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October 4, 2013

the holiness of work

the dry spell had been long. the dust, collecting in my throat. the days of wondering where i was meant to be. aching for a path, a sense of how to find the clearing, through the thicket, up the side of the mountain.

some days i swore i’d lost my soul. found myself pounding out tales of how to clear a plugged drain (talk about ironic). oh, sure, i liked the plumbers all right. didn’t mind learning a thing or two about the ways of my sink. but really? i’d left the bedsides of dying children, picked up pen and notebook, to find myself 30 years later, making sure the world knew how to un-plug that drain.

clearly, that was not my steady diet. i spiced it up with the occasional soulful musing. saying goodbye to kids headed off to college. saying goodbye to my own. but it was, more days than i wanted it to be, an exercise in driving me to madness.

i could barely remember those days this week as i sat, morning after morning, in the shifting light. heard the chatter from just beyond the screen, as the sparrows had it out with the cardinals. and no one appreciated the stalking ways of my fat striped cat.

but there i was, red pen in hand, poring over pages that are typed-out vessels from my heart. more like prayer cards, each and every one. it’s called editing, but really it’s distilling. distilling to the essence, paring away excess. cutting to the bone.

it happens to be essential to the craft of writing, but really it’s essential in this odyssey called life.

we are each of us, processing machines. we wander through the day, absorbing this and that, taking in that long tale, and this winding one. if we’re thinking, paying attention, we are always on the lookout for the essence, the gospel take-away, the distillation of heart and mind and soul.

one by one, we take the offerings of the day, hold them to the light, sift and sort. decide which ones serve up sustenance, which ones merely upholstered the day in wit and whimsy.

so that’s the task i’m attending to right now. whittling down page after page, sentence after sentence, to its essence. its holy spark, if there is one. others will be the judge.

and as i slowly turned the pages, as the red pen traced progress in the margins, i found myself bathed in an undiluted sense of the holy. maybe, just maybe, it’s baptism, all over again. a new beginning. maybe after all the years, i’ve stumbled on the deep pure vein that connects me, that i’ve been trying to find for what feels like forever.

holiness. it’s why i set out on my journey long ago. it’s the wind beneath my wings.

and it came up and tapped me on the heart this week. seeped in through the holes in the screen door. filled the kitchen.

there’s work to be done, from now till tuesday, when the next deep round of edits are due. this whole month is pretty much a blur of tight deadlines, one cascading atop another. thank God i live with someone who understands the urgency, and the long long dry spell that preceded it. he seems to know that it’s a prayer i am offering to the heavens. because really that’s what this is.

and it’s the holiest work i’ve ever done.

thank God it found me. i’ve been searching for so long.

so that’s the update from here at the news desk. whirling madly toward the deadline. a dear friend visiting for the weekend, the joy of trying to sustain calm amid deep-down palpitations. so i’ll simply pay closer attention to whatever it is i’m doing in the moment. extract more essence.

and the question: what’s your holy work? and how did it find you?

9 Comments

September 25, 2013

99 psalms: prayer-poems that “refuse to leave us unattended”

it was nearly 17 months ago, on a hot saturday’s afternoon, with little sleep the night before, that i climbed the stairs of a gray triple-decker (boston vernacular for what chicagoans call the “three-flat”), just down the lane and around the corner from harvard square. there i met a bearded gentle man, a man who presided over an aerie where birds came to the windows, where sunrise poured into the living room, and sunset washed the kitchen in a rose-tinted rinse. cabinets were stacked with pottery, cobalt rough-hewn plates, heavy to the hand; mugs whose handles met the flesh of your palm with solid tenderness. and books, books lined the walls, floor to ceiling, in half the rooms.

the bearded bespectacled man was mark burrows. he was, for 11 months, our landlord. and he will be, for life, my lighthouse keeper and my teacher.

mark (for in this moment i address him as a friend) is a professor of poetry and divinity, a scholar of mysticism, and a historian of medieval christianity. in that first walk-through of the two-bedroom-two-office apartment for rent, as i spied the titles on his desk, i knew i needed to live there. i needed to inhale the essential texts, and the poetry and prayer that breathed there.

almost a year ago, mark, who is now teaching theology and literature at the university of applied sciences in bochum, germany, published the luminous “prayers of a young poet” (paraclete press, 2013), a collection of 67 poems of rainer maria rilke, the great german poet. that book, the first english translation of rilke’s prayers in their original form, evoked for poet jane hirshfield, “leonardo da vinci’s notebooks — it shows the same mix of surety, roughness, genius, and the sense of a precipitous creative speed.”

rilke explores “the poetry of search,” or as burrows writes, “poetry that ponders darkness.”

just weeks ago, my teacher, professor burrows, published another translation of a poet whose work dares to explore the often unexplored landscape — the soul in exile. this time, burrows put his considerable intellect to the work of a poet i’d not ever known, one who goes by the pen name of SAID.

the book is titled, “99 psalms: SAID,” translated from german by mark s. burrows (paraclete press, 2013).

born in tehran, SAID emigrated to germany as an engineering student in 1965, but he abandoned those studies to pursue a writing career, and through the power of his poetry, has become a prominent figure in the german literary scene.

burrows first encountered SAID, he recalls, on a “dreary, rain-soaked night” in munich’s old city hall in may of 2010, at a poetry reading held in conjunction with the second ecumenical Kirchentag, a massive gathering sponsored by the roman catholic church and the protestant church of germany.

as SAID took to the microphone, burrows writes that he noticed the audience leaning forward, the better to absorb what flowed next.

