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Category: stillness

season of stillness

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not so many years ago, my writing room at this time of year took on north-pole proportions: spools of ribbon, bags of this and that to slip inside other bags or boxes, layers and layers of tissue papers, itty-bitty cards. lists abounded. i was a walking-talking maker and checker of lists.

not so much these days. and not because i’m scrooge.

simply because the sanctity of stillness is what i’m after in this season of deepening darkness. i punctate the night — the shroud of black that grows with every passing whirl around the sun — with my litany of sacramental simplicities.

the dawn is longer, blessedly, giving me more time to stitch those hours with the fine few invitations to bring in what’s hushed, what’s holy. i scoop my old tin coffee can with fat black seed, slide my toes into clunky boots, my arms in puffy sleeves. as the shock of morning cold splashes up against me, i fill my lungs with one quick gulp. then i march across the frozen stiff blades of grass, the mud that’s now succumbed into icy form, and perk my ears to hear the flutter of a wing, the rustling of a bough. i pause to scan the heavens, count the stars, spy the fraction of the moon. i’ve written a thousand times of how i make like i’m a farmer filling my trough, as i pour the seed in the feeder high above my head, stretching my arm far as it will stretch, raising up on tippy-toes, too. i’ve come to realize that the rush of pouring seed must be a call to all the birds, akin to “coffee’s on, come and get it!”

on the stillest mornings, the holiest ones, a cardinal or a junco might flutter in before i’ve stepped away. as if the gentle creature knows we’re in communion here.

perhaps i’ve learned, in my years — now three decades — of braiding jewish threads with catholic ones, to sanctify time, even more than place. abraham joshua heschel, whom i count among my constellation of north stars, writes: “judaism teaches us to be attached to holiness in time, to be attached to sacred events, to learn how to consecrate sanctuaries that emerge from the magnificent stream of a year.” he goes on to draw out that point: “the Sabbaths are our great cathedrals; and our Holy of Holies is a shrine that neither the romans nor the germans were able to burn; a shrine that even apostasy cannot easily obliterate…”

point, well taken. point, deeply taken.

i consecrate the holy hours — the ones of dawn and dusk and deepest night.

and so, this season is no longer a mad dash, but a countercultural adventure in stitching in stillness. in simply kindling light, one by one, an arithmetic of brightening, night after night, as both menorah and advent wreath burn against the darkness. our house is not filled with shiny boxes. santa’s list is not an annual exercise in accumulation. hanukkah at our house is brisket + latkes + jelly-filled donuts on the first night, candles and dreidels each night after that.

year by year, i dial down the noise, and amplify the hush that ushers in the stillness.

how do you consecrate your holy hours?

aubade: love song to dawn. or, perhaps, salvation.

dawns first light

aubade (o-bad), n. [Fr., from aube, dawn.] love song or poem to dawn, or about lovers separating at dawn; distinguished from serenade, or nocturne, love song to, at, or pertaining to night.

so says the dictionary, that plainspoken repository of meaning and use. but turn to a literary teller of meaning, and you’ll find definition with deeper-grained truths: “welcoming or lamenting the arrival of dawn.” a word given to us by the medieval french (who else would assign a whole category of poetic lament for lovers not wanting to part?), a word adapted from the spanish, alba, for “sunrise,” which borrowed from the latin, alba, the feminine form of albus, meaning “white.” aubade is a word first used in 1678, a word pinned on these particular proliferous poems, of which you will find 44,478 aubades tucked in the files of the poetry foundation. which, of course, is a lot of folks paying attention to the dark edge of daybreak.

i’ve long been drawn to this hour — that interlude when one minute it’s inky and silent, not even a ripple of breeze, as if the world hasn’t yet roused from its sleep, and the very next instant the stars have faded, the light’s seeped in, and the first warbles of bird can be heard.

this week, for reasons having to do with an imagination that would not stop imagining the scene in a synagogue just as the bullets rang out, the heads bowed in prayer in the sacred suspension of time that is shabbat, and for reasons having to do with worries about children applying to college, i woke each morning at 4. and i could not find sleep again.

so i rose. one morning i reached out my arm and instinctively clicked on the radio. right away, before my eyelids had clicked fully to “open,” i heard the radio squawking about opioid addictions and police activity at that ungodly hour. i clicked off the radio; the assault was too early, and i was too raw. the first sounds seeping in needn’t be awful.

so i tiptoed downstairs in the dark. i didn’t flick a single light switch along the way. i headed straight for the back kitchen door. stepped into the chill of that soundless hour, and i looked up and into the heavens. i stood there, soaking in the night’s last offering: the star-stitched canvas above. the moon, all crescent and brilliantly white. i basked in the stillness. the sense that i alone was awake and paying attention. the sense that this time belonged only to me and my soul, and the great breath of God flowing into and out of my whole.

