eye (and when i mentioned it to my birdwatching mother, she swiftly informed me she’s been slow birding forever; so much for novel ideas). strassmann writes that she, like my mother, has been a slow birder all her life, not one of those birders frantically motoring hither and yon for a quick glimpse through the binocular lens, a scribbled addition to the “lifelist,” and then onto the next spotting. strassmann is not about “spotting.” she’s about slow-paced study. about taking the time to delight in the humors, startle at the spats (as even regal papa cardinal squawks away the lowly sparrowly choristers), marvel at the parabolas of flight, as feather takes on the wind. she’s all about absorbing the wonder. 

here at my cloister-in-the-making, where the walled garden soon will be serpentined with climbing hydrangea, where an elegant and capacious shingle-roofed bird B+B has been ceremoniously mounted on an elegant hand-carved post (the resident architecture critic thought it would be nifty if the scrolled brackets of the house were matched by post brackets that echoed the scrolling; and our beloved jim the builder obliged), it’s the feathered flocks that spring the whole place to life, to effervescent animation: the crimson troupe of cardinals, the squawking trio of jays, the countless sparrows, the occasional and pesky grackles, the ominous hawk.

with a mind toward soothing and stoking the soul, we’ve pared our dwelling here in this old house to an unfettered few balms: armchairs are ample and poised for conversation, a fireplace crackles with logs from the forest, books line the walls, hours are filled with the quiet of pages turning and spices simmering on the near-ancient cookstove. 

it’s the birds who bring the wild to our windowsills and put flight to our wondering. my housemate here, the aforementioned architecture critic, a man who makes an art of the rhythm of routine, has made it his solemn and devoted morning chore to scoop up a tin of seed and ferry it out to the flocks. whenever i can manage to beat him to the punch, i punctuate my seed dumping with a cheery call to the flocks, to let them know that breakfast is served. i refer to my birds in the diminutive. “here, sweeties,” i call, much to the dismay, i fear, of the neighbors. (but, oh well, they put up the fence so i can do as i wacky-well please in my now-secret walled garden.)

and even though our birding has always been slow, i find strassmann’s intentionality, her keen and fine-grained observations of the ways of each and every genre of bird, has me upping my game. putting down distraction, training my eye out the window for longer and longer spells of the day. taking note of peculiar particulars i might otherwise miss. (it’s excellent training for the whole of one’s closely examined and attentively-lived sole chance at life.)

strassmann passes along the wisdom of famed ornithologist margaret morse nice whose instruction is at once spare yet richly complex: sit still and watch. draw what you see, perhaps, the singular birds who flutter and flit. befriend them. scribble notes in a journal you keep by the window. 

but why a whole book, a 334-page book, if the instruction itself is so brief? well, strassmann explains that she delves into the intricacies of sixteen birds––and five bird-watching places––because to know the ways of the birds, to know each particular one’s biological story, is to illuminate all the more what we might otherwise be utterly missing out yonder. and thus we might look and look more closely.

the stories, obtained over the lifetimes of various ornithologists who trained their lenses on a single question or puzzle or species, might leave you oohhing and ahhing and racing to windows.

for instance: blue jays––noisy, bossy––are “the most american of birds, occurring in every state” (though not a single state claims the jay as its state bird); the american robin is the “earthworm whisperer,” and when a robin cocks its head toward the earth, it’s listening for the rustle of the underground worm; the ubiquitous sparrow is a bird with roots in bethlehem (yes, that bethlehem), and once was considered a pot-pie delicacy (thankfully those days are behind us––and the sparrow); and finally, the cardinal has reason for chasing after the reddest of berries: the carotenoids in the fruits make for a deeper red of its feathers (and not only that, but the redder the cardinal, the more desirable it’s regarded in the feathered fiefdom of red-bird mating).

it’s all endlessly wondrous to me, the alchemy of poetry and science and feather on air, the proximity of the wild, the animations of beings both social and singular. 

there is something about the delicate ways of the avian world, something about the simple existence of seed and nest, flight and song, that stirs in me an exercise of the prayerful. it’s as close as i come to the wild day in and day out, and it draws me every time into a marveling that makes me sense i’ve been brushed by the holy divine. 

what will you do slowly today?

the other night i was blessed to sit and listen in proximity to pádraig ó tuama, who among many wonders spoke about how he loves birds and irish names for birds, and i was enchanted. because he’s as kind and generous as he is brilliant, yesterday afternoon he sent me the poem he’d read—“now i watch through an open door”––with the irish names for various birds woven into the poetry, and so i am including here the last stanza, with the names highlighted and i’m adding a little glossary below, so you too might be enchanted by the names the irish put to their birds…..

Oh forest flame, oh young light on the old oak,
oh small brown druid I hear
but never see. Oh red king of the morning, oh dainty feet
among the dungheaps, and fierce goose
with fierce goslings, oh muscled hare, russeted
by the long evening. Oh my
low deer, powerful and insignificant,
oh glen, oh magnificent.

irish names for birds:

*goldfinch: “bright flame of the forest” 

*wren: “brown druid”

*chaffinch: “red king”

barn owl: “graveyard screecher”

red wing: “little red one of the snow”

meadow pipit: “little streaked one of the bog/moor”

kestrel: “wind frolicker”

bullfinch: “little scarlet one of the woods”

greenfinch: “little green one of the oak tree”

oh, sigh, oh magnificent irish….

one last thing: i’ve been invited by a dear friend, the poet mark burrows, to partake of a celebration of the great austrian-bohemian poet rainer maria rilke, on dec. 4, rilke’s birthday. i quake to tell you that we’ll be in conversation with none other than pádraig ó tuama, and the details are spelled out in the flyer below. and you can find out more and register for the free zoom program here. (you’ll need to scroll down a wee bit; it’s the third in the roster of events…) (my favorite part of the flyer is where it notes the time of the event in ireland! be still my ol’ irish heart….)