“the psalms he chose…were blunt, vivid, and often startling in their language and imagery. none betrayed any trace of sentimentality…the fierce directness of their language conveyed a marked impatience with intolerance, probing the ambiguities of life with an unflinching honesty in order to remind us — if we had forgotten — that ‘purity isn’t the sister of truth.'”

burrows goes on to write that “these are psalms that cry out against the confidence of zealots, with their claims of righteous authority over others — crusaders, campaigners, and jihadists alike.”

in other words, the exile SAID writes poems of exile, “psalms arising from a ‘no-man’s-land.'” he employs a metaphor of wind as “a hope that reaches beyond religious differences and across the growing disparities between the affluent and poor,” as burrows writes.

in the tradition of the hebrew psalmist, SAID’s works are poems of praise and lament. burrows writes that “the poems we need are often the ones that refuse to leave us unattended.” they remind us “to look beyond what we know, or think we know.”

these poems, writes burrows, “bear witness to the heart’s descent into loneliness and despair, and gesture to the ascents we also know in moments of compassion and generosity.”

as always, poetry does the work of capturing the unspoken, unformed fragments of our heart, of our deepest imagination. the poet, as the butterfly catcher, employs the vessels of language to net, to gather, to collect the flitting-about, untethered, winged idea, the moment.

the poet does the work so we — the reader, the listener, the lonely pilgrim — can stake some claim of understanding in a landscape that until the moment of the poet’s poetry has escaped us.

the poet places us, solidly, in territory at once familiar and foreign. we trip upon the syllables of the imagination, and we find ourselves breathless at the poet’s deep knowing, at the exhilarating moment of loneliness collapsed. we recognize, we understand anew the depths of the human spirit, in wordform before un-uttered.

SAID addresses his psalms to “lord,” though not one bound by any religious tradition. he is certainly a late-modern psalmist, and his prayer poems speak to the complexities of the tangled fractious world in which we live. he explores the human condition with more urgency, perhaps, than he explores the divine. and therein is tension, poetry that refuses to leave us unattended.

one last thing, before i leave you with a psalm or two: about the 99 psalms, the number ninety-nine in the muslim tradition is the precise number of names by which Allah — God — is known. there remains one name — “the last/ the hidden” — that is unknowable, beyond us. so too with the 99 psalms; we are left wondering about the one beyond, the one which, perhaps, is written but not known, or not yet written. what might the unknowable tell us? why are we left not knowing?

here, a pair of SAID psalms that “refuse to leave you unattended”:

[Psalm 35]

lord

pray

that we recognize you

when you come

destroy the go-between gods

with their grand airs and their daily needs

set your seal upon your houses

and don’t be afraid of our nakedness

let the cypresses be your messengers

for they stand upright and whisper

and don’t try to convert the wind

[pause for silence.]

and now, one other, though choosing only one was tough, indeed…

[Psalm 10]

lord

spread wide your arms

and protect us

from the multitudes of your guardians

stand by those who wander

who’ve not lost the gift of hearing

and listen within their solitude

stand by those too

who stay and wait for you

[silence, once again…]

chair friends, i come to you on a wednesday, because in the publishing world these days, blogging about a book is one way to cast wider the net. and today was the day they asked me to write.

i ask: is there a poem in your life — or especially in your now — that refuses to leave you unattended? and what about the 100th psalm, do you wonder what it asks or says?

11 Comments

September 20, 2013

of a pig and a spider and bearing the unbearable….

maybe it was all the hours curled up on my patchwork quilt, pretending i had a fever so i could stay home to read instead of going to church. maybe it was the time travel. or the slipping quietly into someone else’s heart, someone’s secret hideaway. but the hold that children’s books had on me, has never lifted.

i tiptoe my fingers across the bookshelves, and feel the quickening in my heart. there’s miss rumphius, and her lupine seeds. there’s the secret garden, and orphaned mary lennox slipping into the secret locked garden of her uncle’s great house on the yorkshire moors. there’s the little house in the big woods, where laura ingalls wilder made me feel the icy morning cold and hunger for the prairie porridge. there’s tasha tudor, she who launched a thousand dreams and made me see the magic in a single tulip’s petal.

and then there’s charlotte and her web. and wilbur who ever breaks my heart and fills it up again.

so no wonder when the call went out from my sweet boy’s reading teacher for grownups to come to class, to bring along a book that they read and re-read in days gone by, i turned rather swiftly to a spider and a pig and a girl named fern whose cry for justice never has died down.