then i partook of my sacrament with seeds: i turned back to the house, reached into my birdseed bin, filled the banged-up coffee can with sunflower seed, and returned to my stash of feeders. there is something holy about making the first act of the day one of tending to others, especially when the others are weightless and feathered and seem to exist only to fill you with song. and the delights of their darting hither and yon.

by then, the goosebumps were cropping up. and my bare feet (for i’ve not yet decided it’s the season for shoes) protested. so into the house i hurried, into the early-morning percolations of a house beginning to wake: furnace starting to hiss, coffee pot gurgling its soon-to-come promise.

in times like these we all need tucked-away coves that shield us and shroud us and keep away the goblins. in times like these — and for centuries it seems, all the way back to the middle ages when the first aubades were inscribed — we humans seem drawn especially to the hours when “the curtain-edges will grow light,” as the poet philip larkin famously wrote, or “the encroaching skyline pecked so clean by raptor night,” as christian wiman even more brilliantly put it.

it’s the margin, the demarcation, the abyss followed by the eternal promise, the rising of the sun. it’s our emptiness quietly, certainly, being filled up again. it’s the hour when we’re quiet enough to hear ourselves breathe, and perhaps, if we’re blessed, to catch one or two whispers from the still small voice that never, ever is quelled.

what’s your sacred hour? and how do you carve out the stillness so necessary for what amounts to salvation?

ordinary time

noddling bells of spring

deep in the recesses of my DNA, these knowings lurk. those little bits of knowledge slipped in once upon a time, those bits that order time, that frame the paradigm, the window frame, through which i watch the passing picture show called life.

somehow this week there was a whisper barely heard that told me ordinary time had come. technically, liturgically, it had come because the church i grew up in, the catholic church, ordains the monday after pentecost sunday as the opening of the long chapter of the year called “ordinary time.” and so, this week, as i slipped into this time, i couldn’t keep myself from considering the folds and undulations of just what ordinary means.

all around me, as lily of the valley sent up its flagpoles of perfume, as apple blossoms drifted down like vernal snowfall, as songbirds in feathers shocking pink and golden yellow darted in and from my feeders, i hardly thought things “ordinary.” the world’s in exultation.

and in my daily everyday, there was no relenting from the news that never stops and never slows to a trickle, nor was there quelling from the firehose of bumps and bangs that comes with loving widely, deeply. one night had me up till 2 a.m., making sure a young typist came to the end of his bibliography and junior theme (aka massive term paper) before we clicked out the lights. that same night had me dispensing nursing cures to a long-distance patient whose neck was in some spasm. all while keeping track of a train chugging to st. louis, where my sweet mate and familial co-conspirator drew more distant by the minute and the mile. by day, i somehow managed to turn in — on deadline — my own newspaper assignment, the first such one (a cookbook tale, complete with half a dozen lively interviews) in quite a while. none of this seemed “ordinary,” if by ordinary we mean “having no distinctive features,” as the oxford american dictionary tries to persuade us.

oh, around here, it’s distinctive all right.

i even plopped my bum on the old cedar slab i call my prayer bench, amid the ferns and bleeding hearts of my secret garden, intent on keeping watch on this so-called ordinary time.IMG_0172

lured by curiosity to the pages of old books, i dug around to learn a thing or three about this ordinariness. here’s a bit of what i learned: the church, in all her wisdom, divides the year into chunks of time (perhaps to fine-grain our focus, knowing full well we’d succumb to blur if not for demarcation). the church knows, according to one wise writer, “that human psychology desires the marking of moments.”

there are, apparently, two liturgical mountain peaks in the year, easter and christmas, each with preamble (lent and advent, respectively) and in between (here comes “ordinary time”) “the pasture between the mountains,” otherwise referred to as “vast verdant meadows,” of ordinary time, of tempus per annum (my church loves its latin, and, according to my resident latin translator, this literally means “time throughout the year”).

it must be the quiet season, the chunks of year when — inside the church and beyond — there is not the cacophony that comes with birth (christmas) or death and dying and its glorious resurrection (easter).

in one lovely meditation, i read that God, in infinite wisdom, invented the notion of seasons (not unlike the kaleidoscope that turns a notch and explodes in all new shapes and colored bits) as “invitation to reflection,” to jostle us awake as the all-around ever shifts. yet another meditation opined that God uses seasons to “translate wisdoms into a language of purpose for our lives.”

what that means, i think, is that it’s no accident that some of us walk around fully willing to be klonked on the head by the 2-by-4s of revelation that have us extracting lessons from earth and sky and trickling waters in between. it’s why a vine that blooms long after deadline (the week before thanksgiving, one year) might speak to me of undying courage, and the quiet of the dawn reminds me to settle my soul and breathe deep before the launch of day. it’s why the springtime stirs me full of hope, and all but insists i power up my rocket blasters.

