pull up a chair

April 28, 2023

some words are hard to say. . .

i don’t think i will ever forget the first time i heard the word cancer spoken in a sentence in which i was the unspoken subject. i was groggy from anesthesia, but there was my surgeon, leaning against the curtain in the recovery room. he was dressed in street clothes, his backpack slung over his shoulder, headed home to dinner, i imagined, with his little brood up here in the leafy suburbs, where we happen to both share the same zip code. i heard him say “it was cancer,” and i heard him say he was so surprised. i don’t think i heard much after that. and for all the days since i’ve been trying on that word.

it’s a word that’s hard to say. it’s a word that’s hard to slip your lips around. especially when it belongs to you. and when the cancer in question is the one that was settled quite inconspicuously in your very own lung. i’ve thought a lot about the eight years since they first saw it there. no one thought it was cancer. they thought maybe it was a scar, from a pneumonia i’d once had. or an old broken rib. nothing to worry about. all those years. all those christmases and birthday candles blown. all those graduations and droppings off at college, and at law school. all those late late nights when a million worries kept me up, but never that one. never ever a worry that i had cancer in my lungs.

until december, when someone once again saw it by accident and decided we should not ignore it anymore. i owe that someone every year of the rest of my life. and while the next weeks of january into march were a wild, wild ride, it took till april 18 to finally figure out what it was, to finally figure out that the suspicious “neoplastic process” was in fact just that: neoplastic is another word for cancer.

and it’s gone now. they cut it out. all of it, we hope. my surgeon called the other day and in the cheeriest voice i might ever have heard, he said “congratulations;” said “it’s as good a report as we could hope for, knowing it was cancer.”

i am writing the word here, because words are how i make sense of life. i have always found my way with words. words on paper most of all. words on paper even more than words in air. words on paper are the tracings across the topography of my life. i find my way stringing one word to another, groping along from one to another till the sentence ends. and right now i am in a thicket that makes very little sense. for a few days there, i could not for the life of me tell which way was north, and which was south. i was all turned around, and upside down. i wept and wept some more.

but slowly, slowly, i am feeling my way. and i am feeling very brave. braver than i ever would have guessed. i would have guessed i’d crumble. but maybe all my crumbling is only in my imaginings. maybe, over the years, when i’ve played out my potpourri of disaster scenarios, i’ve been getting the crumbling out of the way, so that when the real thing came along i was practiced, i was ready to step boldly, bravely, even valiantly up to the plate.

part of being brave is learning to say those two words, strung together: lung + cancer. lung cancer. i am now part of an unwelcome sisterhood; i’m among the ones to whom those words now belong, and whose lives are shaped and re-shaped thereafter and ever after. and i am linking arms emphatically with the ones who know these hauntings and these hollows. i am, so help me God, intending with every ounce of will and fierce determination to be among the ones who say aloud that we’ve had lung cancer and we are here to prove you can live beyond it. you can live with it shrinking––day by day, month by month––into the distant distance.

i am still going to dance at my firstborn’s wedding, and my secondborn’s too (or whatever is the life event for which cakes will be ordered and flowers strung). i am going to sashay through my garden, the wise old woman who communes with birds and bumblebees and baby ferns. i will some day tell stories that include the chapter of the time they made the words lung and cancer a part of my vernacular. how never in a million years did i think those words would find their way into my narrative. but here they are. and who knows where they’ll take me, though i’ve a hunch it will be a heady, heady heart-swelling somewhere. i’m not one to leave life’s sheddings by the wayside, unstudied, unplumbed for all their wisdoms and epiphanies.

these might be the two hardest words i’ve ever said. but i am going to say them till they shrink in size, in wallop. i am going to say them till they’re stripped of high-voltage burn capacity.

we all have words that are hard to say, words we don’t think will ever be ours. words we don’t want to be ours: widow, widower, survivor, victim, divorcee, depressed, anxious, anorexic (the word that used to be my hardest one to say), amputee, diabetic, dyslexic, broken-hearted. maybe the point is to take on those words, slip our arms through their sleeves, make them a part of who we are, but not the whole of who we are. to be not afraid, nor defined solely by their simple syllables. but to allow them to deepen who we are, to add contour and dimension, to layer on the empathies. to shape our particular view of how we see the world. and where we find our place within it.

i don’t intend to turn this into a place where we contemplate cancer. not at all. but right now, it’s the woodsy thicket in which i am trying to find my way. if i—someone who never smoked a single cigarette, someone who never lived with anyone who smoked—can bring the words out into the open then maybe, just maybe, it won’t be such a surprise to the next someone who finds herself stymied by a spot on her lung that cannot be explained. i will be the first one to wave my hand in the air, and say, please don’t wait. don’t hesitate. bite the bullet and let them have at it. find out if it’s cancer or not. don’t dawdle. cuz dawdling does not buy time.

only courage buys time. stare it down, this cancer. let it know who’s in charge. let it know that you’ve no intention of letting it steal a day of your most precious life.

i have always known that life is fragile precious. i’ve known that since long before the day my papa died, and i somehow kept on breathing after he was gone. i’ve known it over and over and over again. i’ve known it on the day i got married, when walking down the aisle was something i never really knew i’d know. i’ve known it when i birthed each of my two boys, one whose birth almost felt as if it was about to slip away, but i was determined, and i was not going to lose the answer to the million prayers i’d prayed. i knew it, too, the night i miscarried my baby baby girl, a night as real to me as the ones that ended with babies cradled in my arms.

i’ve lived so many days i’d never thought i’d see.

and i am going to live even more. and i am going to say aloud that i once had cancer in my lung, but they cut it out, and now it’s gone. and i am going to tell the story of what it’s like to live emphatically after the doctor in the recovery room tells you he was so surprised. so so surprised to find out that it was, in fact, cancer idling in my lung.

cancer i hope and pray is gone. completely, totally, forever gone.

the two little bits i found this week seem fitting for a day of telling hard truths. first, musician Nick Cave’s advice to a 13-year-old:

“Read. Read as much as possible. Read the big stuff, the challenging stuff, the confronting stuff, and read the fun stuff too. Visit galleries and look at paintings, watch movies, listen to music, go to concerts — be a little vampire running around the place sucking up all the art and ideas you can. Fill yourself with the beautiful stuff of the world. Have fun. Get amazed. Get astonished. Get awed on a regular basis, so that getting awed is habitual and becomes a state of being. Fully understand your enormous value in the scheme of things because the planet needs people like you, smart young creatives full of awe, who can minister to the world with positive, mischievous energy, young people who seek spiritual enrichment and who see hatred and disconnection as the corrosive forces they are. These are manifest indicators of a human being with immense potential.

“Absorb into yourself the world’s full richness and goodness and fun and genius, so that when someone tells you it’s not worth fighting for, you will stick up for it, protect it, run to its defence, because it is your world they’re talking about, then watch that world continue to pour itself into you in gratitude. A little smart vampire full of raging love, amazed by the world.”

and next up, annie dillard on why we read and write at all….

“Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed? Can the writer isolate and vivify all in experience that most deeply engages our intellects and our hearts? Can the writer renew our hope for literary forms? Why are we reading if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage, and the possibility of meaningfulness, and will press upon our minds the deepest mysteries, so that we may feel again their majesty and power? What do we ever know that is higher than that power which, from time to time, seizes our lives, and reveals us startlingly to ourselves as creatures set down here bewildered?”

– Annie Dillard

and, this, maybe more than anything. . .

a friend who will be a lifeline sent me this late last night, and i breathed it in through my tears. we can do hard things. humans have done hard things since the beginning of time.

a little note: i am not going to share any medical details here, only the rumblings of my heart. please know that i have a team of angels on my side, medically.

what hard things have you done? and what lightened the load?

29 Comments

April 21, 2023

waiting. . .

waiting is the word of the week. word of the year, in fact––so far, anyway. i’m on the other side of surgery––and have the tic-tac-toe board crisscrossing my side to prove it. they got out what they needed to get out (i hope), though it was more than we’d been betting on. so now i’m waiting.

waiting is a quilt of many textures. sometimes it washes over me, with a calm that takes the sting away. sometimes i feel my heart kick into higher, faster gear. i try hard to turn off the nozzle that lets the worries out. but even my secondborn tells me i do too much of that. and he’s only been keeping watch for twenty-one of my years (and he is 300 miles away right now, so he’s out of range for any current worries; job one for me is to project calm to the one with the very, very giant heart). it’ll take two weeks for the blessed souls in the pathology lab to do what all they do to lay out the specifics of this little dervish that somehow found its way to the bottom of my lung. and that gives me time to sink slowly into the bath of this new reality.

waiting gives the human species time to settle in, to realize you’ve taken more steps into the unknown than you’d ever imagined you would. and you’re calmer––and maybe braver––than you’d ever ever imagined you could be (most of the time anyway). of all the worries i’ve worried over the years, i never added lungs to the list.

just the other week, i read a lovely line from a 96-year-old, a woman who knew she was on the last pages of her life, and so she scribbled out her truths for her children, her grandchildren, and her many greats. when asked what might be the most important thing she’d realized as she rounded the final bend, she simply said: “i wish i hadn’t spent so many hours worrying, cuz most of those worries never came to be.”

mostly, what waiting does is make me savor every minute. stepping out into the balmy springtime air. tucking my nose into the soon-to-be blossoms. listening to the owls hoot at 5:15 a.m. marveling at the miracles of modern medicine that can do so very very much, and for the most part do it so very lovingly. (i fell in love with my nurses, emily who stayed all night with me, and clare who worked by day. the care with which they changed dressings, filled syringes, listened to my questions, they made me so so proud that i was once one of them. and they made me realize how very much even their most basic medical tasks translate into a language that feels like love. i was a stranger to them when i was rolled into my cubicle of a room, but by shift’s end i was sad to see them leave. if you’re a nurse, believe me when i tell you you’re a living saint. to make the scared and fragile and confused feel safe and tended to is a sacred act, is sacramental, in that it lifts even the most perfunctory of duties into the closest thing i know to benediction.)

a few of things i marveled at this week, while idling in my wait station: my friend the nurse practitioner who, when she found out how much it hurt to try to lie down in bed, ordered up a giant wedge pillow that made last night a whole lot less bumpy. having two of my three boys right by my bedside all week long. one of ’em had me laughing (sidesplittingly is not such an apt description here, though it might have stretched some stitches) within hours of getting to my little room. (i was on the heart transplant floor, and, believe you me, i did not miss for a minute how blessed i was to be there only for a chunk taken out of my little lung.)

yet another surround-sound marvel in this week one of the two-week wait: the promise of springtime, that life bursts forth year after year after year. we live in an eternal spiral, and i am on for the holy blessed sumptuous ride. stepping into the still soft air, watching the goldfinch nibble at the thistle seed, rejoicing as the daffodils tossed off their snowy caps to rise and shine again, golden periscopes of spring. it felt to me like the arms of God were wrapping round me in the form of this gentle greening world.

in book world, one fine thing happened: there is a lovely lovely journal, the EcoTheo Review––a quarterly put out by a collective of poets (mostly), writers, and artists who plumb the depths of wonder and beauty in this world, and who claim as their mission, to “celebrate wonder, enliven conversations, and inspire commitments to ecology, spirituality, and art.” and they published a conversation we’d had a few weeks back about The Book of Nature, which you can read here. the editor who spent hours in our exchange of thoughts, Esteban Rodriguez is his name, is himself a poet, and one of the kindest, gentlest souls i’ve been blessed to come to know. it more than more than made up for the half dozen book events that got wiped off the calendar.

while i wait in these days ahead (and try so hard not to worry!), i’m going to be on watch, to soak up and see every blessed wonder and beauty in this holy world. i don’t want to miss a drop. i am following the instruction of richard rohr, the modern-day mystic, who asked:

Where is this God being revealed? Not in the safe world, but at the edge, at the bottom, among those where we don’t want to find God, where we don’t look for God, where we don’t expect God.

i’m going to look for God in every nook and cranny along this waiting way. because i’m fairly certain God comes in a thousand thousand forms: in the gentle touch of the nurse who poked my arm, in the bouquet dropped on my front stoop, in the tub of soup that now takes up a shelf in the fridge, in the box that’s on its way from zingerman’s deli in ann arbor, and in every last note and gentle text that simply says, “you got this, and i am here beside you.”

God comes most certainly in the hours when our waiting gives God more than plenty time to tap us on the heart, the soul, the noggin. i’m on watch while i wait…

where did you find God this week, or whatever is the name you give to the all-embracing goodness that i call the holy Author of it all?

18 Comments

April 14, 2023

a need for butterfly wings. . .

beloved chairs,

i’ve thought long and hard about what i was going to write here today, and i’ve decided to lower my voice to a whisper and let you all in on what’s stirring in my heart. after all, even if this table is more cyber than maple, and even if the chairs we pull up are virtual, it’s all very real, and utterly fulsome to me: the love and the kindness and the tenderness, and all the shared wisdoms and laughters and tears, as deep and human––and often divine––as they could possibly be.

and what sort of hearts would we be if we didn’t share some especially tender threads every once in a while? so here’s what i want to tell you, though i really truly don’t want anyone worrying: i’m having a little surgery next week. a little something is stirring in one of my lungs and they need to take it out. there, now you know. i’ve been in something of a medical mystery tour these past many weeks, some of them bumpier than others, and all of them pointing toward the date i now have with a wonderful surgeon who has a habit of making me laugh out loud.

the timing, of course, is something of a bummer. not in any marketing plan in publishing land is there a clause that suggests the author duck out for a while to have scalpels taken to her chest. so i’ve had to cancel a swath of bookish adventures for the next few weeks. or, “postpone” them, as sweet blair keeps correcting me. and since brand new books have only so wide a window for birthings, i feel a bit as if i’ve slammed the sash on my very own thumb.

