holidays | pull up a chair

April 7, 2023

into the depths and the darkness…

i hadn’t set out to burrow into the darknesses of history this week. but i’ve been traversing trails darker and darker, as i’ve turned the pages of jewish history, a history i entered into on sunday when i listened to a priest tell a story of holy week. drawing from the work of early christian scholars, the priest i was listening to closely laid into a tight and stark timeline an account of holy week, one i’d never quite followed so closely, one which even more poignantly drew me into the jesus for whom judaism held the holiest code.

one curiosity led to another, and notes were exchanged between the priest and i, and books were requested from the library. while i awaited the books, i wandered upstairs to the bookcase where my husband keeps his collection of jewish-themed books, from the big book of jewish humor to the wisdom of the Talmud, from chaim potok to martin buber. that’s where i found the big fat doorstopper of my people: the story of the jews, the majestic 522-page historical tome written by abba eban, the late great israeli statesmen and scholar of hebrew and arabic languages (he was fluent in 10 languages).

i pulled the book from the shelf, and started to read, and soon i was typing line after line of notes as i turned the pages of eban’s telling of jewish history, from the drama of abraham through the rise of christianity, and on through the crusades of the middle ages, through the founding of israel, straight through to the state of the middle east when eban’s book was published in 1968.

these are but some of the notes i typed, ones especially relevant to this holy week:

Jesus meticulously kept Jewish law, made pilgrimage to Jerusalem on Passover, ate unleavened bread, uttered blessing when he drank wine. “He was a Jew in word and deed.” Articulated ideas of the masses. Sermon on the Mount: “I have not come to destroy Law but to fulfill it.”

with each page’s turning it felt apt to be tracing more and more deeply the story of the jews in this particularly blessed week where our house is filled with the rhythms, once again, of passover and passion week. after spending each saturday of the year studying torah, portion by portion with a collection of inquiring minds at our synagogue, it seemed as if eban was giving me a glimpse of the whole jigsaw puzzle i’d been studying piece by piece.

but the longer i read, the darker it grew. in the name of one holy God, we have persecuted, and burned at the stake. we’ve thrown the holiest texts of the jews onto the pyres of history. we’ve forced them into ghettoes, ordered them to stay in their homes with shutters drawn on easter sunday. ordered them to wear badges, so identifying themselves as followers of the One Holy God. we’ve told centuries and centuries of stories making them out to be the ones who crucified jesus. who betrayed him in the garden, who led him before pontius pilate, mocked him and crowned him with thorns. those stories, lost in translation, lacking full context, miss plenty of points. those stories have been turned into stones to torture the jews.

i weep at the decimations of history, at the evil and the distortion that drives the worst of humanity. at the fact that we wage such wars under the flag of God, and of church. how dare we.

i’m 239 pages in; i’ve just read through the crusades, and the development of the ghetto in medieval europe, where “jewry was sealed off by a bolted gate.” today, i’ll put down eban, and i’ll pick up the way of the cross, by caryll houselander, the anglican mystic and artist, who curiously worked as a counselor of war-traumatized children, the war in question being the one where hitler sought to exterminate (what a detestable verb) the entire jewish population, a hatred that never seems to die.

i will read, as i always do, each station along the way of the cross, to the mount where jesus was nailed to a cross and left to die between two criminals, one who sought forgiveness and one who scoffed.

i will weep as i turn those pages, just as i’ve wept through the pages of my people.

i will ask, louder and louder, how might we have been so very wrong? and how have we dared demonize a holy people, a chosen people, a people whose truth jesus so ardently tried to tell? jesus’s holiest command, “love as you would be loved,” is in fact the jews’ central command, found in leviticus, and taught by the great hillel to be the greatest of all.

a marvelous story, in fact, is told of hillel, the gentle sage, who once was confronted by someone who wanted him to teach the whole of the Torah while standing on one foot, and to which hillel is said to have replied something along the lines of “what is hateful to you, do not do to your neighbor. that is the whole Torah; the rest is the explanation of this—go and study it!”

what is hateful to you, do not do to your neighbor.

love as you would be loved.

Father, forgive us for all of our sins, for which there are so, so many.

who taught you to love as you would be loved? and how did you see that played out in the fine grain of your life?

because friday is the day we pull up a chair, i’ve written on 17 good fridays now, and each year i seem to find a new way in. here are a few others:

way of sorrows

jesuit girl with jewish soul

into the depths

silence on the day that darkens

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April 15, 2022

year upon year, truth upon truth…

14th-century rendering of the plagues of egypt

we are tellers and re-tellers of story, a people long bound by the unspooling of truths told in text or in verse, around table or hearth, under moon and star or plaster and beam.

in the geometry of time, there lies both wisdom and instruction in the unfurling of the year, an unfurling that might feel like a circle but that i see as a spiral. year after year, we return to texts––familiar texts––that draw us in more and more deeply, the more closely we pay attention.

so it is––as i fill my house with matzo and shred it of breadcrumbs, as i shop for both lamb and shank bone, as i steam mounds and mounds of asparagus––that once again we come to this holy stretch of time endowed with foundational story, ancient stories both christian and jewish. the story of a savior who wept in a garden, and soon was betrayed, then flogged and stripped and pierced with a crown of thorns. a humiliation as severe as any i’ve ever read. certainly more than any i’ve ever known. and at the same time in this house, we read and retell the story of the enslaved jews finding their way out of bondage, crossing an isthmus, a sand bar in a sea of reeds, but not before witnessing the scourge of ten plagues.

the beauty of these texts, and any text meant for endless curiosity––these texts, as if prisms we hold to the light, turning and turning for the making of new rainbows––is that each year some new fragment may catch our attention. new rainbows might scatter against the walls of our soul.

so it is that this year i am thinking anew of the plagues: water turning to blood, frogs, lice, flies, livestock pestilence, boils, hail, locusts, darkness, and the killing of firstborn children.

i remember how at the long seder table where my boys grew up, the table would be scattered with wee plastic frogs and broad-winged bugs; ping pong balls would serve as hail. and red food dye would be splattered on plates. the detail was never lost.

and only this year––a year when both those boys who once squirmed at the bugs and squealed at the blood will be hundred of miles away––only this year have i come to pay closer attention to what the plagues might have meant to the story we’re commanded to tell.

