pull up a chair

November 10, 2023

the roof and the trees under which i grew up

i’d told myself that ever since the night my papa died, when i walked in that dark house, his tennis sweater flung over the back of a kitchen chair, as if he’d breeze through any minute, the night when i sat in the den afraid and unwilling to take in a breath, for i didn’t want to let go of the last one i breathed when he was alive, i’d told myself that house was mostly hollow to me.

it’s held a chill for me ever since.

i didn’t think i’d much miss it.

but then i drove back the other day. drove back to walk through the rooms where no sound was stirring, not even the whir of the furnace. drove back to see rooms emptied, the rugs a radiograph in reverse where the geometries of now-taken-away furniture shone bright against decades-worn dim. where you could make out the plot where my mama’s four-poster bed had been, and the circular table beside it. where the den, too, was a checkerboard of absence, chairs and a couch lifted and moved.

this week my mama moved out of the house where she lived, the house she called home, for six whole decades. long long ago, when my papa got a job in chicago (an ad man in the age of the Mad Men), and they’d moved us again from a faraway city, she’d picked that house out of many along the north shore of lake michigan because it was the house with the oaks. more than a half dozen big old oaks. maybe a whole dozen once upon a time. my mama loves big trees and big skies. the house gave her both.

my mama moved into that house in 1963, with four of us under third grade; two, still tricycle-bound. one of us, the fifth among us, was born to that house. never knew another till the day he went off to college. we used to joke that he and my mama are the only northerners among us. all the rest were born south of the mason-dixon line. we all grew up, though, on brierhill road, a winding dead end of a street carved into the woods. a golf course just across the way made for sixty years of unobstructed sunsets for my mama, who kept watch dusk after dusk through the kitchen window. the creek and the crawdads, the green pond, and the logs in the woods made for my playthings, the topography of all my imaginings.

i made my way back there this week, after it was mostly emptied, when i knew i could be alone. i wanted to walk room to room to room, and up the stairs to my old bedroom at the top of the stairs. the room where you can still find my sixth-grade scribble on the wall in the closet’s back corner. the room where so many nights i looked up and out through the oaks into the stars and the moon, where i rocketed all of my prayers and my dreams.

as i drove there, to the house at the bend in the road, i thought of all that had happened there. how i got married there, under the trees, breezing through the garden gate flanked by all four brothers. how, ten years before that, we’d sat round the kitchen table the night after my papa died, and tried to make sense. i thought how that was the house from which i was taken to hospitals, especially the time at the end of high school, and how our family pediatrician (yes, he really truly was Dr. Kamin, the most beloved housecall-making pediatrician that ever there was) came in the middle of nights when i was burning with fever. i thought how i’d close the door to my room in those sodden sulky middle-school years when i was sure no one loved me, and how during high school i’d yank the telephone cord from the kitchen round into the dining room, as far as i could uncoil it, to steal a wee bit of sanctuary amid the roar of a family of seven.

and then i walked the rooms, poked into drawers, shooshed away cobwebs, and inhaled it all one last time. when i got to the oaks out back, looked into the grove where my little girl log cabin once had stood, when i counted the feeders that still swayed in the november breeze, i felt the tears begin to pool in my eyes.

maybe the old house wasn’t so hollow to me, after all. maybe the old house where we’d all grown up, the house that had so long harbored my mama, maybe it would be hard to leave behind, to say a proper goodbye––and thanks–– to.

my tears spilled one last time on that bumpy old earth under the oaks on brierhill road.

i stooped to pluck one last acorn, now tucked in my snow coat’s pocket, and then i climbed in my own red wagon, the one that has ferried my very own boys through their growing-up years, back and forth plenty of times to their grammy’s. and i drove ever-so-slowly away.

but not without whispering a very deep blessing for the house that held us all, and mostly my mama, for so very blessedly, blessedly long.

what do you miss most about the house where you grew up?

19 Comments

November 3, 2023

the light does come . . .

the light does come. this is a reminder. this is a note to tuck away for the days when the shadows occlude the sun.

we all live among darkness sometimes. sometimes for spells that stretch on for so long we’re sure we’ll run out of oxygen. but we muscle on anyways. because what other choice do we have? even in the darkest times, there are tiny shards that fall on our path. the kindness of someone we didn’t realize was paying attention. the encounter that puffs just enough hope back into our hearts. the wholly unexpected solace of finding ourselves shoulder to shoulder with someone who knows something about the steepness of the incline we’re climbing.

we all find ourselves in chapters so impossibly hard we’ve no choice but to tap into playbooks we’ve not yet scanned. we revert to those fine few things that just might steady us: we remember to breathe; we stand under the sunshine just long enough to plump a few shrunken cells; we giggle aloud at the ridiculous humor that never fails to creep its way in. even in ICUs. and funeral homes.

truth is: ours is a choreography of shadow and peekaboo sunlight. we bank on it. wars end. babies are born. laughter comes. so does the dawn. even the night is speckled with stars.

i’m here to say that after an almost unbearable few weeks, weeks that had me teetering, all but certain this might be the time my heart called it quits, the load is lighter again. my mama is chipper. my mama is finding her way, carving her path, skittering hither and yon, all on her new red convertible. (the name we’ve given her little red rollator, the latest iteration of spiffy walker, with wheels and brakes and a little compartment for stashing your assorted sundries.)

we’ve pulled through. none of us too worse for the wear.

my mama’s return to her lifelong indomitable state of being happens to coincide with the end of my jam-packed calendar of book talks. and after a summer of searching for answers to questions of cancer, i finally found someone who knows my cancer inside and out. and who laid out a scenario i can live with.

feels to me like someone’s rung the school’s-out-for-summer bell, and i might wiggle a jig all the way home.

because this week held one of my favorite feast day — all saints — and because i love looking for saints in places where no one might think to look, i found myself swooned by this blessed sonnet, “a last beatitude,” from malcolm guite, an anglican priest and poet who’s been said to resemble a hobbit, what with his predilection for waistcoats and long-necked pipes (from which he blows smoke rings), and whose tonsorial tastes tend toward the bushiest of beards, and long locks to go with it.

herewith, “a last beatitude” by malcolm guite . . .

