suddenly, pins and needles

i got brave yesterday. very brave. and that’s not exactly my natural landscape. i tend to be one of those nesty girls, clinging to the familiar, the known rhythms of day after day. i find comfort there, where for adventure i go deeper and deeper. but not beyond my borders so much. not easily anyway. not without butterflies in my belly. and, suddenly, pins and needles all over.
i was minding my business, typing away. pinning one sentence to the next, feeling it all tumbling from a deep-down place. i was writing about boxing up my firstborn’s bookshelf, considering how deeply the books on his shelf took me back in time, made me remember. i was writing about how achingly hard it was to slide those well-worn pages, those pages rubbed raw, into the hollows of moving boxes, lined up like hungry soldiers awaiting chow.
and, then, i started to think that maybe — just maybe — i should do what writers do: send it off to a place i’ve long dreamed of finding my words. send it off to an Editor, The Editor. before i could convince myself otherwise, i made myself do it. i “thumb-slammed,” in the vernacular of a writer friend of mine who is all about being brave, about sending words to the desks of faraway editors, and doing it with gusto, with thumb slammed to the keyboard, as you hover your cursor over the “send”whutchamahoojie, and suddenly your words, they are soaring, and your courage is slithering out of the drawer, getting a sudden and unexpected workout. a bit of a jolt, certainly.
so, while i wait to hear what’s happening next (The Editor very kindly — and unexpectedly — wrote me back last night to say she was passing along my words to the someone who edits these things), i can’t pin my words up on the clothesline, can’t even leave a few wisps here at the table.
but i can — and i am — thinking about courage. about stepping outside what feels safe, about nudging our tired old selves into the unfamiliar, about stepping up to the plate, as long as we’re here on this planet, and testing our muscles, our dreams, and those rare few bits about us that won’t tiptoe into the universe, become a part of the mix, if we don’t get about the business of finding our courage and shoving them out there.
perhaps it’s all this reading i’ve been reading of late. words from my dear friend, now gone. as i read her passages of hopes and dreams, i’d be a fool for not figuring out that the sharpest edge of the writing — from the perspective of now, after her death — is that those dreams, those hopes, they’ve all evaporated, crumbled away. all the fears and sadness that held her back, it’s gone now. maybe that’s the reason she asked me to be the caretaker of her creativity. maybe she knew there were lessons there that i needed to learn. maybe she wanted me to finally slice and dice the fears, the doubts, that make me think i’m not enough. not good enough to be brave. to stand at the doorway of life, with my few offerings cupped in my hands, to even inquire: “would you like to see this? would you mind if i showed you a thought or two i’ve happened to pull from my soul?”
perhaps i hear the drumbeat of time. perhaps it’s sinking deeper and deeper into my soul: these are the days you’re alive, these are the hours when your hopes and dreams have breath. and the only thing holding you back is your fear. how hard will it be, really, to hear someone say, No? is that any harder than the echo chamber inside your own head, the one that over and over and over cuts you down to size, infinitesimal, insignificant size?
if you believe in the God of the Beautiful, if you believe that each and every one of us had the Beautiful breathed into us once upon our beginning, then it follows — there’s no room, really, for arguing otherwise — that the Beautiful is rumbling around deep inside, just looking for the nearest exit, so it can be birthed, so it can come tumbling wholly and wildly — or quietly and breathtakingly — to life.
all we need some days is a hot blast of courage. and the willingness to live with the pins and needles that are certain to follow.
what holds you back? how wild are your hopes and your dreams? where have you found courage?
p.s. i promise to let you know what happens in the take-a-chance department, and i promise to some day slide the “boxing-up-the-bookshelf” essay here.




my father wasn’t there, had been gone 10 long years by then, so my brothers, all four of them, took me by the arms. i’d walked down the stairs i’d once tumbled down as a clumsy little girl, the ones where i sat after bee stings, on afternoons when my mama dried my tears. we’d walked out the front door, my brothers and i, arm in arm in arm, the five of us, and threaded through the garden gate. the late august garden was in bloom; my mother had made sure of that. and there, at the dip at the bottom of a sloping lawn, where the chairs gave way to chuppah, was the tall, dark, quite handsome fellow to whom i would wed my life.


made a room that’s something of a relic of the boyhoods i so loved. the ones where books were tucked in corners, slid from shelves, pages turned. the boyhoods populated by wooden blocks and trains. now, a little chair sits empty. the alphabet rug, the one i once bought for a nursery, it’s off at the cleaners and the rug repair shop. i seem to be preserving a chapter of our lives, pressing it onto the pages of my heart. a little part of me, perhaps, is hoping that some day a new crop of little people will climb the stairs, turn the corner and see the wall of books, and the bins of blocks and puppets. but mostly, i think, i’m making a room for me, the mama who will never ever forget.





i admit to tears — tears when the muslim immigrant father pulled his shiny copy of the Constitution from the pocket beneath his impeccably-pressed suit jacket. tears when his hajib-shrouded wife, the gold star mother of their fallen soldier son, stood by his side, without saying a word, looking as if this stage might be the last place in the world she wanted to be, except that deep in her heart she had a son whose story she would not let be silenced. the goosebumps began when the father, in his halting english, tinged with middle-east lilt, recounted how immediately after migrating to the u.s. from the united arab emirates he’d taken his three sons to visit the jefferson memorial. the father recited the words, the ones etched in white Georgia marble, jefferson’s words swearing “hostility against every form of tyranny over the mind of man,” that so spoke to his son, whose name was Humayun, the son who had grown up to be a soldier and who died in iraq, an army captain who charged into death to save his soldiers. on june 8, 2004, when an explosives-laced taxi barreled through the gate of the army base he was there to protect, Capt. Humayun Khan told his soldiers to hit the dirt while he ran 10 steps toward the taxi, 10 steps before the car bomb exploded. the son, who had dreamed of becoming a military lawyer, is now buried, with bronze star and purple heart, in arlington national cemetery.

