pull up a chair

where wisdom gathers, poetry unfolds and divine light is sparked…

Category: home

when all else fails…turn to page 200

mac n cheese

for two decades now, ever since may of 1995 when i was plotting my firstborn’s second birthday fete, and i flipped open the pages of my monthly infusion of delicious, gourmet magazine — before it was ruth reichl’s gourmet magazine, before it was defunct, folded into the crypt of long-gone magazines, magazines that shaped our culture and then withered and died, the sad fate of so much of what’s printed in ink on the page — page 200, the page where the binding is coming unglued, the page crusted with splatters of roux, it’s been my no-fail, last-ditch, best-hope-of-filling-a-hole-in-a-heart-by-way-of-the-belly cookery map.

so it was yesterday, a crisp october day, when the sun poured in as if from a flask of molasses, so it was on a day when the boy who’d loped from the car at the school house curb was a boy with a leaden heart. he had so much homework, was so worried about homework, that he’d decided to skip the end-of-the-season soccer gorge on pasta and pizza. instead of hanging with friends, he’d decided he should come home straight after practice.

to make matters a tad bit worse, i wouldn’t be home when he got there. i try hard to keep my nights away to a serious minimum, but last night was a night i’d promised to be elsewhere, in a dim-lit watering hole and song hall, actually, reading words from a page for a very fine purpose, all to raise funds for a most noble cause.

i’m always torn when tugged away from my boys. and at the end of this week, this week when the lights in the kitchen never went out before midnight, because a young soccer player was trying hard to finish all of his homework, often accompanied by the sadness that lingers in our house, it was especially hard to be away.

so i reached for my holy salvation: the plainly-named “Baked Macaroni and Cheese,” ala page 200. it’s a cheesy-buttery bath stirred round and through tubes of wide-mouthed pasta, each tube filling with ooze as much as being wrapped in it. it vies, in our house, with bread pudding, as the neck-and-neck nos. 1 and 2 comforts on a spoon.

over the years, the making it — for me, anyway — is as soothing as it must be for my boys to polish it off in one sitting. assembling its components — the butter, the cheddar, the flour, the milk, the salt, paprika, bread crumbs, and parmesan shavings to finish it off — i slip into priestess mode. my old black cookstove — an industrial-grade contraption that somehow slipped into this old house in the 1970s, never to be removed — is my altar.

i begin my incantations and prestidigitations right there, where the flame is cranked, and the concoctions in my pots begin to bubble, not unlike vats of heavenly potions. with the oven cranked to 375, the kitchen begins to warm. everything about this kitchen ritual is warming. soon, my old sweater is off, and as i stir i imagine my sweet boy coming home to find the big white ceramic souffle dish perched atop the stove, my hand-scribbled note just to the side.

is there a more certain way to say i love you than to have cooked all afternoon? to have reached for the cookery shelf and pulled out the one thing a kid asks for on those nights when his sleepy head hits the pillow but the worries won’t be extinguished?

because a big old vat of mac n’ cheese wasn’t enough, not on this particular day, in the thick of this particular passage, i pulled out the produce bin and piled a mound of apples atop the cutting board. i chopped honeycrisp and granny smith, i didn’t peel — why bother? — and i tumbled the slices into the pot, added a splash of honeycrisp cider, a shake or two of cinnamon, and once again, applied flame to the equation. wasn’t long till the whole house was swimming in eau de apple and buttery-cheese. even the cat ambled back in from the garden.

then i set the table. is there anything that says i was thinking of you quite so quietly, certainly, as coming home to a kitchen table that awaits you, that has your very own napkin and napkin ring at the place where you always sit?

it’s the rhythms we carve into the grain of the day, of the months and the years — simple rhythms, unadorned rhythms, nothing so fancy as a napkin and fork at a place that is yours, set by someone who thought about how it might be to come home harried, and worried, and tired to the bone — that makes coming home feel as if someone just handed you your oldest, comfiest slippers. and a fuzzy sweater to boot.

i’d left the stove light on, and the mac-and-cheese under a foil dome, as i slipped out the door and turned the key. then, not a block from home, i got a message: the soccer player had decided, after all, to skip coming home. he’d hang out with the soccer team, inhale store-bought pasta and delivery pizza.

such is a mama’s existence.

so much for stirring and chopping, in hot pursuit of healing a tattered heart.

but here’s the holy truth: i was the one whose heart was soothed in the long hours of love at the cookstove.

and, besides, mac-n-cheese cold makes for excellent bedtime snack. when the lights go out at midnight.

what’s your when-all-else-fails cookstove concoction?

that moment when…(and this summer more than ever…)

summer feets

all week i’ve been feeling it. that moment that best can be likened to the glorious fraction of time when you’ve been out in tippity teetering heels all night, when your toes have been practically yelping in protest and the bones in your feets have been threatening to cut you off at the ankles, when every ounce of you wanted to wriggle out of this unnatural state of constraint, but you had to make like a grownup and prance around in footwear that does its best to topple you, and sometimes makes you chew on your cheek besides. but then, finally, the night and the torture come to an end, and there in the dark, and practically running, you round the bend, you lurch toward the door and you begin the release for which you’ve been throbbing: you scrape the toe of one pointy shoe against the penned-in heel of the other, and you kick the darn foot-clamps clear across the kitchen.

you stand there, for a minute or two, just drinking in the feel of your bones falling back to their pre-ordained order. you listen to the flow of the blood trickling back to the tips of your squeezed-colorless tootsies.

you savor the long-awaited rush of relief. the busting-out-of-whatever-bound-you.

which, pretty much, is how it feels around here. more so than in a very long time. because summer in this old house has arrived with a groundswell of holy hallelujah. boy one is finished with college. boy one is hanging around. boy two just finished with grade school. ergo, this is a summer that comes with a full ladle of finish. and, perhaps, an extra-deep dollop of purest enchantment.

