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Tag: george booth

December 16, 2022

the littlest tree and the beating heart of Christmas . . .

shuffling in from the tree lot––the Christmas tree lot––with the littlest tree that nearly ever there grew, and once i’d kerplunked the pitiful seedling in its far-too-big tree stand (the yuletide equivalent of a saggy pair of dungarees slipping down to the knees of an undersized tot), i sat right down to pen my apologia to my faraway boys.

my mea culpa unfolded thusly: 

sweet boys, we have adopted this year, from the neediest Christmas tree farm, the wee littlest tree you ever did see. he very much wanted a home, and we shall be taking name nominations starting now. he’s an inflationary victim, the poor little sprout (there’s a name, Sprout!), as trees are in short short supply (and they’re short!). we’ve gussied him up with a santa cap, cranberry ropes (don’t tell him they’re wooden), and the lovely quilted skirt that will soon be an heirloom. a standard-sized tree topped 200 bucks this year, and for two weeks of Christmas that is not allowed. (just think, your tree funds will be shifted to the beef tenderloin fund, which is much more delicious anyway.) the little fellow smells just like the woods, and i am certain a bird might land in him soon. i beg your mercies in embracing this little guy. he tried with ALLLLL his might to grow like the big guys, but he just didn’t have it in him, and here in this house we love the ones on the margins, even the trees. xoxoxox deepest apologies if you are duly disappointed…

xox 

didn’t take but a minute for the one i might forever call our “little one” to ping right back: 

I like underdogs

and then:

This tree seems like a underdog

and so my upside-down day was snapped into crystal-clear focus: the message of Christmas delivered, and echoed. 

it’s all about heart, and dimensions don’t matter. nor superlatives. nor getting it right. nor any of the vexations that sometimes tangle me in my own unlit strands.

never mind the panting toward some imaginary finish line, as once again our festival of lights and our feast of nativity wedge their way into the same single overbooked week. never mind the slab of brisket i need to fetch from the butcher, or the welcome-home mac-n-cheese i need to slide in the oven, while dashing to an incoming plane at an airport many miles south (after picking up grammy plenty miles north, making for a 78-mile loop on a holiday weekend afternoon). and never mind the onerous chore that just yesterday had us signing last wills and testaments, which i can assure puts something of a damper on the jolly spirit of christmas. (one of those “responsible-grownup” tasks right up there with root canals!)

all of it vanished, the panting, the worries, the how-will-get-it-all-dones, in the flick of a text (the modernday spin on a wink of the eye, and a twist of the head, as clement c. moore immortally put it). 

the kid needed no convincing. no need to shovel lament. he was ready to love the littlest tree.

in years past i’d taken some ribbing––and serious protest––for my proclivities toward picking the spindliest trees. so i figured a misshapen midget of a fraser fir might have me taking my Christmas out in the doghouse (and since we’ve no dog, the fair equivalent might have been sheltering under the seed trough). 

thus, i’d decided to nip protests in the bud, devised my long-winded defense. 

and the lightning-quick reply––I like underdogs––made me see what should have been clear all along: the kid with the very big heart needs no convincing, no urging to consider the plight of the nearly forgotten. 

This tree seems like a underdog

he’s the kid who long, long ago taught me to watch out for worms, who led me on moon walks, and insisted he stand on the very same spot where abraham lincoln once stood so he could recite the line from the gettysburg address that made him break into tears every time: “we can not dedicate, we can not consecrate, we can not hallow this ground.” and, on that gray pennsylvania day in 2009, when we asked why the tears, he choked out what to him seemed blatantly obvious, “it’s the soldiers.” a sadness too big for his second-grade heart.

he’s 21 now. old enough to drink, drive, and drop a vote in the ballot box. and that heart, it only grows bigger. 

hearts have a way of finding each other, the truest hearts anyway.

so, once again, he’s pointed the way to the bright heart of the season. and the littlest tree, the tree with no name yet, will stand tall and stand proud on its upturned crate. because in this old house, underdogs are always, always the heroes. 

and ours is now dressed in mighty regalia: santa cap, blinking lights (they’ll be switched out, soon as i get to the Christmas light store), and string upon string of bright wooden berries. and up on the milk crate, he’s gotten some inches. our sorry old tree isn’t so sorry, hauled in from the cold, given due glory.

here’s a beauty of a poem, just because it stirred me. . . a poem about rising up, about beauty from ashes. . .

such beauty from ashes
by carolyn marie rodgers**

and we are singing our hearts out, and
our souls are in our eyes,
and they are beautiful souls.
they are souls of truth.
they are souls of love.
they are souls of faith.
they are souls of hope.
and we have conquered a little corner in the
world of fear.

and we have stepped up and forward,
    and we have torn down walls.
we have smashed sound barriers between us.
we have dared again and again and yet again to dream,
and our dreams have finally taken material form.
we have changed our hearts.
we have altered and changed our minds,
and because of this, we now have some
    valor and strength,
and we are threatening to change the world.
that it     might be a better place.
For us and for all god’s children.
for all that we are.
for all that we might be
we have done it.
And we rise now as one voice, with many harmonies,
Through the mystery and beauty of harmony.
One voice

    Though many, for one, for all.
For all the earth to grow and know,
From the mounds of ashes of our dead, our martyred,
Our lambs, our sacrificed, those who died and have been dead
So long, so long they are no more than, nor any less than,
Sacred memories. Mountains of ashes, of our sweet, beloved,
Beautiful dead.
Today, what beauty we now have, to gain strength from to continue on,
Beauty,
From ashes.