And blessèd are the ones we overlook;

The faithful servers on the coffee rota,

The ones who hold no candle, bell or book

But keep the books and tally up the quota,

The gentle souls who come to 'do the flowers',

The quiet ones who organise the fete,

Church sitters who give up their weekday hours,

Doorkeepers who may open heaven’s gate.

God knows the depths that often go unspoken

Amongst the shy, the quiet, and the kind,

Or the slow healing of a heart long broken

Placing each flower so for a year’s mind.

Invisible on earth, without a voice,

In heaven their angels glory and rejoice.

and one last bit of poetry, as autumn, the season of awe is upon us, these lines from rilke’s poem “Onto a Vast Plain”:

Summer was like your house: you know
where each thing stood.
Now you must go out into your heart
as onto a vast plain. Now
the immense loneliness begins.

The days go numb, the wind
sucks the world from your senses like withered leaves.

Through the empty branches the sky remains.
It is what you have.
Be earth now, and evensong.
Be the ground lying under that sky.

and, lastly, before i skitter off, this line from the thirteenth-century mystic and monastic mechtild of magdeburg:

When simplicity of heart dwells in the wisdom of the mind,

Much holiness results in a person’s soul.

what, pray tell, carries you through your darkest hours?

11 Comments

October 26, 2023

one more shlurp at the firehose

i called it the year of thinking sumptuously. the year we closed up our house, packed a few necessities (including a gray striped cat who nearly had a heart attack on the plane), and flew to beantown. there, we motored north to the republic of cambridge, wended our way through harvard square, parked at the corner of franklin and putnam streets, promptly climbed three steep flights of stairs, and settled in for a year best described as “trying to catch a drink from a firehose.”

i drank mightily, slurping down my chin. and i never minded one sloppy bit.

i studied poetry with helen vendler, english literature with james wood, and global health with the late great dr. paul farmer, the physican, anthropologist, and humanitarian who sought “to cure the world,” as tracy kidder so put it in the subtitle of his 2003 telling of farmer’s unparalleled devotion to his patients in haiti, mountains beyond mountains.

i went for coffee with harvey cox, my beloved bicycle-pedaling professor for “religion 1004: religious revolutionaries and spiritual pioneers.” i was mesmerized by henry louis gates who lectured brilliantly in his “intro to af-am studies,” a class in which i sometimes wanted to shake my fellow students who were busy browsing facebook while an american treasure, professor gates, held me spellbound with his elocution and encyclopedic knowing.

and i befriended souls i will never let drift from my heart.

we were among 24 journalists — and the occasional mate (we mates called ourselves the “co-vivantes” as opposed to going by the more pedantic “affiliate,” which made me sound like a corporate afterthought). the journalists came from across the u.s and around the globe: war correspondents; a chilean radio legend; a middle east reporter who regularly trekked to far-flung tents and underground bunkers to interview the taliban; videographers who covered conflagrations the world over; combat photographers; and writers who made words flow like golden-glimmering honey.

and, this weekend, in what feels like something of a mirage-like oasis amid a very dry desert, we are headed back to 02139, for a massive jampacked three-day binge of catching up and storytelling and sumptuous thinking. it’s been ten years since i romped the cobbled streets of cambridge, climbed the footworn steps of lecture halls, and opened wide the gullet that is my brain, trying and trying to quench an insatiable thirst for knowledge, wisdom, and the occasional epiphany.

it’s as sweet a reunion as i might sketch on my wildest imagination pad.

reunion (n.)

c. 1600, “act of coming together again,” from re– “back, again” + union; or from French réunion (1540s). Meaning “a meeting of persons of previous connection” is from 1820.

what’s sweetest about this coming together again is that amid a life deep-cut with facets light and dark, our nieman year stands out as among the most brilliantly glistening in my allotment of sunlight. i loved that year. felt alive, and young and hungry. even though i was the only one who was already mother to a college kid, and a sixth grader at the time. i loved that rare chance to go back again to college steps, to squirm into those awkward seats with flip-top desks, to carry heavy loads of notebooks, to run through packs of pens at quick clip, so voraciously did i pour ink onto the spiral-bound college-ruled notebook pages. i loved it so much because i knew with every cell in my being how blessed it was, the chance to be immersed in all those things that my first go at college had missed.

and now, the chance to go back, to re-union.

it’s a rare thing to get to go back to a page in your life story where you felt most stirringly alive. especially after weeks and months when my constant prayer has been for more such hours in my one sweet lifetime.

going back again is, too, a way of marking time. surveying the span between then and now. all the life that’s filtered in, the chapters that have tested me, the long nights i lay worrying, the hours when i drank in sweet and long-prayed-for triumphs. in ten years, my tally is one that stops me in my tracks and makes me savor all the more. so, so much in but a single decade.

turns out the decision to go hasn’t been easy in the end: we’d planned to have one brother from portland, maine, fly in to be with my mom, so i could go away knowing he was nearby. but there’s a shooter on the loose in the pine tree state, the army reservist who killed at least 18 in lewiston, 30 miles from portland, and my brother’s family is on lockdown, and his kids are afraid. i thought hard about not going, but my mom insists i go. and a couple wise women concur. took one look at me and chimed in that i needed it!

so, with a somewhat torn heart, i’ll fly off along with my very own nieman fellow and the kid, now 23, who once insisted we say yes to cambridge, because, he reasoned way back then, “we need to see the world!”

i know i’ll fly home sated, yes, but i know too that i’ll come home hungrier than ever. wonder begets a hunger for more wonder. and that’s as it should ever be. it just might be the magic potion that cures all ails.

