pesach | pull up a chair

Tag: pesach

all week in this old house, we’ve been burrowing deep into ancient and timeless stories. the story of the exodus, pesach, the retelling of the jews’ escape from slavery in egypt, a retelling that elie wiesel, the late great nobel laureate and holocaust survivor, called “a cry against indifference, a cry for compassion.” it is a retelling stitched with blessing, and question, and story.

its leitmotif, “you were strangers in a strange land,” God’s words to Abram, a call to radical empathy, a call to ever open our hearts to those who are strangers, marginalized, in our midst.

after three nights of seder, of coming to tables filled with people we love, after cups of wine, and reciting of plagues, after singing dayenu (the hebrew word for “enough,” as in God’s love would have been more than enough, in a rising series of praises — “if God had only created the world and not brought us out of egypt, it would have been enough”), we pivot to the holiest hours of holy week — or i do anyway.

i am deep now and deepening. i hear the cry of my soul, being pulled into timelessness, into sacred hours and space. i burrow into the stories of the last supper (the seder of Jesus and his twelve apostles), of gethsemane, of the betrayal by Judas, of the mocking and crowning with thorns, of the bone-crushing cross shouldered by Jesus as he stumbled along the trail to his crucifixion at golgotha, the hill just outside jerusalem, the hill where he cried out, “Father, why have you forsaken me,” and then, “Father, forgive them for they know not what they are doing.” the whole arc of anguish and redemption in two short utterances.

it never fails to draw me deep into the nautilus of prayer.

and so, late yesterday, as the slant of light grew thin and thinner, i was pulled into a jewel box of a medieval stone chapel, its leaded windows a mosaic of cobalt and ruby and aquamarine. i was alone. i had only my prayer and my deepening.

today will be more of the same. the hours of silence, from noon till three, the hour, we’re told, when Jesus let out his final surrender, “Into your hands I commend my spirit,” when he breathed his last, and the sun’s light was extinguished, i will do as generations before me have done: utter not a word, follow my prayer to the hushed place within. i will keep my holy vigil for the suffering that once was, and the suffering that goes on to this day, to this hour.

in both the story of exodus and the story of the crucifixion, we are called not only to honor them as ancient and long-ago narratives. we’re to infuse them with the now. to employ them as holy script, as instruction, imperative, to find in their depths the modern-day call to action: search for the stranger, embrace the stranger. set a place at your table, and make it the finest you have. love even your enemy. forgive your enemy.

turn yourself wholly and finally to God.

both stories, a call to radical empathy. both stories, imploring divine surrender.

both stories i’m burrowing into this week. this week of ancient and timeless holiness. this week with wisdom for now.

may your holy days — however they come — be deep and be blessed.

and happy blessed birthday to my beautiful little ella today turning eight, and to my beloved mother-in-law ginny (the chair’s most loyal reader perhaps) whose day is tomorrow.

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April 22, 2016

and into my kitchen, they all congregated

i’d ordered the brisket, five pounds of first-cut beast, as instructed. i was due to dash out the door to the butcher’s at the agreed-upon hour, but first i needed to quick-read my passover checklist. so i pulled my family cookery book off the shelf, the one where, over the years, i’ve tucked snippets and pages and odd scribbled notes. it’s my holding yard for guideposts to brisket and kugel and those chopped balls of fish called gefilte — decades and centuries of recipes, really, passed one generation to the next.

in my case, it’s the fat stash of invitations into an ancient tradition that was not mine, but now is. in my case, it’s my compendium of adopted jewish mothers and grandmothers and aunties and surrogate whisperers over my shoulder, all committed to paper and ink, and clicked into a three-ring binder.

