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Tag: wabi-sabi

radiant brokenness

cracked plate

someone i love was shattered this week. it shattered me.

and it got me to thinking about kintsugi, the japanese art of repair when a bowl or a vessel is shattered. in this craft as ancient — and poetic — as any still practiced on earth, the crack isn’t simply glued, the pieces reassembled. it isn’t hoped that no one will notice, that the brokenness will be hidden, kept secret.

hardly.

kintsugi

the crack and its repair are illuminated. literally. powdered gold, most often, but sometimes silver or platinum, is sprinkled into lacquer resin. the vessel is veined boldly, radiantly. if a piece of the vessel has been shattered into splinters, the missing piece — the absence or abyss — becomes invitation for abundant gold compound, a gilt vein pooling into eddy or island or pond. golden pond of patching together.

kintsugi plate

it’s a practice that dates back, at least, to the 15th century. and, so the story goes, it may have originated when a powerful japanese shogun by the name of ashikaga yoshimasa broke one of his prized chinese tea bowls, and sent it off to china for repair. what came back was a bowl mended with ugly metal staples. the shogun, somewhat shattered by the ugliness, ordered his craftsmen to come up with a more beautiful means of reassembling, of repair.

kin = golden + tsugi = joinery

kintsugi. golden joinery.

it’s the art of embracing brokenness. it’s craft, yes, but even more so it’s philosophy, a philosophy that draws from the japanese understanding of wabi-sabi, which is to behold the beautiful in imperfection, impermanence.

at heart, it’s a knowing that the fracture doesn’t mark the end of the object’s life, but rather embodies an essential moment in its history. it’s worn because it’s been woven into the fabric of daily life, and daily life offers up bumps and bruises and tears and tatters. the more it’s engaged in the depths of day after day, the more likely it’ll be knocked around, jostled, sometimes even broken.

so, too, the human heart.

“the vicissitudes of existence over Screen Shot 2016-01-21 at 7.52.29 PMtime, to which all humans are susceptible, could not be clearer than the breaks, the knocks, and the shattering to which ceramic ware too is subject. this poignancy or aesthetic of existence has been known in japan as mono no aware, a compassionate sensitivity, or perhaps identification with, [things] outside oneself,” writes christy bartlett in flickwerk: the aesthetics of mended japanese ceramics.

to be engaged in the drama of the human theatre — that place called being alive — is to be exposed to shattering.

yet isn’t the redemption found in the truth — resounding truth — of hemingway’s glorious line from a farewell to arms:

“the world breaks everyone and afterward many are strong in the broken places.”

or, in the infinite wisdom of rumi, the sufi mystic:

“the wound is the place where the Light enters you.”

so that, today, is my prayer. that the shards disassembled, strewn and scattered across the plains of life, in those darkest hours known to humankind, are not merely slapped back into some smoothed-over order, some half-baked pass at hiding away the fracture.

but that, as inspired by buddhist wisdom, we come to a deep understanding of the truth of golden joinery. that if perhaps we can find love for the whole of who we are — the broken, the fractured, the piece that’s forever lost — we might discover not simply strength but radiance in the stuff we find to patch ourselves back into a whole.

and in so doing we become all the more beautiful because of where we’ve been broken. and where the Light now finds a way in.

plate cracked

watch this kintsugi master at work (and, yes, it’s without sound): golden joinery video

i know, i know, i promised that proper porridge post. it’s bubbling away on the back burner, i promise. this just wasn’t the week for a clump of oats. although they fortify me many a morning.

have you ever considered the truth that our brokenness makes us more beautiful? have you discovered that, indeed, the Light pours in in those places where once we’d been shattered, that in gathering up the pieces, in patching the whole together, we might begin our repair by sprinkling flecks of radiance? aren’t these the precise fault-lines where God finds His opening, where God infuses the breathtakingly beautiful?

the cry of the october garden

october garden

the garden’s been hushed for months now. or maybe i’ve been too distracted to notice.

this week though, with honey-dappled light oozing across its fading, bent, and desiccating boughs and stems, with fronds of fern collapsed, splayed every which way, and nodding heads of hydrangea weighing down the branch, with my own soul ragged, in need of long slow immersion, i heard october’s garden call my name.

i’d been typing — or trying to anyway — when suddenly some drop of golden light, nectar from the heavens, caught my eye. i looked up, pushed out my chair, threw on my muck-about boots and grabbed the clippers on the way.

for a good long soak of an afternoon, i snipped and yanked and piled high the proof. my growing things, most of them at least, were forgiving; i apologized anyway. i’d left them all abandoned through summer’s height and frenzied weeks. they’d waited, as all good gardens do. they knew that, someday, i’d return. i always do.

and, apothecary on slender sturdy stem, the whole plot applied its balm. gentian blue dots, a sure cure for any faded heart, still winked at me. mopheads of hydrangea kept on their color show, turning lime to rose to tinged in plum, all but begging me to snip them at the neck and bring them in for winter. the black-eyed susan, once a perky swath of whimsy, now lay dark, nothing but the black-eyed button, landing pad for hungry songbirds, who peck and fill their bellies.

to be amid a garden in october is to catch up to the end of the story, to pay notice to what happens when the glory fades away, and yet another topography of beautiful is bared.

this is, after all, the wabi-sabi season, so defined by a farmer friend of mine as the season that pulses with the beauty of sadness and the sadness of beauty, the season that pulses with the poetry of imperfection and impermanence. nothing beautiful lasts forever, my garden whispers, so savor all of it, every drop of it, while you have the chance to reach out and rub your nose, your hands, your heart, in the whole of it.

essential wisdom, far beyond the garden.

i’m fairly certain it was the earthy, tactile element, the dirt under my nails, the pin scratches up and down my arms (october’s thorny roses are no less forgiving than the sturdy stems of june), that soothed me. the being out in golden afternoon, feeling the faintest ray of sun bathe across my sweatered back. there was healing in the garden stain splotting my knees, and surely in the armloads of autumnal offerings i hauled in the house, tucked in old vases.

once my shoulders ached, and my clipper hand throbbed, i kicked off my garden boots, and clambered back inside, content to watch the sunlight fade as i assumed my steady post just beside my chopping board and cookstove. in yet another iteration of surrendering to hands in lieu of cerebration, i turned this week to slicing, stirring, cracking eggs, and cranking up the oven. there was, there is, in the alchemy of the kitchen a sure cure for ails of the deepest-down ilk. stew and soup and pumpkin bars, i made them all this week.

i was drawn by battered heart, and sodden soul, to find my solace where the growing things live and breathe and surrender to the season’s close, and when the air grew chill, i warmed the rest of me — and those i love — by tending to the cookstove.

not a bad prescription, after all. welcome mat

where and how do you practice healing acts or arts?