this is, more than any summer that i can recall, one of those moments when the hours make like salvador dali had at them. they warp into stretched-out proportions. they expand, not contract. they breathe. and sometimes, like sunday afternoon when my firstborn and i plopped into old wicker chairs and stayed there for the better part of three hours, they stand perfectly utterly still.

i am, in this seasonal opening act, indulging in time. i am whirling, deep down inside, in the rarest of joy, the feeling that somehow i’ve cupped my hands, sunk them deep in a font of holiest waters, and come up spilling; splattering drop after delectable drop.

i’m not worrying, for heaven’s sake, about what’s for dinner, i’m not looking at clocks. (though i am watching ice boxes magically empty, and i am setting world records for laundry.) i’m feeling the lumpety-thump of my heart when the sound of the footsteps comes down the stairs at times when i’m usually alone and the house is usually silent. like a kid on christmas morning, i’m peeking through cracks in the door at two sleeping boys with no need for hurry.

maybe i love it all the more because i know it won’t last. and not only because i’ve been around the block enough times to know that, soon enough, the days will be so hot and so sticky we’ll all be wishing for igloos. and popsicles will seem a sensible breakfast.

maybe it’s all the sweeter because i never imagined we’d all have one more summer together. i hadn’t pictured four cereal bowls plopped on the table, each one blanketed in warm-from-the-field farmer berries. i hadn’t imagined the windows rolled down in the old station wagon, and me and my boys blaring the radio, wending our way to no particular anywhere. i hadn’t considered boy upon boy curled up on the couch, arms and shoulders entwined, words of brotherly wisdom being imparted in whispers.

for now, it’s one fleeting drink-it-all-in suspension of time.

we’re back to the place, and the moment, when the letting loose rubs you all over. like a terry cloth towel before it’s worn thin. it’s that magical interlude when the season is new, when we’re just on the cusp, and everything is raw and deep and our pores are wide open and we’re guzzling it down. right in here, in this opening act of summer’s production, the season of so few cares, we’re hard at work simply savoring.

and this particular summer it comes with a brand of relish that i’ll never ever forget.

this just might be the summer whose frames i’ll play and replay till the last gasp i breathe on this earth.

well, goodness gracious, i got a wee bit sidetracked — make that a lot sidetracked — here this morning when my ferocious jungle cat (he who seems to be showing off in recent days, proving to any and all that he might be old but he ain’t over yet) carried into the house — into the very middle of the family room’s old persian rug, mind you — a still-wriggling, but-not-for-long critter, clutched in the sharp-toothed grip of said hunter cat. i let out a yelp, as is my usual inclination, and hip-hopped in circles till i got the duo to skitter back through the rip of the old screen door. it set me to quaking for a few minutes there, and then i needed to settle back in to the rhythms above. and, oh goodness, the wonders of summer took on whole new dimensions. 

and in further keeping with this slow-time summer, i’ve just spent the last hour plopped on the post-college kid’s new navajo rug, chatting about his early morning adventures procuring yet another job. normally i fidget till i hit the friday-morning-publish button, but not today. today i know that all’s in due time. and if it unfolds slowly, it’s all the more glorious….

finally, before i go, a most blessed birthday i wish for my beloved friend cecilia and her forever love, gary, who serendipitously and marvelously share the same birthday. this is a big one for ceci, a day of more than usual import. i send love and prayers in double dose.

so before i sign off: what do you savor most at the start of this laid-back season……

welcome to summer

heartbeat home

heartbeat home clock

it’s quiet here this morning, too quiet. it’s been that way for 10 long weeks.

the only sound is the susurration of the furnace. poor overtaxed furnace. burning kilowatts to try to keep us warm, to keep the goosebumps at bay.

the missing sound is the tick that follows the tock that follows the tick. and on and on and on.

there’s a clock, an old old clock, one once packed up in a florida house, laid carefully atop a formica-slabbed kitchen table, not unlike a baby after a bath, wrapped in towels, slipped in a box, and carefully carefully sent from west palm beach to chicago. where, once it arrived, we lifted it, hung it, wound it, and listened.

i’ve been listening ever since.

i’ve aligned my heart to the tick and tock of that old clock — a clock whose provenance we have only guessed at. i thought dutch. a clocksmith told me “mexican.” what i do know of its provenance is that my beloved, that tall bespectacled fellow, had a grandpa who loved clocks. and that grandpa’s pride and joy — or the ticking one, anyway — was his wall of clocks from across the time line and the world map. that wall, in that house down florida way, it clanged and squawked and chimed, a ticking-tocking  quarter-hour reverie.

i never met that grandpa, but the grandma to whom he’d long been paired, she became, in one fell swoop, the dearest grandma i ever knew. i might have spent the rest of my happy days bopping around as the irish catholic granddaughter of a teeny, wrinkled, jewish fireball, but she died 11 years ago this week, far too soon even though she was pushing 93 and change. they called her the “teaneck tornado,” my jewish grandma, the one who took college classes into her eighties, the one who once threatened to fly a slab of cow in her suitcase so she could teach me how to make a brisket. the one whose squeaky “barb!” — a puncturing pronunciation that launched every long-distance rapid-fire tete-a-tete — i still can hear, without even closing my eyes to crank the long-gone volume.

that grandma — her name was syl — she shipped off the clock, and twice a week for 23 years, i wound it. the rest of the time, i counted on it to keep the rhythms of my hours, to be the heartbeat of our house. it moved, in the back seat of the station wagon, from our city house to this old house out where lanes are leafy and the lake is near enough that, on a windy day, i can make out the rhythms of the waves shooshing against the shore.

and there’s no sound that says “i’m home” more certainly than the tick and tock and quarter-hour chime of that old timekeeper.