“seek out what magnifies your spirit.”

that’s a nugget i stumbled across this week, culling a list of the seventeen most lasting truths that cultural critic maria popova has gleaned in her seventeen years publishing “The Marginalian” (formerly Brain Pickings), the weekly missive she describes as the “record of my reading and reckoning with our search for meaning.”

Seek out what magnifies your spirit. Patti Smith, in discussing William Blake and her creative influences, talks about writers and artists who magnified her spirit — it’s a beautiful phrase and a beautiful notion. Who are the people, ideas, and books that magnify your spirit? Find them, hold on to them, and visit them often. Use them not only as a remedy once spiritual malaise has already infected your vitality but as a vaccine administered while you are healthy to protect your radiance.
Maria Popova

protect your radiance, indeed. above all else: magnify your spirit.

what magnifies your spirit?

16 Comments

October 20, 2023

amid the cacophony, these are the rare few voices that saved me this week. . .

i’ll be honest (as if i’m ever not): this was an unbearably hard week. and i am exhausted to the bone. the horrors of the world––images and stories i could barely take in––shred us, and scare us; make me wonder if we’re teetering on another apocalyptic precipice. and within the world’s horrors, there is a much-closer-to-home struggle that’s absorbed my every ounce of attention and strength: the not-insurmountable, steep incline of moving my mother into the next much-dreaded chapter of her life. a chapter she had adamantly refused to consider until the bones in her body were broken and the home she has loved for six decades can no longer be a place of safety and refuge.

the days have been long, have been wearing. but time and again through the week, my eyes fell on words that all but saved me. i gathered them up each time, hungrily. voraciously. as if the ones who spoke the words, or wrote the words, or somehow laid the words all in a life-saving line had reached out through the darkness to give me their hand. each time i held on tight. here are the words that steadied me this week. maybe they’ll steady you too.

i turn first to the irish, because where better to turn in the face of a broken world, and a battered heart: this comes from pádraig Ó tuama, who wrote: “there’s an irish phrase, ‘Is olc liom do bhris,’ which we say during a time of grief. a literal translation is ‘your brokenness brings me horror.'”

i couldn’t pronounce the irish if you paid me, but i love that the irish soul immediately understands that sometimes we’re not simply saddened but out-and-out broken under the weight of our sorrows.

but then, at the very moment i needed it, anne sexton came along: as i sat there watching my mother, now bent over a walker, sometimes crying out in pain, i watched my somewhat shy mother shuffle into a dining room filled with strangers. i watched her gently lay her hand on the shoulder of someone she was shuffling by, and i heard her say, “hello, i’m barbara, i’m new here.” and i felt my belly gurgling like jelly, as in the days when i pressed my ear against the kindergarten door, praying my firstborn would make it through the morning, my tender brave boy in a sea of new faces and voices. i watched my mother show me courage in the face of everything she’d prayed would never come to her. and then anne sexton’s words slipped under my nose. and i thought for a minute the heavens must have been listening, or maybe instructing.

Courage

It is in the small things we see it.
The child’s first step,
as awesome as an earthquake.
The first time you rode a bike,
wallowing up the sidewalk.
The first spanking when your heart
went on a journey all alone.
When they called you crybaby
or poor or fatty or crazy
and made you into an alien,
you drank their acid
and concealed it.

Later,
if you faced the death of bombs and bullets
you did not do it with a banner,
you did it with only a hat to
cover your heart.
You did not fondle the weakness inside you
though it was there.
Your courage was a small coal
that you kept swallowing.
If your buddy saved you
and died himself in so doing,
then his courage was not courage,
it was love; love as simple as shaving soap.

Later,
if you have endured a great despair,
then you did it alone,
getting a transfusion from the fire,
picking the scabs off your heart,
then wringing it out like a sock.
Next, my kinsman, you powdered your sorrow,
you gave it a back rub
and then you covered it with a blanket
and after it had slept a while
it woke to the wings of the roses
and was transformed.

Later,
when you face old age and its natural conclusion
your courage will still be shown in the little ways,
each spring will be a sword you’ll sharpen,
those you love will live in a fever of love,
and you’ll bargain with the calendar
and at the last moment
when death opens the back door
you’ll put on your carpet slippers
and stride out.

