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Tag: writing a book

the illuminating work of the modern-day manuscript

IMG_0011on the eve of the night before she died, she asked me to write her obituary. and then, a month later, after her brother had read her will, she tapped me on the shoulder (or he did for her, literally, in a jam-packed cafe after her memorial, when he came up from behind, leaned in and whispered the question that made my knees go weak); she asked me to be the custodian, the caretaker, of her creative work.

to peel back the tape from a dozen or so boxes and crates, to lift from layers of dust, old essays, typed and stapled, some typewritten the old-fashioned way, others spewed out from every iteration of computing in the late-20th century. another four years of 21st-century essays, dustlessly tucked away inside her sleek hulk of a computer, one that would be boxed and moved and plugged in at my house, where for weeks i couldn’t bear to click open folders, never knowing if i’d find cold, hard diagnostic reports, chemo spreadsheets, or an essay that would rip my heart out.

my job was to sift and sort, read and re-read, move from pile “yes!” to pile “maybe?” to chisel away at the stack till what was left were those words, those essays that could not, should not, be left to crumble into paper flakes, the ink fading by the year, passwords lost and irretrievable.

but, more than anything, to be the caretaker — to be asked in someone’s last will and testament, for heaven’s sake, not just some passing rumination — is to take to heart the work of seeking light. of lifting up what amounts to someone’s heart and soul and inextinguishable brilliance, and offering it sacramentally to the world, believing wholly that it will find its way to every pair of eyes, to every thirsty soul, to every pathfinder who cannot find her or his way. especially, in this case, anyone who happens to be searching for a path through the tangled woods of cancer, a path my friend mary ellen knew too well. and took on like no one i’ve ever known.

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admittedly, my drop caps are not quite so frilly…

it’s been three years, with fits and starts, and sudden rushes of momentum. i’m riding a tail wind right now, have been deep in teaching myself the ways of self-publishing. yesterday laid out 71 pages, complete with drop caps (those giant-sized first letters of every essay, a typographic wonder with roots in the illuminated manuscripts of eighth-century British isles, and those bent-over cloistered monks who traced Biblical text with quill of peacock, crow or eagle, and ink from insects, plants, burned bones or bits of gold).

along the way in this modern-day manuscript making, a brilliant friend (formerly a new york times book review editor) was hired as a second pair of eyes in the sorting phase, to add her voice to the hard task of editorial umpiring, calling balls and strikes and the occasional grand slam. a proposal was written, sent to a literary agent and a publisher, both of whom deemed the writing “beautiful” — “smart, reflective, emotionally transparent,” declared the agent — but because publishing in any circumstance is a steep uphill climb, doing so posthumously is even steeper. they pointed us toward doing this on our own: meaning, learning the ways of self-publishing.

in recent weeks, as i puttered about my garden and my life, it began to feel as if my friend mary ellen was traipsing behind me, tap-tapping me on the shoulder once again, getting antsy (as might have been her way), wondering what the heck the bottleneck was all about. and if i’ve learned anything in my decades here on earth, you do not — repeat, not! — ignore the sotto voce whispers of one you’ve loved, now keeping watch from wherever it is those whispers come.

so i got to work. and we’re ready to grab our ISBN (the 13-digit numeric monogram that makes a book a book, gets it entered into the library of congress, for crying out loud; next best thing to tying it up with a frilly bow, baking it a cake).

if writing is holy work, and for some of us it is, burrowing deep inside the wisdoms and epiphanies of someone wise and wiser as her death drew near is among the holiest. and the most blessed. i am blanketed inside the skeins of her sentences. i punctuate paragraph after paragraph with my tears. i hear her voice so loudly, so emphatically, and yet more gently than i’ve ever heard before, i wouldn’t be surprised if she tapped me in a dream, whispered blessings for bringing her holy work across the finish line.

it’s what she dreamed. it’s what she asked. and it’s a task carried not on our shoulders, but in our twinned hearts. where the magic is this: along the way it can sometimes feel impossible, and too heavy a load. but sticking with it — be it this book, or any seemingly unbearable assignment — forgiving the lulls and sabbaticals, carrying it into the light, just might make it the most essential work in a long long while, love’s true labor.

mary ellen, any day now you’ll have your ISBN. and your name forever gracing the cover. and someone, some day, will pull you from the shelf, and your words will be inscribed in countless hearts. which is what you set your sights on from the very beginning…