ordinary, i read, comes from “ordinal,” or numbered, the weeks of the year simply counted off, one by one. amid the canvas of quiet, without profound distraction, our task in this stretch of time is to think hard and deep about the mysteries in the weft and warp of being alive. as this is the longest time of year, a full 33 to 34 weeks of ordinary time, depending when the feast days fall, i suppose the point is to settle in, sink deep, into the extraordinary work of living, with our attention meters cranked as high as we can muster.

all of that is literal, is what the books i sought spelled out. i tend to veer off the page. and that’s when i began to really contemplate the power of unencumbered ordinary. as if we’re given unfettered canvas on which to quietly and without bother absorb the sacred simple. the gift of being alive without all the inner chatter. the charge to scan the hours of the day for those moments that break us out in goosebumps. the blessing of deep, slow breathing. the chance, scant chance, to catch God in the act….
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of late, i’ve become intrigued by what i call the theology of the sacred ordinary. not the loud bangs and pyrotechnics, not the stuff that comes at the end of miles-long, desert-crossing pilgrimage, but rather the stark and quiet notion that we are living the Holy right now.

it’s the hush of a whisper, the percussion of the rain, those are the sounds that call us in, call us to behold the simple pure sacred. it’s the humility of the moment that belies its grandeur, its magnificent majesty……

and perhaps that’s the invitation of ordinary time, to dwell amid the plain-jane, stripped-down quotidian of the everyday. to awaken our deeper senses, our fuller attentions, to behold the Beautiful, the Wise, the Profound amid our daily stumbles and bumbles. to live as if the Book of Wonder has been placed upon our open palms, its pages spread akimbo. to extract, inhale, deep breathe its mighty and eternal lessons. the ones that whisper, the ones we hear only when we truly, truly listen.

what does ordinary time mean to you?

this morning’s writing came in fits and starts, as it sometimes does, as somehow this morning this old house clattered like it was grand central station, locomotives and the people who aim to board them rushing in and out the station, barely and noisily keeping to the clockwork schedule.

the holy cloak of stillness

snow morning

view out my window at daybreak

the day was abuzz with the news: it was coming, beware! by twilight, the first shreds of evidence appeared — couldn’t have been more gentle, scant flakes tumbling, every once in a while caught in the porch light. and the broadcasts blared on: this winter’s big snow, enough snow to cancel the school bells, enough snow to bring on battalions of plows, it was coming. children — especially a high schooler i know with a giant biology test due for today — let out a whoop and slammed closed the text books. meiosis and mitosis would have to wait.

i went to bed. with the blinds up because there is nothing i love so much as awaking to snow fall. no matter the hour. the earlier the better.

and so i awoke to the holiest sound i know: still silence. not a peep or a plow. the barest whoosh of air swirling through snow-covered limbs. i stood there and drank it all in. only now, an hour or so after the light seeped in, only now is the faint chorus of chirps beginning to stir. not a plow. not a shovel. not a footfall.

a morning like this, i often think, is the closest God comes to putting a finger to lips, whispering, shhhhhhhhh. 

be still. 

open your ears, open your soul. drink. drink in the stillness, the quiet, the pause. settle your soul. put aside the rumblings that rumble. this dawn, this start to the day, is reminder: the holiest sound in the whole wide world is the sound of just listening. remember to listen.

what do you hear?  

it’s prescriptive, a snowfall like this. of all the choices in the meteorological tool kit, no other one comes with the soundtrack of silence. except, i suppose, pure sunshine. but then, for me anyway, that comes with an undercoat of moaning. too much sun and i start to wilt. i’ll take a brisk pure snow any day.

i intend to listen all day. i intend to pull out the blankets and mugs. i intend to settle onto the couch with my sweet boy who runs this way and that. he’s caught in the snow trap today. everything is cancelled. hallelujah!

just now, a bolt of scarlet feather flashed by the window and settled down on the snow-mounded feeder. i took it as a call for breakfast — a bird call, that is — so i shoved my toes into boots, and scooped up a can of sunflower seeds. it goes against my grain to unsettle snow, but i grabbed the shovel anyway — the cardinal was hungry, you see. and i shoveled myself a path. there’s at least a foot of snow out there. and with more abandon than usual, i dumped. there is now black seed speckling my snow because i decided to share with the squirrels, and the big red fox should he decide to show up today. (he’s been ambling by more and more often; the other morning, in fact, he curled up for a long winter’s nap — a good three-quarters-of-an-hour nap — smack in the middle of the yard, circling this way and that till he found just the right lump for a pillow.)

and now, as the snow drips from my hair, the flakes out the window have plumped to double or triple their original size. no wonder when we were little we liked the idea that the angels were having a pillow fight. and the heavenly feathers were spilling all over. i could sit here all day, announcing the shift in the flakes and the fall.