and that, dear friends, is it for the week. be well, and be slow….

empty nest

once the adrenaline died down, more fire-hydrant surge than all-out combat, once i paused my pounding on the window, realized how close i’d come to thrusting my fist right through the glass, shattering and bleeding sure to pre-empt the rescue i’d attempted, once i took a breath, my first impulse was to think maybe i’d jinxed it.

it must be my fault for letting out their secret. maybe i shouldn’t have extolled the wonders of the nest right before my eyes.

here’s what happened: mama and i were, as we’d been for weeks, co-existing peacefully, she on her side of the glass, blanketing her babies in her downy feathers, me tap-tapping away here on the word-churn machine. it was late saturday afternoon, just one short day and a half after i’d spun the tale of how mama cardinal and i were expectantly working toward our deadlines: mine, a book in the making; hers, a clutch of eggs.

she’d been on the nest 15 days and counting. i delighted at the way she punctuated our shared workspace –– seemingly out of the blue –– by belting out an abbreviated string of song, as if she’d suddenly been overcome by the jubilance of nesting. any day now, i would have heard the wee peep-peep-peeps of nestlings, seen the blur of pointy beaks thrusting skyward for an airdrop of worm.

but then, at nearly six o’clock that fateful evening, without so much as a peep of warning, in those final hours of what eliot so rightly termed “the cruellest month,” there suddenly arose from the bushes such squawking as i’ve never heard. i turned and saw furiously flapping wings — mama and papa both, each on separate branches of the ordinary evergreen that for two weeks now had been the nursery for their nest, the closest i had ever come to northern cardinal observation deck, a broodling in the works. while the two of them squawked and flapped, i noticed the third player in this late-breaking drama. it was furry, brown, and little. its stripe down the back gave it away: a chipmunk. a very hungry and extremely nasty chipmunk, if you don’t mind my editorializing. i leapt into life-guard mode, pounded hard as i could pound from my side of the glass. gave a holler to my own mother, ensconced in her armchair in the other room. as if she could help me here in dire land. at first my pounding seemed to confound the furry one, he turned down the branch, as if in exit. but then, he must have had a second thought, for up he turned, and scampered head-first into the nest. oh, dear god, such horror i’ve not witnessed. this was full-tilt assault. this was nature at its cruelest. and i stood witness. after plumbing the hollow of the nest, the hungry varmint turned and ran. i couldn’t swear to what i saw, but it would not be wrong to think i saw him clutching something in his mouth.

poor mama sat there flapping. her squawks slowing but not quieting. she circled the branch a few lonely times and then resumed her post. we both tried to catch our breath. i tried to convince myself that all was not lost, perhaps the casualty count was one and only one. and, besides, mama stood her post straight through to nightfall, never once lifting her belly from what she surely must be guarding with her life. only then, when darkness eclipsed my keeping watch, did i surrender too; turned off my desk lamp, whispered benediction, and tiptoed off, unsure of what the dark would bring.

alas, when dawn came, i threw off my blankets and hurried down the stairs. no mama. i’d thought i heard a muffled squawk not too too long after dark. i now presume the furry thing returned, finished the deed. the dastardly, dastardly deed.

and so, the nest is empty. quite literally as i have just now hauled a step ladder out the door and, clinging for dear life, i climbed and pulled back branches, and indeed there is not a sign of life. just the artistry of their construction, right down to the shiny cellophane they might have thought to employ as something of a rain guard, what with all the rainy weeks of april.

turns out, the cardinals never had more than a one in three chance at making it out of the nest. despite their predilection for deeply tucking away their vernal constructions — remnants of a summer past, a bricolage of bits, dried grasses, thread-thin sticks, that cellophane wrapper perhaps from someone’s pack of cigarettes — the northern cardinal ranks near the sorry cellar of the nesting-survival charts, a long tumble down from the ash-throated flycatcher who scores the highest chance of flying from the nest, with seven of ten baby flycatchers flying. only the lowly house sparrow (11 percent chance) and the european starling (16 percent) fare worse than the red birds, and both sparrow and starling are invaders, anyway, non-native species snuck in as unintended cargo on some north america-bound vessel.

it hurt to sit here the first few days, the silence pounding in my ear. the absence of mama’s brown and red tail feathers protruding from the tuft of evergreen in which she so adeptly hid her nest.

and then i started to consider my own empty nest, a consideration that comes, of course, as mothering day approaches. i think as much now about mothering as i ever have. though it consumes fewer hours of my focus, and fewer drives hither and yon, my fascination only deepens. i think often of how rare — how blessed — it is to know so fluently the whole makings of any life, let alone these two i love so dearly. day by day, it seems, the adventures pick up pace. the twists and turns in their narratives expand my own sense of being alive, being witness to lives unfurling each according to his own storyline. from my perch here at the old homestead, where i am reliably on watch and ever present, i follow two young men carving out paths that couldn’t be more different and yet entwine in ways that make me see the shared origins loud and clear and undeniably. the little boy who once could stare at a tv screen for interminably long times, he is carving out a path to be the very voices, the very storytellers, he once listened to. and the one who once set up an easel in the living room, encircled the room with every stuffed critter from his toy box, donned suspenders and necktie, scooped up a clutch of alphabet letters, and commenced a lecture on the fine points of S-U-M and Q, he looks toward a life in lecture halls filled with legal scholars in the making. let the record show it was snoopy who got first crack at his fledgling professorial skills.