so when it slowed to the silence that follows the tick, when i realized the tock was not coming, we all stared wide-eyed at the wall. as if there’d been a death in the family. certainly, there’d been a silencing. the heartbeat of the house was gone, erased, snuffed out. and in a house where these days most every purchase is weighed, is considered, we didn’t take lightly the news that this clock’s stay in the timekeeper’s infirmary would tally quite a bill.

but, not unlike the ancient cat who prowls the soft spots of the house, the house’s heartbeat is beyond domestic calculation, outside the accountant’s domain. if your striped old cat is ailing, you wrap the furry fellow in a towel and you ferry him to the vet. so, too, the clock.

i swallowed hard as i lifted the old clock from the wall. and, yes, i wrapped it in old bath towels. i parked as close to the door of the timekeeper’s shop as i could get — anything to slash the chance of me and the clock skittering to the sidewalk, in a thousand irreparable pieces. and i turned it over with all the solemnity of a mother sending off her little boy for a tonsillectomy (okay, maybe minus the tears, but trembling nonetheless).

we endured a christmas without a clock, and the new year too slid in without the ceremonial clang-clang-clang (our old clock never has been aligned with the hours). heck, we bumbled right through ground hog day without the metronome of time passing audibly. and here we are, the clock is coming home today. any hour now, i’ll strap on my snow boots, maybe even add the yaxtrax to keep from slipping on the ice, and i’ll plow through mounds and glide on icy patches to fetch my clock and bring it back where it belongs — home, hanging on the red-red wall that’s been achingly absent its old, old ticker.

all this, of course, has got me to thinking. thinking about how it is that humans are hard-wired to the song of the heartbeat. how it’s the first of the sensory awakenings in the unborn child. long before the eyes have anything to see, the human eardrum begins its lifelong percussive beat (if, God willing, the auditory system is developing as hoped and prayed). somewhere between the 17th and 19th week in a mama’s womb, the unborn baby’s world is wakened to the sound of breath and heartbeat, rhythm and vibration at their most elemental, most soothing i’d imagine.

the wonderful scientists who study these things have found, among other pulse-quickening wonders, that the baby’s heart echoes the mother’s response to music. when the mama hears soothing dulcet tones, her baby’s heart settles into slow steady intervals. when the mama is jarred by cacophony, by dissonant screeching, the baby’s heart rate accelerates, startles.

hearing, we know, is the last of the earthly threads to be severed when death is but a breath or two away.

so is it any wonder that in the blessed interval between in utero and death, we humans turn to heartbeat — be it of a clock, or the drip of rain, or our own ear pressed against the chest of whoever it is we love deeply enough, tenderly enough, to be invited to the chest wall’s quiet ticking?

and is it any wonder that some of us are soothed by whatever brings us back in time and rhythm to that one first murmuring, that percussive pounding, that told us we were safe, enwombed, nestled up against a mama’s ever-pulsing heart?

what are some of your favorite soothing sounds? 

long ago, back in 2007, on the jewish “new year of the trees,” known as tu b’shevat, which we marked this week, i wrote a meander called vernal whisperings. because it’s a moment of the jewish calendar that i find especially breathtaking, i’m offering it back here at the table.

here’s a bit of tu b’shevat’s deliciousness, as taught by 16th century mystics:

“known as the kabbalists, these deeply spiritual thinkers believed that we elevate ourselves by the eating of certain fruits on tu b’shevat. if done with holy intention, they taught, sparks of light hidden in the fruit could be broken open from their shells, freed to float up to heaven, to the great divine, completing the circle of the renewal of life.

“oh my.”

old sweater: ode to wrap-around-you love

old sweater vertical

some mornings, in the swift fractions between bare foot to floorboard, shuffle across the bedroom rug, and tumble into closet, i just know: it’s an old sweater sort of day.

a day when i need to feel my arms slide through the nubby sleeves, feel the wool scratch against me, pull the torso tight around my chest. i need to feel the wrap-around-you love that comes from pulling on an old, old sweater. a sweater that once belonged, and still — if you breathe deep and with all your heart — holds the sweet scent of the someone long ago who wore it. whose chest filled out its threads. whose warmth inhabited. whose whole self animated, in a way that — standing alone in the dark, cold closet — you still can see, as if a picture show before your eyes.

it’s been one of those weeks around here.

every day, an old sweater. truth be told, every day the same old sweater (fashion-forward is not a name you’d put to me, queen of holey jeans and banged-up clogs, and T shirts worn till rags). it’s a navy one, with suede patches on the sleeve. one the maker calls its “shaggy dog.” other than calling it a teddy-bear crew neck (one minus knitted-in images of bears, thank you), i can’t think of a better name for a sweater that fills its particular prescription: dust off the lonely flakes, embolden for the day ahead, stick close and keep the cold at bay. and not necessarily the temperature. more like the draft that comes when you feel all alone, a bit lonely, searching for that particular someone who steadies you, brings ballast to your wobbling hours.

it’s winter here. deep winter. a season i love. but the fellow who inhabits this house with me, the one i married nearly a quarter century ago, he’s been away. so it’s just me and the little one, faring for ourselves. and while i love the quiet hours stitched into each day, i find myself a wee bit lost. i find myself braving winds and cold. i’m without the markers at the start and end of each long day, when usually the door clicks open and in walks the lanky fellow, his glasses frosted up from cold. his cheeks pink from wind. his stories fresh, and filling up the room.

i’ve thought a lot this week about those i love who are missing someone. everyone misses someone sometime. sometimes for the rest of your living breathing days. you can’t go too long in this life before death comes, or leave-taking of some other kind steals the one you love. there are a million algorithms that all wind up with a big fat hollow at the end. there’s a kid i love who’s gone away, simply because he grew up and found a leafy college, far far from here. there’s a dad i loved, with all my heart; he up and died. no goodbye. just a blizzard and a phone call and a doctor standing in the blazing white corridor, saying, oddly, “i’m so sorry.” there’s a grandma, who wasn’t even mine by birth, just by heart. and every time i tumble in my closet, i see her cherry red, gold-buttoned cardigan. i don’t often put it on. but i love knowing that it’s there, in the stack of old sweaters just waiting to do their job: wrap my arms and chest, make like soft-looped armament, a shield that holds me tight, that makes me remember a certain hug, a certain chest against which i leaned and pressed my ear, drinking in a steady heartbeat. a heartbeat that steadied me, that launched me, that served as grounding rod and metronome for the songs i’d yet to let loose from the canyon of my hopes and dreams and wobbles.