according to a wise, wise rabbi whose wisdom i found myself reading the other day, the plagues are “commonly read as punishments levied against the egyptian people for the terrible suffering they forced upon the israelites,” writes sharon brous, the senior rabbi and founder of IKAR, a jewish congregation in los angeles, a rabbi who calls it her life’s work to re-animate religion. oh, that we animate it, this vein in our lives that seems to either be bent to fit particular agendas, or shoved to the side altogether.

but, writes rabbi brous, there is another way to interpret the plagues, and God’s intent therein (and here’s where i buckle my seatbelt, and begin my own homegrown rocket ride): what if the plagues, the sufferings, are meant not to punish but rather to tender the heart. to grow compassion. to breathe and breed empathies.

we need turn to the 16th and 17th centuries, to the wisdom of a venetian scholar and rabbi named obadiah ben jacob sforno, to find the seeds of this thinking: sforno argued in his commentary on the text of exodus that the plagues were actually brought to awaken the conscience of the oppressor, “to increase the chances that pharaoh would finally see the light and become a genuine penitent.”

“in other words,” writes brous, “what God desired was a true change of heart. God wanted pharaoh and his people to take responsibility for the injustices they committed. tell the truth. make amends. offer reparations. chart a new course, together with the israelites.”

in a world as plagued as ours currently is––war and pillage, pandemic and pestilence, fire and flood and drought––in a world where it’s too too easy to turn our backs on the sacred, to point to the suffering and insist there’s no God so hard-hearted to look the other way so therefore there must be no God, in a world as replete with reasons not to believe, what if the radical notion, the one that’s hardest to come by, is the dawning idea that with each and every suffering we grow more and more tender.

there’s the crux, the hard part: to allow the suffering to tender us, not to harden. not to let horrors metastasize, not to let hurt spread like a cancer, nor turn us into walking, talking cess pools of resentment, to leave us every morning, noon, and night with the afterburn of bitterness there on our tongues.

imagine ten of your own plagues: the time you were double-crossed; the time you discovered a terrible truth, a truth that was crushing; the dying and death of someone you loved. the remembering and never forgetting of a time you caused the suffering. the lie you let grow. the cruel innuendo that crossed your own lips. count your own ten.

now, consider the pain that you felt. how it awoke you in the night. how it haunted you by the day. how it felt like a nest of hornets let loose in your soul.

now imagine that the pain didn’t harden. imagine it worked to loosen the loam of your soul. allowed room for new seeds to be planted there. tender sproutlings of purer compassion. how, ever after, you knew what it meant to grieve in a bottomless way. how, ever after, you knew how tempting it was to turn away and never turn back. how, ever after, you knew the muscularity demanded to rise up and out from the darkness.

consider how those plagues pushed you––not without ache, not without wishing you could wish it away––toward a deeper, broader understanding of and connection with the suffering all around.

imagine if the resonance of your own hours of suffering allowed you to look upon the sins and the suffering all around and find common ground, feel your heart open not close.

imagine if the world’s suffering was meant to do the same. imagine if all this is an exercise in tendering our holiest vessel: the one heart made as a chamber for the sacred to dwell.

what if, instead of growing bitter and hard over time, we grow softer and sweeter? what if we return to the text––the suffering and crucifixion of the one born to teach and live love, the freeing of an oppressed people made to witness hardship upon hardship, ten plagues in all––what if we return to the text and find, for the very first time, a wisdom to carry us on? into a world that never seems to pause in its inflicting of pain.

what if, in feeling the pain, we are moved to be the agent of balm, of healing, of lifting the other out of a pain we know all too well? tikkun olam. “repair the world.” mend the tatters. reimagine the whole.

there must be wisdom, must be reason we circle again and again to the same lines of text, as if we’re meant to meet it again with whomever we are one year to the next. this year the lines that most drew me in were the ones that ask why in the world would ours be a God who not only allows but inflicts plague upon plague, hurt upon hurt.

my knowing next year might differ. but this year i’ve come to dwell on the thought that no one escapes a life stitched with sufferings. and if the sufferings come, how might they make of us souls that pulse with compassion. communion, after all, is the holiness we seek. oneness. with God, with ourselves, and the whole of humanity circling this earth in this long, dark hour.

what plagues move you to compassion? (a question to answer deep in your soul in these entwined holy hours ahead….)

i cannot let this day pass without remembering my beautiful mother-in-law whom i last saw on this day, her birthday, a year ago. we keep her flame alive, very much alive, in the telling and re-telling of her stories. may they never end…..

*the question of the israelites and the plagues––whether they witnessed them or endured them––was a question that prompted much discussion at dinner last night. one of those rabbit holes into which we fall at our house because one of us––either the jew or the catholic––is always fairly new (or newer) to a story, and wonders about it in ways that have never quite struck the one to whom it is more familiar. i’d assumed––wrongly, it turns out––that to be in egypt at the time of the plagues meant to endure them but a closer read of the story made clear that, according to Exodus, for at least some of the plagues, the israelites were protected. certainly, i knew that the whole point of the “passover” was that Jews were to mark the doorways to their home with the blood of a sacrificed lamb, and the angel of death would know to pass over, sparing the firstborn son. i hadn’t realized––nor had my tablemate––that plagues one through three seem to have been endured by all, and four through ten were endured only by the egyptians, except for those who were penitent and thus spared the wrath.

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April 12, 2019

blessed interweaving: jesuit girl with jewish soul

brisket making

a few months ago, i decided it was time to find out once and for all if a speck of me was jewish. i had convinced myself i was. how else to explain the profound holiness i find inside the nooks and crannies of all things jewish — the prayers, the writings, the blessing of the candles and the challah every friday night at our old maple table? most of all, the sanctification of time. of turning of the earth and all that glimmers under heaven’s dome?

turns out, there’s not an iota of jewish DNA inside me. alas. but i decided to sit myself down — at that very maple table — string together a few sentences, and bravely knock on the window of America Magazine, the great national jesuit review. i happen to come from a long line of jesuit-schooled folk: my papa, my uncles, my brothers, my very own self. in the catholic world in which i grew up, all things jesuit were spoken of in hushed and reverential tones. their intellect, most of all. anyway, America Magazine decided to green light my little essay, to post it online and run it in the print pages, too. because the world we live in now demands that a writer “share” her work on the few social media sites that might draw one or two more eyes to the equation, some of you might have seen my posting on facebook (a rare return) or twitter. but not all of you — and certainly not my mama nor my beloved mother-in-law (whose birthday is this weekend!) — so for you, i’m posting here, direct from the pages of America Magazine.