and maybe, just maybe, i will….

a day of pure stillness is ours. and i intend to savor it all. and quiet my soul while i’m at it…

what will you do with your day? snow day, or rain day, or day of pure sunshine, depending upon your spot on the weather map?

hibernation station

book corner

reporting from my arctic cocoon, where the mercury hovers at a brisk -3, which the weatherfolk tell me feels something akin to -19, which explains why nary a bird is in sight and the bumps on my flesh are reaching architectural proportion…

if you propped up a camera at my house and did something of a time study, clicking the bulb every five seconds, it might appear that i’ve not moved in five days. the hide of the couch has given way to the rounds of my bum, the blanket lurches off to the side on those rare few occasions when i rise — for a drink or a nibble or a night’s sleep in full recumbent position — awaiting my certain return, where it folds itself just so round my knees and all of those knobby parts that protrude from the human equation. i am the very definition of “to cocoon,” or better yet, “to slither into dormant state where the turning of a page is perhaps the most taxing of movements.”

and so it goes in a week when you’ve intentionally left the calendar unmarked — not a doctor’s appointment or deadline in sight. all you’ve to do is hunker down with the ones you so love, the ones whose appearance by your side becomes rarer and rarer as the years and the miles pull you to faraway points on the map.

just yesterday there was an actual moment — an hour or more — when four of us were all nestled in the very same room, all under blankets of our own choosing, and all turned pages (or, truth be told, clicked through screens), while the logs in the fire crackled and hissed and occasionally whistled. it was — we were — the very picture of post-pioneer home entertainment.

i’ve been hunkering down with three glorious friends — john mcphee, john o’donohue, and my newest friend, robin wall kimmerer, a plant scientist, potawatomi, and poet who is taking my breath away by the paragraph, with her brilliant collection of essays, braiding sweetgrass, a book that’s been lined up in the queue between bookends that sits atop my desk, but only just now shoved its way to the front of the line and into my lap. i take turns with the three of them, as if in deep conversation with friends across the kitchen table. i read mcphee, draft no. 4, a collection of essays on the craft of writing that reads something like a masterclass, for whole chapters at a time; it’s that good that a whole hour can sweep by and i’ve not moved saved for the scritches and scratches and exuberant stars i’ve penned in the margins.

it’s the rarest of times, the depth of the pause that comes in this bend in the year, the days wedged between christmas and new year’s. and, by golly, the weather outside is playing right along. i trudge outside only to dump seeds for my hungry feathered friends, the ones i worry about, especially when there’s barely a flutter of wing and i imagine them barricaded and seed-less in the places they hide to keep out of the cold.

it’s a rare refueling respite. a time to curl away from all that pulls at us, all the other times of the year. it’s what makes these days holy to me. unfettered, unbroken. a time to breathe in the same air as the ones you so love. a time to lay a soft palm on the arm or the shoulder of the one who turns pages beside you. a time for whispers and glances, and  heart-melting meeting of eyes.

it’ll be over today, when the tv roars to a tiger-ish roar, and the football teams clang helmets, and the boys i love — along with a few of their friends — haul in spicy hot food and decibels to match.

perhaps i’ll begin to turn my thoughts toward the cusp of the new year coming, the one about to be birthed, the one i will once again fill with hope and dreams and prayer. i will pray for peace, and for gentle ways to rinse the land. i will remember those who’ve stitched this past year with kindness, defiant kindness, a kindness that refused to submit to the ways of the loudest and most churlish among us. i will count my blessings, one after another, one sweet soul after another. for it is in the sweet souls who surround me that i find those rare shimmering lights, the ones that keep me from slithering into the muck. i’ve needed those lights more than ever in this past soul-tattering year. needed reason to rise above the least common denominator, needed scant outlines of hope that the darkness would pass, the dawn might certainly come.

oh, coming year, come on us gently, come on us with occasional radiant light….

i pray you’ve found quiet or noise in the proportion that best suits you. and i pray for all of us that the year and the days ahead are gentle to the heart and the soul, and that one or two of our dreams come tumbling true. 

for what do you pray in the year just up around the bend?

december’s whisper

red berry

the december i am drawn to, the one that most emphatically, insistently, invites me in, is the one that beckons in whisper.

the apex of my counterculturalism, perhaps, i take my month of longest night in slow sure sips. timpani belongs to someone else. my december—our december, perhaps, for there is evidence we’ve found each other, kindred spirits here—is one that calls for quiet.

long stretches of hours in which the simmering on the stove, the ticking of the clock, the occasional squawk of the jay at the feeder, those are the preludes, the quarter notes and half notes that i take in.