~ Anne Sexton ~

(The Awful Rowing Toward God)

and then, the news of the death of louise glück, the nobel prize-winning poet from cambridge, mass. a poet i once sat inches away from in a bookstore in harvard square, so close to me that i could feel the whoosh of her hand as she swept it through the air, punctuating one of her lines, pushing back her lioness locks of silver-streaked hair. louise died of cancer, and her beautiful words held a deep resonance in this week when i found myself talking to the kindest physician i’ve met in a long summer of looking for answers. in between worrying about my mother, i remembered i too am still looking for light in my own shrouded tunnel. a doctor from mass general, just down the road from cambridge, gave me that light. and she was more than kind in doling it out. but here’s louise:

CROSSROADS
by Louise Glück

My body, now that we will not be traveling together much longer
I begin to feel a new tenderness toward you, very raw and unfamiliar,
like what I remember of love when I was young —

love that was so often foolish in its objectives
but never in its choices, its intensities
Too much demanded in advance, too much that could not be promised —

My soul has been so fearful, so violent;
forgive its brutality.
As though it were that soul, my hand moves over you cautiously,

not wishing to give offense
but eager, finally, to achieve expression as substance:

it is not the earth I will miss,
it is you I will miss.

and those are the words i clung to this week, the words that carried me across an awful abyss.

what words carried you?

p.s. there’s one other poem that saved me this week, because it always saves me: naomi shihab nye’s kindness. here tis:

KINDNESS

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.

Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and purchase bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.
Naomi Shihab Nye

14 Comments

October 13, 2023

the beauty of small things

sometimes when i pull up a chair, and plonk myself down at this table i am really only beginning to trace an idea, almost like beginning a drawing by dragging my finger through a scattering of powdered sugar. (who paints in powdered sugar, i do not know, but then my mind is a mysterious sometimes-tilted place…)

and so, this morning, with a tidal wave of a week behind me, and a busy day ahead, i am sitting here tracing my finger along the tabletop, thinking aloud about a thought that surfaced and re-surfaced all through the week.

it’s the beauty of small things.

a few nights ago i was sitting below ground in a library where once upon a time i would have been a regular resident. i was back at my college, a college where one of the study carrels on the fourth floor of the old library all but had my name engraved in it; it certainly had my coffee stains seeped into its woodgrain. this night i was in the new iteration of what had once been my temple of memorization and occasional epiphany.

i was talking about my book, and talking about how my holiest posture, the one that stirs me most deeply, is when i feel small against the vastness of the universe. how i break out in goosebumps, the most comforting goosebumps, when i am crouched down low, arms wrapped around shins, an origami of flesh and joints folded, nestled between dune grasses, perhaps, looking up, into the star-salted heavens.

i consider it a holy thing to know how infinitesimal we are in this vast and intricate cosmos. our modernday world could do with a very strong dose of downsizing our egos. humility is wanting in the 21st century.

as serendipities so often happen, that one moment was followed by this:

not long after the talk had wrapped up, a jesuit priest i’d met earlier in the day––a brilliant young priest i hope to befriend, for i do believe we both felt something of a lightning bolt strike in our shared fascinations with theology and literature and their divine intertwining––my new friend father joe came bounding up to the armchair where i was still sitting, slipped a piece of paper into my hand, and began speaking in latin. yes, latin. he then told me (in english, thank heaven) that when i was talking about how i love to go small, he just happened to think of the great line from thomas aquinas, a line often quoted by pope francis:

“not to be confined by the greatest, but able to be contained by the least, is a mark of the divine.”

i am still marveling that i have a new friend who whips off lines from aquinas, in latin no less. and i admit to being schoolgirl-crush blushed when i learned (from a little morning-after googling around) that he earned his DPhil at oxford, and might be the closest thing to an Inkling (that literary cadre of Tolkein and CS Lewis and Oxfordian friends in the mid-20th century) in my current state of being.

but back to small things.

the very morning after being so taken by that line from aquinas, the first thing i happened to read was this paragraph from the japanese writer Miho Nonaka “on the beauty of small things.”

“I am drawn to small things. I wrote the poem [“The Museum of Small Bones”] after seeing an exhibit of the skeletons of small animals like bats, moles, and baby lizards. …There was a sense of dignity to the architecture of each animal’s bones. When you see something like that, you can’t help but reflect on God’s creativity as an artist. And for me, smallness matters, because it makes God’s intentionality and investment in each creation appear that much more acute.”

the reason i read with pen and sometimes scissors in hand is because other people always say what i’m trying to say, only better than i can. and so it is with Miho: “…smallness matters, because it makes God’s intentionality and investment in each creation appear that much more acute.”

the intersection of thirteenth century aquinas, and 21st-century nonaka, is what stirs me to attention. surely there is wisdom to be plumbed, and contemplation to be unspooled in the hours and days before me, as i deep-dive further into the beauty of small things. we are living in a world of atrocity. we can be broken at any moment by the sheer evil and deceit that comes without pause, it so often seems. but there, on the simple footpath we trod, we stumble on tiny shards of shimmering light. shards that just might save us.

and this week, the beauty of small things is the shimmering shard of thought that just might brace me against the unending brokenness.

and on the subject of brokenness, i offer this prayer for the state of israel*…..

Our Father in Heaven, Rock and Redeemer of Israel, bless the State of Israel, the first manifestation of the approach of our redemption. Shield it with Your lovingkindness, envelop it in Your peace, and bestow Your light and truth upon its leaders, ministers, and advisors, and grace them with Your good counsel. Strengthen the hands of those who defend our holy land, grant them deliverance, and adorn them in a mantle of victory. Ordain peace in the land and grant its inhabitants eternal happiness.

Lead them, swiftly and upright, to Your city Zion and to Jerusalem, the abode of Your Name, as is written in the Torah of Your servant Moses: “Even if your outcasts are at the ends of the world, from there the Lord your God will gather you, from there He will fetch you. And the Lord your God will bring you to the land that your fathers possessed, and you shall possess it; and He will make you more prosperous and more numerous than your fathers.” Draw our hearts together to revere and venerate Your name and to observe all the precepts of Your Torah, and send us quickly the Messiah son of David, agent of Your vindication, to redeem those who await Your deliverance.