(next week in this old house we’ll be weaving passion week and passover once again, and i’ll be deep in matzo balls and easter baskets, so the timing is especially fitting. here tis (i’d titled the essay something along the lines of “The Jewishness That Stirs My Soul,” the America editors wrote their own headline)):

How Jewish spirituality enriches my Catholic faith

By Barbara Mahany

I propped myself against the kitchen sink not too long ago and spit into a clear plastic test tube the size of my pinkie finger. I spit and spit and spit, following directions to be sure I would sufficiently trap my DNA. Once the accumulated spit crossed the “fill to here” line, I gave my test tube an emphatic shake (again, precisely as told) and popped the whole shebang in the pre-labeled shipping box. Post haste, I motored to the drive-by mail chute in my little town, tossed my parcel into the open maw of the postal box, sat back and awaited revelation.

Over the years, I’d had a hunch that grew and grew, and I was submitting my hunch to science. Any day now, I figured, the friendly folks at DNA Central would lift the lid on what I had decided must be a long-kept ancestral secret. Surely, I must be some percentage Jewish. At least some fraction of a fractional percent.

That chromosomal uncovering might shed light on just why it is that I—a girl schooled by the Sisters of Loretto and a phalanx of Jesuits, a girl with a rosary for every occasion—had found, all these years later, my sense of the divine so animated by the sacred Jewish lens of wonder and wisdom. All encompassing, it is one intricately tied to the turning of the earth, the sun, the moon, the shifting of the stars stitched in heaven’s dome.

It is as if the ancient call to Hebrew prayer has reached out across the millennia and awakened all my senses. I am stirred by the command to whisper a blessing at the unfurling of a rainbow, at the first blossom of the almond tree. I am stirred by the command to scan the night sky till I spy the first three evening stars, and only then kindle the Havdalah candle, pass the spice box and recite the prayers that draw the Sabbath to a hushed and blessed close.

I had convinced myself that deep in my DNA there must be buried some short link confirming my genetic claim to Jewish soulful lineage, aside and apart from my nearly three decades entwined in a Jewish-Catholic marriage.

Alas, there is not. Not one strand of Jewishness to my Irish-Catholic name, not Ashkenazi, not Sephardic. How then to explain the soul-deep burrowing into the nooks and crannies of Jewish spirituality for this lifelong post-Vatican II Catholic?

Sure, I had married an observant Jew some 28 years before. And we had raised our two boys the only way we knew: immersed in both their Judaism and their Catholicism; first Communion and Bar Mitzvahs for both, with priests and rabbis all along the way.

Our older son, in first grade at the time, once exclaimed that interfaith Sunday school, where the curriculum taught all things Jewish and Catholic, was not enough; he wanted more, more fluency in each of his religions. So we signed him up for CCD and Hebrew school, as well as Jewish-Catholic school, and Sunday mornings meant an eight-mile dash down Chicago’s Dan Ryan Expressway, from Old St. Pat’s in the West Loop to the Hyde Park synagogue where he learned his alefbet and all his Hebrew prayers. (That child, now a 25- year-old at Yale Law School, has trained his legal sights on the intersection—no surprise—of law and religion.)

My own trek into the Jewish interior began with Shabbat, the holiest of Jewish holy days, one God offers at sundown every Friday, when we are commanded to kindle lights, bless bread and wine and, most of all, put down toil for the sacred arc of 25 hours, sunset to sunset plus a smidge for holy measure. The practice of slowing time, slipping into timelessness amid the cacophony of the modern-day world, is one that literally stopped me and, from the start, stirred a deeper soulful hunger.

It was not long after our wedding under the cathedral of oaks in my mother’s garden, when I was but a young unpracticed bride, that I set our first Shabbat table, tentatively placing amid the dinner plates two Israeli candlesticks, a kiddush cup for wine and a braided loaf of challah (which I would learn to bake over time, at the side of a Holocaust survivor who became my Shabbas friend). A rite at once domestic and sacramental, Shabbat became for me a tucked-away cloister of anointed time.

It is God whispering, I like to think. God cocking a finger, calling us home, each and every one of us. Come, be where it is still. Put time on pause. Savor this moment, this holy stretch of hours, savor each and every sense, savor and embrace the ones you love. And so, around the globe, as Friday’s sun slips from the sky, as our world dips into darkness, there is, house by house, table by table, the kindling of sacred illumination.

At my house, I hear the whisper early each Friday. Over the years, I have tiptoed into the kitchen at dawn to begin the alchemy of yeast and flour that becomes the challah. Awaiting its pillowy rise, I crack into the cookbooks of my various adopted Jewish mothers, peruse the spiral-bound recipes of temple sisterhoods from around the country (Bella Abzug’s Matzo Balls, among my clippings). My kitchen ministrations usher in the quietude, the prayerfulness, that has become my coveted weekly office. By the time I have set the table, ferried plates to the dining room, pulled out chairs for whoever has shown up (our Shabbat tables have often been populated by an eclectic roster of professors and scribes), I am, curiously, the Catholic who finds “church” in the holiest of the Jewish holy days.

Time and again in synagogue, on Friday nights or during the long hours of the High Holy Days, I find my soul soaring as the cantor lifts his voice in the minor-key call to prayer, as my husband beside me bends his knees, bows from his waist, wraps himself in his prayer

shawl. The rhythms of the Hebrew prayer, even when the words escape me, tap the sacred within. I perk my ears to the still small voice that calls us, each and all. Sh’ma Yisrael, “Hear, O Israel,” begins the holiest of all the prayers. And my soul listens.

That blessed once-a-week Sabbath interlude—and an urge to know more, to follow some sacred cord—led me into the Jewish bookshelf, where I discovered, among others, no finer poet of Shabbat than Abraham Joshua Heschel, who wrote: “Judaism is a religion of time, aiming at the sanctification of time. Unlike the space-minded man to whom time is unvaried, iterative, homogenous, to whom all hours are alike, qualitiless, empty shells, the Bible senses the diversified character of time. There are no two hours alike. Every hour is unique and the only one given at the moment, exclusive and endlessly precious.”