there will come, i’m certain—because year after year it comes—the one annual carol i play over and over, cranking the dial till the house shakes, and i worry the next-door neighbor might come running to see if all is well. (“mary, did you know?” a leading contender, third year running…)

gingerbabiesand so i’ve spent the week preparing, whisking away autumnal vestige, ushering in soon-to-come winter. i’ve stockpiled seed in 20-pound sacks (several, so far), and vats of ice-melting pellets for the dawn when the ice comes. i’ve piled pumpkins and gourds in the old trough my squirrels and possums (and occasional uninvited skunk) depend on, the autumn’s feast now theirs for winter keeping. i’ve snipped boxwood and spruce, tucked branches of both into window boxes just below the ledges, where jack frost will soon anoint the panes. i’ve strung italian star-lights around and through the posts of my picket fence. when the sun drops down, i won’t be alone in the dark. there is twinkling at the edge of the yard, front and back. and a candle flickers atop the kitchen table.

it is all a part of the coiling in. the nautilus of deepening prayer.

the prayer that fills me most is the prayer that slowly and silently seeps to the tucked-away places, the ones that await the season of stillness, the places unlocked by the smells and the bells of december: pungent clove, star anise, hissing wick, crackling log, twilight’s first star and the night’s last ember at dawn.

it won’t be long till somehow i crank the oven, haul out the canisters, bang my grandma’s old maple rolling pin against the cutting board’s edge. my coterie of cookie cutters each play a role in their own sugarplum suite.

zoupone day this week i hauled a turkey carcass from the fridge, and plunked it in my deepest pot, the vessel for soup-making for a dear dear friend whose newborn is just home from the ICU, and for whom i’ve cooked up all the sustenance i could imagine: brown rice, pulled-from-the-earth plump knotty carrots and fennel and garlic, savory stock, handful of parsley.

i’ll deliver my brew well before sundown, and in return i’ll drink in the newness, the perfection, of a babe just birthed, cradled more tightly and tenderly than ever imagined because ICUs do a mighty fine job of reminding how blessed it is to be finally sent home, untethered from the web of too many tubes and the fright that shakes a new mama and papa—and all those who love them—down to their rickety bones.

(there is, of course, no ailment the balm of day-long simmering kettle won’t cure; even a newborn mama’s terrible tremble is certain to be chased away at the very first shlurp of that omnipotent zoup.)

indeed, these are my december liturgies, day after day. intercessions of prayer, punctuated by plain old worldly deadlines. i attend to my errands and chores and assignments—laundry is folded and ferried, empty shelves of the fridge re-stocked, sentences are typed and essays submitted.

but the work that’s most heavenly, certainly, is the quiet work of the soul come december. the making way, making room at the inn, in the heart.

the grace of december, the gift of december, is in the quieting, the hush of the sacred whisper. the vespers that hallow—make holy—the heart. make room in the heart this quiet december.

i’ve been saving this poem, “winter grace,” for the whispered beginnings of the season of stillness….

Winter Grace
By Patricia Fargnoli

If you have seen the snow
under the lamppost
piled up like a white beaver hat on the picnic table
or somewhere slowly falling
into the brook
to be swallowed by water,
then you have seen beauty
and know it for its transience.
And if you have gone out in the snow
for only the pleasure
of walking barely protected
from the galaxies,
the flakes settling on your parka
like the dust from just-born stars,
the cold waking you
as if from long sleeping,
then you can understand
how, more often than not,
truth is found in silence,
how the natural world comes to you
if you go out to meet it,
its icy ditches filled with dead weeds,
its vacant birdhouses, and dens
full of the sleeping.
But this is the slowed down season
held fast by darkness
and if no one comes to keep you company
then keep watch over your own solitude.
In that stillness, you will learn
with your whole body
the significance of cold
and the night,
which is otherwise always eluding you.

“Winter Grace” by Patricia Fargnoli from Hallowed. © Tupelo Press, 2017.

how do you make room in your heart, in your unspooling of the day, for the whisper come december?

putting a season to bed…

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for weeks now, i’d been thinking i’d mark this one-year point with an open letter to the occupier of the oval office. i was going to politely suggest that i’d prefer a country of considerate kindness and gentleness. i’d prefer the bullying, the bragging, the bombast be put to bed. i was going to mention how i’d withered across the arc of the year, how i went to bed some nights with such a sinkingness in my belly, i ached. and then i woke up aching some more. i was going to tell him that, from the eensy-weensy spot on the map where i keep watch, i felt like i was elbow-akimbo at the edge of the fourth-grade playground, watching the schoolyard bully chase after the scrawny kids who couldn’t run fast enough, the ones who could never find a safe place to hide. i was going to ask if maybe, for the sake of our souls and our sanity, he could please swallow a humble pill, take a hard look in the mirror, and remember that children are watching, children are taking their cues, and parents all over the land are hitting the mute button every time he chimes up again. i was going to ask to stop with the tweets.