but maybe you can help keep the flutter in my butterfly wings. maybe for the next few weeks, while i get the wobble out of my knees, i can imagine you afluttering for me. any simple thing: maybe a few words on that ol’ amazon reader review (my publisher keeps reminding me); maybe ask your local librarian if they’ve a copy on their shelves; maybe you simply send me a picture of a page you’ve found yourself reading. (i melt every time anyone does that.) or, maybe, whatever stirs you.

i promise you i need not one other anything. i am abundantly wrapped in the tenderest care by my beloved, blessed dear hearts and souls. my blair has been nothing short of a saint. and one of my boys will be here all week. and the other has sworn not to give it a worry. (an emphatic answer to this mama’s prayer; more than anything i did not want that kid to give it one shred of a worry.)

because i’m a quirky iteration of shy, and because i’m mostly allergic to SocialMediaLand, i am not saying a word about this out in the public sphere (i don’t think of the chair as anything close to public; it all feels very sacred and safe here to me), as i don’t want it to prompt any worries or wild-eyed questions. (trust me, the things people ask!!!) i’ve kept it all exceedingly quiet because i can’t bear the thought of worrying the ones i love (or anyone else) and, until i had more than an inkling of what was going on, i didn’t want to utter a word.

so know only this: that little fluttering, however you flutter, is more than aplenty; it will keep me afloat and awaft, and soon as i can, i’ll pick up the winging all on my own. xoxox, and thank you.

love, bam

p.s. i think by now you’ve figured out that i love to respond to your comments whenever you leave one at the table, but i might not be able to check the chair too much in the week ahead. and i want to apologize in advance.

and speaking of the public square, how’s this for the perfect antidote?

Remedy for Social Overexposure

by Sandra Cisneros

Seek a pirul tree and sit
beneath immediately.
Remove from
ears and tongue,
words.
Fast from same.

Soak in a tub of seclusion.
Rinse face with wind.
In extreme cases, douse
oneself with sky. Then,
swab gently with clouds.

Dress in clean, pressed pajamas.
Preferably white.

Hold close to the heart,
chihuahuas. Kiss and
be kissed by same.

Consume a cool glass of night.
Read poetry that inspires poetry.
Write until temperament
returns to calm.

Place moonlight in a bowl.
Sleep beside and
dream of white flowers.

or this one stanza from celtic mystic christine valters paintner’s poem, “origins,” especially the first stanza, about peering into a robin’s throat, an image i envision again and again every time i see the robins plucking for a worm in my newly-verdant grasses…

Origins

If I could peer far enough down
a robin’s pulsing throat, would I see
notes piled there waiting to be flung
into freshness of morning?

If I close my eyes and burrow
my face into peony’s petals,
would I discover the source
of its scent, a sacred offering?

Can I plunge inside
and find a lifetime of words
spooled tightly inside my heart
ready for a tug?

If I dig beneath the bedrock
will I find love there,
solid like iron or does it flow like magma
filling in all of the empty spaces?

–christine valters paintner

and i’ll sashay off into the sunset with this psalm from dorianne laux…

Psalm

by Dorianne Laux

Lord, there are creatures in the understory,
snails with whorled backs and silver boots,
trails beetles weave in grass, black rivers
of ants, unbound ladybugs opening their wings,

spotted veils and flame, untamed choirs

of banjo-colored crickets and stained-glass cicadas.
Lord, how shall we count the snakes and frogs
and moths? How shall we love the hidden
and small? Mushrooms beneath leaves

constructing their death domes in silence,

their silken gills and mycelial threads, cap scales
and patches, their warts and pores. And the buried
bulbs that will bloom in spring, pregnant with flower
and leaf, sing Prepare for My Radiance, Prepare

for the Pageantry of My Inevitable Surprise.

These are the queendoms, the spines and horns,
the clustered hearts beating beneath our feet. Lord
though the earth is locked in irons of ice and snow
there are angels in the undergrowth, praise them.

“how shall we love the hidden and small?” that’s a question to ponder in the blessed, blessed unfurling days ahead….

p.s.s happy blessed birthday to my beloved ella bella beautiful, who is turning 14 today, her goldenest birthday. xoxox

34 Comments

April 7, 2023

into the depths and the darkness…

i hadn’t set out to burrow into the darknesses of history this week. but i’ve been traversing trails darker and darker, as i’ve turned the pages of jewish history, a history i entered into on sunday when i listened to a priest tell a story of holy week. drawing from the work of early christian scholars, the priest i was listening to closely laid into a tight and stark timeline an account of holy week, one i’d never quite followed so closely, one which even more poignantly drew me into the jesus for whom judaism held the holiest code.

one curiosity led to another, and notes were exchanged between the priest and i, and books were requested from the library. while i awaited the books, i wandered upstairs to the bookcase where my husband keeps his collection of jewish-themed books, from the big book of jewish humor to the wisdom of the Talmud, from chaim potok to martin buber. that’s where i found the big fat doorstopper of my people: the story of the jews, the majestic 522-page historical tome written by abba eban, the late great israeli statesmen and scholar of hebrew and arabic languages (he was fluent in 10 languages).

i pulled the book from the shelf, and started to read, and soon i was typing line after line of notes as i turned the pages of eban’s telling of jewish history, from the drama of abraham through the rise of christianity, and on through the crusades of the middle ages, through the founding of israel, straight through to the state of the middle east when eban’s book was published in 1968.

these are but some of the notes i typed, ones especially relevant to this holy week:

Jesus meticulously kept Jewish law, made pilgrimage to Jerusalem on Passover, ate unleavened bread, uttered blessing when he drank wine. “He was a Jew in word and deed.” Articulated ideas of the masses. Sermon on the Mount: “I have not come to destroy Law but to fulfill it.”

with each page’s turning it felt apt to be tracing more and more deeply the story of the jews in this particularly blessed week where our house is filled with the rhythms, once again, of passover and passion week. after spending each saturday of the year studying torah, portion by portion with a collection of inquiring minds at our synagogue, it seemed as if eban was giving me a glimpse of the whole jigsaw puzzle i’d been studying piece by piece.

but the longer i read, the darker it grew. in the name of one holy God, we have persecuted, and burned at the stake. we’ve thrown the holiest texts of the jews onto the pyres of history. we’ve forced them into ghettoes, ordered them to stay in their homes with shutters drawn on easter sunday. ordered them to wear badges, so identifying themselves as followers of the One Holy God. we’ve told centuries and centuries of stories making them out to be the ones who crucified jesus. who betrayed him in the garden, who led him before pontius pilate, mocked him and crowned him with thorns. those stories, lost in translation, lacking full context, miss plenty of points. those stories have been turned into stones to torture the jews.

i weep at the decimations of history, at the evil and the distortion that drives the worst of humanity. at the fact that we wage such wars under the flag of God, and of church. how dare we.

i’m 239 pages in; i’ve just read through the crusades, and the development of the ghetto in medieval europe, where “jewry was sealed off by a bolted gate.” today, i’ll put down eban, and i’ll pick up the way of the cross, by caryll houselander, the anglican mystic and artist, who curiously worked as a counselor of war-traumatized children, the war in question being the one where hitler sought to exterminate (what a detestable verb) the entire jewish population, a hatred that never seems to die.

i will read, as i always do, each station along the way of the cross, to the mount where jesus was nailed to a cross and left to die between two criminals, one who sought forgiveness and one who scoffed.

i will weep as i turn those pages, just as i’ve wept through the pages of my people.

i will ask, louder and louder, how might we have been so very wrong? and how have we dared demonize a holy people, a chosen people, a people whose truth jesus so ardently tried to tell? jesus’s holiest command, “love as you would be loved,” is in fact the jews’ central command, found in leviticus, and taught by the great hillel to be the greatest of all.

a marvelous story, in fact, is told of hillel, the gentle sage, who once was confronted by someone who wanted him to teach the whole of the Torah while standing on one foot, and to which hillel is said to have replied something along the lines of “what is hateful to you, do not do to your neighbor. that is the whole Torah; the rest is the explanation of this—go and study it!”

what is hateful to you, do not do to your neighbor.

love as you would be loved.