my job here — simply loving through and through — will never ever be done. they might not need me (not so often anyway) to rouse them from their slumbers, to ferry them to the school house door, to shiver on their sidelines, but i’ve come to understand that my unique brand of loving means i’ll never find a way to lay aside aside my worries and my sometimes overly rambunctious fears. the phone calls these days are farther in between, the texts often unanswered, but my contemplations and my prayers deepen by the month. i’ve started worrying in a whole new way about this world we’re leaving to their keeping. i once held out hope that they could right our many, many wrongs. but now i wonder if we’re too far gone, this world so broken in so many places.

i look to mama bird, and her now hollowed nest. there is stunned silence out my window. no flicker of a sighting of mama now at it once again. she makes me think hard about the seasons of mothering, how some are full to bursting, and others pulse with a kind of aching, a sorrow for the hours out of reach, a longing for the more tactile days when every flinch and whimper was within our watch. her empty nest makes me think hard about the one i call my own, at once emptier and fuller than i can sometimes truly comprehend.

no wonder mothering never ever loosens its holy grip on me.

may your motherings be ever blessed, in whatever ways you love and hold those you count as your dearest rarest treasures.

now empty…

when grace comes tapping at the windowpane…

amid a season of war and worry, on the very day when steam was all but rising from this keyboard––a deadline looming, conveyor belts of verbs and nouns at high production––there came a rustling in the bushes just beyond the panes of glass that stretch between my bookshelves.

the morning was punctuated with the sounds of preoccupation, the faintest plink barely tapping at the glass, more than the usual chatter between birds. over and over, takeoffs and landings from bush to branch to nearby picket fence. the occasional outburst of trills and warbles.

it was the quiet of the sound that most intrigued me, the sound of trying to be unnoticed, hard at work in the art of concealment, a most necessary survival skill when up against the odds of danger, in a world where prowling cats and coons, thunderstorms and untimely freezes are another name for doom.

because i knew my role in this rare showing was to be as discrete and invisible as possible, i barely shifted my eyes, dared not tiptoe near the glass, for fear of spooking, for fear of shutting down production.

turned out, the faintest murmurings were these: the sound of wing brushing up against the glass, the sound of branches being jostled to make way for the laying down of bits of grasses, dried and brown and wholly unremarkable.

but what was done, over the course of a single day, was not only wholly remarkable and breathtaking. it was only the beginning.

mama and papa–a pair of cardinals i know by name–had for the first time in all my decades decided to grace me with a front row seat on their reproductive spring: they’d chosen my very ordinary, very ungroomed evergreens, as the very spot to build their nest. it just so happens to be up against the glass, as if the window to the nursery in the maternity ward, the ones where long ago fathers pressed their nose against the glass to get a first peek at the progeny newly birthed and swaddled, the hard labor shielded from the men not allowed near delivery, too faint for such primal birthings.

over all my years, i’ve spied robins all but nesting in the public square. i’ve seen sparrows busily and noisily stuffing gutters and cracks in this old house with the makings of a nest. but never ever had i figured out just where it is the cardinals go to replenish the species.

i now know why. my guess is they’re the high scorers in the game of hide-and-seek. their nest, literally up against the glass, is all but impossible to see from the other side of the bushes, and wedged in in such a way that i cannot for the life of me peek into the bowl of the nest (believe me, when mama flits off to grab a seed, to relieve her feathered bum from all its incubating, i’ve climbed atop my window seat to try to fetch a look).

we’ve come to work in synchrony, mama cardinal and moi. i tap quietly at my keys all day long while she goes about her warming of those eggs all day long. once the sun goes down, i leave the premises, turn off the lights, shuffle off to the old maple table in the kitchen–not wanting a brood of mixed-up baby birds to mistake my desk lamp for a never-setting sun.

far as i can tell, and i tell you my guess here is based on scantest evidence, there’s not yet a clutch of little beaks to fill with bits of worms. each day, though, the drumbeat picks up pace. it’s been two whole weeks, and surely we must be getting close.

it’s a blessed thing, a most blessed thing, a thing that fills my soul, to be witness to the against-all-odds timeless knowings of the feathered flocks. those little birds know nothing of the ravages that tear apart the human flock. theirs is a universe––far as we know, and maybe i’m just wishful thinking––without the sorts of strife, without the demonic ingenuities to dream and build and drop a bomb. do birds know worry? does mama bird go about her business without the slightest hint of begrudgement? is she already plotting her grocery list? does she count her clutch, scan for misshapen egg, dread the day those baby birds take flight and leave the nest?

such are the questions that reel through my mind, as mama bird and i go about our tasks this one most blessed spring. it’s a wonder when grace comes tapping at the window pane. as if the heavens know just who and when needs holy balm far far from the madding crowd.

what grace has brushed you by this spring? what’s caught you unawares? what quiet has so startled you, and awakened you from your worldly slumbers?

the last cricket and all those other blessed moments we miss…

we’re ankle-deep in october already, and the woods and the skies and the last vestige of garden are enmeshed in the verbs of autumn: gilding, disrobing, graying, withering.

while the world all around is exulting in the yin and yang of the seasonal shift, lurching from summer to winter, hewing the razor’s edge of autumnal juxtaposition — the last vestige of bone-baking warmth to the goosebumps of dawn’s early chill — while the chipmunks are making like there’s an acorn-stuffing contest, and he with the bulgingest cheeks wins, and the chatter of sparrows rises some days to a deafening chorus, the last of the summer’s songs have vanished.

and i didn’t notice till now.

the blanket of cricket song, a rising crescendo that all but tucked me into bed each summer’s night, it’s stilled. silenced. taken away, tucked on a shelf somewhere, awaiting the heat of next august.

the last of the cicadas’ 24-hour love song for survival. it’s gone too. snuffed out. it too rose to a deafening roar, and then with the flick of a switch that i didn’t bother to witness, it melted away.

now, when you open your windows at night, there’s little to hear save for the possums knocking over the watering can. or the night winds rustling the leaves before they loose from the limbs.

what with all the commotion — of the world, of the news, of the worry — i didn’t notice the absence till i stumbled into the thoughts of someone who’s paying closer attention.

sacred attention, i’d call it, a religion i aim to practice.

i read these words, and felt the ache in my chest:

My intention every year is to listen for the last cricket, the explosion of silence after its ridged wings have struck their final chirp. I imagine it as somehow akin to Bashō’s temple bell whose sound, after the bell has stopped ringing, comes pouring out of the flowers. I have no reason for wanting to mark the occasion other than a poetic temperament and a feeling that the mindfulness required of such a task is its own reward.