“where’s papa going with that ax?” said fern to her mother as they were setting the table for breakfast.

“out to the hoghouse,” replied mrs. arable. “some pigs were born last night.”

“i don’t see why he needs an ax,” continued fern, who was only eight.

“well,” said her mother, “one of the pigs is a runt. it’s very small and weak, and it will never amount to anything. so your father has decided to do away with it.”

“do away with it?” shrieked fern. “you mean kill it? just because it’s smaller than the others?”

and so, with those four questions, fern leaped to the top of my hero’s heap.

and as kate diCamillo writes in the foreward to the 60th edition of e.b. white’s classic, “charlotte’s web,” the crux of its miracle is this: “within the confines of its pages , something terrible, something unbearable, happens. and yet, we bear this unbearable thing. and in the end, we even rejoice.”

later, diCamillo goes on: “it is also e.b. white’s promise to his reader: things will continue; life will go on. it will be beautiful, astonishing, heartbreaking. and as long as you keep your eyes and heart open to the wonder of it, as long as you love, it will be okay.”

talk about religion.

no wonder it is among the holiest acts to slide a charlotte’s web, a miss rumphius, a secret garden, into the hands of a child, one whose circles are just beginning to expand beyond the being fed, and tucked in at night, beyond the reminders to brush teeth, and the taping of bandages across skinned knees.

it is through the pages of a beautifully wrought, deeply inscribed book that a child slaps on her or his first explorer suit, and sets sail across rocky seas, and steps into tangled shadowed woods.

while that child might get lost in the depths of those pages, forget that he’s curled under the covers in his very own bedroom, with his very own baseball trophies lined across the sill, and his very own mama banging pots and pans down in the kitchen, the holy resurrection of reading is that the terrors and the unbearability and the broken hearts belong inside the pages. and in time, that child can shake it off, and tuck the whole heart-stretching exercise back between the covers. yet go forward, having held on tight through the tug and pull and breath-catching, and be just a squidge more ready to encounter the real-life bumps and hurricanes. or simply to understand those encountered by fellow travelers.

and isn’t that, in the end, the children’s gospel, and the scripture that carries them to mountain tops and certain shores?

because i’ve been enchanted all week with a particular spider and a pig, and scribbling madly in the margins, i thought i’d leave you with a few fine links for more reading. one, from the american museum of natural history, that tells the backstage tale of the curator in the museum’s department of insects and spiders on whom e.b. white heavily relied for scientific detail on the Aranea cavatica, the species of barn spider to which charlotte belonged.

the closing paragraph of that article is worth typing out here (bold-faced emphasis per moi):

The publisher, Harper & Brothers, had misgivings about the death of the heroine in what was essentially a children’s book but “on this point [White] refused to budge,” writes Sims in The Story of Charlotte’s Web. “Natural history could not be dodged: Charlotte’s species of spider dies after spinning its egg sac.” White’s choice stands the test of time. Charlotte’s Web is as popular and enduringly poignant as when Eudora Welty first described it in her 1952 review. “What the book is about,” Welty wrote, “is friendship on earth, affection and protection, adventure and miracle, life and death, trust and treachery, pleasure and pain, and the passing of time. As a piece of work it is just about perfect, and just about magical in the way it is done.”

here’s the link to that spidery web….

and if you’re in the mood for a bit more reading about e.b. white and pigs, here is a marvelous piece by my dear friend betsy o’donovan, on why white’s essay “death of a pig” — inspiration for “charlotte’s web” — is such a magnificent piece of story craft. and as an added dose of russian-doll magic, the betsy link will link you straight to a re-reading of white’s class — and heart-wrenching — “death of a pig.”

be gentle to spiders and runt piglets this week. and cheer little girls — and boys — who speak out against axes and injustice.

with my first load of edits and revisions, and a truly tight calendar to complete the final manuscript and send it off to the copy editors’ desk, i am writing night and day over here, and thinking madly when fingers aren’t touching the keyboard. the next month will be a blur. but then the heaviest load will be behind me once again……

savor your reading, and do tell: what children’s classics were etched into the blank slate of your heart?

7 Comments

September 13, 2013

joy of one

sooner or later, it happens. to anyone who’s assembled a tumbled lot of kids. housed them. fed them. worried through a night or two.

it’s the law of simple arithmetic. subtraction, actually.

x – 1 (to the nth power, depending how many you’ve accumulated) eventually = 1.

for all the momentum you’d once acquired under that one shingled roof, for all the noise once collected over forks and spoons and spilled milk, there comes a day when there’s only one poor child under your sights.

poor child, indeed.

that one and only kid is unshakably under the steady gaze of eyes that have no distraction, that aren’t too often pulled hither or yon.

that poor kid is all alone in the glare of your watchtower.

and in our house, the grownups come in pairs. so in fact, he’s under double glare.

he wakes up some fine mornings to not one but two tall people tickling him from slumber. one’s armed with warm, moist washcloth (the turkish spa treatment, you might rightly think). the other employs soft circles to the hollow between the bumps where angel wings were supposed to sprout.