Father, forgive us for all of our sins, for which there are so, so many.

who taught you to love as you would be loved? and how did you see that played out in the fine grain of your life?

because friday is the day we pull up a chair, i’ve written on 17 good fridays now, and each year i seem to find a new way in. here are a few others:

way of sorrows

jesuit girl with jewish soul

into the depths

silence on the day that darkens

5 Comments

March 31, 2023

the itch that comes in not-yet-spring

in which, once again, i bring you a wee bouquet, this time an assemblage from the springtime garden. . .

it creeps in unawares, something like a mosquito circling your pillow deep in the night. barely there at the edge of your consciousness, then suddenly smack dab and nettlesome straight in your face.

it’s the itch that comes in the chill of not-yet-real-spring. in the the days when drab is the only real color you see out your window. when the world seems to be broadcasting its thousand ways to be brown. or gray. or washed-out leftover green. at least that’s how it is in my humble neck of the woods.

a week or so ago i finally managed to heave the bundles of pine that had all but petrified over the winter. and all that was left in the pot by the door was left-behind scraps of last autumn’s sheddings. and then suddenly, smack dab like the pesky mosquito, i could stand it no longer.

the drab had taken its toll, the drab stirred me to action: to pick up my keys, lope to the wagon, and drive into the distance. i passed garden store numero one, where the guys were heaving large satchels of loam, with nary a pansy in sight. i motored on, further south, and a wee bit west, into the lot of the big box store, where an old man shivered inside the cash register shack, and the very bare shelves carried only one thing: the bright yellow fluttering faces i’d suddenly craved.

i snatched up three little flats, and carried them home, where the itch of not really spring has been quelled for the moment. it’s too cold for the trowel, so i’ll leave them perched where they are. but my morning’s botanic adventure, the first of the season, is giving me reason to hope. and hope is the thing that animates the first blush of spring.

once the snowflakes recede, and the thermostat warms, once march turns to april, and brings on the palette of exuberant spring, we might actually, actually turn the page on old winter.

don’t hold your breath. . . . or put away your mittens. . .

it seems my mailbox in the middles of the week finds itself with flag up, and something luscious tucked inside. this poem from joyful, wise, and wonderful lamcal, who has been a font of wonder for me for all the years she’s been pulling up a chair.

this is actually anne sexton’s poem, the 20th-century american poet known for her highly confessional works, though this confession radiates with joy.

if i was ever pushed to pick the one sub-genre of poetry that most speaks to me, it’d surely be domestic poetries. those quotidian hours and ordinary nooks and crannies of our everyday lives that are made sacramental through the simple holy practice of paying attention. perhaps you’ll consider joy the next time you towel off in your cannon bath towel, or make a chapel of your eggs. oh, anne sexton, thank you. and, even more so, lamcal. xoxo

Welcome Morning

There is joy
In all:
In the hair I brush each morning,
In the Cannon towel, newly washed,
That I rub my body with each morning,
In the chapel of eggs I cook
Each morning,
In the outcry from the kettle
that heats my coffee
Each morning,
In the spoon and the chair
That cry “hello there, Anne”
Each morning,
In the godhead of the table
That I set my silver, plate, cup upon
Each morning.

All this is God,
Right here in my pea-green house
Each morning
And I mean,
Though often forget,
To give thanks,
To faint down by the kitchen table
In a prayer of rejoicing
As the holy birds at the kitchen window
Peck into their marriage of seeds.

So while I think of it,
Let me paint a thank-you on my palm
For this God, this laughter of the morning,
Lest it go unspoken.

The Joy that isn’t shared, I’ve heard,
dies young.

—Anne Sexton

and since april (on the morrow) is poetry month, why not one more, from one of my patron saints of poetry, mary oliver? the line i’ve emphasized in bold is the one i know by heart. i live for holiness visible, entirely. i’m guessing you do, too.

Leaves and Blossoms Along the Way

If you’re John Muir you want trees to
live among. If you’re Emily, a garden
will do.
Try to find the right place for yourself.
If you can’t find it, at least dream of it.

When one is alone and lonely, the body
gladly lingers in the wind or the rain,
or splashes into the cold river, or
pushes through the ice-crusted snow.

Anything that touches.

**God, or the gods, are invisible, quite
understandable. But holiness is visible,
entirely.

Some words will never leave God’s mouth,
no matter how hard you listen.

In all the works of Beethoven, you will
not find a single lie.

All important ideas must include the trees,
the mountains, and the rivers.

To understand many things you must reach out
of your own condition.

For how many years did I wander slowly
through the forest. What wonder and
glory I would have missed had I ever been
in a hurry!

Beauty can both shout and whisper, and still

it explains nothing.

The point is, you’re you, and that’s for keeps.

~ Mary Oliver ~

(Felicity)

and, finally, because this took my breath away in that way that only the Inklings could and can, here’s c.s. lewis trying to put language to the ineffable, talking about “the inconsolable longing for we know not what.”

he’d felt this longing his whole life – it came to him during moments of almost unbearable beauty: “[t]hat unnameable something, desire for which pierces us like a rapier at the smell of bonfire, the sound of wild ducks flying overhead, the title of The Well at the World’s End, the opening lines of ‘Kubla Khan’, the morning cobwebs in late summer, or the noise of falling waves.”

have you ever heard a lovelier expression for a searching for the sacred, no matter what name you put to it? i call it Holy God. and in my heart, i genuflect each time i utter those blessed words.

what visible holiness did you stumble upon this week, and might the itch to bring on springtime have buzzed by your nose this week? how’d you satisfy the itch?