but i decided — or my wiser, gentler angels did — that i’d best invest those energies under the great pewter dome of november’s sky. i turned, as i so often do, to the balm that comes in raking my hands through cold damp earth. in tuning my ears to the sound of the blade slicing through the garden’s autumnal frost.

i spent the morning taking census of nodding heads and withered stems. i dumped out shallow pools of rainwater from the last few pots, hauled spent vessels into their winter’s resting place. the hoses i drained of last dribbles.

autumn is the season of turning in, and i partook of the liturgy with muddy hands and dirt-stained knees. there is a whole body immersion, a surrender to the dilution of light and heat, a preparing, a submission, that comes with the ticking through earthly chores. chores, perhaps, are those seasonal triggers, the ones that pull us into the lure, into the spiritual cadence of each and every turning of the calendar page.

we are on the cusp now of the darkening, a season i regard for its inner kindling — look past the inking in along the margins, dwell on the lumens arising within.

we coil now into our depths, into the nooks and crannies of our soul, and we do best to dial down the noise, to slow the beating of our hearts, to aim for a stillness shared with so many citizens of the woods and waters and sky.

consider the painted turtle, who a week ago might have been basking in a pool of sunlight atop a log, but in one invisible moment, might have heard the ancient whisper: it’s time now. and so the turtle took her last deep breath and plunged to the silty bottom of the chilling pond, pushed aside the lily pad roots and stems, burrowed deep into the mush, and settled into her wintry stillness.

just now i was reading that she goes so still she doesn’t need to breathe, “she slows herself beyond breath in a place where breath is not possible,” writes gayle boss in “all creation waits,” a breathtaking advent book i will soon share. and while the turtle is without oxygen all winter long at the murky bottom, as lactic acid builds in her heart and her bloodstream, she draws calcium from her hard shell, in order to neutralize the acid, in order to keep her muscle from burning away.* she literally dissolves through the winter, till the vernal thaw when she rises, deep-breathes again.

blessedly, we do get to breathe. and, mostly, we don’t dissolve over winter. but turtle has a lesson to share. it is this:

“…every stressed particle of her stays focused on the silver bead of utter quietude.

“it’s this radical simplicity that will save her. and deep within it, at the heart of her stillness, something she has no need to name, but something we might call trust: that one day, yes, the world will warm again, and with it, her life.”

i say we’d all do well to turn in. to tuck away our last few pots. to coil away the hose. to replenish the bins of seed for the birds. to aim for the stillness of the painted turtle. to put this season to bed. and await the deepening to come.

painted turtle from all creation waits

painted turtle, from “all creation waits,” illustrated by david g. klein

how will you put this season to bed? do you dread the darkening or do you keep your gaze on the flickering flame deep within?

* is not the divine design of creation the mind-blowingest, knee-bendingest endeavor you ever did encounter? that the pond-bottom oxygen deprivation is balanced by the turtle’s hard shell, that one yields and shields the other, that all of this was conceived….

earlier and earlier

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crescent moon winking over the dawn. from my kitchen window.

i wake earlier and earlier, as if those fractions of hours just might wrap me more certainly in the velvet folds of the day. as if i’m grasping for a blanket someone’s pulling away.

i wake early for peacefulness, for quietude. i wake for the hum of the cricket, even before the trill of the dawn begins. just now a bird with quivering throat joined in. it’s off in the distance, faint. faint is the way i like my sounds in the morning. muffled. just beginning to fracture the silence.

i wake before a single floorboard creaks. i wake before anyone else turns a faucet. i wake to be alone with my thoughts and my prayers, and the gentle God who joins me.

this was a week for awaking earlier and earlier. it gets harder and harder to know what to do, to rise up against hate and horrors. i blanketed myself this week by typing away. i’m typing as fast as i can, bearing down on a deadline, typing gentle words, shimmering words, onto the page, in hopes that they’ll carve out rivulets of blessedness, course straight into hearts. whoever opens the pages, in months or years down the road, i pray they find something gentle, words that simply tap at the door, trickle in, make for peaceable eddies, right there in the well of someone’s heart.

the light now is beginning to soak into sky. i can make out the filigree of morning, the edge of the dill, the willow fronds barely rustling. the wind hasn’t yet stirred up its muscle. the morning is still.

the moon, winking, hasn’t yet faded–dawn’s cradle, off to the east, far beyond my kitchen window, it shines in sliver of crescent. where will you be when the moon blocks the sun, that once in a century heavenly upstage?

there wasn’t much to steady us in this past whirl of days, but there were glimmering moments, one or two, that broke through the melee, that caught our attention, took our breath away in the course of rending our hearts.

the mother of heather heyer, the woman crushed by a hellfire car in charlottesville, she was the voice of pure holiness this week. her lone voice rose up from the din. her words echo and echo in the chambers of my heart. hers is the poetry of the week, worth remembering.

here’s a bit of what she said, called out into the wilderness of a nation reeling, a nation whose moral compass is spinning dizzily, scrambling to find its true north.

sharon bro:

“They tried to kill my child to shut her up. Well, guess what? You just magnified her.”