sometimes in life we need to grope for tangible knowing that we’re not alone. not deep down, anyway. there are someones from the past, who swirl around us still. who pulse through us. and sometimes simply shoving a fist, an arm, down a narrow sleeve, it’s all the rubbing-up-against-us we need to convince ourselves that, once again, we can face the day. we can march out of the bedroom closet, armed for what the day will bring.

no one can see the someone we’ve tucked into for the day. but we know. we know we’re not alone. and the stack of old, moth-worn, years-stretched sweaters, they’re there to guide us on our ways. to enfold us. to brace us from the chill that’s sure to blow through all the cracks.

what armaments do you reach for when your day begs for emboldening? or your heart just needs an extra layer of fortitude, of resilience, of remembering how deeply it is loved?

as if a dream…

as if a dream

the last flicker of red tail light just faded from the alley. i’d pressed my cheek as close to the glass as i could press — short of stepping out into the near frozen morning — straining to see the last dab of red glow fading away.

and, like that, poof, he’s gone.

my little christmas dream, my wish come true, has come to its hollow end. the boy i love is headed back to the college on the faraway hill, where, alone in his dorm room, the light through the window will burn. the green slope between red-brick dorms, one after another all in a square, it will be empty, will echo with the whisper of the few faint footsteps. the kid i love is among the one or two in the college who’ve been granted permission to type straight through the new year.

so christmas here was cut short, cut short by a very long thesis due in two short weeks — or, as i count it, 17 days, six hours and 19 minutes.

christmas this year was condensed. distilled to its short sweet essence.

which, in many ways, made it all the more delectable, all of it tumbled one delicious moment atop another. until last night, as i was clearing the christmas feast dishes, and the lurch in my belly made itself known. he’s leaving again, i remembered. before the dark of the dawn fades, he will be gone, i remembered.

so this morning, i did what mothers too often do: i watched the light fade away, into the too-far distance.

we wait, some sweet homecoming moments, for the light to come in through the distance. and then, on the other end of the dizzying spell of squeezing a hand that’s grown far bigger than ours, and bending low for a kiss to the brow of the sleeping man who’s back in his old twin bed, on the other end of shoulder pressed against shoulder at the cookstove, or plopping on the edge of each other’s bed for one or two thoughts shared in the dark, there comes the hour when the light pulls away, into the darkness again.

and so, in the space in between, we immerse ourselves deep in the holiest way to live: at full and piercing attention. stripping away the parts of ourselves that might otherwise get in our way — the part of ourself that, say, might prefer to do things a particular way; the part of ourself that normally flinches when butter and oil are splattered all over the cookstove (and the wall and the floor), but not this hour when it’s the college kid plying his craft of brussels sprouts bathed in a sizzling skillet of garlic and fat upon fat; the part of ourself that hadn’t planned on going to church on the far end of a one-hour traffic jam, but once we got there, well, i found myself awash in tears at the joy spread across the kid’s face as he remembered the church where he’d once made his first holy communion.

so it goes, when there’s only so much time — and you’re graced with the knowledge that, soon as it begins, it’s tumbling toward the close. you shrug off all the little things that don’t matter. you set your divining rod onto high alert. and you whirl through the short spell — the too-short spell — of 63 hours and change (including sleep time) and you inhale as if through a double-wide straw.

which, from time to time, is a very fine way to practice the art of being alive. as if the edges of your consciousness were bordered with a high-voltage fence. where, if you drifted into unconsciousness, into not paying-attention, a wee little zap to the noggin would jostle you back into full-throttle live-in-the-moment.

i remember how, in the days just before our wedding, a wise someone whispered to me a trick i’ve tried to ply ever since, even though the original instruction was only meant to pertain to the bride’s walk down the aisle: freeze frame the moment, the wise person intoned. take snapshots in your head, all along the way. that way you’ll never forget it.

and so, i attempt to pull that old trick from my toolkit whenever the occasion demands. as it did this christmas. as it did this very short spell when all i wanted was the one thing i found under the tree: both my boys, and their papa, nestled shoulder to shoulder for unbroken hours.

the little guy practically couldn’t let go. we were hunkered down watching a movie, and there were the little one’s arms, draped wholly across his big brother’s chest. loping down a city sidewalk, the big one flopped his very long arm down and around the little one’s cap-covered curly-haired head.

the two of them stayed up late all three nights. i drifted to sleep hearing their hilarity rise up the stairs, around the bend, and into my bed. last night i woke up long enough to hear a line i promised myself i’d memorize, but then, darn it, i woke up and couldn’t quite remember. all i know is it was something about, “you’re the best brother that ever there was.”

which, really, is all i need to remember, to know.

i wished for one thing for christmas. i wished for one thing my whole life long: that through trial and error, and stumble and fall, and mistake after blunder, i might over time figure out how to live and breathe love in a way that was purely contagious, that spread like a rash.

i wished for a womb of love, long long ago. i prayed that the boy i was about to birth would always, always know that love was his beginning and middle and end. i’ve lived and breathed to untangle wires, sandpaper rough spots; to make what unfolds in this house a pure bath of tender-hearted, full-throttle kindness. with a fat dollop of joy.

and this christmas i watched it unfold, one slow frame at a time.

i’ve got the whole roll tucked in my heart.

happy blessed boxing day, and how was your very own christmas?

willie ala brussels sproutsmr. firstborn, ala splattering brussels sprouts, ala christmas feast….