Manifest yourself in the splendor of Your boldness before the eyes of all inhabitants of Your world, and may everyone endowed with a soul affirm that the Lord, God of Israel, is king and his dominion is absolute. Amen forevermore.

i pray too for the innocent of gaza, for those without hope, or water, or food, or electricity. i pray and i pray. and i wonder over and over who in hell’s name beheads a child? pray for this desperate world. pray however you do, however you can…..

what saved you from brokenness this week?

*”prayer for the state of israel” from the jewish virtual library

photo above by my favorite law professor, will kamin, back when he was taking AP photography his senior year of high school….

10 Comments

October 6, 2023

canticle of gratitudes in shadowed times

I’ve always noticed the light shines through more perceptibly, more piercingly, when the skies are grizzled gray, and there’s a fissure, a peep hole, in the clouds.

And so, in this shadowed episode in which I find myself –– awaiting word on my first lung scan since before surgery, trying to navigate my mama through the roiling seas of rehab and the stark knowing she won’t go home –– I wend my way through the days on watch for grace notes which tumble onto me like snowy flakes before the melt: each one unlike any before or aft, each one magnificent in its own faceted incandescence.

And, in the spirit of blessed Francis of Assisi, I am stringing them into a canticle, a praise song typically referencing Gospel text. I’m not so literate in those Scriptural ways, so I am stringing mine in the vernacular of the everyday:

Praise be the blessed, blessed nurse named Vishruti whose charcoal eyes are ever sparkling, and whose attendance to my mama’s every woe is pure blessing before my most grateful eyes.

Praise be the harvest moon pinned high in the night sky one especially hollow night, and the acolyte Jupiter who clung to Moon’s southwestern rim, as if to catch any drippings once the melt began again.

Praise be my blessed “baby” brother who seems the answer to my every prayer before I’ve even prayed it: the one who keeps every necessary form on file (to ensure nary a hiccup in our mama’s journey), attends to every detail with fastidious care, and who is so blessedly tender with our mama’s every ache and pain and worry that in watching him tears spring to my eyes nearly every time. Praise be that brother who has always fit me like my other half. I’m 1/3/57 and he just happens to be 2/4/68. Mathematically sequenced, and aptly paired, we are.

Um, addendum to brotherly praise (did Francis addend his canticles? hmmm): As I was typing that very verse above, said saintly brother was ambling through a lumber yard, intent on rebuilding our mama’s four-poster bed to make it six inches closer to the ground, thus subtracting risk by six not-insignificant inches. And he’s not even the carpenter brother! Be still my brothered heart….

Praise be the ones who fill my stoop with dahlias, and chicken ala yummy, and farmer’s market bounty. And whose prayers and hand squeezes hold me up, even when I wobble.

Praise be my sweet Fred who holds my hand in the dark of night, even when I don’t let on that I am thinking hard about the day ahead, or the one just left behind…

Praise be Pope Francis who, in his latest encyclical, Laudate Deum, squarely implored us to face these crucial questions:

“What is the meaning of my life? What is the meaning of my time on this earth? And what is the ultimate meaning of all my work and effort?”

Praise be Alice Walker who gave us these lines in The Color Purple:

Listen, God love everything you love — and a mess of stuff you don’t. But more than anything else, God love admiration.

You saying God vain? I ast.

Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it.

What it do when it pissed off? I ast.

Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back.

Yeah? I say.

Yeah, she say. It always making little surprises and springing them on us when us least expect.

You mean it want to be loved, just like the bible say.

Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk?
Alice Walker, “The Color Purple”

Praise be that God who aims to please us, even with the color purple. Praise be the God who’s “always making little surprises.”

And praise be the simple, simple miracle of a smile spread across any human face. I don’t know why God thought to give us the capacity to upturn our lips in tenderness or joy, but oh, there is little so life-saving as that simple twitch of those few muscles.

In gratitude, in joy, in infinite blessing, and with deepest smile, for all the little surprises that steady us through and through…

what blessings steadied you this week?

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September 29, 2023

the prayer after the fall. . .

it was the call you pray you never, ever get: early morning. “police and paramedics are already there.” little else known.

except that it was my mom. and she’d taken a terrible fall, a nightmare of a fall. police had broken in the front door when they saw her lying, crumpled, unresponsive, at the bottom of the stairs. a spotted trail of blood had followed her down the last eight of 14 stairs, around the landing, and onto the slate floor of the front hall, where it had pooled.

as the pieces started to fall into place, one theory was replaced by another, and what we knew was that it was a fall from the top of the steep hardwood stairs to the hall down below. she’d been lying there almost 12 hours.

and i was some 200 miles away, driving 70 miles per hour, suddenly fielding phone calls to and from brothers scattered across the country, detroit, california, maine, and the brother whose car was following the ambulance to the emergency room where so much of our family’s life has unfolded: death, birth, broken arms and legs and umpteen stitches, hours-long surgeries and outpatient, too, along with a few godawful diagnoses.

my mother’s most fervent prayer since a car accident two aprils ago has been “to go home.” and home to my mother is heaven. she desperately doesn’t want to be alive anymore. finds little joy in the everyday. except for the birds. and irish whiskey on the rocks, with plenty of water, at 5 p.m. sharp (or 4 if nobody’s looking). and as she said to me in a whisper from her ICU bedside the other day, “to be honest, i wish i’d gone” (meaning not waken up after the fall). “but not that way, i guess” (meaning not alone, in the dark, at the bottom of the stairs, when she thought she’d been headed into the shower, to climb into bed, for another restless night of not much sleeping).