he saunters downstairs to made-to-order pancakes and bacon. on mornings like this morning, when all that slumber was hard to shake, one of the tall people caves and offers a ride in the little black sedan. complete with concentrated conversation, the rare sort that comes when the interviewer is truly deeply interested in all that lurks deep down inside your soul.

now, you might be retching right about here. thinking, holy lord, what sort of overindulgent parenting is this? where’s the rough-and-tough school of hit the “eject” button, hightail ’em out the door, stuff a granola bar in their pocket, and kick ’em in the pants, with a casual, “have a good one,” tossed over your shoulder as you slam the door behind ’em?

well, there are rare few chances in this boardgame called “a life,” in which to pull out all the stops, to give it everything you’ve got, to score one more chance to do it right, to love with all your heart.

so that seems to be the m. o. over here.

by accident of gestational bumps and broken hearts, we’re in our third chapter of parenting over here. we had the one-and-only round one (a round we thought would never end), the oh-my-gosh-it’s-two (yet another round i seemed to think would never end), and now, thanks to a very far away college quad, we’ve got one-and-mostly-only.

day in and day out, it’s a ratio of 2 to 1.

and perhaps the most beautiful part of being the mama of a 12-year-old when you yourself are 56, barreling toward 57, is that you are wise enough to know: there is no more sacred incubator in this blessed gift of life than the one into which you pour your heart, and whatever accumulated wisdom you’ve scraped up along the way — that holy vessel called a growing, stretching child.

doesn’t matter to me if the child comes by birth or by heart, or simply wanders down the sidewalk and finds a place on my couch. it’s a nasty speed-chase out there, with cars flying into ditches right and left. if the walls within which i dwell happen to offer rare respite, time-out, breathing room, a place where dreams can be launched, and hurts aired out to dry, well then i’m posting a shingle on my doorpost: “time-out offered here.”

even after all these days — and there’ve been 4,420 — since that sweet boy landed in my arms, i consider it a miracle of the first order that he’s here at all. never mind that mop of curls. or the bottomless smile and the matching dimples. or the tender way he takes my hand and gives it a squeeze in the middle of driving from anywhere to anywhere. never mind that, mid-lope out the door, he hits the brakes and circles back for a goodbye hug — one for each grownup.

never mind all that.

it’s just the rare precious miracle of the chance to rocket-launch one more sack of hopes and dreams and heart. to try to pack in all the love and goodness and tender toughness that just might add a shard of light to this sometimes darkening planet.

i’ve always said he seems to know, deep inside his soul, that he was a last-chance baby. the one who beat the odds. the one who left his mama jaw-dropped and quaking at the news. those sterile hens in the bible — sarah (90, when she birthed isaac), rebekah and rachel, to name a few of the so-called “barren” — had nothing on me when it came to being flabbergasted at the revelation (although my shriek came upon seeing the little pregnancy plus sign turn pink, which i don’t think was part of the biblical story).

and so, he seems to indulge us in our over-lavishing. fear not, we try to keep it in check. at least when anyone’s watching. but i happen to have married my teacher in the tenderness department. in patience, too. that man has never once uttered a note in the tone of shrill, a tone i know by heart. used to be i didn’t stop myself till he shot me a withering glance. that stopped me, rattled me back on track.

but over all these years — and there’ve been 20 in the parenting corral — i’ve learned to take his lead, and not auto-leap — well, not every time — into the role of mrs. harsh & overhurried.

once upon a time you would’ve thought the world depended on our getting to the nursery school on time. and i still have trouble reminding myself that a tornado-strewn whirl of clothes heaped on the bedroom floor is NOT the moral equivalent of hauling swine flu into the country, hidden in a clandestine stick of salami.

i think often — expend a bumper crop of brain cells — on the subject of growing kids. it’s religion to me, the holiest sort. it matters more than anything else i will ever do. closest thing to curing cancer. because it boils down to taking the heart and soul you’ve been handed, and tenderly, wisely filling it with light. considering it a stealth missile of planetary illumination. the answer to a peace-prize prayer.

oh sure, the darkness will come. we can’t keep that at bay. but we can give the gift of buoyancy. we can keep the boing in the human spirit. the bounce-back machine that takes the wallops, and rights itself again.

there’s not a creature on the globe who wouldn’t pray to be loved deep and pure and forever after. it’s the highest hope of all creation.

and at our house he only wishes for someone else to please steal our attention. especially when we double-team the launching him from bed.

here, on this crystal clear morning before the day of atonement, at the end of a long week of wondering where my next writing assignment will be, the one bit that bubbled up was my poor outnumbered child. he weathers us well. has a stable of distractions. there are two particular readers, readers on the jersey shore whom i happen to adore, and this one was, in good measure, for them. forgive me for indulging in family lore. i know that nothing matters more to them than knowing their sweet boys — five grandsons — are in good-enough hands.

what do you consider the holiest work you’ve been asked to do?