The idea usually arrives in September when the crickets are at their most frantic. I toy with the thought of camping out the night it seems likely they’ll stop. I imagine myself keenly attuned to the hypnotic lull, aware that if I fall asleep, even for a moment, I could miss it. The novelty appeals to me. The invention of such an inconsequential drama. It would make no difference to anyone whether I succeeded, or if it took me years to accomplish. The achievement would be mine alone. Sometimes to up the ante, I imagine decades of failed attempts until maybe one night—when I’m an old man, stumbling, bearded, blind, bereft of all hope—a Zen-like oneness with the woods sets in and from nearby, under the bark of a rotten log, I hear the teeth of a cricket wing crackling the air, and listen, knowingly, as the world resolves itself in silence.

Steve Edwards, “The Last Cricket,” Orion Magazine, Autumn 2020

mr. edwards’ elegy to the cricket song made me think of all else that i’d missed. it seemed an exercise that drew me — and maybe you — into a necessary meditation. an exercise in paying attention, for this is our one sweet moment to clasp our gaze, and our listening, on the beauties offered up in this one ephemeral whirl around the blazing star.

it’s a canticle worth our attention.

have you noticed…

*the moon gliding across the sky, still clinging to its post as the sun comes along, both sky lights sharing heaven’s dome?

*the stars turning on, any one particular night?

*the moment when God hauled out his paint set and brushes, and the first leaf turned amber or garnet or the color of pumpkins?

*did you happen to catch the river of monarchs riding the winds, flapping their stained-glass wings as if their life depended on it — because it did?

*did you stare into the indigo darkness, into the etched silhouette of what looked like endless punctuation marks crossing the moon, the night the tens of millions of birdsongs flew overhead, miles and miles into their autumnal sweep southward?

*have you paused in genuflection when the chevron of geese called out from the heavens with their spine-tingling minor-key cries?

*have you watched the sparrows upholstering their wintry homes with blades of dried grasses and tufts of runaway cotton?

*have you found where the cardinal sleeps in winter?

it’s all the wonderment out our window, in the woods, in the world where we’re not looking. and all it asks is that we notice. that we pay quiet and unbroken attention.

it’s all we need some mornings to remind us the world is still intact. to remind us we’re safe in the bosom of this holy and most sacred earth. our ears pressed against its soft chest and the heartbeat of the One who keeps it working.

what wonderments have you noticed, from the autumnal litany above, or from the zillions of moments i’ve not even mentioned?

p.s. my sweet boy is still on the mend. slowly, slowly. tray by tray of home-cooked mac-n-cheese, bread pudding, applesauce and water bottles by the case. slow walks around the block. long interludes of napping in the quiet of leafy suburbia. it’s all aiming to get him back to college before the already abbreviated semester lurches to an end. thank you, so much, for your love and your care, and your prayers. xoxox (p.s.s. i was a wee bit late here this morning, because my friend, the patient, beckoned, and the computer was playing all sorts of tricks….)

wild things

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a mouse’s house? with front-porch perch…

it’s the permeability of winter, when the cell wall between the wild and the worldly is punctured, when the precious little things come out into the open, are pushed out into the open, all but tap at the window, beg for a taste of mercy, that’s holiness to me.

IMG_1231against the white tableau of snowy day after snowy day, winter makes evident the tracings of the wild things: a mouse hole here; chantilly-lace tracks of junco and cardinal and jay. even the abominable paw prints of a giant-sized coyote, straight from the woods, up my walk, paused there by the door (did he press his nose to the glass, take a peek under the cookie dome?).

each morning, no matter what the heavens are hurling my way, i don my make-believe farmer-girl boots, i scoop my battered old tin can, fill it with seed, and head out for what you might call matins, morning benediction. i bow to the heavens. scan the trees for any flash of scarlet, or blue-jay blue. i unfurl prayer upon prayer (the moon, if it’s shining, even a crescent or wedge, draws it deep out of me, never more so than in those inky minutes just before the dawn).

what i love about the wild, about this curious equation between us in our warm cozy kitchens and them seeking harbor in ways that mystify now and forever, is the fragile interplay in which we reach beyond what we know, extend an open palm of pure unbridled trust, an offering, no strings attached. it takes stripped-away ego to dare to tiptoe into the world of the wild. it takes a deep and undiluted knowledge of how small a dot we are against the vast canvas of the universe, all but insists we put aside our big ol’ bossy pants, our hurried agendas, our know-it-all nonsense.

it’s the very image of holy veneration: head bowed, palms extended. i come bearing sustenance, in the form of plain seed.

have you ever felt the backdraft of a feathered thing, as it’s flown inches away from your shoulder? have you felt the rush of the wing, heard the soft sound of feather and bone parting the wind?

and then there’s the shock of color, all day long, brush strokes of scarlet, of blue, of smoky charcoal. the boughs are alive, are animated. it’s not all black and white and static gray, not in my patch of the world anyway. all day long it’s a reminder, the wild is just beyond, the wild has wisdoms to teach. mercy is among the urgencies. mercy is what we need to remember; we are lacking in mercies these days.

who ever thought to bring so much wonder to winter? that’s the point at which my wondering leaps from earthly to divine. that’s where unshakeable faith begins to take hold. the wild begs questions that only the heavens can answer for me.

which brings me, round about and once again, to david whyte, whose poem the journey says everything i could ever hope to say with any string of words. have a listen:

The Journey

Above the mountains
the geese turn into
the light again

Painting their
black silhouettes
on an open sky.