Heschel only whetted my appetite for deeper and more nuanced reading—even of the Torah. I explored such sacred instruction as the one for the harvest festival of Sukkot when, through the roof of the sukkah (a temporary shelter built for the eight-day celebration), we are commanded to be able to see the stars in the heavens. Or the Talmudic teaching to recite 100 blessings every day, a call to attention if ever there was. Inscribed in Jewish text, there is a blessing for hearing thunder, another one for when you see a shooting star.

It is this ancient, agrarian-rooted call to see God’s wonder all around that I find woven into Jewish spirituality, and it is now an inseparable thread of my own, though I remain Catholic as ever.

Perhaps it is the echo of ancestral Celtic spirituality or the Ignatian instruction to see God in all things, that pulsing sense that every moment of the day is a vessel of the holy. According to Celt or Jesuit or Jew, all we need do to anoint that holiness, to make it evident, unmistakable, is to bless it with our attention. And our simple prayer.

In a word, it is “hierophany,” the place where secular and sacred meet, a “manifestation of the sacred,” a belief that dates back to ancient Greece. What stirs me most about Jewish hierophany is that it is infused with the astonishments of the cosmos, a core belief that creation is God’s first best text. Or in the words of Psalm 19, verse 1: “The heavens are telling the glory of God / and the firmament proclaims his handiwork.”

It is this understanding that even before the Word, God gave us the litany of Genesis. And if we read closely the book of nature, if we surrender to the rhythms of season unfolding into season, if we allow ourselves to startle at the nascent vernal shoots, the newborn green pushing through the thawing crust of winter’s end, if we heed the mournful cry of geese in chevron streaking autumn sky, hold ourselves rapt when first snowflakes fall, if we witness the hand of God in the ever-shifting kaleidoscope of wonder, we cannot help but feel ourselves cradled in the outstretched palm of the one who breathed and birthed it all.

And so it is, in the particular and timeless attention Jews pay to the turning of earth and heaven’s dome, in the liminal hours of dawn and dusk and depth of night, hours the Jews consider the holiest of holy, that I find myself wrapped in the most sacred prayer shawl, one I had never known was mine.

But now, it deeply is. Even if my DNA claims otherwise.

as published in America Magazine, April 9, 2019

on the soulful journey that is your own, have you been surprised by where you’ve found epiphanies and hallelujahs?

p.s. happy blessed birthday, VPK, and ellabellabeautiful, too!

9 Comments

April 14, 2017

into the depths

all week in this old house, we’ve been burrowing deep into ancient and timeless stories. the story of the exodus, pesach, the retelling of the jews’ escape from slavery in egypt, a retelling that elie wiesel, the late great nobel laureate and holocaust survivor, called “a cry against indifference, a cry for compassion.” it is a retelling stitched with blessing, and question, and story.

its leitmotif, “you were strangers in a strange land,” God’s words to Abram, a call to radical empathy, a call to ever open our hearts to those who are strangers, marginalized, in our midst.

after three nights of seder, of coming to tables filled with people we love, after cups of wine, and reciting of plagues, after singing dayenu (the hebrew word for “enough,” as in God’s love would have been more than enough, in a rising series of praises — “if God had only created the world and not brought us out of egypt, it would have been enough”), we pivot to the holiest hours of holy week — or i do anyway.

i am deep now and deepening. i hear the cry of my soul, being pulled into timelessness, into sacred hours and space. i burrow into the stories of the last supper (the seder of Jesus and his twelve apostles), of gethsemane, of the betrayal by Judas, of the mocking and crowning with thorns, of the bone-crushing cross shouldered by Jesus as he stumbled along the trail to his crucifixion at golgotha, the hill just outside jerusalem, the hill where he cried out, “Father, why have you forsaken me,” and then, “Father, forgive them for they know not what they are doing.” the whole arc of anguish and redemption in two short utterances.

it never fails to draw me deep into the nautilus of prayer.

and so, late yesterday, as the slant of light grew thin and thinner, i was pulled into a jewel box of a medieval stone chapel, its leaded windows a mosaic of cobalt and ruby and aquamarine. i was alone. i had only my prayer and my deepening.

today will be more of the same. the hours of silence, from noon till three, the hour, we’re told, when Jesus let out his final surrender, “Into your hands I commend my spirit,” when he breathed his last, and the sun’s light was extinguished, i will do as generations before me have done: utter not a word, follow my prayer to the hushed place within. i will keep my holy vigil for the suffering that once was, and the suffering that goes on to this day, to this hour.

in both the story of exodus and the story of the crucifixion, we are called not only to honor them as ancient and long-ago narratives. we’re to infuse them with the now. to employ them as holy script, as instruction, imperative, to find in their depths the modern-day call to action: search for the stranger, embrace the stranger. set a place at your table, and make it the finest you have. love even your enemy. forgive your enemy.

turn yourself wholly and finally to God.

both stories, a call to radical empathy. both stories, imploring divine surrender.

both stories i’m burrowing into this week. this week of ancient and timeless holiness. this week with wisdom for now.

may your holy days — however they come — be deep and be blessed.

and happy blessed birthday to my beautiful little ella today turning eight, and to my beloved mother-in-law ginny (the chair’s most loyal reader perhaps) whose day is tomorrow.

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April 22, 2016

and into my kitchen, they all congregated

i’d ordered the brisket, five pounds of first-cut beast, as instructed. i was due to dash out the door to the butcher’s at the agreed-upon hour, but first i needed to quick-read my passover checklist. so i pulled my family cookery book off the shelf, the one where, over the years, i’ve tucked snippets and pages and odd scribbled notes. it’s my holding yard for guideposts to brisket and kugel and those chopped balls of fish called gefilte — decades and centuries of recipes, really, passed one generation to the next.

in my case, it’s the fat stash of invitations into an ancient tradition that was not mine, but now is. in my case, it’s my compendium of adopted jewish mothers and grandmothers and aunties and surrogate whisperers over my shoulder, all committed to paper and ink, and clicked into a three-ring binder.