love, bam

9 Comments

September 6, 2013

savoring…

there’s a rare air in my lungs these days. an invigorating air. an air that seems to hold double the oxygen, really. it has me bouncing as if on lunar dust, in those lopey springy boing-boing steps i once watched in black-and-white when mr. armstrong landed on the moon.

if there were a wee spy-cam nailed to the corner of the kitchen ceiling, it would catch me pausing mid-lope and deep deep breathing, filling my itty-bitty air sacs with the holy sparks that charge unseen through the air.

i am savoring.

savoring being home in the finest month — oh, september, i seem to have a crush on you. savoring settling in, deeply in, for the first time in what feels like a very, very long time. savoring the late summer unfolding of my messy old garden as it exudes its last trumpet blast of breathtaking come-rub-against-me seduction (what blooms at summer’s end seems robed in velvet, all the petals putting forth a softness not seen in exuberant spring, or headstrong summer).

i am savoring the days of awe, those prayerful hours of whispering back and forth to God, as the jewish holy days of rosh hashanah unfurl, and i, like the petals in my garden, feel wrapped in velvet prayer shawl.

deepest of all, i am savoring the great relief that comes with having climbed a mountain long in my distance. while i await word from my editor (bless her for telling me to take a couple weeks to rest up, restore, before the editing rounds and rounds begin), i am wearing the weightlessness that comes in having clicked the SEND button, knowing all my heart and soul was stitched into a work of love that now sails of its own velocities. i’d be lying if i didn’t admit to waking up in the occasional cold sweat when i’ve concocted one of my nightmare scenarios. and i’d be a fool if i didn’t keep up the prayer chain that has me turning this one over to the Holiness beyond me.

all the savoring adds up to ears-pitched paying attention. to shards of autumn light. to chill in the morning air. to hummingbird darting here and there, from long-nosed drink to long-nosed drink.

the house is filled with jars and jars of black-eyed Susans, drooping hydrangeas, golden rod and the cobalt blue of some little fellow whose name i can’t for the life of me recall. i can’t bear to keep the garden outside, the permeability of summer’s end begs for windows to be shoved ajar, for doors to let in the cricket chorus, and for the garden’s offerings to be clutched and tucked in tall drinks of water. everywhere i can fit one in.

maybe it’s my so-called irish, or maybe i’ve just been around the calendar enough times to know that this is extra sweet because it won’t last. these weightless days of september will not go on forever. life is at its sweetest because we know the taste of heart ache, of worry without bottom.

there will come the moment when i hear the shattering of glass, when my heart is tugged, torn, leaden.

but right now all i hear is the tick-tock of a grandfather’s clock, the buzz of late-season cicada, and the trill of papa cardinal lording over the feeder.

and right now, that’s all the prayer i need to know. the short sweet trumpet blast of life when you’re savoring.

what are the morsels of your life that you are savoring in these holy days of so much awe?

2 Comments

August 30, 2013

this is what it looks like when a dream comes true….

for as long as i’ve been holding pencils, folding clean white paper crisply in half, etching so-called “illustrations,” i’ve dreamed of this day.

the hours ticking down toward the deadline when the book — with signed contract — was due to the editor and publisher.

so this is what it looks like on that day. i type and type and type till my fingerpads are sore. i dream of words and sentences, and ideas plop into my head and shake me from my not-so slumber.

i was hurling toward the end, when suddenly, in that way that these things happen, a bit more was ordered up. so i am typing again. and frantically. and full of hope.

i am getting a bit teary, as i hear the rocky theme playing through my head, in that stadium between my eardrums. as i muster all the power of my thighs and calves to climb the stairs to heaven, and make good on long-held dream: to write a book, my book, a book stitched with all the heart and soul that i can muster.

i thought by now i’d be able to tell you it’s official name. the folks who decide these things spent all day yesterday pondering. but i’m still in the dark. it’s a bit like waiting to see your newborn babe. after all those months of imagining a button nose, there he slides, into your arms, and you drink in a face far more beautiful than you ever could have dreamed.

so i don’t know the title, and i don’t know what will grace the cover.

but i do know that my little typing desk is cluttered. with stacks. and dictionaries. and endless cups of coffee.

and some day soon, i’ll click the little button that says “send,” but it might as well say, “launch.” as in let your dreams go sailing toward the moon and stars.

folks around this little house are getting by on whatever scraps i can scrounge and spoon on plates. i’m trying to keep a foot in both worlds, but as the tempo builds, and deadline looms, it’s getting harder and harder to drown out the pounding in my heart, and the typing that keeps time. that propels me toward the finish line, the one i thought i’d never ever cross.

dreams come true. in storybooks and life. most especially, if someone you love keeps whispering in your ear: “i believe, i believe.”

to all of those who do, the deepest thank you.

this is short and sweet — and on deadline. apologies for breathlessness. soon as i find out the name of this endeavor, i’ll be sure to let you know. the chairs, after all, birthed all of this….

which of your dreams is the one that’s come true? and what propelled you up the final flight of stairs?