Sometimes everything
has to be
inscribed across
the heavens

so you can find
the one line
already written
inside you.

Sometimes it takes
a great sky
to find that

first, bright
and indescribable
wedge of freedom
in your own heart.

Sometimes with
the bones of the black
sticks left when the fire
has gone out

someone has written
something new
in the ashes of your life.

You are not leaving.
Even as the light fades quickly now,
you are arriving.

from House of Belonging  and Essentials by David Whyte

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what wisdoms does the wild whisper to you?

and, while we’re here, the late january table brings a slew of birthdays: kerry down the lane today, beloved beloved pammy jo of the high desert, yesterday. british columbia mary and indiana BB on the 28th. happy blessed whirls around the sun, ladies. and thank you for your radiance….

survival, astonishingly

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the artistry of dawn, frozen against the windowpane

the weather people soothe us now with reports that it’s all of 9-without-a-minus-sign degrees. but the thermometer outside my kitchen window insists otherwise. it says 5, and not a micrometer higher. either way, that’s eons better than the -22, or 45 below with wind chill. and here along the windy shore of lake michigan, wind counts mightily. it always counts.

our house the other night was burping. or so it sounded. every once in a while through the night a thud arose from who knows where. sounded to me like things were crashing to the roof. i got up to check out the window, to see if i could see a falling something, to see if ice chunks were hurling toward the house. the next day’s news brought word that these ominous noises — these noises that had people rushing to their windows, to see if glass had shattered, limbs had fallen, or maybe stars had tumbled from the heavens — these noises were a phenomenon known as “frost quakes.” so defined as: “a seismic event that may be caused by a sudden cracking action in frozen soil or rock saturated with water or ice.” egad. yet another quirk to be added to the weather woes. count me among the ones who do not like “seismic events” in and under and all around my house.

at our seismically-burping house, as we whirled into the abyss of the polar vortex, we settled our worries on anyone or anything who might, for some godforsaken reason, be stuck outside. we worried mightily about the folks who sleep in tents under viaducts and along the banks of the chicago river, and in flimsy encampments near the railroad yards, in hollows of the city where the forgotten stake their claim in pockets of oblivion. we prayed that somehow someone might convince those folks to leave behind their propane tanks and blankets and the cardboard boxes they call home. and just for one night — or until the vortex whirled away — deign to climb aboard a warming bus, or a cot inside a shelter. dear God, please do not let there be a child out there, i whispered over and over.

closer to home — right outside our kitchen door, in fact — our heap of fears focused on the tiny feathered flocks who dart and flit all day, every day. we knew that we had blankets, and a fridge filled with clementines. and a tea kettle that could whistle on command. but what about the red birds? what about the little juncoes, those snow monks of the winter? and what about the sparrows, the unassuming brown birds whose chatter never stops.

if i could have, i would have opened wide the kitchen door, invited them all in. but i knew that was whimsy. pure wishful whimsy. as if a flock of cardinals would roost above our dinner plates, or huddle high up in the pantry. i was not alone in my worrying. the tall bespectacled fellow who shares this house, he’s the one who first named the little birds when we bowed our heads to pray before tuesday night’s dinner. he did the same on wednesday and thursday.

we could not for the life of us figure out how those tiny-footed creatures — the ones who weigh all of five aspirins or one and a half slices of bread (that’s 1.5 ounces or the same as a papa cardinal) — how in the world would those tiny wisps of heartbeat survive through the long dark arctic night?

it was an equation of survival stripped to its essence. it’s not every night we boil it down to life or death, just beyond our kitchen window. and hope against hope for life to be the victor.

i couldn’t bear to imagine the little things hovering, tucked away in some bough of some fir tree that hardly blocked the wind. i pictured tiny frozen red birds fallen to the snowdrifts by morning. i couldn’t sleep.

once the daylight came, once the sun against the snow made it hurt to stare into the glare, we kept watch anyway. nothing moved out there, save a snow-capped branch blowing in the wind. i’d trudged out early, dumped a can of seed — just in case. but nothing and no one budged. all day on the coldest day, the yard was still.

at last one chickadee appeared. darted toward the seed, nibbled, flitted off. but no one else. then nightfall came again. and dawn. and nothing. not a single bird.

and then, as i kept watch through the morning, as the bespectacled one peered from his upstairs window, at 10:57 yesterday morning, there it came: the flash of muted red that is mama cardinal. she clung to a branch not far from the feeder. and then, at last, she swooped in. as she pecked away at the sunflower seeds, along came her backup squad: one red bird, aka papa, and two more mamas. survival

there was jubilance in our kitchen. the mere shock of red against the white-on-grey tableau, it was victorious. nothing short of a death-defying feat. it was still, at that mid-day hour, -12 degrees. and yet, somehow, the little birds survived. had made it through the wind-whipping night, had endured a cold they’d never ever known, and tucked away in some unknown-to-us cove, employing unimaginable survival skills. we should show such grit. we too should defy the insurmountable when it’s heaped against us.

i stood in awe. the mysteries of the woodland escape and astonish me. the masterwork of creation is what floors me, over and over and over.

we’ve pummeled this holy earth, with our chimneys spewing smoke, and the poisons we’ve poured into the waters, and yet, on a polar vortex night, the papa cardinal clung on, he didn’t freeze to death. he doubled the air mass in between his feathers. he slowed his breath. and before the mercury climbed to zero, he flashed across the yard. the red flash, triumphant.

thank you, Great Protector. and hallelujah cardinals. and all who have survived.

what’s your survival story from this long and bitter week?