and that’s when the first kitchen companion — unseen but certainly sensed — came into the room. before i got to the tab marked “jewish holidays,” i’d flipped open a page, and there was a name staring out at me, the name of my irish friend who’d just died, tagged in crisp typed letters at the bottom of her blueberry cake, one she must have passed along because once i’d oohed and ahh-ed. i paused for a moment, picturing her, picturing her blueberries, picturing her rare nod to domesticity (though she always loved a great meal). and then i turned another page; i found another now-departed instructor of kitchen arts. i scanned over the words, her careful instruction, her side whispers and peculiar idiosyncrasies, always tucked off to the margin in parenthetical insistence. (“Try not to burn it.” “yes, tablespoons,” “don’t food process, or you will have mush,” “it’s OK if it seeps over the rest…”)

i came to the brisket, the one my boys practically lick off the plate. i followed my scribbles for haroset, the mortar of apples and walnuts and cinnamon and honey, with a splash of manishewitz kosher concord wine. i read through kugel, one i’d not made before, but one my boys have counted on, ever since their very first passover at the long, long table of tribune folk, the one that for them will forever be synonymous with the exodus from egypt. with every page i turned, i drew in another to my sacred kitchen circle: harlene ellin’s mama, queen of the brisket; ina, whose claim to fame (besides her long-standing, much-loved chicago breakfast eatery) is the seltzer she adds to her matzoh balls to make them “floaters” of cloud-like proportion; andrea, who wandered by the other day, and did not scoot off before penning an all-new kugel and a middle-eastern charoset, now added to my collection.

and then, assured of my passover-cooking itinerary, i reached on the shelf for the mini-sized chopper of apples i’d employ for making old-fashioned haroset. as i lifted the sharp blade and bowl from the box, out toppled a post-it, now nearly 23 years old. it was from the grandma of my heart, my grandmother-in-law whom i loved from the get-go. just weeks after our firstborn was born, she’d packed up the mini-chopper and sent it from west palm beach to our little house in chicago. she tucked in a note, in her signature scribble: “dear children,” she began, declaring straight off that she counted me one of her own. “perhaps you will be able to grind veg. for willie when he is ready for them.” and suddenly grandma syl (“the teaneck tornado,” they called all four-foot-nine of her) was there in the kitchen beside me, pressing against my shoulder blade, her tousled silvery head barely reaching the top of my arm. wasn’t long till i was awash in the tears that come when remembering hurtles you back in time, erases the years, fills your head and your heart with unmistakeable presence. i could hear the squeak of her voice. i could feel, in an instant, as if it was the summer of 1993 all over again, the weight of the lump in my arms, the newborn lump who’d precipitated the need, apparently, for a rapid-fire way to make baby puree. (and, as i stood there blinking away my tears, i re-sealed my vow never to toss out a love note or a scrap that might come tumbling from the pages of a book, or the contents of a gift box, swirling you back in time every time, rekindling the thump of the heart that won’t ever fade.)

and so it went, hour upon hour yesterday. as i chopped and stirred and cranked the oven. by day’s end, when the table was set with dishes passed from one china cabinet to the next, when i’d pulled the haggadahs from the shelf, found the seating chart from last year, with yet another name no longer among us, i’d filled my house with those i’ve loved and lost.

it must be the sorrow that’s made me more porous this year. that, according to celtic tradition, has made for the thinning between heaven and earth, that’s pushed my soul soft up against the sacred openings, where angels seep in.

and why not fill my jewish holiday kitchen, my passover kitchen, with page after page of those who’ve shown me the way? those who took my unfamiliar irish-catholic hand, and led me into the back lanes and secret passageways of this jewish-catholic marriage? why not invite them all into my kitchen for the day, and set a place at the table — at my heart — for each and every one of them?

so tonight, when i bow my head and strike the match to light the blessed shabbat and pesach candles, everyone else will count a mere five at the table. i, though, will feel the embrace of a whole company of cookstove companions and patron saints of jewish cookery. and i will offer up a litany of prayer for each and every one of them. each and every one of the ones who’ve shown me the shortcuts to heaven, where too many now reside.

brisket, before its overnight nap in the fridge

do you too find cookery books, the homespun kind, fill your kitchen with those you’ve loved, and those who’ve shown you particular ways?

p.s. i know i promised field notes from my poetry get-away, and those will come — next week, perhaps. the bottom line was that paying attention is at the heart of poetry and prayer, and we’re all the richer for keeping a keen eye to the mystery and miracle that abounds.

haroset: apples, walnuts, cinnamon, honey, with a splash of manishewitz

roasted shank bone, roasted egg for the seder plate

32 Comments

September 10, 2010

stirring sweetness

the beautiful thing about leaping into a religion that’s not your own, is there is no rule book.

well, there might be a tome or two on the shelves, but when you’re inventing, you often concoct as you go.

oh, sure you ask zillions of questions, you turn to the texts, pore over pages, searching for answers. but plenty of times, you go with the zeitgeist and, frankly, you wing it.

and so it was i bounded out of bed yesterday morn, on the dawn of the new year, rosh hashanah, and set out to make rosh hashanah bread pudding.

now, nowhere in the cookery books will you find such a sweet and pudding-y dish. there is no step-by-step guide to a sweeter morning than the usual cornflakes and cow’s milk.

ah, but like many a someone embracing something that’s new, that’s just a touch foreign, exotic, i can’t get enough.

give me a rosh hashanah prayer about morning stars and particles of dust floating on the wind, and i am swooning in my pew, thinking to myself, by jove, they’re talking to me, those ancient hebrew poets, the ones who thousands of years ago carved out these words to speak to my heart, here in the waistband of america, where leaves are just starting to rumble with thoughts of shedding their greens, too early just yet to unfurl great bolts of color.

truth is i tingle, through and through, here in these days of downright awe.

i am not a jew. but i love a jew. married him. bore our children. am raising those children in a house that is bathed in the best of two great and rather old faiths: we are catholic and jewish.

and this time of year, in these sacred golden-dripping days of awe, i cannot get enough of a whole-body immersion.

i am cooking it. praying it. setting the table with it. poring over the verses with it. inhaling every last drop of it.

everywhere i turn, there is awe. and it is sweet.

let’s start with the light: have you noticed the great kaleidoscope that is the turning of season has cranked it just to the north a notch, and now the sunbeams that hit us are amber molasses, tinged with spoonfuls of honey?

why yes, they drip on my bed pillows, my pages, my old creaky floorboards.

and then there’s that charge in the air, the one that has us un-sashing the windows, pulling back shutters, clearing the way so that cool night breezes might billow in, that air that seems at last purer and crisper, more certain to clear out our lungs from all the sticky still jungle air that took hold in the long hot summer.

but mostly, there are the prayers and the knowing now what i’ve always known: this is sacred time, new time, time that deeply matters. the days when our steps are counted, our deeds recorded, our fates inscribed in the holiest book.