my mother, who is as pragmatic and plainspoken as the day is long, wasted little time in realizing “i might never be allowed to live alone again.” a dawning followed quickly by “can you take me right now to westmoreland,” which is not quite the name of the place where she’s been on a waiting list for independent living since two aprils ago, and at least four times has told them “i’m not ready” when they’ve called her with an available apartment.

she’s still not ready. not really.

but my mother’s face and scalp and arms and legs are the color of eggplant right now. the bruising so intense it’s long past purple and deep into inky indigo. somewhere between aubergine and midnight. and that’s only what’s broken on the outside. ribs, and vertebrae, and a bone on her face, they’re broken too.

i was lying in bed the other night, the night before we moved my mother to rehab, tallying the things my mother will miss after 60 years in the house where we all grew up, the house she would not leave because of its tall oaks, and its sunsets out the kitchen window, and the birds and the deer and the pair of ducks who waddled under the fence each and every spring.

after all these years of knowing ours was the house at the first bend on the winding dead-end street, across from the green pond and the woods where i grew up, across from the country club where my mother for years would strap on skis after any snowfall and glide for miles across snowy greens and tees and sand traps, i am bumping into brain hiccups any time i try to wrap my head around the brand-new notion that 707 will no longer be. or no longer be ours anyway, no longer the polestar to our family chronicles.

for now, my mother is miles away from that old house. and she’s never going back. says she doesn’t think she could bear to say one last goodbye. so we will shutter it, the five of us who know that house inside and out, who know which upstairs window was the one a brother climbed in one night too late past curfew, the sliding door where another brother was showing off his brand new BB gun and PING! the glass was shattered, the arbor of oaks under which i and my beloved were married.

this is not the way my mama––or any of us––wanted her story to end.

but we’ve soldiered on before. she has always taught us how. she’s not one to buckle under.

she’s been widowed 42 years; buried a husband, and a tiny baby granddaughter atop her husband’s grave; mothered five children, each of whom has had twists and turns and upside downs. she’s had cancers of her own.

and till now, she has not crumpled.

even now, her faith has barely flagged. but she looks up at me, through her swollen ink-black eyes, and asks, “barbie, why won’t God take me?”

and how can i answer that, other than to say, “mama, we don’t know. we just don’t know.”

and so i rub her back where the terrible aching is, and we find her favorite cowboy channel, and i pray and i pray. don’t think me wrong to echo my mama’s prayer. i pray too, dear God, please take her home. she wants so very, very deeply to be there…

i’m transfixed by that photo above. i stare into my mama’s long-ago glimmer. i miss them both, so deeply.

today my only questions are ones without answers…

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September 22, 2023

turn, turn, turn . . .

“Ecclesiastes was onto something,” i wrote, as i dove into a meditation on the notch-by-notch turning of the dial, the dance between heaven and earth that is the shifting of season, as one fugue surrenders to another and another, over and over and over again.

and here we are again, at another cusp. the autumnal equinox. tonight (or, rather, tomorrow morning in the wee wee hours) at 10 minutes to 2 here in the heartland, central time zone.

in my musing on seasons, in the pages of that latest little book of mine, the book of nature, i prattled on a bit longer. . .

“Each season, in four quarter turns, brings forth its own headlines. There’s the yin and yang of spring, the season of exodus and resurrection, of equal parts heartbreak and magic. ‘The fizz and the roar of the land coming back to life again,’ is how Robert Macfarlane brilliantly captured the vernal animations. There’s summer with its invitation for indolence, for taking it slow, savoring, all but licking your plate of its succulence. And autumn, the season that changes its tense, is letting-go time, the beginning of burrowing in, when the shadow grows longer and sunlight goes amber, when half the globe is stripping to its essence, revealing its unadorned spines. Then there’s winter, the stillest of all, when deep-down stirrings are all but invisible, and we learn to keep faith. Sometimes I think God couldn’t decide which channel was best, so the heavens kept jabbing the clicker.

“It’s a wonder reel that never ends, yet never truly repeats—a koan for the ages.

“I often contemplate the geometries of time, how the year is not an inescapable circle, a shape that would get us nowhere, but rather it’s a spiral, and from one winter to the next we’re never the same, always ascending, closer to the holiness we were meant to be—or so that’s the hope and the plan, anyway. Maybe that’s why God keeps this seasonal show on autoplay: maybe God knows how dense we are in the figuring-it-out department, how some of the lessons we need to review. Over and over and over again. Most especially at the fraying hems of the seasons when the doubt begins to creep in, the fear that we’ll never be loosed from whatever it is that tangles and knots us, and God needs to show us those few immutable threads: Resurrection comes. Quiet must follow exuberance. So too dormancy. Surrender to earth’s holy rhythms, the very ones that pull the tides and the flocks, paint the woods, star- stitch the night sky. Expect heartbreak. Await healing. Start all over again.