28 Comments

August 23, 2013

the sound of hollowed-out

when you love someone, when there is a someone in your life who drops in every few months, makes you laugh till you fall off your chair, or plops beside you on your beanbag in the basement, sidles up, takes the whatchamahoojie in his hand, and click-click-clicks right beside you, for hours into the night, as your words weave back and forth, an alchemy of big-brother wisdom and vernacular that wholly escapes your mother, you pretty much come to thinking of that someone as a guy who walks in halo. he’s your own personal savior, patron saint and laugh track.

he’s your big beautiful brother.

and when eight long years fall between your birthdays, when one of you is off gallivanting round leafy college quads, and the other is back home mastering obstacles like combination locks and kickstands and how to juggle soccer balls while holding onto handle bars, what falls between you, the glue that holds you tight, the interstitia of your entwined hearts, it’s pretty much a recipe of two parts magic, one part paying attention, and a good dollop of the long-held family maxim that the two of you are in this world to watch out for each other. because no one will ever do it better.

so, saying goodbye to that big fellow, saying goodbye on the morning when the old family wagon, all spiffed up and tuck-pointed with brand-new spark plugs, brake pads and all the parts that might keep it from going kerpluey on the side of some far-flung highway — somewhere in the godforsaken woods of ohio, new york, or western massachusetts — well, it hollows you from the inside, from way down low to up where the howls come out.

it hurts.

more than anything you’ve ever had to do.

because all summer you’ve been hearing folks joke about how this is the last time your big brother will spend much time hanging around these parts. geez, they’re even bequeathing you his room — bedroom with bath — up at the bend in the stairs. that sure must mean this goodbye is for good. no one scores a sink and shower unless this deal is for keeps. and someone just handed you your big brother’s hand-me-down washcloth, and said, “congrats, you’ve got your own crash pad now.”

so deep in the darkness of the day when the old wagon rolled down the alley, hooked a right, in the direction of the eastern seaboard and that leafy college, you couldn’t help but let the tears fall freely. you couldn’t help the sounds that came from deep down low, where all the sadness dwells.

you couldn’t keep from saying the words your mama will never ever forget, the very definition of love, spelled out in wails and tears: “he’s the perfect prescription for a tough time.”

he is, indeed.

that big brother, with his kooky mix of tenderheart-slash-rocky-balboa inspirations, and a stable of 96 spot-on accents and impersonations from all around the globe and comedy central’s backstage, he is the perfect prescription.

for plenty of moments in the mixed-up files of a 12-year-old who’s just moved back to a place that looks familiar but in fundamental ways will never be the way it used to be. and who can’t shake the haunting echoes of a place — and people — you came to love and miss each and every day, all banging noisily about your heart.

as you try to find your way, once again.

but there’s one other thing about the sounds your mama heard the other night, a sound she recognized right away, and will not forget: it sounded deep-down hollowed-out, the cry let loose from human hearts standing at the precipice of unfathomable canyons.

canyons that offer two options: find a way to get across, or stand there wailing till the end of time.

it’s a canyon and a sound that she remembers.

she wailed it, night after night, in the long nights after her papa died, when she could not for the life of her figure out how she’d travel forward, find her way through the maze, without her papa’s star light and shoulder to lean on.

indeed, my sweet boy cried out, in that haunting mournful tone that makes the hairs on your neck bristle. thank God, no one died. but someone left.

and leaving feels awful.

when you’re only 12, and you’ve not had much practice at learning to go forward, to find your way, without the shining light — and secret handshake — of the ones you love the most.

i could have let the picture do the talking here today. says it all, pretty much. a little one whose arms do not want to let go, little one holding tight, and big one giving it one last blast of gusto. we’re doing what we can to keep the little guy afloat. a flotilla of scrambly 7th-graders sure helps. and platters of sparkly cookies, winking out from under glass domes, they help too. this was the year it hit the little guy the hardest. and it’s with his explicit permission, by the way, that i was allowed to try to write this, to put in words a love that shakes me to my core. we’re double-blessed — in the boy department and far beyond. and the little guy will be all right. his heart will grow even wiser as he finds his way, and discovers that miles don’t really get in the way of two hearts that pump to the same beautiful song.

how have you gotten through your hardest goodbye?

32 Comments

August 16, 2013

a place to curl in summer

it goes back, way back to the summers when i’d find a log — a particular log — in the woods across the lane, or nestled along the green pond, so named for the otherworldly martian-colored skin that magically unfurled across the surface overnight when summers turned hot, turned midwest humid. and the overspill pond went from patched with lily pads to bank-to-bank neon green.

i must have discovered early on the gift of making like a toad, and shrinking way down low, inside the swaying fronds of weeping willow, beneath the rustling of the oak-tree giants as they’d shake arthritic, creaky limbs. i might have taken to a particular rock, another favorite perch, down at the woodsy corner where the stream, after thrashing summer storms, practically roared, as rushing water body-blocked against the boulders that dared to interrupt the get-away.