 

the chambered nautilus that is home…

chambered nautilus coffee cup..

like some sort of sea squiggler slithering into my coiled shell, my safe place, nestled among the coral and seaweed, down deep where the waters are dark, are still, i made my way home last night.

in deep-dark murky midnight black, i put one wobbly foot in front of the other (i’d been three hours in the passenger seat), and crept along the meandering brick walk, past the gnarled crabapple fingers that don’t take kindly to passersby (more often than not, they reach out to make you bleed, or snatch the earring clear off your lobe), past the nodding anemones (now naked of bloom), the anemones i’ve not yet tidily clipped, not tucked into bed for their long winter’s slumber.

eons earlier yesterday, when we’d headed out for the very long day (driving one sweet boy to a plane at the airport, motoring across the state line to a charmed bookstore in the dairy state’s capital city, reading and talking, then turning ’round to come home, all in one day), i’d left the back lights on, the ones that cast their soft molasses glow on the steps so i’m less apt to tumble, the glow i always can spot from the alley, calling me home, beacon through fog.

fumbling with keys, with too many somethings stacked in my arms, i turned the brass in the lock, and stepped inside, safe inside. i was home. finally home.

i’d been waiting for that moment — for that deep sigh of “at last” — for what felt like weeks and weeks. and i couldn’t wait to slither back into all that’s familiar, that’s home: the old jammies with holes. the robe that should have been tossed a few tatters ago. the creak in the stairs as i come round the bend, and plant my sole on the arthritic plank, the one that complains every time.

not ready to sleep, i popped a few kernels, enough to fill a bowl. i drank in the tick and the tock of the old grandfather’s clock, the one sighing the midnight hour. i plonked myself down at the old scratched maple table. and i breathed. deep breathed.

and this morning, after the cat rudely awoke me with the sound of his retching at 3 bells past midnight, i tossed and i turned till i finally surrendered. i arose, took a hot shower (the very best balm for a night of few sleeps), slid into my oldest stretchiest muck-about pants, and, just before 5, i tiptoed down the stairs, the ones i know by heart.

even the simple act of coffee poured into a mug — the mug i love best, a chipped old vessel, one that’s red and dimpled with wee tiny white hearts, one that soothes me like no other when cupped in my palms — it’s medicinal in its powers to quell.

and it’s all a part of the rhythm, the song, that cues up our deepest contentment.

it’s this compendium of simplicities, one pure familiarity strung next to another, that serves to weave and re-weave the womb, the nest, the cradle that rocks us back to equilibrium.

we are, some of us, creatures of habit, of the familiar. we set out to upholster our every day in the somethings rubbed smooth from use and re-use. the jeans with holes in the knees. the blanket long ago snagged. the particular chair where our bum snuggles deepest.

oh, i know there are those who live for the new, the exotic, the never-before. and i don’t mind a dash of surprise, eccentricity.

but give me my druthers and i’ll reach for the old, the weathered, the worn through with love upon love. the dog-eared till tender.

even, apparently, in matters of heart-pounding, head-swirling lifelong attraction. upon meeting the man i would eventually marry, my mother heaped upon him the highest praise in her book, declaring him “an old shoe,” the sort who fits like a glove, who knows your rises and planes and sidles up seamlessly. the sort with no pretense. one utterly at home in holey-soled loafers and seersucker shorts with sagging-down hem (his apparel of choice for that maiden encounter with the one who would become his mother-in-law). one who’d not mind a lifetime of pre-wrinkled shirts, warmed-over stews, and a station wagon too often mistaken for heirloom.

and right in here, you see, i’m hungry for all that anchors me, tucks me in to the nooks and the crannies of my own chambered nautilus.

of late, i’ve been out on a bit of a voyage through unfamiliar waters (it’s that wee little book, the time-slowing tome, birthed five short weeks ago). i’ve been trolling farther from home, and in ways a tad beyond my comfort zone.

why, just the other eve, i found myself talking quite plainly — in front of however umpteen many households were tuned to a particular chicago public television channel — about something i’ve not talked about to seven-eighths of my dearest friends, a long ago mystical something, my so-called “miracle,” one that unfolded in the upstairs chapel of a faraway convent when i was all of 16 (see page 35 of said book, if you’re now curious). but there i was, on a sound stage, with cameras rolling, and the words of my heart and my soul being cast across airwaves, scattered like so many seedlings through miles and miles of midwestern heartland. egad.

no wonder i needed my shaggy old pj’s. and my banged-up coffee cup besides. it’s rather a miracle that i’m not wadded up in tattered blankets, burrowing deep beneath some coffee-stained couch pillows.

thank goodness the calendar for a whole stretch of days holds nothing more drastic than rising from bed, and tumbling to sleep. i’ve come at last to a somnolent spell. and i need it.

a home body, a comfort seeker like me, must return to the roost. must deep breathe the old and familiar. it’s in sinking into the rhythms we know best that we are freed to be our unfettered whole. we needn’t peek in the mirror. needn’t quake at the sound of our own voice, echoing clear across a room.

we are home. we are where we belong. we are unadulterated glory in the eyes of the only one who truly sees us, the one who set sublimest design upon us, back at the essential beginning.

when we’re home, when we’re safe in the confines of the golden spiral, the chambered nautilus, that’s when we reclaim our moorings, quiet the shaky insides.

it’s how we guzzle the holy, how we refill the vessel so we’ve got what it takes to return to the seas and conquer new vistas.

dear chair friends, writing on three hours of sleep is not very smart. so please forgive weak spots and tangles above. i’ve got a quiet spell for the next couple weeks, and a boy coming home in less than a week for the very best holiday. i’ll restock the larder. i’ll deep breathe the beautiful. and be ready to roll again.

in the meantime, do tell, what is it you do to anchor your soul, and set your wings back to soaring?