“’The seasons are our scripture text,’ writes Celtic spiritualist Christine Valters Paintner. ‘This earth we are riding keeps trying to tell us something with its continuous scripture of leaves,’ echoes William Stafford, a poet and pacifist who referred to himself as ‘one of the quiet of the land.’ To the ancient Celts, the unfolding of the seasons read as ‘gospel without haste.’ And Walt Whitman, America’s latter-day Homer, put something of a military spin to it when he wrote that ‘nature marches in procession, in sections, like the corps of an army.'”

i prattle on a few pages more. but i’m already thinking anew about seasons. life, when we’re paying attention, comes in all sorts of seasons. some, clocked by the sun. some, by the tumults and percolations from deep down in our hearts and our souls.

the season of my soul that i’ve been dwelling in all these past months is one that opened in mystery, back when every day was bringing another scan, another long wait, another doctor’s uncertainty. then, when the surgeon finally extracted the answer, “it’s cancer,” i landed in shock and bewilderment. and ever since i’ve been encountering an underworld, a sometimes murky, sometimes brilliantly glistening world potholed with reams of unanswered questions and populated by fellow travelers who nearly always, uncannily, know just what to say and just what i’m thinking. it’s those fellow travelers who have thrown me life rope after life rope. just when i begin to feel the walls closing in, one of them pings me with hope. or pure simple kindness. or laugh-out-loud irreverence (eileen N i am looking at you!).

one thing i know, which i am going to be thinking about for a long time to come (and trying desperately to put into words), is how love truly is a magnetic force field all its own. i can be teetering at the edge of some quicksand-y bog, and all of a sudden, out of the blue, kindness will come. and kindness, love’s gentle sister, can shatter the darkness to shards. kindness makes you not all alone. kindness holds your hand and squeezes it so tightly it won’t let you dangle. or drop. or run out of air.

just this week, a brilliant brilliant poet friend of mine sent me a note. and it might have been one of the wisest, kindest, gentlest things i’ve read in a long time. he wrote:

“You have spent a lifetime thinking and feeling deeply. In my experience of living like that, I’ve found that pains are more painful and joys more joyful. I think it also means that you are better able to face the sort of scary stuff you’re now facing. I hope that your lifetime of thinking and feeling deeply gives you the strength to deal with this face-to-face…whatever ‘this’ ends up being.”

and so, my prayer as i look to my first post-surgical scan in the weeks just ahead, is that i begin to move now into a season where the edges aren’t so raw, and the fears aren’t quite so suffocating. there is love all around, and i know it will save me. no matter what comes.

tell a story of a kindness that saved you.

the apple slices above, already doused in caramel-y bath, are my sweet line cook’s first attempt at pie baking. his slicing alone impressed the heck out of me. just a month into the job at one of chicago’s finest eateries and the kid is picking up tricks. and pie recipes too. pretty sweet living at our house.

may this autumn, season of awe, of turning in and deepening, enrobe you in the brilliance you reach toward….

and a big giant thank you to each and all of you who have lavished me with kindnesses and love in this long season now turning…

p.s. i’m writing this from a hotel in ohio where tonight, squeaky squawky voice and all, i am getting up to a podium and giving a keynote address on the blessed book of nature…

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September 15, 2023

let us speak of the awesomeness

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of all the majestic moments in the days to come, the days of awe to come, for this is the cusp of the jewish new year –– the hours when we drop to our knees (figuratively, for there’s not a lot of kneeling in the synagogue) in thanks for all creation, for the newbornness of the world, this world we are entrusted to keep, meaning not to possess but to preserve, to tend, to watch over as a shepherd over his lambs –– one of the moments that will stop time for me is when the chanting of the unetanneh tokef (“let us speak of the awesomeness”) begins.

its words are as stirring as they come, deep down to the marrow. and they will stir me so deeply this year.

Unetanneh Tokef (ונתנה תקף) (“Let us speak of the awesomeness”) is a piyyut, or Jewish liturgical poem, woven into the hours of prayer of Rosh Hashanah, the new year, and Yom Kippur, the day of atonement to follow. it is chanted just before the Kedushah, the prayer in which the angels sing of the holiness of God, and when the ark that holds the Torah, or sacred scroll, is opened.

leonard cohen sung from it. in his glorious, goosebumping “who by fire?”**

it’s a prayer poem in which we stare into the face of our ending, our death, and examine closely the sharp edges of that terrain we so often run from. while it hurls us into attention, a mortal attention that is the base of plenty of theologies (those teachings believe we heighten our game when we’re aware it will end), it doesn’t look only at the last steps, but, too, at the ones we might take as we march there. it’s in the unflinchingness of judaism –– the bracing, no-beating-around-the-bush, straight-on-ness of it –– that so often grabs me by the scruff of the neck and keeps me transfixed.

and certainly here, and in the hours and days ahead, when we will take public inventory of our sins, when we will stand before a body of water and along with those who stand beside us cast our sins (in the form of bread chunks) into the currents or tide. and when, in the silence of our own pews, we will once again ask these mortal questions. it is the second section of the four-part prayer-poem, the litany of not only death but life, that stirs me most profoundly.

here are its words (with emphasis on the lines that emphasize living, not dying):

“On Rosh Hashanah will be inscribed and on Yom Kippur will be sealed – how many will pass from the earth and how many will be created; who will live and who will die; who will die after a long life and who before his time; who by water and who by fire, who by sword and who by beast, who by famine and who by thirst, who by upheaval and who by plague, who by strangling and who by stoning. Who will rest and who will wander, who will live in harmony and who will be harried, who will enjoy tranquility and who will suffer, who will be impoverished and who will be enriched, who will be degraded and who will be exalted. But Repentance, Prayer, and Charity mitigate the severity of the Decree.”

one of the prevailing pounding questions of this long hard summer has been my considerable wondering about what lies ahead for me, how many years to love on this world that i love so lavishly. it’s left me breathless, a true foggy night of the soul. and yet, as fall emerges, and the new year begins, so it’s time for me to turn (another command of the days of awe, teshuva, to turn in forgiveness, to repair what we’ve broken) to face the light of the days i won’t –– and can’t –– count.