“wake up!” shouts the world to its sleepy citizens

perhaps, over the long winter’s months, you dozed into somnolence. sleepy-eyed, you shuffled, as if in your scraggliest house slippers, through the days and the hours. why bow down to sniff the gnarly branches when nothing but snow — and icy cold — bumped into your nose?

ah, but then, as it’s been doing forever and ever — since the dawn of creation, as a matter of fact — the old globe turned on its axis. inch by inch. or galloping yard by galloping yard. whether we notice or not, it keeps on with its celestial work. it’s the job of the earth, for heaven’s sake, to not slow to a crawl, to not stop in its tracks. it’s the job of the earth to carry us all on its curious merry-go-round, a ride for which we don’t need a ticket, needn’t stand in a queue, waiting our turn. we’re on — strapped in or not — for the whole of the whirl.

and so, here we are, back in the part where, if we’re paying attention, we find ourselves in the minute-by-minute explosion of all that’s been quietly waiting out the winter. it’s slow seduction, this day by day, hour by hour, unfurling of all that’s within. mama earth doesn’t give away all her hallelujahs at once. she wants you back, she wants you keeping close watch on her show, so she lures you in, a slo-mo unveiling of all of her secrets.

one day you might notice a nub where the day before there was nothing but stick. and then, should you sashay back to the scene, say by mid-afternoon, you’ll see a bit more of the skin, of the bulging protrusion that is the bloom in the making.

it’s all newborn right now. the leaves, just beginning their term, as if cut from a fat bolt of velvet, pinned onto branches, by the night seamstress, the sorceress of spring, who wisps through the dark delighting our senses, making way for the morning show, when the curtain of dawn rises.

everywhere, the earth is shouting: wake up, you sleepy heads. wipe the goop from your eyes, slip on your galoshes, and come give it a gander.

and lest that all be too subtle for you, lest you miss the whisper of the garden, well, old mr. robin has a wake-up for you. and he starts his warble in the wee, wee hours. not long after three, perhaps. certainly by four. in the morning, i mean. the american robin is no dawdler, sleeping in, taking his sweet holy time. nope, he’s up well before the crack of dawn, and he’s in full throat these past coupla weeks. has he not awakened you?

here, have a listen: mr. robin singing his song.

he’s out there in the dark, poor warbler of night. good thing he’s got a fairly fine song. a clarion call of 10 consecutive notes, the ornithologists tell us. clear whistles. some folk, the ones who try to put words to the script of the birds, they say he’s calling out “cheer up, cheer up.” or “cheerily, cheerily.” i for one can’t quite make out the words, but i do hear the song, i hear it for most of the night, these past few insomniac nights.

my friend tim the birdman tells me it’s all about hormonal overdrive, of course. and the poor robin just can’t sleep when he’s got one and only one thing on his mind: he needs to procreate, plain and simple. so he’s awake at the first lumen of light. and that’s where the problem comes in, says ornithological tim. those peachy-breasted birds are suffering a modern-day plight: the extreme wattage of the world, the herds of high-intensity light poles lining our highways, the bizarre habit of planting floodlights in branches of trees, they’re all doing a number on the chorister of dawn — they’re pushing his start time closer and closer to midnight. some robins, says tim, are singing their lungs out “almost all night long.”

egad.

the over-illumination of our planet — the daylight that stretches from dawn to dawn — it’s mucking up the works in a serious way.

but, back to the lone robin who sings out my window — and likely yours too.

seems to me, he’s all part of the magnificent plot to shake us all out of our stupor, our natural-born inclination to doze at the wheel of this thing called “a life.”

there’s divine wisdom, indeed, in this once-a-year whirl through the explosion of spring. the earth is literally bursting with the beautiful. it’s beckoning, begging: crouch down, pay attention. give a sniff. plop your bum. inhale. watch me unfurl. i’ll give you a wallop, minute by minute. 

in a thousand million mind-spinning ways the whole of creation is clued in to the infinite wisdom: this is your gift, it’s yours for the taking. all you need do is open your eyes, open your ears and your nose, pry open your heart — and your soul while you’re at it — and let in the holiest whisper.

it’s the wake-up call of heaven and earth.

the springs of our lifetime are numbered, they won’t last forever and ever. the beauty is now, go bury your nose in the whole of it.

and whisper a fine hallelujah.

(mr. robin might be pleased to know that you’re adding your notes to his noisy spring chorus.)

if only someone had invented a scratch-n-sniff for the whole of the springtime….

what are the ways the explosion of spring slows you to deepest attention? 

the day we decided to hatch an egg

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alleys are not where you want to drop your egg. alleys, being back-of-the-way ribbons of potholed pavement, are where kids learn to ride bikes, where cars and pickup trucks rumble along, where trash is dumped into cans (except when the wind blows, and the trash up and escapes from the cans, tuck-pointing the backways in detritus). alleys, too, are the connective tissue between one block and the next. in our alley, we have the occasional gathering. we swap tales of tomatoes. we chase runaway cats and fluffy dogs. we’ve even had summer theatre, right there in the alley.

truth is, the alley is very much a place of everyday business.

and so it was, as i was ambling down the alley the other day, to catch up on neighborhood news, when down i glanced and saw what at first looked like a mushroom. a mushroom sprouted right there on the dark gray asphalt. how very odd. what a curious mushroom. thank goodness, my first impulse wasn’t to kick, but rather to squat and inspect.

the mushroom, i soon realized, was something i’d never before held in my hand. ever. it was a wee tiny egg, a bird’s egg. not cracked, not one little bit. (an astonishing fact, considering it had plopped from the sky to the hard plane of the alley.) it was perfect and whole and, by the relative weight of it, enfolding the start of a little bird life.