***

**Born in Chicago on December 14, 1940, Carolyn Marie Rodgers was born to Clarence Rodgers, a welder, and his wife, Bazella. The last born of four children, her family had moved from Little Rock, Arkansas to Chicago’s South Side, where Rodgers grew up. Early in her career, Rodgers was associated with the Black Arts Movement, attending writing workshops led by Gwendolyn Brooks and through the Organization of Black American Culture. Rodgers’s poetry collections include Paper Soul (1968); Songs of a Black Bird (1969), which won the Poet Laureate Award of the Society of Midland Authors; her best-known book, how i got ovah: New and Selected Poems (1975), a finalist for the National Book Award in 1976; The Heart as Ever Green: Poems (1978); and Morning Glory: Poems (1989).

Rodgers’s poetry addresses feminist issues, including the role of Black women in society, though her work evolved over time from a militant stance to one more focused on the individual and Christianity. Other themes she explored in her poetry include mother-daughter relationships, relationships between Black men and Black women, street life, and love. In addition to poetry, Rodgers wrote plays, short stories, and essays. She worked as a book critic for the Chicago Daily News and as a columnist for the Milwaukee Courier.

Rodgers founded Third World Press in 1967 with Haki Madhubuti, Johari Amini, and Roschell Rich and began Eden Press with a grant from the Illinois Arts Council. She was as a social worker through the YMCA and taught at various colleges. She was inducted into the International Literary Hall of Fame for Writers of African Descent in 2009 on the campus of Chicago State University. She died in 2010 in Chicago, at the age of 69.

—abridged bio taken from the Poetry Foundation

and here is the heavenly late cartoonist George Booth’s last New Yorker Christmas cover. . .  

i seem to be reverting to smorgasbord here at the chair, leaving more than one thing, as i meander through the week collecting my morsels. likely comes from thinking a little isn’t enough. making sure there’s at least enough. today, a tale, a poem, and a drawing. oh, and a question, always a question:

has a little bit of Christmas leapt out from the cracks or the corners of your life, surprised you, taken your breath away just a bit because suddenly, amid the blur, you saw crystal clear the beating heart of the season?

merry almost everything. . .

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November 4, 2022

george booth has died and other news of the week…

George Booth, the New Yorker cartoonist who created a world of oddballs sharing life’s chaos with a pointy-eared bull terrier that once barked a flower to death, and sometimes with a herd of cats that shredded couches and window shades between sweet naps, died on Tuesday at his home in Brooklyn. He was 96.

so begins the new york times obituary of a man who infused my childhood. no, he didn’t frequent the five-and-dime in our leafy little town. he didn’t populate the pews of our native church. he came in the mail. every week. and in the weeks when he graced the cover, or was tucked inside the confines of william shawn’s new yorker (known as “the holy grail for cartoonists”), you could count on tracking down my mother if you traced the vapors of her out-loud laughing to where you’d find her giddily all but hiding behind the glossy pages of the slick. she would laugh, back then and even now, in a way that made you think there was something almost-naughty about those pages, which of course made us, her troupe of five, scamper to its pages soon as she abandoned it on the stack of mail, where hours later our ad man of a dad (who never met a joke or pun he didn’t relish) would saunter on the scene and chuckle at whatever was the funny. 

george booth proved to us that our mother — the very one who trained us to eat our peas and lima beans without complaint, and never tell a lie, to ne’er ignore the dinner bell, and always look both ways –– had a secret compartment full of almost-naughty humor. and if we kept close watch, we too might figure out the shortcut to some eternally redemptive funny bone. 

thus, coming upon the news that mr. booth has died this week, and that his wife of 64 years had died a mere six days earlier (such tales of love and lives that end in stunning unison nearly always make me weak at the knees), i felt a thud to the heart that only certain deaths elicit. 

there is a minor cast of characters in every childhood — the names that brought applause, the ones whose books most frequently recurred, the ones whose movies brought us the rare chance to blow a bedtime  –– who indelibly marked our evolution, and maybe formed the foggy outlines of who we aimed to be when we grew up. or at least what attributes we might try on for size. 

if i close my eyes and tick through the litany of those my mother ushered in, the ones held up in near heroic halo, it’s george booth & co., the new yorker cartoony cast; peg bracken, she of the i hate to cook cookbook; it’s doris day and julia child, all of whom made my mother giggle. it must have been the giggle that so allured. it was a merriment i must have longed for, and long for still. laughter belongs to a human register all its own, audible proof of joyful stirring deep inside. w. h. auden once observed: “among those whom i like or admire, i can find no common denominator, but among those whom i love, i can: all of them make me laugh.”

thank you, mr. booth, for bringing laughter, so much muffled laughter, to the house where i grew up.

in other news, i find myself absorbing the miracle of 70-degree november days. took me a long time — too long — to learn to freeze-frame pure joy and deep-down contentment. but now the hours of my days are as if beads threaded on a string, not unlike the rosaries i long ago learned to pray: mysteries joyful, sorrowful, glorious, and luminous. not a bad paradigm for living. learn to live bead by bead, moment to holy saturated moment. allow each orb to shine in all its constitution, be it radiant or shadowed or somewhere in between. and the beauty of these days, when the leaves are blazing paint-pot hues –– aubergine and persimmon, pure gold and harvard crimson –– they tap me on the soft shell of my soul, and whisper: this is holy time. behold it well. 

george booth would make me laugh at that. but he’s no longer here. so it’s on us to find the humor hidden in the chaos of the every day. 

who comprised the minor cast of characters in your growing up years? who made your mama laugh or cry, who or what did you aspire to be when you grew up and moved away from home?

this is booth’s cartoon in the immediate wake of 9/11, when the new yorker had decided no cartoons for that issue, but george submitted this anyway; the cat covering its face with its paws, the usually animated fiddle-playing miss rittenhouse (a recurring character modeled after booth’s mother), head down, hands clasped in prayer, sadly silenced by it all.

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