8 Comments

March 24, 2023

out in the wilds (another name for birthing a book to the world)

the very definition of oxymoron: girl recording into phone in the midst of sheer wonder

field notes from out on the front (the book-birthing front). . .

well, it’s friday, friday morning to be precise, and none of the heart attacks i was certain i would have or was having seem to have felled me. despite my genetically-certified DNA from a fellow who loved a microphone, and the chance to trumpet his wonder and wit into the world, i’m fairly certain mine has gone dormant. i seem to have found a sweet spot in the quiet of a typing room where thoughts meander and flow, wriggle onto the page (or the screen), and i do my best talking from there. or even better: across an old maple table, a formica slab, or even the console of any old car, where talk is heart to heart, face to face, where you can see the gleam or the tears in the eyes. where you gauge every flinch of the jaw or the cheeks or the itty bitty muscles that lift up the eyebrows, punctuation in facial expression––the very best kind.

if you were one of the glorious flock who popped onto the zoom the other night, when we all lined up in our on-screen window panes, you were there for the glorious highlight of the week. of the eighty who pulled up a virtual chair (80?!?!), some 22 of you were signed on as “iPad,” which made it a little hard to know who was quite whom. but i knew that for the first time since this ol’ chair started gathering round the make-believe old kitchen table, we were as one, unblindfolded, and we could finally see who we were. and hear our real live voices. at least some of us. we might need more zooms. especially ones where my heart isn’t pounding like the kettle drum in the marching brigade.

lily-of-the-valley dorset button from amy

twas a week full of flurry. twas a week filled with moments i’ll never forget. (a hand-stitched dorset button i now wear by my heart, marsha from low country blessing us with her front-porch benediction, a river of people i love flowing down the stairs of an ever-enchanted bookstore last night, and the little pings of love notes and reminders to breathe from the blessed old friends who know how trembly i get when dispatched beyond the walls of my hermitage…)

i’ve been thinking hard of late of how the writing of a book is a time-lapse conversation––and conversation, to me, is the holy marrow of life. i spent months and weeks reading and writing, pouring my heart and my soul into each page; quite truly, laying it all on the line. and then, as the book made its way down the book-making assembly line, through the chutes and the gears and the binding machines, it all went silent. but now, as the little book lands with its plops on door stoops hither and yon, the conversation picks up again. and that, my friends, is the very, very best part of writing a book.

it’s when i find out which sentence or thought might catch on your heart or your soul. it’s where the interplay of our minds begins a back and forth, often a dance. where i get to find out what cumulus clouds of wonder or wisdom rise up from your reading, where your thoughts leap off of mine and gather their muscle and take on their own magnificent form. that leaves me jaw-dropped.

last night, at the very first in-person book launch, in the lower room of the enchanted bookstore where four of my five books have been officially birthed (the pandemic got in the way of one of the birthings), a beautiful, beautiful woman (one i’d never before met) came up to me, took me firmly by the shoulders, and told me she’d read the book cover to cover, and had figured out its message: “the Holy Spirit will find you,” is what she said over and over. “that’s the message.”

she had tears in her eyes when she said it. and tears i find are contagious, so i had them in mine too. after all those months of reading and writing, i hadn’t quite landed on precisely those words. but i realized that no matter how you define “Holy Spirit” (and i might define it quite broadly), she’d nailed it. in six words, she summed up what it took me 56,000 words to quite get at.

there are comical moments too, as in many a delivery room. (remind me which parts of labor and delivery made me chuckle…) the photo above, a rare inclusion of any image of me here at the chair, captures me following orders. the marketing gurus at broadleaf books, my lovely twin-cities-based publisher, sent me a note and told me to get out and record video befitting my book. not wanting to be on screen myself, i decided to film at the glorious water’s edge of which i write in the book, the grasses where i nestle like quail in the rush. and i decided i’d insert myself by reading aloud, sight unseen. and my beloved blair, who assigned himself to the role of “editorial assistant” this week, decided he’d do the driving and, when i wasn’t looking, he snapped the somewhat hilarious photo above: crazy lady reading aloud a book on earthly wonder into hidden microphone of little glass slab.

the other half of that marketing assignment instructed me to consider making a “reel,” a concept as foreign to me as reading a novel in russian. i had literally no idea how to do this, so i called one of my brothers, whose mastery of reels is legendary among his circles. he reels with abandon, he reels for any occasion. so i knew i was going to the master. as he talked me through, step-by-arduous-step, i followed along. i sat in a chair, and i read a few lines. and then, i must have hit the wrong button, for the darn thing “posted”––aka somehow landed on instagram where any and all could follow along. egad. it had been my first dry run, but i decided to leave it. because life unfiltered, unedited, un-pre-plotted, is where the spice finds its way in.

here’s what life unfiltered might look like:

and with that overdose of moi, i shall leave you in peace for the day and the week.

but do tell: if you’ve found yourself turning the pages of my conversation in paper and ink, what are some of the thoughts that have wriggled up for you? lines that sprung your own epiphany? stories that made you think of your own? tell me what you’ve read from the Book of Nature (the real one, not my little old book)? and tell me the glories and wonders you’ve found. . .

bless you and thank you for being the circle that holds me. the love here is real, even if all the rest is somewhat virtual.

10 Comments

March 17, 2023

of thin places and the deep soul of my ancient peoples

i remember perfectly the first time i heard mention of a “thin place.” i was on holy ground, a farm smack dab in the middle of abe lincoln’s homeland. beau’s farm was the name of the farm, an organic farm, an organic farm that rose from an almost impenetrable shadow of grief. deep grief. beau was a marine, a strapping handsome fellow, who died down the road from the farm, home on leave from iraq, when he drowned. his mother, a woman i’ve come to love dearly, once told me that losing beau was “just like being hung, that moment when they pull that thing out from under you,” when the sheriff comes to the door, rings the bell at just past dawn to break the news.

beau’s mama was lost to grief for two long years. but then, she told me, she started to notice little beauties. she’d toss an old dried plant to the ground; and it’d grow.

“it dawned on me, after all those months, i was noticing beauty,” she once told me as we walked the gravel drive to where the peacocks pecked and strutted in their pen. and as i once wrote in the pages of the chicago tribune, “that’s when she realized. realized maybe the one place where she could plant her sorrow, turn it into something beautiful, something lasting, was the almost seven acres that surrounded her old white resurrected farmhouse. . .”

terry starks is beau’s mama’s name; she lives up in maine now, where she still turns earth and life into something beautiful, something lasting.

terry starks was the first to tell me of thin places. she told me the hay loft in her barn was where she went to cry when the tears seemed to have no end. she told me she was drawn there because the loft was surely a thin place, a place where the veil between heaven and earth is lifted. where you can all but feel the arms of God reaching out toward you.

it’s the celts who see the world that way, who know that ours is a topography of the sacred. who live attuned to soulful rhythms most others miss.

i remember sitting on the porch swing at beau’s farm, as beau’s mama poured her hard-won wisdoms as if a pitcher without bottom. i absorbed more gospel that day on beau’s and beau’s mama’s farm than i’ve absorbed most days of my holy blessed life.

ever since, i’ve been drawn deeper and deeper into the wisdoms of the celts, a holy people who traipse the hills and vales and rocky shorelines of my ancient roots.

because today happens to be a day when plenty of folk haul out green beer and soda bread, i decided to haul out just one of many passages from The Book of Nature, my little book due to be birthed just the other side of the weekend, on the vernal equinox, day of equal light and shadow, when all of us might look upon each other’s faces for the very first time, reason to rejoice if you ask me. it’s a passage from a chapter on the dawn. and i picked the photo way up above because i took it on the day i drove to beau’s farm, and it fits blessedly with how the celts see the sun. and because i was thinking of thin places, i decided to tell terry’s tale as the long way in to how the celts have taught me so very many things. thin places, among the litany.