God is paying attention, rapt attention, and so too must we.

thus, as if to upholster the year, to tilt it toward sweetness the whole way through, we stir it in in great dollops. a handful of raisins here. a bee-bumped macintosh chopped and grated over there.

we are watching as honey drools from a spoon. and wiping smudges, sticky, off from the table.

tonight this old house will be filled. the table as crowded as it knows how to be. if we could have layers of table, we would. i would invite everyone i have ever loved, and then some.

and just as the sun slips over the ledge and sacred twilight comes, having stirred the stews all night, and having set out my grandma’s silver, and the glasses of cobalt blue, i will strike a match and kindle the lights.

i will call on the legions of saints and angels who march behind me wherever i go. i will call on rachel and leah and rebekah.

i will look over (not down anymore, for the top of my head no longer makes it even to the cusp of his shoulders) at my firstborn, and gulp back the tear that comes with knowing he’ll not be home next year, or for years to come for that matter, on these sweetest of days upon days.

i will be humbled and filled all at once. will marvel that i, a deep quiet catholic, was somehow swept into the river that bathes me so richly, so wholly, so anciently. calling me back to where i must have once begun.

i count myself among the blessed, the ones who are stirred by the ancient hebrew poets, a people who marked time by the stirrings on the bough and in the field. who kept time by the heavens, the night star and moon. i read these rosh hashanah prayers through dual lenses, and in them i find such powerful majesty, such knee-buckling knowing of the intricacies of the human heart. today this meander is merely an unspooling, no deep lesson or question, other than this: what is it of this time of year that heightens in you a deep sense of awe, no matter your religion?

p.s. that rosh hashanah bread pudding? nothing more to it than torn-up bits of the night before’s raisin-studded challah, with a fat granny smith grated into it, along with a handful of even more raisins and cranberries (why stop when studding your pudding?) i had promised rosh hashanah bread pudding to my little one who loves a good reason to leap out of bed. and thus, once stirred from my dreams, i had little choice but to come up with a version that lived up to the promise.

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April 6, 2007

silence on a day that darkens

today is the day it gets dark. it does, i swear it does. it almost always does. i watched, when i was little, for the darkness to roll in.

God was broken, broken-hearted, on Good Friday. and i, grade-school believer with all my heart, i kept an eye, all afternoon, on the sky. sometimes i’d take to a rock. a thinking rock. i’d sit and watch the sky. i would know, come three o’clock, when the story says that Jesus closed his eyes, sighed his final sigh, and we all drop to our knees, that black clouds would roll in, eclipse the light.

early on, i told my jewish not-yet husband that story. i’ve told my children. i will watch the sky today.

and while i watch, i will be silent. three hours, noon to three. the hours that, by his hands and feet, Jesus hung on that heavy wooden cross. it is, my mother taught me, the least that we can do.

last night i went to church. my very favorite day of the whole church year is holy thursday. the last supper. the washing of the feet. for two hours, the stream of people, humbled, on their knees, feet naked, washed. i was washed, and i washed. a beautiful mother from kenya, her baby on her hip, washed me. i held her baby on my lap so she could wash, yes, between my toes. i washed her toes too.

it is not hard, when you see an old priest walking barefoot, ferrying pitchers and basins of water and clean white towels, to the blind, the wheelchair-bound, the teenage boy with down’s syndrome, the black, the brown, the pink, to picture Jesus doing the same.

while all the washing was going on, while the long lines of people filled with prayer, stood waiting, waiting to be seated in the chair, to lift their naked feet above the bowl, to have the stream of water poured, then lathered, then poured again, then dried and blessed–no half-baked, symbolic washing here, this was real and hygienic as well as full of spirit–while all the washers waited, i thought about the sins of this sorry world.

there is much to be silent for this good, dark, friday. as i sat ticking through a litany of sins, once again, i found myself informed and borrowing from jewish prayer, from yom kippur, the day of atonement, the holiest of holy days when you’re a jew. and if you listen, if you pray along, it is a deeply holy day even if you’re not.

i find myself, every year, filled with awe at the breath-taking jewish admission of the brokenness of the human condition. they do not tick through mamby-pamby sins. no. they get astonishingly real, and very close to the bone, to home. where my mother, again, always taught me charity begins. i think forgiveness might do well to start there, too.

so, in the spirit of atoning on this day in which it feels so right to be considering our sins, especially the sins of the homefront, that place we spend so much time considering here, i borrow from that same frank baring of the soul, i tap into the confessional vein i have found, and been held by, in the jewish prayers of the mahzor, the prayer book for the days of awe.

on this most christian day of awe, i beat fist to breast, i wrap myself in cloak of silence. i look deep within.

there is much, yes, to be silent for…

the sin of being afraid to speak up–even when it is among neighbors, and you hear or see exclusion.

the sin of shouting, singeing tender hearts of children.

the sin of not opening the door–or closing it in too much of a hurry.

the sin of breaking down the beauty of this world, and not repairing that that you’ve left broken behind you.

the sin of not noticing the hurt right in front of your face.

the sin of asking too much of your children.

the sin of wanting too much.

the sin of believing but not taking action.

the sin of standing back, watching injustice eclipse the truth, and doing not enough.

the sin of saying you’re too busy, but you’re not.

the sin of holding back, not fulfilling all that you can be, for being afraid to manifest the seed of genius that, surely, has long been buried deep inside you.

the sin of leaving someone else to reach out a hand to lift up the poor, clothe the naked, give the extra toys in the basement corner to children without any.

the sin of going along with the crowd.

the sin of thinking you needn’t be the one to feed the forgotten on your block.

the sin of going to sleep another night taking for granted there will be a tomorrow morning.

the sin of sending children off to bed without saying, “i love you.”

the sin of not saying i’m sorry–or not being so.

the sin of not feeding yourself–body or soul.

this might be just the beginning. but for each of these, i am so heartily sorry. Father, forgive me, for i know not what i am doing.

i leave you now in prayerful silence. i leave you to this day that just might darken. i’ll be watching. trust me.

feel free, should it mean something, to cast a sin….