sacramental supper

sacrament supper

it came over me as if i’d been out on a splintering raft in the middle of the swallowing seas, as if for days and days i’d not seen dry shore. nor steady mooring to cling to. but there, not too far out of my reach, was the sea-battered timber planted in the sandy bottom. the end post of a barnacle-crusted dock i couldn’t quite make out, and it came out of nowhere.

looked like hope to me.

so i reached for it. reached into the meat bin at the bottom of the fridge. hauled out the pack of cubes of cow (so sorry, cow). then i hauled out the cook pot, the one so hefty it could break a toe. a pack of toes. i glopped in a spill of oil, olive oil slick across the now-sizzling surface. and in plopped the cubes of beef. i browned and hummed. that’s what cooking on a thursday morning does.

i was burrowing into the holiness, the sacrament of middle-of-the-week, because-they-need-it, because-we-all-need-it supper. it would be ladled at long day’s end, when, for a moment, hands would be clasped, prayers raised, then forks. and a certain emptiness, filled.

that’s the mystery and alchemy of all-day puttering at the cookstove. it’s the only thing some days, some weeks, that beelines to the crannies in our heart where words can’t go. that seeps into hollows hungry for so very much.

since this was sacramental, after all, i set the altar while beef cubes sizzled: old chipped blue willow plates, ratty napkins that could use a spin through the sewing machine. cobalt glasses, ones that all day long catch the light, spill streams of blue across the old maple planks of the handed-down kitchen table, the one that still wears the imprint of third-grade homework from back in 1965 (or so i calculate, judging by the particular child’s scrawl and the certain words pressed into the wood).

sacramentum, the latin dictionary tells us, means “sign of the sacred.” is it sacrilegious, then, to call a plain old supper, one that simmered on the back burner all day long, one thought through, from splattered sheaf of follow-along instructions, clear through to pop-from-a-tube biscuits, is it sacrilegious to call a lump of root vegetables and beef, ones swimming all day long in thyme and bay leaf, crushed tomatoes with a splash of red wine vinegar, is it sacrilegious to call it sacramental?

i think not.

to serve up what amounts to depths of heart, to say in mashed potatoes and irish butter, “i love you dearly, and i’m so sorry i’ve been distracted. so sorry i’ve been heating up old soup, chicken pot pie from a box.” to say, with store-bought pumpkin pie, under a swirl of canned whipped cream (i splurged on the one that shouted, “extra creamy!”), “forgive me for making it seem like something else might have been more top-of-the-to-do-list than carving out the holy half hour (let’s not be greedy here) when we all sit down and savor pay-attention cooking. and each other.”

because, really, i think we can taste the difference. oh, umami is umami. and sweet is sweet. but don’t the hours of stirring, of simmering, of thinking something through — not whipping it off in the last 10 minutes before the hunger sirens screech — doesn’t it all find its way deep down into the deliciousness that doesn’t come through short cut piled atop short cut?

yesterday, the day was afghan autumnal, all gray and woolly, the sort of day when you hunker inside, when the cookstove yodels to you. when the burners itch to be cranked. and the bins of rutabaga and turnip and parsnip — all those underground offerings that soak up what the earth’s deep dark soil has to share — they beg for vegetable peeler, and chopping block, and long hours surrendering to flame.

it was the sort of day-after-hubbub when quiet invited me in for a long slow visit. nothing rushed about the day. a day to breathe deep, breathe slow. to fill my lungs with quiet prayers, the prayers of lavishing love on the ones so dear to me, the ones who deserve nothing less than the very best dinner i could chop and stir and taste-test along the way. and while i’m at it, why not take it up a zany notch? just because there’s never enough oomph in an ordinary day. and what day, really, deserves to be plain old ordinary?

by supper time, when the tableau beyond the panes of glass went inky black, when the glow of the kitchen lamp spilled gold across the table, the vapors that rose from the big red smash-your-toes cook pot, the hot breaths that trespassed out of the oven, they crept up the stairs to where homework was being done.

before i’d said a word, the stovetop’s incense was deep at work. the house was filled with something surely holy, for what else can you call it when you claim a whole long day to aim for higher?

to say in smell and taste and temperature and touch what words alone just might not say: “you are worth it to me to spend a whole day cooking, just for you. i’ve not lost sight of my holiest calling, to carve out a hallowed space here in this place of walls and windows and creaky floors and solid roof, to be the one reliable source of all that’s good, that’s edifying. to fill you with warm spoonfuls — as much as you want, there’s plenty here. and i’ve made it beautiful because you are, because beauty speaks to the deep-down whole of us. and you so richly deserve each and every morsel i can muster.”

the day was chilly brisk. i did what i could to make the kitchen glow, the holy light of heaven here on earth. and to fill those who came to the chairs at long day’s end.

far as i can tell, that’s a sacrament, a sign of the sacred. with a fat splat of butter drooling off the plate.

beef stew

like all the best recipes, i start with something on paper, and then i riff. i zig when instructions say zag. add a dollop instead of a dab. the beef stew recipe i’ve decided is the one worthy of a long day’s cooking is one from that gloriously down-to-earth pioneer woman, ree drummond, and it’s one she calls “sunday night stew.” even on a thursday.

your thoughts on the sacrament called slow-cooked supper? or how do you best dollop extra helpings of plain pure love? 

the day begins here…

day begins here vase blackeyed

before i’d even tumbled out of the bedsheets, i felt the low-down wobbles. happens sometimes. even on a morning when birds are in the boughs just beyond the window panes. it’s almost as if the sediment of whatever shattered in the day before is settling down, after a short night’s slumber, into the pits of your veins and your belly — and your knees, always the knees on a wobbly morning.

it’s almost as if, before your braincells awake, your body cells remember. they know there’s unsettling. they know the darkness rolled in before the day was done. needn’t be big things. sometimes the things that wake you up wobbling are simply a potage of rumbles and worries, spiced with bits of unwanted news.