right away i looked up, scanned the limbs and the heavens. figured a mama bird must be searching high and low for that egg, that egg i had suddenly, unsuspectingly, come upon. the egg that — i swiftly decided — now depended on me. like that, i scooped up the orb, all spotted with paint dabs of earthy brown. i marveled at the backwash of palest blue, a blue i quickly decided only God would have in God’s paint pot.

and then i ran, cradling that shell that harbored a wee little life. i ran and did what i do whenever there’s a nature emergency: i dialed the original mother nature, my very own mama.

days later, and i am still chuckling about the first words that spilled and the instructions that followed. in the annals of my mama’s story, there will be long litanies of these tales, the times she all but insisted we make like a mama rabbit/bird/squirrel and save the poor darlings. get up through the night. find a small dropper. lay rags in a shoebox, make it all soft.

and so it was with this latest dropping from heaven.

her instruction unfurled without pause. it went nearly verbatim like this: “you’ll have to pretend you’re mama bird. make a nest. get something soft, a rag, a towel, an old shirt. go outside and get some grass. oh! this is exciting! get a lightbulb. it’ll need to stay warm. oh, but will we be able to feed it once it hatches? but, oh, just to watch it happen!”

while i whirled about the house, grabbing soft rags, dispatching the boys to fetch grass by the fistful, my mama got to work identifying said egg. at first, she suspected a brown-headed cowbird. “they don’t build nests,” she informed, “they drop their egg in someone else’s nest.” or in the alley, apparently. then, she revised her hypothesis. decided it was probably a sweet little house finch, as i have droves of those flitting about my yard.

220px-Horton_hatches_the_eggand that’s when the kid who’s 6-foot-3 wondered aloud if he should make like horton, the elephant of dr. seuss fame who faithfully hatches an egg. the elephant tricked into incubatory role when mayzie the mama bird flits off to palm beach, leaving behind a tree-top orphan. horton the elephant who famously intones: “i meant what i said, and i said what i meant. an elephant’s faithful, one hundred per cent!”

alas, we can’t claim 100-percent faithfulness at our house (nor did my firstborn decide to squat on the egg), i am chagrined to admit. we stuck with it for awhile, an admirable while. but then, night fell, and with it, shadow. we couldn’t figure out how to rig up a bulb, without frying said egg, so we’d been skootching the egg, and its makeshift nest, from sun spot to sun spot. i felt my heart drop, more than a wee little bit, when i finally surrendered. when i realized i’d not be the adopted house-finch mama.

and while i now have a beautiful breathtaking wonder tucked on my nature tableau, i also have this: one more lesson from mama nature, the very one who birthed me. the one who all my life has been trying to teach this one holy truth: be vigilant. be undaunted. be the caretaker of wonder. it’s all around. and every once in a while God will tap you on the heart, and ask you to be its midwife.

midwife of wonder, one blessed calling.

what are your favorite tales of times you heeded the call, to be midwife, co-pilot, first lieutenant of wonder? 

magic day at magic hedge

magic hedge

we cleared the day, i and the friend i love. i and the friend who these days is measuring her life bar by bar. each interlude of each day, each interlude when she can muster the strength to be up and not down. each interlude when the ravages of beating back cancer don’t hold her in their impossible grip.

my friend is one of the ones, blessed ones, who has slipped behind the screen, the opaque screen that so often keeps all of us from seeing the sacred, breathing the sacred, filling our lungs with all that is holy.

she sees everything now.

she’d written me an email that felt almost like haiku, so spare, so distilled to the essence.

she wrote: “blessings, blessings, more blessings. every minute is bonus. sun. birds. now.”

i listened. with those few words as my prompt, i cleared the day of whatever was due, was demanding, because i knew there was no time to waste; there never is. because i read her message, and the three letters — n – o – w — that deserved their own sentence, i stopped trying to find a way to wedge in a visit between appointments and meetings. i beheld the miracle of an ordinary wednesday. i carved out the most precious gift in the world: time. a few quiet hours stitched into the weave of a week.

because of the words she wrote in her haiku, her insistent plea to be awake to the now, because she mentioned birds and sun, i started to scan for a place that was beautiful, one that offered a strong dose of sunlight and shadow, birdsong and silence. the yin and the yang of the springtime, of life — its dualities so deeply essential.

i thought right away of the magic hedge.

we didn’t know when we met there, in the lull of the carved-out hours, just how magic it might be.

the magic hedge, you should know, is a wisp of meadow and brush and groves of old gnarled trees. its paths rise and bend, so do its grasses, the trunks of its trees. it elbows into the lake, lake michigan, as if an offering, an outpost, to the rivers of birds who, come warm springtime winds, catch the updraft, fly thousands of miles, from way south in central america or mexico or the southern united states, to way up north, to the boreal forests of canada, or, just shy of the border, nestled in woods along the great lakes.

the river of birds — songbirds, nearly all of them — flows along the lake’s edge; the tracing between water and shore an avian navigational guide as ancient as any there ever was. one of the great north american flyways, it’s called, and the magic hedge is something of a bed and breakfast for the long-distance flocks. exhausted, their little throats parched, their wings so tired from flapping, from floating on air, they settle into the trees, into the brush. they partake of the vernal banquet that is the hedge in bloom.

one of the miracles of the magic hedge is that it wasn’t always there. God didn’t put it there. it’s landfill. the leftover earth — the dirt, the rubble — from building a city, from raising a metropolis at the edge of the prairie, and all of it dumped into the lake at montrose point in the 1920s and ’30s. blessedly, chicago is a city that makes no small plans. it was alfred caldwell, a noted prairie-style landscape architect, who plotted the hedge’s undulations and meadows, numbered the trees and the shrubs on his planting list. it’s a mere 6.8 miles from the crosshairs of chicago’s cacophonous epicenter at state and madison, the zero-markers of the straight-lined grid that measures the city, border to border.