14 Comments

April 3, 2007

every year, a cast of characters

every year. count on it. there will be characters. they will be many. they will be deeply, richly, crazily creviced, shadowed, colored.

it is as much the order of the seder as the haggadah itself. the table will spill with character. ooze with it. rumble, tumble, jumble, full of characters.

wafting just above, that’s character no. 1. the tall one, that is.

that’s ted. rebbe ted. the one wrapped in japanese prayer robe, tied with obi. the one raising the first of four glasses of vintage manishewitz. the one we drive miles to be with every pesach.

ted, a rabbi and cantor without a congregation these days, is a therapist; spends his working hours trying to screw on people’s heads, or at least screw them on a little less wobbly than when they first wandered in.

but mostly, always, ted is a character. ted’s eyes, i think, must gleam even when he’s sleeping.

at ted’s seder, things are, um, unorthodox. ted reaches in a bag and pulls out yarmulkes from around the world. sometimes he wears his tibetan temple headdress. he always wears his japanese robe.

at ted’s, you do some chanting. you close your eyes and chant the vowels. you do not close your lips when chanting vowels, he tells you, and thus you assume a posture of openness that ted thinks the world truly deeply needs. you chant deeply, ahhhhhhhhh.

at ted’s, you eat sumptuous french hors d‘oeuvres. (and then you find out, oops, they are not kosher for passover; maybe that’s why they tasted so good.)

i tell you the story of ted because in bringing my children to ted each year i bring them to one of the most essential gifts a parent can give a child: the gift of the one who’d never paint by numbers, the iconoclast, the eccentric, the character. the deep and rich and soul-expanding knowledge that life is splashed with vibrant colors.

one of those colors is the color ted.

it brings unending joy to me to bring my children to tables where i know they will hear voices they do not hear at home. home is where the grounding happens. home is where you learn that the parachute has a safety cord, and you can pull it any time.

other people’s launch pads are where you learn to lift your foot off the ledge, set it in mid-air, and feel the fall, but then the updraft, carrying you, lifting you to places you’d never see from the safety of that concrete ledge.

last night we soared with ted. heard his salty brand of politics. took in his dash of new-age mysticism. felt the gestalt of letting go of that by which we’d been enslaved. watched him raise a yale sweatshirt, oy, to teach a lesson on hebrew light and perfection. (right there, spelled out on yale’s emblem, in hebrew letters, who knew? found out that centuries ago, at the founding of yale, patrician of patrician schools, hebrew was required study. ted, by the way, went to yale.)

tonight we congregate again. at another table of eccentrics. they will be the ones with whom we’ve worked for decades. the ones with whom i’ve “sedered” for 25 years, before husband, before children, and every variation since. a cast of newspaper kooks. my boys, all eyes and ears, will learn much that i won’t teach them.

besides the wine glasses filled with jelly beans (the kinder version of fruit of the vine), the flogging each other with scallions, yes, scallions, the pulling out of little plastic plagues, there is the annual putting of passover lyrics to broadway tunes.

we drive home each year, from nights one and two, with bellies aching. not from all the passover matzo kugel. no, no. from laughing ’til our sides feel split in two.

we are blessed. so very blessed.

all my life, far back as i can remember, i have loved the odd ball. the duck who waddled to his or her own drum beat. at my mid-century mark, i survey the landscape of my life and see i’ve assembled quite some cast of characters.

my almost-man-child told me recently that one of the most lasting lessons he learned from his uncle david was when david spoke of a brilliant friend of his, a friend with phD in sanskrit, a friend who studies global drumming and, for a long while, drove a cab in new york city. david, it seems, told my almost-man-child: “he really is a kook.” and my almost-man-child told me that the way he said it, he knew that uncle david meant that to be a kook is a very noble thing. “that’s how i learned i should never march to other people’s drummers,” said my boy who decidedly does not.

my prayer this pesach, my prayer that already has been heard on high, is that all the children, not just my boys, hear a world of many drummers. and come, as often as they can, to a table that spills with kooks and characters and bold eccentrics, a table, every first-night seder, led by rabbi ted.

who, by the way, i love with all my heart. even if he makes me close my eyes and chant the vowels.

do you collect characters? do you see the beauty in those who color outside the lines? do you, if you have children, or love children, or are a child at heart, seek out tables where you know they–and you–will hear voices unlike the ones they–and you–hear at home?

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April 2, 2007

holy, holy week

in our house, it is the gospel according to matthew, and the seder infused by elie. and this, by the blessing of the calendar, is one of those wham-bam weeks.

we’ve got it all, and weave and flow from exodus to last supper, from parting of red sea to rending of blackened sunless sky. we dash the house of bread, but then bring on the easter baskets.

long long ago, we set our own pesach dispensation for easter sunday. even when it’s in the midst of the eight days of no leavened grains, we part the matzo for a sprinkling of chocolate, for jelly beans, in the easter basket.

i was musing that wednesday is the only day of this whole week not rich in something jewish or catholic, and thus i would need to consult the koran to divine my depth for the day.

it is, very much, a fact that the interlacing of the passion of jesus, a passion set in history at the cusp of passover, and the jewish remembrance of the exile from egypt, is, for me, a rich one.

after 25 years of living them on top of and through each other, i have come to see shadows, understand subtleties that would have escaped me were it not for my being drawn, in love and faith, to a man who is, himself, a son of the tribe of israel.

and so it was that we all, the four of us, two jews, one catholic and one just learning both, walked into a church courtyard yesterday where palms were swaying in the air, the priest’s red robe was billowing–nay, blowing–up and nearly over his head from behind, the winds were whipping so unrelentingly, a red bird’s plumage in flight. the red cloth punctuating the otherwise gray day.

the priest, one i’d known long ago, one who’d grown older and even wiser, and though he’d grown bent, never bent from his focus on that core of what i call dorothy day catholicism that sees peace and justice as the central burning flame of a religion he won’t let go down in flames.

he was in the midst of reading the passion of jesus when he looked up, looked out at the sea of waving palms, and implored the multi-colored crowd: “consider and tend the wounds of the world as if they were your own—-for they are.”

that then, i gulped, is the mission of this week.

i came home, sat down to consider elie wiesel, the nobel-prize winning poet and seer who survived the holocaust and will not, bless him, let us forget.