“You need to find in your heart that small spark of accountability. What is there that I can do to make the world a better place? What injustice do I see—and want to turn away: ‘I don’t really want to get involved in that. I don’t want to speak up. They’ll be annoyed with me. My boss might think less of me.’ I don’t care. You poke that finger at yourself, like Heather would have done, and you make it happen. You take that extra step. You find a way to make a difference in the world.”

she concluded with this:

“So, remember in your heart: If you’re not outraged, you’re not paying attention. And I want you to pay attention, find what’s wrong. Don’t ignore it. Don’t look the other way. You make it a point to look at it, and say to yourself, ‘What can I do to make a difference?’ And that’s how you’re going to make my child’s death worthwhile. I’d rather have my child, but, by golly, if I got to give her up, we’re going to make it count.”

beautiful chairs, make it count.

where’s your true north, and how will you get there?

soulful reads for a week that’s leaking at the seams…

Portrait

old faithful: only slightly more emphatic than the geyser at our house this week

it’s been one of those weeks over here: a concussion on sunday (our not-so-big ultimate frisbee kid crashed face- and head-first so hard into other team’s Very Big Kid’s shoulder and biceps that the coach called that night to say he’d never heard such a loud bang between colliding bodies), leaky pipe-turned-geyser on monday, four hours of doctor on tuesday (preceded by an hour on monday). (oh, and did i mention eight hours of plumber squeezed between doctors?) and from there, the week dissolved.

or, more aptly, it flooded. any appliance in the house that could go kaput, did. (yesterday the ice maker seemed to be trying to set world record for cubes, a cascade of frozenness that would have made i-love-lucy escapades pale in contrast. yes, a first world problem, i totally get it!)

so, while i type away toward impending deadline, i’m thankful for a shelf of good reads. i wrote this batch back in february when i was down with strep, flu, bronchitis and eventually pneumonia, but it just appeared in print, in the chicago tribune, yesterday. each book is a gem, but the one i’ll hold onto forever is “dorothy day: the world will be saved by beauty,” the enchanting and bracingly honest biography, written by dorothy’s granddaughter, kate hennessy.

this line, in particular, is worthy of a week’s meditation — at least:

“Maybe she saw beauty in the cracked, chipped, and repaired. This is a paradox we all live with — this flawed vessel called to holiness.”

may your week be far less leaky than ours…..

spiritual-collage-20170522

Appraisals of Dorothy Day, Rumi and St. Francis in this week’s spiritual book roundup
Barbara Mahany
Chicago Tribune

“Dorothy Day” by Kate Hennessy, Scribner, 384 pages, $27.99

It’s the tag line, six words wafting just above a watery image of a mother and child up to their ankles in ocean, that captures the magic: “An Intimate Portrait of My Grandmother.” And mind you, this is a biography of Dorothy Day, founder of the Catholic Worker movement, called “a saint for the Occupy Era,” and now being considered for canonization as one of the 20th century’s great American forces for good.

The brilliance of this devastatingly beautiful work — you can almost hear the grandmotherly whispers, and yet it’s deeply journalistic in its fine-grained and unflinching reporting — by Kate Hennessy, the youngest of Day’s nine grandchildren, is this: Hennessy does not give us hagiography; she explores the depths of Day’s humanity, in all its frailty and shortcomings, and points us toward an indelible truth.

She makes us see that there’s a fine balance, a constant tension, in all of us — even in Day — in which the sinful is at work with the saintly. Yet somehow, in the end, through force of will, or divine grace, the light outshines the darkness. Love reigns, but not without struggle. Maybe we too can find that tipping force.

Hennessy captures that essence in a passage about her own mother, Tamar, Day’s only child: “Maybe she saw beauty in the cracked, chipped, and repaired. This is a paradox we all live with — this flawed vessel called to holiness.” Dorothy Day answered to holiness.
Her granddaughter’s masterwork belongs as a permanent addition to any literary bookshelf of the best of spiritual biography.

“Rumi’s Secret” by Brad Gooch, Harper, 400 pages, $28.99

In the prologue of “Rumi’s Secret: The Life of the Sufi Poet of Love,” the author wanders the Grand Bazaar of Aleppo, Syria, that now bomb-ravaged city of infinite heartache, in search of any lasting trace of one of civilization’s most enduring spiritual guides. In these deeply divisive times, it matters more than ever to deepen our understanding of the roots of sacred Islam, and this deeply researched and highly literary biography of Rumi, the 13th-century Persian poet and Sufi mystic, is at once prescriptive and enlivening.

Rumi’s poetry, it’s been said, is pure devotion to a “religion of love.” No wonder, eight centuries later, it ranks among the best-selling on the globe. Until now, though, only the barest outlines of Rumi’s life had emerged from behind his poetry.