and that’s when the first kitchen companion — unseen but certainly sensed — came into the room. before i got to the tab marked “jewish holidays,” i’d flipped open a page, and there was a name staring out at me, the name of my irish friend who’d just died, tagged in crisp typed letters at the bottom of her blueberry cake, one she must have passed along because once i’d oohed and ahh-ed. i paused for a moment, picturing her, picturing her blueberries, picturing her rare nod to domesticity (though she always loved a great meal). and then i turned another page; i found another now-departed instructor of kitchen arts. i scanned over the words, her careful instruction, her side whispers and peculiar idiosyncrasies, always tucked off to the margin in parenthetical insistence. (“Try not to burn it.” “yes, tablespoons,” “don’t food process, or you will have mush,” “it’s OK if it seeps over the rest…”)

i came to the brisket, the one my boys practically lick off the plate. i followed my scribbles for haroset, the mortar of apples and walnuts and cinnamon and honey, with a splash of manishewitz kosher concord wine. i read through kugel, one i’d not made before, but one my boys have counted on, ever since their very first passover at the long, long table of tribune folk, the one that for them will forever be synonymous with the exodus from egypt. with every page i turned, i drew in another to my sacred kitchen circle: harlene ellin’s mama, queen of the brisket; ina, whose claim to fame (besides her long-standing, much-loved chicago breakfast eatery) is the seltzer she adds to her matzoh balls to make them “floaters” of cloud-like proportion; andrea, who wandered by the other day, and did not scoot off before penning an all-new kugel and a middle-eastern charoset, now added to my collection.

and then, assured of my passover-cooking itinerary, i reached on the shelf for the mini-sized chopper of apples i’d employ for making old-fashioned haroset. as i lifted the sharp blade and bowl from the box, out toppled a post-it, now nearly 23 years old. it was from the grandma of my heart, my grandmother-in-law whom i loved from the get-go. just weeks after our firstborn was born, she’d packed up the mini-chopper and sent it from west palm beach to our little house in chicago. she tucked in a note, in her signature scribble: “dear children,” she began, declaring straight off that she counted me one of her own. “perhaps you will be able to grind veg. for willie when he is ready for them.” and suddenly grandma syl (“the teaneck tornado,” they called all four-foot-nine of her) was there in the kitchen beside me, pressing against my shoulder blade, her tousled silvery head barely reaching the top of my arm. wasn’t long till i was awash in the tears that come when remembering hurtles you back in time, erases the years, fills your head and your heart with unmistakeable presence. i could hear the squeak of her voice. i could feel, in an instant, as if it was the summer of 1993 all over again, the weight of the lump in my arms, the newborn lump who’d precipitated the need, apparently, for a rapid-fire way to make baby puree. (and, as i stood there blinking away my tears, i re-sealed my vow never to toss out a love note or a scrap that might come tumbling from the pages of a book, or the contents of a gift box, swirling you back in time every time, rekindling the thump of the heart that won’t ever fade.)

and so it went, hour upon hour yesterday. as i chopped and stirred and cranked the oven. by day’s end, when the table was set with dishes passed from one china cabinet to the next, when i’d pulled the haggadahs from the shelf, found the seating chart from last year, with yet another name no longer among us, i’d filled my house with those i’ve loved and lost.

it must be the sorrow that’s made me more porous this year. that, according to celtic tradition, has made for the thinning between heaven and earth, that’s pushed my soul soft up against the sacred openings, where angels seep in.

and why not fill my jewish holiday kitchen, my passover kitchen, with page after page of those who’ve shown me the way? those who took my unfamiliar irish-catholic hand, and led me into the back lanes and secret passageways of this jewish-catholic marriage? why not invite them all into my kitchen for the day, and set a place at the table — at my heart — for each and every one of them?

so tonight, when i bow my head and strike the match to light the blessed shabbat and pesach candles, everyone else will count a mere five at the table. i, though, will feel the embrace of a whole company of cookstove companions and patron saints of jewish cookery. and i will offer up a litany of prayer for each and every one of them. each and every one of the ones who’ve shown me the shortcuts to heaven, where too many now reside.

brisket, before its overnight nap in the fridge

do you too find cookery books, the homespun kind, fill your kitchen with those you’ve loved, and those who’ve shown you particular ways?

p.s. i know i promised field notes from my poetry get-away, and those will come — next week, perhaps. the bottom line was that paying attention is at the heart of poetry and prayer, and we’re all the richer for keeping a keen eye to the mystery and miracle that abounds.