“i love passover,” he wrote, “because for me it is a cry against indifference, a cry for compassion.”

wiesel wrote those words in perhaps the only autographed book (certainly the only autograph that fills me with awe) on my shelves, “a passover haggadah,” (simon & schuster) his 1993 commentary and guide through the seder, or meal of remembrance, the retelling of the exodus story, that is the centerpiece of passover.

“sometimes the sheer speed of events makes us reel,” wiesel also wrote in the haggadah. “history advances at a dizzying pace. man has conquered space, but not his own heart. have we learned nothing? it seems so. witness the wars that rage all over the globe, the acts of terror that strike down the innocent, the children who are dying of hunger and disease in africa and asia every day. why is there so much hatred in the world? why is there so much indifference to hatred, to suffering, to the anguish of others?”

wiesel asks. the old priest implores.

because i am catholic, because i spent many years on my knees studying the 10-foot-high crucifix that hung before me in the church where i grew up, i don’t even have to close my eyes to see the wounds that i’ve been asked to dab with cool and healing waters.

and so i walk, i stumble, through this most holy week.

what questions do you carry into this blessed string of holy days? what thoughts do you put to those questions? those callings?

p.s. some really fine thoughts–really fine–have been tacked onto meanders in recent days, thanks to the brilliant souls who keep pulling up chairs. bless them! don’t forget to take a look back and keep the conversation flowing. just because we move on to a new meander does not ever mean the case is closed on a meander past. in fact, we might have drummed up a real-live beekeeper to tell us a thing or three about the heartbreak in the hives….
p.s.s. welcome back from break, all of you who flew away…we held down the fort just fine….

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February 2, 2007

vernal whisperings

if you listen, you can hear the first stirrings of winter loosening its grip. yes, the snow moon, that great white orb that cast its full light on the cold cruel landscape of last night, made it hard to see anything that was not white, or bluish white, a color even colder.

but in fact, and despite the wind chill, this is the day when myth and legend begin their vernal whisperings. there’s the old folktale about the ground hog and his shadow. but that doesn’t much catch my fancy.

what does catch it, locks it in its grip, is something i knew little about. until now. it is the jewish festival of tu b’shevat, the new year of the trees.

it is, it seems, all about vernal whisperings, the first hint of promise that all this, the harsh and the cold and the barren, will soon melt away.

as a woman married to a jew, as a woman who embraces spirit and rite and story and all things of the earth, this little holiday seems made for souls like me.

i had had an inkling that the holiday i had a hard time pronouncing (tu-bish-vat, more or less) had something to do with trees or planting trees. in fact, it is said that this is the day when God decides how bountiful the fruit of each tree will be in the coming year.

in israel, this is when the almond tree awakes from its winter sleep, erupting in clouds of tissue-white flowers, the first blossom of spring.

in ancient times, tu b’shevat marked the day of tithing. it clanged the final bell on the fiscal year. all fruits borne before this day, belonged to the harvest of the last year, and must be divided accordingly, a portion to the poor, a portion to the temple in jerusalem.

all of that was lovely enough.

but then i heard something about a special seder of seven fruits.

and that’s when i knew i needed to dig a little deeper. that’s when i discovered the thinking of the 16th-century jewish mystics.

known as the kabbalists, these deeply spiritual thinkers believed that we elevate ourselves by the eating of certain fruits on tu b’shevat. if done with holy intention, they taught, sparks of light hidden in the fruit could be broken open from their shells, freed to float up to heaven, to the great divine, completing the circle of the renewal of life.

oh my.

they go on, these marvelous mystics. they talk not about seven fruits, but ten. they break them into categories corresponding to four levels of creation. there are the fruits that need no protection, and can be wholly eaten; grapes and figs, among them. there are fruits that require protection but only at the heart; olives, dates and persimmons would be among these. then there are the fruits that need full protection, the pomegranate and avocado, both of which hide inside a leathery shell. the fourth realm, purely spiritual, by definition has no fruits: it’s just pure spirit.

the holiness of each fruit or nut is, according to the kabbalists, the soft edible part, the part you can bite into. the pits or inedible parts were thought to be impure. and the shells were the protection of the holiness. (makes you feel kindly toward that ol’ banana peel, eh?)

reciting blessings–there is a particular line from the torah for each fruit or nut, believe it or not–helps to release the holy spark of life flow trapped within them, the kabbalists believed.

ah, but the act of chewing, they tell us, kicks it all into some sort of spiritual overdrive.

get this: chewing is more powerful than reciting blessings, they believed, because humans have 32 teeth, and that is the precise number of times the word “elohim,” or God, appears in the story of creation.

goodness. it is morsels like that that make it so delicious to dig deep into something of which you once knew so little, but deep in your soul feel so drawn to. it’s the marvelous adventure, open to all of us, of cracking deep into the book of religions other than the one we knew first. it’s the weaving and steeping, the absorbing and unfolding, that i swear enriches the broth.

but back to the fruits, and the part that i think is the absolute swooningest.

along with the fruits of the seder, the kabbalists said there must be four glasses of wine at the meal. you begin, they taught, with a white wine. each glass after that adds more and more red wine, so that each glass deepens in color. the first glass represents the cold whiteness of winter, the next, the pale buds of spring, onto the deep rose of the height of summer, and finally the crimson of the autumn leaves before they fall from the trees.

you needn’t be jewish to want to drop to your knees on that one, the breathtaking progression, the resonance of the fruit of the vine with the rhythms of earth, the unfolding. a whole sensory reminding that the changing of season is a blessing beyond blessing.

and this is a day when we pause, when we listen, for the first stirrings of the deep underground.

abraham joshua heschel, the great 20th-century jewish scholar, writes magnificently of the sanctification of time in judaism. here is one thought to ponder:

“judaism teaches us to be attached to the holiness of time, to be attached to sacred events, to learn how to consecrate sanctuaries that emerge from the magnificent stream of the year.”

and so tonight, as i light the shabbat candles, usher in tu b’shevat, a sanctuary i never really knew until now, i will sit down to a feast of the earth’s promise, to fruits and nuts and wine. i will behold the shifting of the seasons, the absolute truth of the returning of life.

yes, now winter is making itself abundantly present. but from the heart of the fruits, will break open great sparks of holiness, wafting toward heaven. from each sip of my ever-blushing wine, the taste of the turning of time.

i will know as i eat and drink that beneath the cold hard snow, the fruits of spring are stirring. are whispering sacred incantations. vernal incantations.

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Category: holidays