Brad Gooch, whose earlier biographies of Flannery O’Connor and Frank O’Hara were widely praised, traces the life and teachings of the mystic often compared with Shakespeare, for the volumes of his creativity, and St. Francis of Assisi, for his spiritual wisdom.

In an attempt to illuminate Rumi, who preached an “emphasis on ecstasy and love over religions and creeds,” Gooch learned Persian to read the poet’s original works, and retraced 2,500 miles of Central Asia — from Iran to Turkey, Syria to Tajikistan and beyond — exploring the major centers of Muslim culture in Rumi’s journey.

Rumi’s greatest achievement, Gooch writes: “To articulate the sound of one soul speaking: Don’t speak so you can hear those voices/ Not yet turned into words or sound.”

It’s a call to sacred silence — a call this noisy planet needs.

“A Gathering of Larks” by Abigail Carroll, Eerdmans, 108 pages, $12.99

It’s fitting that a book of modern-day letters to St. Francis, the 12th-century friar who called himself “God’s Fool,” would be deeply playful. And so it is.

“A Gathering of Larks: Letters to Saint Francis from a Modern-Day Pilgrim,” an epistolary gathering of poems-cum-love letters is indeed sparked with joy and stitched with whimsy. But, too, it’s richly textured — hardly a one-note wonder — and promises to catch the unsuspecting reader off-guard. In fact, that’s where — in lines that pulse with sorrow, in verse that spares no jagged-edged truth — much of its power lies.

For those among us who consider Francis a model of gentility and grace, it’s a wholly charming notion to reach out from our world of big-lot stores to the patron saint said to tame a wolf, preach to larks, and sing to Brother Sun and Sister Moon.

The writer of these letters — Abigail Carroll, a Vermont-based author — is very much an inhabitant of the modern-day melee. Yet she reaches beyond — to another time, to another plane of mysticism — and in rubbing together the profane and profound, the secular and sacred, she positions the medieval saint squarely in our midst. And makes us understand why he remains a vital prophet, one imbued with much to teach us on the subjects of natural wonder versus materialism, on beauty, brokenness, simplicity and, above all, on faith of a radical kind.

what’s on your reading list at the moment? any leaks in your week? 

and happy blessed birthday to dear dear jan, beloved longtime friend of the chair. sure are a heap of may birthdays here at the table….

stitching in the quietude

light coming in at the edges

before this day ends, i will be tucked in a sleeping chamber in an old and timeless seminary. it will be an unadorned cell — a bed, a wood-slabbed floor, maybe a window.

i am driving to the woods — and the great stone seminary, nestled along a lake — to give my soul the air time it so deeply needs. it’s been too long. decades and decades since i slid into a many-chambered monastic place, and stayed the night. since i fell asleep under rough-hewn sheets, listened to the silence all around, heard the whispers of my deepest soul cry out.

i’m long overdue. of that, i’m certain. monasteries and abbeys have been calling out to me for years. please come, they beckon. please rest your weary soul. yet i’ve not obliged. not wholly, anyway.

oh, i’ve popped in from time to time, knelt down, kindled wicks in rows of vigil lights. but not surrendered into the seamless timelessness of true retreat, the respite from everyday cacophony.

when we lived for a year in cambridge, mass., there was a great grey stone monastery, tucked along a bend in the charles river, shadowed behind a stand of sycamores, and i wove it often into my daily meanderings. my hours there were holy. were hushed. the alchemy of candle smoke, infused with incense, infused with long-robed monks chanting morning prayer, it catapulted me toward that place where prayers stir deep and deeper.

and now it’s time for immersion into silence.

that this quiet interlude, one i invited in months ago, is coming now, amid a week of hallelujah mixed with jitters, it’s blessed timing. from sundown to sundown i’ll be washed in quiet. in listening to the prayerful wisdoms of the fine soul who’s convened the gathering, whose lifework is inviting in quietude. reminding us — all of us — that we need equal measures noise and silence. that our hectic lives beg for the punctuated pause. that we etch in time for absorbing, for soaking in the holiness that’s always all around.

it comes just before that swirl of passover and holy week, an intermingling in this house that has us marking ancient story and eternal truth. it comes amid a springtime that’s unfurling abundantly, with blessings all around.

it comes just hours from now.

and i am quieting already…

may you all find at least a spot of quietude this day, this close of another week. 

how do you respond when you’re called into the deep that comes with no noise?

and a magnificent thank you to every blessed chair sister and blessed friend who scaffolded my heart, kept my knees from buckling last night, at the “birthing” of Motherprayer. whether you were there, in the charmed and quirky bookstore, or sending whispers from afar, you somehow propelled me through. it all always begins here, where roots grow deeper by the day. xoxo