here tis. . . a passage from The Book of Nature…

God was considered “the Sun behind all suns,” as the author George MacLeod once wrote. The whole of creation was dappled with the light of the sun as it journeyed across the sky. Wherever its light fell, there was God filtering through, an earthly translation of the divine infusion. And the perpetual Celtic praise song rose up with the dawn. Celtic gentlemen—farmers and herders and fishermen, set off to work in the predawn darkness—doffed their hat at the first light of the sun, and bowed in blessing. The Carmina Gadelica, a collection of Gaelic prayers and chants, is filled with start-of-day blessings, as the Celts were wont to offer up benediction for every chore and implement and God-given element of every day, from milking to weaving to shearing the sheep, from fire to wind to sprinkling of water. And certainly for the miraculous return of the morning’s first light. Mystic and teacher Alexander Scott, who grew up in the west of Scotland and kept Celtic ways alive in his nineteenth-century books, wrote that his were a people “listening for God in all things, ‘in the growth of the tree, in the rising of the morning sun, in the stars at night, and in the moon.’”

–Barbara Mahany, The Book of Nature

of the many, many stories i wrote over the almost 30 years, the story of beau’s farm was one of the ones i hold closest to my heart. here’s a link, should you care to read it. with love, from terry’s scribe. (apologies if you need a subscription to open the link.)

thanks to a friend i love with my whole heart, i stumbled on another wise soul with buckets of beauty to grace the world. a poet-activist-performer named andrea gibson, now a cancer survivor whose words might take your breath away. andrea identifies as queer, and uses the pronoun “they;” and they are known for their trademark honesty and bare-naked vulnerability, traits i find irresistible and blessed beyond words. here are just a few lines i couldn’t keep from scribbling down:

when it comes to hearts i want always to be size queen…

i love you because we both showed up to kindness tryouts with notes from the school nurse that said we were too hurt to participate….

when your heart is broken, you plant seeds in the cracks and pray for rain.

before i die, i want to be somebody’s favorite hiding place, the place they can put everything they know they need to survive, every secret, every solitude, every nervous prayer, and be absolutely certain i will keep it safe. i will keep it safe.
andrea gibson

one more morsel for this blessed day, a poem from billy collins, once poet laureate of the united states, and a poet with plenty o’ irish roots . . .

Questions About Angels
by Billy Collins

Of all the questions you might want to ask
about angels, the only one you ever hear
is how many can dance on the head of a pin.

No curiosity about how they pass the eternal time
besides circling the Throne chanting in Latin
or delivering a crust of bread to a hermit on earth
or guiding a boy and girl across a rickety wooden bridge.

Do they fly through God’s body and come out singing?
Do they swing like children from the hinges
of the spirit world saying their names backwards and forwards?
Do they sit alone in little gardens changing colors?

What about their sleeping habits, the fabric of their robes,
their diet of unfiltered divine light?
What goes on inside their luminous heads? Is there a wall
these tall presences can look over and see hell?

If an angel fell off a cloud, would he leave a hole
in a river and would the hole float along endlessly
filled with the silent letters of every angelic word?

If an angel delivered the mail, would he arrive
in a blinding rush of wings or would he just assume
the appearance of the regular mailman and
whistle up the driveway reading the postcards?

No, the medieval theologians control the court.
The only question you ever hear is about
the little dance floor on the head of a pin
where halos are meant to converge and drift invisibly.

It is designed to make us think in millions,
billions, to make us run out of numbers and collapse
into infinity, but perhaps the answer is simply one:
one female angel dancing alone in her stocking feet,
a small jazz combo working in the background.

She sways like a branch in the wind, her beautiful
eyes closed, and the tall thin bassist leans over
to glance at his watch because she has been dancing
forever, and now it is very late, even for musicians.

nothing would delight me more than to see some of you, or all of you, come tuesday night, when i am shoving aside my worries about stepping up to speak in front of a crowd any bigger than the one or two who might share this old maple table on any given morning. we’ll gather to mostly rejoice in what’s become a holy sacred bond, one woven over time, through shared wisdoms, devoted kindness, good grace and humor. and i promise to read one or two passages from The Book of Nature, and even talk a little bit about how it came to be. it’s the first of my five books that wasn’t first birthed here, but its pages are filled with wisdoms learned here, steeped here, refined here. so you all have a thread in the whole cloth it became. and i can imagine no finer benediction than to begin the book with you. so see you tuesday, march 21, the vernal equinox at 7 p.m. chicago time.

now, what celtic wisdoms fuel your every day? and where are the thin places in your life where the veil between heaven and earth is at its thinnest, and you too feel it lifted for a blessed glance of the sacred beyond?

when it comes to hearts, i always want to be known as size queen…

14 Comments

March 10, 2023

the vicissitudes of spring. . .

in the dark, i tiptoed down the stairs just now. saw the shimmer of white splattered across the front stoop, reflecting the light of the now shrinking Worm Moon, the moon who takes its name from the squirmers arising from winter’s slumber. any worms out there now might consider zippered jackets. same too for all the dear little green things now courageously, audaciously, sticking their necks out, inching their way up and out from deep earth’s underbelly, where they too have been whiling away the winter doing what green things do in their off-months.

to be a springtime bulb here in the middlelands of the continent, where windswept plains and lake-effect snows are part and parcel of the choreography well into april, is to be of hearty mettle. is to be one who tempts the fates. might as well whisper, “dare you to snow on me.” and yet, the heavens do, springtime after springtime, disgorge their fluffy crystals, dump an icy load. as if a test to see who survives, who withers. it’s lord of the flies, garden variety.

there are those of us who’ve been known to awake to such horrors––our tenderlings adorned in icy crystals––who race out the door, a rescue squad in rubber boots, shaking off the snow, applying blankets to the wounded.

i marvel every time at the ones who bounce back. who shake off the mounds of snow, and go right on punctuating march and april with their crayola-crayon-box colors.

and i think of them as parables, consider the wisdoms they suggest. it’s not too hard to draw a straight line from their vernal trials to the ones we humans face. the waning weeks of this winter have dumped a few harsh snows my way, snows that left me just a little bit knocked back. i’ve stared into the abyss of fear, and found that just like those rescue squads who race outside with brooms and blankets to clear away the snow, life drops down its own brigade of heroes, the ones who steady us in our deepest wobbles, the ones who dry our tears. have you ever noticed how much kindness comes in our darkest hours?

i find the gospel of the season, these liminal weeks when the last gasps of winter blow our way, and the full-on percolations of spring aren’t yet arrived, is one of holding onto hope. the leitmotif––don’t be felled by that which falls upon you––is played out, over and over, just beyond my windowpanes. yes, it snows and crushingly so. but then the melt comes. the stems and stalks and itty-bitty buds, undaunted.

i find a hint of fortitude in glancing out the door in the wake of melt, once the day warms up enough to chase away the fluffy stuff, in seeing the green things shake off their trials, sticking their necks out just a wee bit further. i dig deep and decide i, too, will do as the daffodils. i’ll be brave, and set my sights on bursting forth in fullest color. and along the way, i’ll trust in all of those who come running with broom, blanket, and the curative powers of simple kindness.

on the subject of march, i turn to henry david thoreau and his journals, to see what he had to say on the matter.

here, we dip into The Journal: 1837–1861, with entries from March 21, 1853. thoreau was thirty-five and pondering a different kind of thaw.

