soulful pages to be turned

by bam

books feb 18

in weeks like this, when what’s churned up on the national stage leaves you raw or hollowed or simply enraged, it’s not so easy to find solace. the balms for the soul are running thin. in weeks like this, i’m grateful for small measures of kindness. each and every one is magnified in the halo of now. last night i watched my sweet boy stir brownies for a friend with a broken heart. the night before, my dear friend from down the alley came by, offering the makings of dinner, clear down to dinner rolls. we will forge on, all of us who live and breathe on the lookout for mercy, all of us who shrivel at the shrill cry of evil and hate, we will forge on, fueled by the indefatigable goodness of those hearts and souls that surround us, the ones that won’t surrender. the ones that insist there is tender to be found, and gentle is the implement of choice, the one that unfurls the petals of the heart, and breaks open the world into some kind of beautiful.

and in the meantime, i’m grateful for pages to turn, and blessed thoughts and ideas and snippets of poetry to bury my nose in….

here, then, is the latest batch of books for the soul, brought to you courtesy of the chicago tribune. perhaps you’ll find balm in the pages…

To Hear the Forest Sing: Some Musings on the Divine
By Margaret Dulaney, Listen Well, 252 pages, $15

A fine way to encounter the musings in this first collection from Margaret Dulaney, a playwright who started the spiritual spoken-word website, Listen Well, back in 2010, would be to read them aloud. They are words meant to be heard, yes, but they’re words that work their magic whether absorbed by listening, or in the silence of reading.

“To Hear the Forest Sing,” is a gathering of essays from 25 years of Dulaney’s morning walks in the woods of Bucks County, Pa., with her frolicsome dogs. She trains her thoughts, her fine-grained poetic thoughts, on an “open faith,” a faith she alternately describes as “Christian-Buddhist-transcendentalist,” and “Everythingist”—“that is, one who is in love with all of the great faiths.”

A storyteller at heart, Dulaney writes with grace, and it doesn’t take many page-turnings to feel you’re in conversation with a true and honest friend, one who tells you she was long ago labeled “learning disabled,” and unflinchingly bares her stumbles. Nor does it take too many pages to discover you’re in the presence of a lively mind, one filled with the epiphanies of an awakening soul. She writes: “I have given up looking for the thunderous, and look only for those quiet, tiptoeing revelations that I have learned to recognize.”

Many essays later, she writes this about faith and doubt, and following some holy code: “We are dragging ourselves out of our sleep-drenched beds every morning in order to learn a little bit more about God. The fog will clear someday, the weather brighten. Trust this, and keep on showing up.”

My Friend Fear: Finding Magic in the Unknown
By Meera Lee Patel, Tarcher Perigee, 176 pages, $18

If your idea of church is plonking down in front of the big screen and tuning into SuperSoul Sunday, “My Friend Fear” might be your prayer card. A luminous, watercolor-splashed prayer card, it’s a meditation on fear, and a short-course tutorial on working your way to the other side. It’s the latest from Meera Lee Patel, a self-taught artist and author, whose bestselling “Start Where You Are,” an interactive journal of creativity, mindfulness, and self-motivation, earned an emphatic “must-read” from

It begins with a deeply confessional exploration of fear, one Patel enters into by exposing the “irrational beasts” of her youth, her fear of being seen as odd because her immigrant parents kept to their old-country ways, the bodily shame she felt because of a 17-inch scar that runs up the back of her leg, one she says looks like a “poorly placed zipper.”

Because she dares to take head-on this subject that many dodge, and because she writes with a child-like open-heartedness, a porousness that unwittingly draws in the reader, she serves her subject well. If you’re willing to put down your own defenses, “My Friend Fear” has the power to move you.

Besides her insistence that your fears might illuminate your deepest vulnerabilities, make plain those things you so emphatically wish for, Patel offers this bold plea: Find the things that scare you, and do them anyway. Tackle your fears, one after one. Find yourself more alive than you’d ever imagined, penned inside the fear-filled cage.

“Like a constellation lit brightly beneath a foggy night sky, it didn’t stop shining just because you couldn’t see it,” she writes. “Acceptance is inside you. It’s been waiting for you to find it.”

Almost Entirely: Poems
By Jennifer Wallace, Paraclete, 128 pages, $18

When the names Scott Cairns, Mary Oliver, and Christian Wiman — great and soulful poets all — are drawn for point of comparison, are flags marking the perimeter of another poet’s domain, that is a poet whose work demands attention.

Jennifer Wallace’s poems, gathered here in “Almost Entirely” — a collection that toggles between the sacred and profane, faith and doubt, love and unrequited love — clearly earns the comparisons, and the claim to her own poetic country.

A poet, photographer, and teacher living in Baltimore and rural western Massachusetts, Wallace edits poetry for The Cortland Review, and her religious orientation is described thusly: “after decades of avoidance and experimentation, she decided in her 50’s to get serious about her spiritual practice and is now, mostly, happily settled within her Christian roots.”

What pulses through these prayer poems, besides an abiding knowledge of grief coupled with a palpable faith in the afterlife, is the residue of Catholic imagery, a childhood of nuns and priests and Latin prayer.

Any one of Wallace’s poems might be a morning’s meditation, or analeptic on a sleepless night.

Unlike most religious or spiritual writing that “tends to fall into the trap of being either willfully obscure, or too quickly cutting to ‘God’ as the general answer to all particular vexations,” observes Brother Joe Hoover, poetry editor of America Magazine, “Wallace strikes a lovely balance.”

Yet another critic, the poet David Rigsbee, lauds Wallace’s poems for “reclaiming the sacred in the steady rumor of its eclipse.”

As in this haunting stanza, from “Requiem,” her seven-part poem: “Perhaps we are here to make of earth a minor heaven / where birds will glider higher / in an air made more full / by the dead’s barely audible sigh.”

Barbara Mahany’s latest book, “Motherprayer: Lessons in Loving,” was published in 2017. Her new book, “The Blessings of Motherprayer: Sacred Whispers of Mothering,” will be published in April. Twitter: @BarbaraMahany

and since this is a morning of simple offerings, here’s one more lovely little something sent by a friend: words that seared me in a spine-tingling way.


may you find solace in books and words and random acts of the beautiful….

what are the balms for the soul you bumped into this week?