magic hedge blossom

yet, to step into the hedge, not half a mile from the rushing roar of lake shore drive — a flow of exhaust-spewing cars and burping, back-firing motorcycles — not a mile from the urban drama and squalors of uptown, a chicago neighborhood that’s long teetered on margins of every kind, to step into the hedge is to be swept, to be wrapped in the birdsong, the branches in bloom, the tender insistent unfurling of the season, whatever the season.

to step into the hedge is to surrender to the sacred.

we hadn’t guessed how sacred it might be.

it didn’t take long to figure that out.

right away i noticed a flock of the two-legged kind, the human kind. most of the flock were sporting long-nozzled lenses, pressed up to their eyes, pointed toward treetops. i tapped one such fellow gently on the shoulder and asked what the flurry was about.

“came here on a text that there was a hooded warbler, but it hasn’t been seen in 20 minutes,” he kindly told me, not bothered at all that i’d asked.

now, a hooded warbler, you should also know, is a wee little thing, one not often seen, apparently. it flies in saffron-colored robes, and for once i’d say the female is even more luminous than the male (but that’s getting ahead of the story). the hooded warbler is enough of a rarity, enough of a gem upholstered in feathers, that busy birders hard at work at their day jobs, drop everything when a text comes in that one, just one, is flitting through the magic hedge.

i felt a quiver of thrill as i leaned against a fence post, awaiting my friend. and that’s when a scarlet flash appeared before my eyes. right there in a branch i could reach out and touch. mind you, papa cardinals in my backyard do not allow visitors. this one, a proud papa, practically begged me to pat down his feathers.

that’s when i first felt the tap on my very own shoulder: magic was settling in for a visit.

not many minutes later, my beautiful friend arrived. a cap pulled tight over her head. wide-lensed glasses shielding her eyes. the cures for cancer are taking their toll.

we stepped into the birdsong, i and the friend i so love. the woods were achatter, aswoop, as spread wings crisscrossed the sky, as Ws made Xs over our heads. we followed a trail. we talked about those things that matter when you are staring down cancer. we talked of surrender, and healing and prayer in multiple tongues. and that’s when yet another cardinal decided to not be afraid. he hopped onto the grasses that spread between the forks in the trail right before us. he hopped closer and closer. this was a hedge alive with very brave birds, alive with a rare sort of courage.

magichedgecardinal

we did what you do when a cardinal befriends you: we crouched down low. we stayed very still. we barely moved a blade of grass. we whispered his name. he hopped closer and closer. and then his life’s mate, not quite so resplendent in her haus-frau feathers of drab brown and washed-out red, she plopped onto a fence post. she must have beckoned him. he darted away, leaving us slack-jawed at just how close he’d dared to come.

we wound this way and that. we paused at a grove of mayapple, one of the woodland’s underthings caught in the act of spreading its umbrella of wide-berth leaves. we marveled at the ruffled furls of the papery bark on a birch tree. and then we came to the flat slabs of rock, the ones that soak up the sun like a hard-shelled tortoise, the ones just inches away from the lap of the lake.

that’s when a kite-flying fellow appeared out of nowhere. one minute no one was there; the next, there came a man spinning his arms around an invisible spool. we couldn’t see at first what he was doing; it looked like some form of tai-chi, the way he swooped his hands and his wrists through the air at the edge of the lake. but then he called to us: “i made that,” he said, nodding toward high in the sky. we peered into the clouds and the sunbeams and that’s when we spied the red dot.

by then, the man with the kite on the string, he’d wandered close to our rock. without prompting he told us: “i wake up every morning, thank God for another day. you never know. i thank God every night, thank God for another day. you only got one life.”

and then, not long after that, he was gone. poof. vanished. lost in some haze. he’d wafted in long enough to tell the two of us to savor the moment, the minute, the hour. each and every interlude.

which was precisely what we’d been doing, were doing, will do. we promise.

once he was gone, had slipped away into the thin air from which he had come, my friend with the cap pulled over her head, she slipped down her dark-lensed glasses, and, looking straight at me, she said: “i think that was an angel.”

we both did.

we stayed on the rocks. we talked about life. we talked of the hard parts. we talked of the parts we so love. we whispered barely a word about cancer; there wasn’t much need to. we sipped mineral waters, ate clementines, dabbled spoons in two tubs of yogurt.

and then we got up, to meander some more. and there was more magic. the details of which i needn’t spell out (for this is getting to be too long a tale, though some tales are worth it). as we got to the edge of the hedge, though, as we got ready to step back into the day, into the bustle, we spied the last two insistent watchers of birds. they were poised in that way that birders are likely to be: lenses to eyes, pointed to limbs and to sky.

and that’s when we saw it, saw them, without any lenses, without any help (of the man-made kind, anyway): the rare and elusive hooded warbler, a pair of them to be precise. first mama, then papa. we watched, from our post alongside a log, as they darted and played in the trees. the afternoon light shone on the saffron-hued robes of mama warbler. she perched at the end of one very high branch, just sat there, practically glowing, making certain we inhaled the whole of her glory.

and we did.

the friend i so love leaned her head on my shoulder. and we stood in the hedge beholding the magic. beholding the love.

rare hooded warbler. with ceci. on magic day at magic hedge....

and that’s the answer to the prayer that comes when you carve out a holy hour or two or three, when you surrender to magic there at the watery edge. can you see mama hooded warbler, all plump-bellied and saffron there on the edge of the bough?

have you carved out holy time lately? and what magic wafted your way, alighted right before your deeply believing eyes?