March. 21. Morning along the river.

Might not my Journal be called “Field notes?”

I see a honeybee about my boat, apparently attracted by the beeswax (if there is any) in the grafting-wax with which I have luted it. There are many; one is caught and killed in it.

P.M.—To Kibbe Place.

It is a genial and reassuring day; the mere warmth of the west wind amounts almost to balminess. The softness of the air mollifies our own dry and congealed substance. I sit down by a wall to see if I can muse again. We are affected like the earth, and yield to the elemental tenderness; winter breaks up within us; the frost is coming out of me, and I am heaved like the road; accumulated masses of ice and snow dissolve, and thoughts like a freshet pour down unwonted channels. Roads lead elsewhither than to Carlisle and Sudbury. Our experience does not wear upon us. It is seen to be fabulous or symbolical, and the future is worth expecting. In all my walking I have not reached the top of the earth yet.

and, finally, i snipped a few lines from a poem of george herbert, the seventeenth-century poet-priest, on the subject of prayer. i love his litany of metaphors for what prayer is, and find that i might meditate on any one of his multiple choices, the last line here most especially, “the soul in paraphrase, heart in pilgrimage”:

George Herbert, “Prayer (I).”

PRAYER the Churches banquet, Angels age,
Gods breath in man returning to his birth,
The soul in paraphrase, heart in pilgrimage . . .

may the prayers that rise from you this month be ones of resilience, of shaking off the snows that fall. and may our hearts always be in pilgrimage. where do you find wisdom in the stirrings of this cusp of hallelujah’s spring?

17 Comments

March 3, 2023

a mother’s heart finds its place in a canyon of moving boxes

dispatch from 20009: in which canyons of boxes in every room are ours to conquer, moi and the one i birthed first. . .

i write to you this dawn from the singular place on the planet i wanted to be this week, a point on the map now highlighted in illuminating shades of radiant. a kid i love is a professor now, and i am here where, in my book, a mother belongs: by his side, tearing open his boxes, tallying the lost and found, turning a blueprint of rooms into a place called home.

i’ve planted the kid in five points on the map since the day he left home for college, and each one for its season became a place i peered in on, checking the weather, counting the miles, watching police reports. his dot became mine by extension.

i’ve spent years now considering places called amherst and new haven, portland, manhattan, and now the nation’s capital, specifically adams morgan, a neighborhood where RBG graces the banners that waft from the light poles, with the words “live your truth.”

the kid has decidedly hopscotched across the country over the course of the last decade. but his itinerant days might be over, as a tenure-track post prompts me to think i’d better get used to the latest in zip codes. and, anyway, unpacking boxes, finding places on shelves, has become my sub-specialty. it’s a task i take on with all the love in the world. i don’t think i’ll ever extinguish the place in my heart that tells me my number one job on the planet is to soften the blows, trod the circuitous path, keep stretching my arms clear across the landscape, and always, always find space and time for side-splitting giggles and tears when they spill from both of our eyes.

the kid is 29 but nowhere in the manual i was handed in the delivery room can i find a line telling me there’s a time when the mothering stops. mothering over the decades is a three-dimensional wonder: it deepens and widens, is layered with strata of life’s most wrenching and glorious moments. just last night as we were giggling and whispering our way to sleep––me on un-sheeted bed (we’re working our way from kitchen to bedroom), him on inflatable mattress––i told him how even though i see the professorial glasses he wears these days and feel the heft of his six-foot-three pillar of flesh and bone when he wraps his arms around me, i also see plenty often a flashing picture show of his life at various points along his continuum: i see––clear as clear could be––the wet and squirmy little thing placed in my outstretched arms the very first time; i see the six-month-old who let out a belly laugh for the very first time; i see the toddler who looked up from the kitchen table one breakfast and asked, as if it was the most ordinary of questions for a three- or four-year-old, “mommy, what is facetious?” meaning what does it mean, this very long word not normally found in preschool vocabulary. and, yes, i see the kindergartener who set up a lecture hall in our living room, with a circle of stuffed-animal pupils, a chalkboard and easel, and 26 spongy alphabet letters. the professor wore suspenders and tie and bare feet, and instructed his class on the fine points of D, O, and Q.

it’s a curious thing, this mothering the grown human being. there are those, i’ve been told, who believe a mother’s role is to step into the distant background, loosen the grip on the ups and the downs of those you’ve loved every day of their lives. i’m not among them, though i can go––and i have––whole weeks without more than a short burst of texting. i find it only gets richer and richer, the closest i know to “love as you would be loved.” mothering to me is a spectacular testing ground: day after day, i re-define and refine the extraordinary intricacies of loving, of where to position myself in the tableau of his life, how much of the weight to bear, and when to stand silent and when to come running.

what i know, after a lifetime of fumbles, of occasional hits and plenty of misses, is this: the width of my brain has only grown wider over the years, as each of my boys carry me into realms i’d otherwise never explore. and my heart and my soul, they’ve at once defied the laws of physics, both deepening and rising to depths and heights i’d never ever imagined. and so, as long as i’m needed and able, i shall tear away the endless strips of packing tape till my fingers are raw and my boy has a place to call home, his very own faraway home. six hundred miles from mine.

since i’ve been busy unpacking this week, i’ve not had much chance to gather up a commonplace-y bouquet. but i did find this, from the late great bard, leonard cohen, on sainthood:

“What is a saint? A saint is someone who has achieved a remote human possibility. It is impossible to say what that possibility is. I think it has something to do with the energy of love. Contact with this energy results in the exercise of a kind of balance in the chaos of existence. A saint does not dissolve the chaos; if he did the world would have changed long ago. I do not think that a saint dissolves the chaos even for himself, for there is something arrogant and warlike in the notion of a man setting the universe in order. It is a kind of balance that is his glory. He rides the drifts like an escaped ski. His course is the caress of the hill. His track is a drawing of the snow in a moment of its particular arrangement with wind and rock. Something in him so loves the world that he gives himself to the laws of gravity and chance. Far from flying with the angels, he traces with the fidelity of a seismograph needle the state of the solid bloody landscape. His house is dangerous and finite, but he is at home in the world. He can love the shape of human beings, the fine and twisted shapes of the heart. It is good to have among us such men*, such balancing monsters of love.”
Leonard Cohen

“achieved a remote human possibility. . . ” contemplate that for a while….