once i’d splashed the cold water on my bed-wrinkled face, once i’d slipped into the shirt with the least number of holes in the elbows, i turned to tramp down the stairs.

there in the kitchen, the morning’s light awaited. the garden nodded, all dappled with dew drops.

i made a mistake in checking my phone: there lurked one of those emails you don’t want to find before the first gulp of coffee. but there it was, so i read it. and then, i glanced at the dining room table, all strewn with hundreds of pages and a fat red pen. i’ve a day of page proofing ahead of me. the last go-around with these pages that have seeped deep into my soul. these pages on which i whisper a prayer every time i begin again, start at the top, read through to the bottom, on alert, high alert, for typos and runaway commas.

i was now in high wobble.

so i did what any wobbly girl with sharp garden clippers would do: i walked straight out of the house where the wobbles had gathered, and i started to snip — the garden, that is. a long neck of yarrow here, black-eyed susans there. snip, snip, snip. next thing i knew i was clutching a fistful of august delight. and the wobbles weren’t so wobbly anymore. or at least for the moment, i’d buried my nose in the ticklish bouquet, and i wasn’t paying the wobbles much mind.

that’s what a holy morning can do for you. that’s the magic of ringing your old tired house with billows of bloom. folks driving by might think you grow bundles of things for the color, or the je ne sais quoi. ah, but you know. you know the secret: you are growing your very own apothecary out there. it’s all healing balm, and wobbly cures. it’s buoyant and tender, all at once.

it’s the deepest blessing of this holy earth: the power to heal what ails us, whatever it is.

all you need do to prompt it along is tuck a few roots deep in the dirt. then add sprinkles of rain. a few prayers and crossed fingers certainly help. never hurt. oh, and then you muster up patience. you wait. and you wait. and the globe spins around, and next thing you know it’s august, the launch of black-eyed susan season. the glorious crescendo of the midsummer garden. all the growing things — the yarrow, the hydrangea, the susans — they’re all rubbing shoulders, shoving and pushing to steal your attention. all they want is to stick out their necks, to bloom, to soak up some sunshine.

and what they give in return is pure bliss. gentle bliss. quiet bliss. a bliss that promises to bathe you in all that you’ll need to weather the day.

here’s the gardener’s pose of acceptance, accepting the gift of the garden: bend at the waist, stick your nose in the powdery parts where the yellow rubs off, now take a deep whiff, and reach for your clippers.

so it went this once-wobbly morning, when i marched out the door and into the billows, armed with my felco no. 2 clippers. i clipped and i snipped, and next thing i knew i was ready to face this fine day, not quite so wobbly this time.

what’s your garden doing to fortify you this fine day? and if not your garden, what’s your secret potion for facing a wobbly day? 

a bit of the backstory here is that i’m plowing my way through final page proofs, as that ol’ book, Slowing Time, has locked in its reservation with the printing presses, and is due to roll by the end of the month. that means every wiggle and blip on the page is demanding attention, lest it roll off the press, blips and bloops intact. 

fat ‘n’ sassy: measuring joy in micrometres

fat and sassy blueberries

it doesn’t take much. never really does. the end-game, though, is everything: the skip in the heart when sweet leaflets of joy come wafting down from the clouds.

and so it was with the blueberry basket. i was paying little mind, going about the motions of putting food to the plate, en route to the mouth, at last to the tummy. i reached in the cold box that keeps these modern conveniences — and here i wonder, are we losing something, relying on refrigeration instead of plucking them straight from the bush? so early, and already so distractible, i am…

anyway, i was mentioning the cold box, the ice box, in my grandma’s vernacular, the one that keeps those little globes of summer from going flat, like old tires on a bicycle that’s not been ridden in months. i reached and grabbed the berry basket, the one hauled home from the store, alas not the farmer’s field.

i started to pour, to dump the blue balls of summer and that’s when i noticed: these were blueberries at their most swollen, blueberries who’d pushed out their skins to the point of near bursting, and then pumped the insides with that delectable potion of sweet-tart-and-pucker. these were blueberries fat ‘n’ sassy and filled with pizazz.

and so it was, at that very moment, that i felt my heart do a bit of a double-beat.

sometimes, that’s all it takes: joy measured in micrometres. a dimension the science books tell me is used in measuring infrared radiation wavelengths, the diameter of wool fibers, and the heft of cells and bacteria. human hair, you might wish to know, measures in at some 90 micrometres (the spelling of the international bureau of weights and measures, as opposed to the ingrained auto-correct that keeps slapping my hand, trying to get me to flip my “r” and my “e,” to do away with this british affectation of science). there’s a fancy abbreviation for micrometre/micrometer, but most keyboards can’t fathom it, so among common folk, the abbreviation is “um,” as in that ungodly pause when we’re fishing for words. a water droplet of fog, for instance — yes, they measure these things (though not necessarily with yardstick) — is sized up at roughly 10 to 15 ums.

but back to the blueberries, near doubled in girth, in micrometres. a measuring tape slapped round their middles right now, at the height of summer’s rising crescendo, when the cicadas start rubbing their parts, their noise-maker parts, and the hum of near august vibrates into the night, it might make a Vaccinium corymbosum (or highbush blueberry) blush with indigo pride. they’re packin’ a wallop right now.

and that’s all it took. that one increment of immeasurable heart tickle, it was all the delight i needed to add a skip to my summery morning. the air out the window was cool, northern-michigan cool. the berries in my bowl were zaftig. the day had nowhere to go but skittering southward. i’d reached the glory spot before my coffee had cooled one joule (dipping back into the annals of science, we pull out the word for a standard measure of heat energy, or thermodynamics).

with all these berries inflated to seasonal highs, i reckon, it must be time to crank the oven and beckon the boy in this house whose favorite page of mark bittman’s how to cook everything: simple recipes for great food (macmillan, 1998) is the one that’s splattered with smeared bits of butter and very old droplets of egg white (more than 10 to 15 ums, i assure you). the boy, now asleep in his bed, dreams day and night of blueberry cobbler, the dish he calls his finest (never mind only) baking hour.

it goes something like this, and it’s more than worthy of those fat sassy globes that define summer at its puckeriest.

blueberry cobbler

yield: 6 to 8 servings

provenance: mark bittman’s dear friend john willoughby, who found it in a southern boardinghouse, so you know it must be lip-smackin’ good.