or maybe it was inside the play house, deep in the grove at the back of our yard, where i made believe i was a pioneer, ala laura ingalls wilder, and it was my little house in the big woods. there, i’d arrange and re-arrange the table and two chairs, the upturned coffee can i pretended was a cookstove. i’d sit and look out the paned windows, i’d tuck wildflowers in jars, set the table for my imaginary children, who’d come for victuals when i clanged the dinner bell.

it might be any one of those wonders — or even my cincinnati grandma’s upper porch, an ivy-screened brick-and-limestone veranda overlooking the sloping woods, and the cattails in the distance, where the woods turned boggy. might have been there that i learned to love the nightcall of the wood frog’s love song, or the late summer buzz-saw of cicada.

whatever the source, it’s never gone away, my inclination to hide behind a scrim of leafy green. make like i’m just another butterfly, or lady bug, landed on a broad green pad. and keep watch on the world that doesn’t know i’m watching.

it’s why i lug my books and pens — and pitchers of lemony water, and plates spilling with whatever’s served up in the summer kitchen — out to what we call the summer house, only really that’s the name bequeathed to us when we bought this place, this old shingled house and the gardens that pay no mind to where they’re told to grow. it’s the screened-in porch, tacked onto the garage, for heaven’s sake. but it’s just about my favorite place to sit and watch the summer, frame by frame.

i’ve been calling it “the office,” and it’s been open for business for weeks now. when anyone comes calling, comes to pay a visit, sit a spell, it’s where i take them for a healthy dose of conversation. for a chance to brush up against the magic of a ceiling fan that whirs, and mama wren chastising the cat, or the rare butterfly fluttering by.

it’s a fine thing to have a summer’s perch, a place from which to watch the sun arc across the sky, to spy the wispy bits float across a sunbeam, to catch the glint of the spider’s web in a flash of early morning. to watch the summer theatre unfold unnoticed, according to heaven’s script, without human interjection.

it’s one of the gifts of this old house that i’ve been relishing this week, as i noted on my calendar that a year ago wednesday, i’d felt my heart all but yanked from my chest, as i boarded a plane for boston and left behind this garden in august, this house when autumn’s light was just around the corner.

because i can’t write with all the relish that i like, here on this friday morning when a deadline is staring me in the face, i thought i’d keep up my end of the bargain, by inviting you into the virtual summer house, and sharing a short stack of good reads (plus one “watch”).

here are a few fine things i’ve stumbled upon this week…rifle through the stack, and see if any float your boat…

holland carter’s magnificent essay in the new york times on how a love of poetry led to a love of art…

a little-known letter from e.b. white on why he wrote charlotte’s web (found in slate)…

watch this: one dream, the trailer for a new documentary telling the behind-the-scenes story of martin luther king’s “i have a dream speech,” a new endeavor from red border films, a project from time magazine..

and finally, from close to home, my dear friend and lifemate, blair kamin, launched his e-book on the gates of harvard yard this week, and you can get a peek here (the book itself can only be viewed on iPad, which i don’t have…..) or, even better, a wonderful Q & A here….

that oughta keep you busy, wherever it is you squat in summer…..

what’s your favorite summer perch, now or long-ago???

13 Comments

August 9, 2013

the nest, emptying….

a dear friend sent this along (the link i’m tucking below ), telling me only that he thought of me when he watched it. he tacked on the note: “long-term video of a robin’s nest on a front porch, with bittersweet ending.”

i braced myself for the bittersweet. couldn’t bear to click on it for an hour or two. but finally i did. and when i did, i knew i was bringing it here, to the table. where one recurring and quietly pulsing thread is that we are, at varying stages, all witnessing a bit of this mama robin’s dilemma. she spends her days loyally brooding her eggs, then she exhausts herself filling their ever-open, ever-squawking beaks with worm after worm. after worm. then, frames later, comes the bittersweet.

i won’t spoil it, but there’s a flash of a look on mama robin’s face, one you might call bewilderment, or maybe something wholly other than that. you decide, and decipher. all i know is i felt a total pang of “i know how she feels. i know just how she feels.”

here’s mama robin and her nestlings….

and so it fits these years and days — here in this old house, at least — when one nestling has just swirled home for a short three weeks, maybe never again to live here. and the little one, who turned 12 yesterday, is still very much a part of the thick and the thin of every day. but because i’ve just witnessed the full-throttle slam of how swiftly they slip away, how swiftly they enter a current that — at best — gives you a glimpse from the river bank, or occasionally eddies in late-night phone call, i am trying in double-time to live in the moment, and freeze-frame it off to the side.

all over town i see folks who just a few weeks ago — or so it seems — were filling their supervans with unending shifts and rounds of carpools to hither and yon. and now, “for sale” signs are staked in front yards, as hollow old houses echo with yet another generation’s tucked away hubbub and commotion. breakfast tables, now hushed but for the sliding of the butter dish. no more shoving and pushing of cereal boxes across the maple plain. no more knocked-over OJ. maybe only a bed or two to make in the morning.

and all over town, i hear scratching of heads, as mamas and papas wonder and ask, “how’d that happen so fast? wasn’t i just deep in the thick of it, in the shopping-for-school-supplies, signing-permission-slips, forking-out-dues, lying-awake-listening-for-footfalls, and now, now it’s all distant, all miles and miles and months and years away?”

so, mama robin, i know just how you feel. i know you’re a bird and i’m not. but that quizzical look on your face, that look as you fly home to the nest, only to find it emptied and hollow, i know it.

and i’m holding on tight to every moment i’ve got, soaking it deep in my heart and my soul.

anyone got a spare worm?

your thoughts as you watched mama robin?