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Mary Ellen Sullivan, author of “On the Wings of the Hummingbird: An Invitation to Intentional Joy,” ISBN coming soon. (photos courtesy of Maureen Butler)

have you considered the holiness of the daily work you do? what moments in particular seem shot through with something a bit bigger than the moment at hand? and how might your daily tasks illuminate this too-dark world?

a book for the heart…

cover of Blessings of MP

pssst. you get the first peek. of course….

my definition of heaven: a summer morning, the breeze blowing in through the screen just enough to tickle my bare toes. the chirp of papa cardinal syncopating the click-clack of my typing, as i pull up to the old maple table and weave a word here, a sentence there, taking threads and making whole.

making a book. weaving a book. yes, writing pages and pages, and snippets and bits. but even more — in the case of this sort of book — stuffing in a little treasure here, pausing for a bit of joyfulness there. it’s a crafting that feels something like making a collage, a heart’s collage. snipping bits of beautiful, and figuring out how they most stand a chance of leaping off the page into a blessed someone’s open heart…

my favorite sort of summer — all these years beyond the summers when i’d spend the weeks crafting intricate home-spun cardboard-box dollhouses with my best friend martha — is to spend the weeks plonked at my old maple table “making a book.”

and that is indeed how i’ve spent this summer (when i wasn’t rushing to take my one sweet boy off to law school, or holding my breath while the other one tried out for soccer).

my deadline is september 1. but i turned in my last stash of pages on monday. which means i beat my deadline, i’m breathing again (but only momentarily — i never really breathe till delivery), and since it’s already listed in my publisher’s spring 2018 catalog (which i discovered by accident the other day), i’m letting you in on the not-so secret. and, voila, that’s the cover up above.

the idea was that we’d make something of “a gift book” of motherprayer, pulling a few favorite bits, and adding a dash of this, a dollop of that. i wasn’t quite sure what exactly a gift book meant, so i nodded (if we’d not been on the phone, with several hundred miles between us, my lovely editor might have seen the quizzical tone to my shaking my head up and down slowly, very slowly…) and then i leapt in to try to find my way through to the other side of whatever that meant. along the way, i decided that i was going to pull bits, too, from slowing time, my first book. and i was going to tuck in other bits of words that just might tinkle someone’s heart chimes. and i suppose that’s how it all began to feel like i was making a soulful collage.

or, as i describe it in the opening pages, “this book might read a bit like you’re peeking into my occasional jottings, something of a journal of the heart.”

and i go on to say: “all in all, this is something of a patchwork. a patchwork of joy. of love. of wonderment. and it’s the closest i’ve yet come to field notes on the blessings of motherprayer, fueled and put to flight on the wings of sacred whisper.” (p.s. in the actual book, i do put on my grown-up-alphabet shoes, put away the all-small letters and reach for the “Caps Lock” key on the keyboard. just in case you were worried…)

and what it means is that this is a book especially for all who love in the way a mama loves — and remember, i EMPHATICALLY (see, i can find the caps keys!) believe that the verb, “to mother,” is not is not is not confined to those who’ve birthed a babe, or raised a babe from and by heart, or even spent more than a few consecutive hours chasing a little person round a swing set or plopped on the couch for a string of heart to hearts. the verb to mother is a verb that belongs to all, all who reach down deep, consider what it means to love as you would be loved, who are wise enough and willing enough to move mountains if need be to buffet someone’s oozing broken heart, to provide the words that amount to the roadmap through tight mountain pass, or simply to share soulfully in all the joy stuffed inside some sweet and hungry someone, be it a kid-sized someone or one who’s all grown up.

it’s a book that weaves twin threads — and more. it’s a book intended to kindle the soul, and to ponder the lessons learned along the winding steep-pitched trails of mothering. we need both, those of us who see the holy work in mothering. one is oxygen for the other. and along the way, i wound up deciding that — as with mothering, in which, for the life of you, you could not would not pick a favorite among your children — i’d fallen in love with this book, too.

right now it’s working its way through the book-making wizardry, where all sorts of geniuses grab their polishers and rub it to a glisten. i’m braced for the day when someone pings me to ask if i might take another stab at this or that, or “kill the darling,” a famous newsroom directive that means, “all right, you’ve had your fun typing this sentence that all but does a cartwheel, now kill it because it’s noisy and it’s getting in the way.”

but on this fine morning at the end of blessed august, i’m closing down the month by reporting in on how i’ve most blessedly savored every drop of this one glorious whirl through summertime….

and, too, here’s my latest roundup of books for the soul, in case you care to read about those, too. this month’s lineup includes a jesuit’s wise and courageous words of compassion, dharmas from thich nhat hanh, and prayers from julia cameron.