4 to 6 cups blueberries, washed and well dried.

1 cup sugar, or to taste

8 Tbsps. (1 stick) cold unsalted butter, cut into bits, plus some for greasing the pan

1/2 cup all purpose flour

1/2 tsp. baking powder

pinch salt

1 egg

1/2 tsp. vanilla extract

1. preheat the oven to 375 degrees Fahrenheit. Toss fruit with half the sugar, and dump in lightly buttered 8-inch square or 9-inch round baking pan.

2. combine flour, baking powder, salt and 1/2 cup sugar in food processor, and pulse once or twice (or, simply mix in a bowl, the old-fashioned way, with big spoon and muscle power). add butter and process for 10 seconds, or old-fashioned way, cut into flour-sugar mixture with pastry cutter or two knives, crisscrossing through the mound. by hand, beat in the egg and vanilla.

3. drop this mixture onto the fruit by tablespoonfuls; do not spread it out. bake until golden yellow and just starting to brown, 35 to 40 minutes. dollop onto plates. please wait for joules to dissipate, or you’re apt to burn your tongue.

savor under the summer night’s star-stitched sky. or as sweet spot to your morning’s coffee.

cobbler

‘scuse me, while i go rouse the boy, and spin the dial on the oven.

and how do you take your puckery berries?

a wee bit of housekeeping: if you peek up above, to the few bold words under the title “pull up a chair,” you might notice there’s a new line, “the book: slowing time,” which means there’s a new place to poke around here at the table. seeing as this blessed book, Slowing Time: Seeing the Sacred Outside Your Kitchen Door (Abingdon Press, October 2014), is rolling toward the printing press any week now, and seeing as the real live bound galley arrived in a pouch on my front stoop last night, it seems high time to give Slowing Time its very own place to call home here where it all began. you’ll find a few bits of news, some very kind words that have rolled in under the transom in the last week or so, and whatever else you might care to know in the book department. click here to peek.

and may your third full week of july be sweet as a bowl of fat blueberries, cobblered or not….

summer’s succulence

sky lights

it’s the morning after the night exploded.

it’s gentle out now. the pop and fizzle are long gone, replaced by mama wren singing. and mr. and mrs. cardinal chattering, as they imbibe on the annual inebriating feast of plump purple serviceberries, dangling from the bough.

i’m inhaling all of it, as i try for one short spell to push away the worries, the deadlines, the cobwebs in the corners.

this is what summer is for, the reason it exists: to catch the rhythm of your breath, to notice how it flows in time with tide, with water gurgling toward the lakeshore sands, then rolling out again.

this is a day for slicing watermelon, for scooping little balls of sweetness from soft and juicy flesh. for popping back blueberries by the fistful. for paper napkins catching all that dribbles — because you’d never get the fruity stains out of cotton squares or linen.

this just might be a day for cranking up the oven. and the grill, of course. but one short blast of cake baking just might be what the declaration of independence does declare.

because it’s a holiday, because we’re practicing the art of stepping out of time, and into the hallowed hollows of timelessness, i’m making like this here is a backyard with picket fence, and i’m leaning across the fence to hand you a recipe for the finest chocolate cake this side of the iowa state fair.

a dear college friend drove down from wisconsin a week or so ago, with a sheet pan of devilish deliciousness and the spelled-out recipe to boot. she left the whole darn cake when she packed up to head back north, and my boys declared it the finest chocolate cake they’d ever slipped between their lips.

with no more hoopla, and one sweet promise: here’s a slice of delicious summer’s succulence, brought to you courtesy of judy smith, who was motored here by one maureen haggerty warmuth. they’re two of the treasures i’ve held onto from my college days. and here’s the treasure to tuck inside your banged-up, battered, much-used tin of recipes. (fact is, this is all-season’s succulence, but since we’re at the fever-pitch of summer, we’ll tag it one for summer’s glory. seems just the thing to ferry to the independence day cake stand.)

minnesota chocolate cake

provenance: my friend judy smith’s dear friend tammi baumann

2 cups flour

1-3/4 cups sugar

1/2 cup cocoa

1 tsp. salt

1 Tbsp. baking soda

ADD:

1 cup buttermilk

1 egg, slightly beaten

2/3 cup oil

1 tsp. vanilla

1 cup coffee brewed

Preheat oven to 350 degrees Fahrenheit.

Beat together your litany of ingredients — batter will be runny.

Pour into greased and floured 9-by-13 pan. Bake at 350 degrees for 30 to 40 minutes.

frosting:

In saucepan, dump:

1 cup sugar

3 Tbsp. corn starch

1/2 tsp. salt

4 Tbsp. cocoa

1 cup boiling water

Cook over medium heat while stirring, till thickened.

Remove from heat, and ADD:

1 tsp. vanilla

3 Tbsp. butter

Cool frosting and pour over cake.

grab fork. dig in. declare this a day for summer’s succulent sweetness — in all its many flavors.

p.s. there was a rumor wafting about the kitchen that this chocolate-y deliciousness might have won blue ribbon at one of those fine midwestern country fairs. fact or fiction, it won just such an honor here in our humble kitchen. so pinned by the boys who left not a crumb behind on the cake plate…

and what will you be ferrying to your independence day feast? and what’s your definition of summer’s succulence? how would you spend a holiday away from all that weighs you down?