in book news: it seems hard copies of The Book of Nature have been plopping onto front stoops all over these united states, and heavenly folk, especially friends of the chair, have been sending along snaps, each of which makes my heart do a little bit of a gallop. it’s still a couple weeks till the official pub date––the vernal equinox, march 21; bring on the springtime, bring on the book!––so these early sneak-peek arrivals are both surprise and delight. and i am hoping to set that book soaring with a grand circle of chairs, as night falls on that first day of spring. see here for more details, should you be so inclined. (we’re gathering on march 21 at 7 p.m. central time, via zoom, one of the rare silver linings to emerge from our years in pandemic––or at least i count it as a silver lining, bringing me poets and thinkers from all across the globe.)

before i get back to uprooting books from their boxes, here’s the question (to ponder or drop us your thoughts): of all the mothers you’ve known or watched from some distance or close proximity, what are/were the defining qualities that allowed you to see and see clearly just what it means to love in the deepest mothering way? (and, remember, mothering for me is a verb not tied to any particular gender or state of procreativity, but rather to any and all who love with a tender loving attention and care, and the undying prayer that in some way they might both lighten another’s load and magnify the wonder of being alive…)

19 Comments

February 24, 2023

whilst i wander commonplacely . . .

page from 19th-century commonplace book in which emily and charlotte bronte’s brother, patrick branwell, contributed four pages of poetry and sketches*

“commonplacely . . .”

that is to make an adverb of the adjective “commonplace,” as in “commonplace book,” a descriptive i’ve already tweaked into a transitive verb, “to commonplace,” to partake of the act of commonplacing. the commonplace book, you might recall, is a centuries-old literary tradition of squirreling away snippets and bits of esoterica and wonder, and tucking them into a common place, a journal or diary in days of old, or here on this rickety old laptop in the digital age.

it’s a habit i’ve taken to voraciously. i am a packrat of linguistic persuasion. or, as my beloved friend amy more poetically put it, as she described her incessant gathering of singular words or wisdoms as that of a magpie, that feathered species known for its “borrowing” proclivities, as it feathers its nest with an assemblage of freshly plucked (and pilfered) shiny objects and upholsteries.

in flicking my wand over the quaint coinage, commonplace, i’ve taken linguistic liberties to make it an adverb describing the ways i exercise my curiosities and enchantments. i commonplacely gather up bitlets––a wisdom here, a sigh-triggering superword there. and, with pure joy percolating in my heart, i scurry here to bring them to you.

in the house where i grew up, the only girl amid a huddle of brothers, with a mother who recited poetries as a way of waking us from our long night’s slumbers, and a father who punctuated all conversation with endless puns and wordplay, i come by my affinities maternally, paternally, and i imagine generationally (my grandma mae, a kentucky school teacher whose testing scores earned her a blue-ribbon blurb in the bourbon county news, certainly must have loved a succulent word––and, oh, that i would have known her to have basked in her starlight . . .).

and so, standing on the shoulders of all of them, i commonplacely bring you this wordly bouquet for your literary delight and soulful ponderings . . .

let us begin with a romp through a sandbox of little-used words, all of which deserve prompt and hearty resuscitation…

from Ounce Dice Trice:

a few fine words for times of day: day-peep (dawn), dimity (time of day when daylight dims), dayligone (twilight)

a smattering of “terms of venery” or “nouns of assembly,” collective nouns specific to certain kinds of animals, a tradition that traces its roots back to english hunting in the late middle ages:

a booing of buffaloes

a pioling of pelicans

a skulk of foxes

a smother of spiders

a trembling of goldfish

a scribbitch of papers

a tumbletell of church bells

a snigglement of string

and from a dear friend who might have been spuddling along:

spuddle: (17th century) to work feebly or ineffectively; to be very busy whilst achieving absolutely nothing.

and now let us turn from singular words to singular wisdoms….

visiting a cemetery atop a sacred mountain three hours from his home in japan, pico iyer, the british-born essayist known for his voluptuous and epiphanic travel writing, brings us this summons to attention, elicited by a ghostly walk amid the gravestones:

“The thought that we must die, I might have heard the two hundred thousand graves saying, is the reason we must live well.” — Pico Iyer

George Herbert, the English poet and priest, described prayer as “heart in pilgrimage.” (The Secret Gospel of Mark) (page 255)

this next one particularly struck me, as someone whose writing often references God, and who understands viscerally that the very name can stir a host of untapped responses. more and more i claim my ground as an ecumenicist, one who seeks out and sees the glory, wonder, and wisdom in myriad paths to the Sacred Source, and who stakes no single road as the sole salvation. God for me is a name of great comfort, but not all react quite that way. and so i understand why a writer might wrestle therein. and, as so often happens in my Russian doll school of reading, where one idea opens into another, one reference leads me on to another, stumbling upon the quote below introduced me to a writer i certainly should have known, and whose works i am now gathering from my ever-acquisitive neighborhood library.

so this, from Lyanda Lynn Haupt, naturalist, ecophilosopher, and author* of Mozart’s Starling, The Urban Bestiary, Crow Planet, Pilgrim on the Great Bird Continent, and Rare Encounters with Ordinary Birds: (*i’ve already put on library hold as many of her titles as i could find on the shelves)

“When the fraught name God comes up in conversation or reading, I always remind myself that whatever the source or language used, we are at root on common ground — invoking the graced, unnamable source of life, the sacredness that cradles and infuses all of creation, on earth and beyond. I know that prayer is the lifting of our hearts, our thoughts, and even our bodies in conversation, or contemplation, or remembrance, or supplication, or gratitude within this whole, requiring no dogma, only openness. Hildegard counseled, ‘To be alive is to give praise.'”

and from the late great david foster wallace, whose birthday was marked this week, on february 21:

“The really important kind of freedom
involves attention, and awareness,
and discipline, and effort, and being able
truly to care about other people and
to sacrifice for them, over and over,
in myriad petty little unsexy ways,
every day.”

– David Foster Wallace from This is Water

the season of lent began this week, with ash wednesday when we’re reminded through the smearing of burned bits of palm on our foreheads that our short swift lives are indeed bracketed, and that we’d best step up the pace toward whatever is our life’s holiest work. i scanned all week for a lenten offering to bring here, but didn’t find just the right one yet. if you’ve one you’d be inclined to leave here on the table, by all means, do.

and in the housekeeping department: remember that little gathering we’ve planned (march 21, 7 p.m. central time) for the “official launch” of The Book of Nature, my forthcoming adventure in publishing, well, i upgraded my zoom-i-ness this week, and we are no longer confined to 40 short minutes. we can gather for as long as 30 hours at a stretch. though i don’t think we’ll need quite that much time. if you’ve registered, you’ll be getting an email from EventBrite with the link to the event two days, two hours, and 10 minutes prior to the gathering. they work hard to make sure no one forgets.

*page from commonplace book with sketches and poetries of Patrick Branwell, among the many commonplaces found at the Harry Ransom Center at the University of Texas.

next week the chair will post from the capital city, land of about-to-bloom cherry blossom, where i shall be deeply and joyfully ensconced in the project of helping my firstborn settle into his new book-lined apartment in the adams-morgan neighborhood, where he shall launch his professorial life in the weeks and months and years ahead….it never grows old, being there in the trenches, as my boys find their ways. it’s my holiest work, and i am so blessed to have it…..

what wonderments did you stumble upon whilst wandering this week?

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