i’ll keep you posted, but till then have a most glorious last weekend of august.

xoxo, bam

what were the joyful noises you made this summer? what wonderments and serendipities did you stitch into the season not yet over…. 

redlining: when words queue up in the wings

motherprayer-cover

a peek at the cover…

it’s those two little eggs. they’re what bring me to tears. well, that and the fact that i’ve not slept too much this whole last week. it’s what happens when you’re redlining. which, in the world of books with your name on the cover, means you are weighing every last alphabet letter, typing, trying words on for size. hitting delete (a lot of hitting delete), then typing some more. you’re nearing the end.

i’d been waiting and waiting. for months. and then, with not even a whisper, not even a ping (i was at a funeral, and my phone was turned off), the whole 240-some pages slid in under the so-called transom (as if a laptop came with an office door, an opaque glass door, with your name etched on the face, and a doorknob that creaked when you turned it, as back in the movies and sitcoms of a whole other era).

at first, i was trembling too much to peek. i knew that this round — the one after your words have been wrung through the copy-edit machine, after the production editor puts her very fine eye to every last comma and dash, and all the words in between — this round weighed more than the others in the editing room. the closer you get to the end, the closer you get to the day the big box arrives, when you pull back the tape, and stare at the stacks, the ones with your words, covered and bound, the more it all weighs.

i quelled my butterflies. all but stuffed them back in the jar where they belong, the one with the air holes punched in the lid. and then i dove in.

fullsizerender-2i’m done with round one, the round where you read on the screen. now i move onto round two, the one where you read from pages and pages, actual paper. actual trees, felled for the service of smoothing, and fixing, and hoisting up line after line, as many notches as my brain and my heart and imagination can muster.fullsizerender

which means my brain cells are thirsty for coffee. and my muscles and bones are aching for sleep. and while i practice my finger-stretching exercises, the warmups for another day with the red pen and keyboard, i figured i’d give you a peek at the cover. i’d had no idea it had slid off the art director’s drafting table. certainly no idea it was over on amazon, where, with the click of a button, you too can take a close look.

you can even read how they describe it, those folks who do the describing:

Barbara Mahany writes, “Mothering was my crash course in love. Love of the sort I call Divine. Love in the way we yearn to be loved: Without end. Without question. Without giving in to exhaustion. Love with a big and boundless heart. Love with eyes and ears wide open. Love even when it’s not so easy.”

In Motherprayer, Mahany generously shares personal love letters on the mysteries and gifts of mothering, interspersed with family recipes and gentle essays, all offering beautiful lessons in how to love, and how to love breathtakingly. In her bracingly honest style, Mahany lifts up the everyday—the hard, the glorious, the laughter, and the tears—and invites readers to pay attention, cradle our loved ones in prayer, and see the sacred lessons in loving.

which is why i’d better get back to the redline. which is why i nearly toppled off my chair the day i stumbled onto those words. i was minding my business, one fine afternoon, just clicking around on the keyboard, in that way that we do now, when suddenly one click led to another, and there it was: my next little book, idling on amazon. awaiting its turn in the racks. the book-peddling racks.

so while i head off to try out some verbs, try to find ones with sinew and heft, i’ll leave you here with a promise: i’ll tuck my whole heart, and all of my soul, into the redlining to come. and the book that comes very soon after. the book that will land just in time for mothering day. the book you’ll find at the bookstore next april.

i’m writing a book for the very best reason: for both of my boys (those two little eggs in the palest of blues up above), so they’ll know, so they can hold in their hands, someday maybe even read, the record of just how deeply they were loved. and the few things i learned along the way.

redlined, of course.

if you wrote a book, what would you put on the cover?

and as long as we’re in the book bin today, why not mention that my first book, Slowing Time, was read aloud back in the spring by a lovely woman in Nashville, and recorded, made into an audible book. i have five copies that i’m happy to give away. if you’d like a book-on-tape, if you’d like Slowing Time, with a wee bit of buttery twang, just plop a comment down below, and the first five someones who raise their sweet hand, will get an audible copy. how’s that for a friday morning adventure in listening? (my dear publisher has wanted me to do this for months, but i’ve, um, been a bit shy.)