4 Comments

August 2, 2013

loopy days

for three short weeks — one down, only two to go — there’s a new rhythm in this old house. it goes like this: ’round late morning, i hear a swoosh from up above the kitchen ceiling (that’s the bedsheets being whipped aside); then i hear a thud, followed by a parade of thuds, thud-thud-thud down the stairs. as the thuds round the bend, lope into the kitchen, i look up and see a bed-head. my beloved boy.

he begins his morning forage through the fridge. as he piles tubs and cartons on the countertop, he lets out with a “whadda we got for breakfast, mommo?”

that’s my cue to begin the litany, all within the confines of high-protein, low carbs, healthy, delicious, and filling.

hmm. let me know if you’ve got ideas.

it’s at about this point that the eggs are being cracked, he’s begging for mushrooms, and wants to know if i remembered to get the mozzarella at the market. as i watch egg whites whirl toward the kitchen walls, i leap up from my typing to play at being his sous-chef (though really all i am is the wiper-upper of kitchen splats).

he whips up something grand, something delicious, and always spilling over the sides of his plate.

we mosey back to the table. or, well, he moseys, and i finish up the de-splatting. then we sit, and the loopy days begin. we dive deep. quickly.

waste little time on folderol and fluff. we’ve got a year’s worth of college life to pour over (we’ve been known to take in two years at a gulp, retreading over year before last, if pertinent) , and there’s the year ahead to consider, too.

we loop round and round, drop threads, follow new ones, circle back — hours later — to the thread we’d left behind. it goes like this for half the day.

now, not all college kids go off the way mine has. i’ve heard tales of kids who text many times a day. i’ve even heard stories about college kids who dial phones. call home. to be fair, that happens here too, but not so very often. and, when it happens, it is sometimes very very late at night.

we seem to have birthed a college kid who takes his college full-throttle. unless it’s dire — and on occasion, it’s been vaguely that — we’re pretty much the side show. oh, there are insistent “love you, mommo”s. and there are (astonishingly), “do you remember where you put my sewing kit?”

mostly, i, um, never ever doubt, not for any longer than five or 10 minutes, that he appreciates my unbroken love and care.

but, really, it’s these sacred hours when he’s home, when the two of us are circling in and out of each other’s footspace and quarter-hour time slots, that we make up for lost time, and seal the deal for the long whitespace ahead.

these hours, the ones where he might sink down low inside a bean bag, while i trod for miles on the treadmill, the ones where i sous to his chef, these are the ones that knit us deep and thick and forever at the heart.

love in every house spills out in idiosyncratic ways. and it changes over time.

at my house now, i am licking up these hours of deep and winding conversation as if the ice cream melted on my cake plate.

i am whispering thanks to the heavens above that, right now, for this short interlude, i can do my typing here, not far from where the thuds patter down the stairs. so that i can weave my sentences in between his stories. so i can be here to catch the loop-de-loops of conversation as they unfurl. in slow time. unhurried time. whip-up-omelettes-while-you’re-talking time.

because i’m long practiced in the art of asking questions, allowing long spells for replies, i find this a part of motherhood to which i take a particular shine. play time on the floor, i flunked. so, too, chutes and ladders and monopoly. i wasn’t bad at crayons and paper. but really.

the deepest glue i know is the one that comes from unfurling the whole of the human heart. the nooks and crannies. crests and high plains.

so it’s what we do here. for three short weeks. in the mid-day hours when no one else is home. and my brain’s at full attention. and my work can wait till dark. for these hours are slipping through my fingers. and i am plumbing the depths of each and every one.

loopy days, i find, are the summer’s sweetest offering.

do you practice the art of the slow-unwinding conversation? the one with someone you love that stops and starts and plumbs the depths for days and days on end? and carries you across long dry deserts of barely enough time to really, really talk?

and because i promised a bit of cerebral uplift, i’ll begin what i’m calling the marginalia department, where i scribble in the margins of whatever page i’m turning, where i recount for you the lines i’ve scored and underscored.

this week from rebecca solnit’s “the faraway nearby,” a line to chew on for a time:

“Difficulty is always a school, though learning is optional.”

or this….

“Disenchantment is the blessing of becoming yourself.”

i am especially keen on the first, about difficulty school, and the option of learning from it. it’s a thought that carried me to sleep last night…..and it’s a book that came highly recommended by one of my very favorite reader friends…..

2 Comments