because i love to give glories where glories are due, i am leaping off my chair to holler my lungs out in thanks to nancy watkins, the brilliant longtime chicago tribune editor, who was employed to copy edit Motherprayer (and thus made my wildest dreams come true), and the astoundingly fastidious and kind and word-perfect susan cornell, the production editor at Abingdon Press, who is shepherding each and every page to the printing press. there’s a dream team on this book, and page after page, i find myself sighing at their utter perfection. consider me enchanted. blessings to both of you. xoxox

revisions

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the sentences don’t go to sleep when i do. they follow me to bed. romp while i flutter closed my eyes. pay no attention as i turn down the dial, try to quell their insistent chatter. they carry on merrily, words slithering here and there. one taking a bow, an exit bow, another squeezing in its place on the stage. whole sinewy chains of words, traveling en masse — some sort of compound-complex-intricate dangler, something i’m sure my third-grade teacher warned me never to try without trapeze — they migrate across the page. appear out of nowhere. demand a splot of real estate somewhere on the vast black-and-white tableau.

that’s how it is when you’re up to your neck in what are called revisions, an episodic literary state of being, from which there’s no escape.

you all but nibble tables-of-contents for breakfast. you inhale paragraphs, exhale footnotes. you slow the pumping of your heart to near stand-still (a dangerous state of affairs, to be sure) as you ponder permissions, and zap off begging sorts of notes to those whose words you’re so hoping you can borrow, set off with frilly quote marks that trumpet, “these lovely words came from minds far richer than mine.”

your days and nights are a melee of “delete,” followed frantically by “command-z,” every writer’s salvation keys, the ones that undo whatever ding-dong doozie you’ve just done. i’ve been known to “command-z” for unsightly spells, whole minutes it might seem, so grateful all the while to that unknown programmer who long ago thought to provide mere typers with escape hatch. if only sin and cruelty could so swiftly be erased, undone, made to disappear. but isn’t that why catholics have confession booths?

what i’m revising — day in and day out, and late into the nights — is my next go at this semi-livelihood i’ve taken up, the one in which you find your name spelled out in pretty letters across the front cover of a stash of pages, pages that slide in and out of bookshelves. more simply put, a book is what i’m up to. and what i’m writing — er, revising — is a book i might not have mentioned here, not by name i’m fairly certain.

it’s called motherprayer: lessons in loving, and my friends at abingdon press are once again behind it. if all goes according to plan, and believe you me, i’ll do my part, it’ll land in a big squat box on my doorstep in a mere 10 months, next march to be precise.

it’s a book i’ve been writing for years and years. it’s a book, the one book, i’ve long felt most pulled to publish. it’s the one stash of writing i want to leave behind. and by leave behind, i don’t mean dropped off at the side of a curb, or abandoned, only to crumple into so much flaky yellowed dust. i mean these are words i hope and pray might be left in the hands — or on the bookshelves — of my boys. it’s a stack of love letters, really. ones that began even before here, before the chair was the place where i turned with my truest, tenderest, unpracticed whisperings.

all my life the one thing i’ve always done is write love letters. it’s the medium i know best. it’s what turned my life from nursing to newspapering, really. it was a love letter to my papa that started it. the one they read at his funeral, the one that made the ad man say, “kid, you can write.” what he meant was: “kid, you can write a love letter. you can uncork a heart, and put words to what’s spurting out, spewing merrily and frothily.”

if i pause to think about it, and suddenly i am, it’s how i found my way to that long, lean bespectacled architecture critic with whom i spend my life. and it’s how i made so many friends in high school — my nightly mission, one that shoved aside all homework, was to sit and pen notes to friends who were aching, lost, or lonely; and sometimes simply happy.  i’m pretty sure my love letters are what made me my high school’s unlikely homecoming queen.

but there has never been a love letter that mattered so much as the ones i’ve penned for my boys. the ones i’ve penned here, too, when i hold up to the light some moment, some fraction of time, some quandary or conundrum, some twist or turn in the plot that leaves me breathless, or in tears. and, so often, throwing up my arms to the heavens, turning pleas to prayers, “dear God, show me the way….” “dear God, stitch this shattered heart….” “dear Holy God, thank you…”

it’s motherprayer.

and for the life of me, i can’t seem to shake my sense that it’s here, in these front lines of the mother-child tangle, that so much blessed wisdom pulses. and so i keep close watch, i plumb the depths, i poke around — year after year, chapter upon chapter.

which is how i came to gather up a stash — each in the form of an essay, a chance to catch the fleeting moment, some crucible of childhood and motherhood — and why i’ve culled and tossed, boiled down the lot to the ones that just might hold a glimmer of the elusive truths we’re after.

it’s motherprayer, a love story. one i’ve been deeply writing for the last quarter century.

what’s your best medium, the one in which your heart and soul most deeply feel the muse?