it’s a soul-scouring exercise, one that was flung upon me the moment i heard “it’s cancer,” and i’ve taken it to heart. spent more hours than anyone knows contemplating how i will live what remains of my portion. if i emerge living more alive than ever before, if i emerge wildly embracing each and every dawn and the day that follows, if i love as i would be loved, if i take to heart every last prompt to be gentle, to be kind, to forgive as i would be forgiven, then my prayers this year, my Unetennah Tokef, will be answered.

this is a question to be answered in your own silence: how will you live the next holy days of your one blessed life?

the whole text, for anyone keen to read, broken into four thematic sections:

fear and trembling:

“Let us now relate the power of this day’s holiness, for it is mighty and frightening. On it Your Kingship will be exalted; Your throne will be firmed with kindness and You will sit upon it in truth. It is true that You alone are the One Who judges, proves, knows, and bears witness; Who writes and seals, Who counts and Who calculates. You will remember all that was forgotten. You will open the Book of Remembrances — it will read itself – and each person’s signature is there. And the great shofar will be sounded and a still, thin voice will be heard. Angels will be frenzied, a trembling and terror will seize them — and they will say, ‘Behold, it is the Day of Judgment, to muster the heavenly host for judgment!’ — for even they are not guiltless in Your eyes in judgment.”

God judges us:

“All mankind will pass before You like a flock of sheep. Like a shepherd pasturing his flock, making sheep pass under his staff, so shall You cause to pass, count, calculate, and consider the soul of all the living; and You shall apportion the destinies of all Your creatures and inscribe their verdict.

“On Rosh Hashanah will be inscribed and on Yom Kippur will be sealed – how many will pass from the earth and how many will be created; who will live and who will die; who will die after a long life and who before his time; who by water and who by fire, who by sword and who by beast, who by famine and who by thirst, who by upheaval and who by plague, who by strangling and who by stoning. Who will rest and who will wander, who will live in harmony and who will be harried, who will enjoy tranquility and who will suffer, who will be impoverished and who will be enriched, who will be degraded and who will be exalted. But Repentance, Prayer, and Charity mitigate the severity of the Decree.”

we are helpless:

“For Your Name signifies Your praise: hard to anger and easy to appease, for You do not wish the death of one deserving death, but that he repent from his way and live. Until the day of his death You await him; if he repents You will accept him immediately. It is true that You are their Creator and You know their inclination, for they are flesh and blood. A man’s origin is from dust and his destiny is back to dust, at risk of his life he earns his bread; he is likened to a broken shard, withering grass, a fading flower, a passing shade, a dissipating cloud, a blowing wind, flying dust, and a fleeting dream.”

God is enduring:

“But You are the King, the Living and Enduring God.

There is no set span to Your years and there is no end to the length of Your days. It is impossible to estimate the angelic chariots of Your glory and it is forbidden to pronounce Your Name. Your Name is worthy of You and You are worthy of Your Name, and You have included Your Name in our name.”

bless you all, profoundly.

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**i tried to post a video, a glorious recording of leonard cohen singing “why by fire?” but the video seemed to be getting in the way of publishing this post, so if you’d love a musical blessing, try googling “who by fire?” by leonard cohen. it’s worth a listen. xoxox

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September 8, 2023

in which we pause to remember one who would bristle at being called the patron saint of anything. . .

She stretches from Sharon Olds’ Stag’s Leap to Christine Valters Paintner’s Dreaming of Stones on my bookshelf. Sixteen volumes in all. And that’s just the poetry. Doesn’t count her essays, housed on a whole other shelf. I am talking, of course, of the poet I call my “patron saint of paying attention.” Mary Oliver.

You might also say she’s the poet master of astonishment. She breaks me out in goosebumps and wonder. Line after line after line.

Oh, I’ve heard her poetries dismissed for their “surface simplicity and populist reach.” But when it comes to stirring my soul, I’ve no need for the critics. I side with those who, as was written in her New York Times obituary, find that “her poems, which are built of unadorned language and accessible imagery, have a pedagogical, almost homiletic quality.”

I call them holy.

Give me a writer who can write of the “uncombed morning,” or confess that “sometimes I am that quiet person down on my knees.” Or cobble together words into a stanza that reads: “All things are inventions of holiness / Some more rascally than others.” Give me that writer and I’ll hitch my starship any last day.

These days, this long hard season, I seek saving grace wherever it falls. I find it in an evening’s sky punctuated by dragonflies drifting and darting in parabola. I find it in any sentence that ends “unlikely distant metastasis.” And I most certainly find it in the poet who reminds me: “So quickly, without a moment’s warning, does the miraculous swerve and point to us, demanding that we be its willing servant.”

Count me willing.

Emily D. taught me to look for and love the slant, the wisdom that slides in on a steep-edged, improbable angle. Mary O does that every time. I am reading of a bluefish being washed at the water’s edge, and suddenly I am remembering to be on the lookout. To find God, the Holy, in all of creation. Or, as Emerson put it: “To attend all the oratorios, the operas, in nature,” in life, in the day upon day.

Mary O is the one who puts her ink to the sacred as it spills across creation’s page. How else to describe the one who, when writing of a lone seal pup found on a desolate beach, muses: “. . . maybe / our breathing together was some kind of heavenly conversation / in God’s delicate and magnifying language, the one / we don’t dare speak out loud, / not yet.”

Pay attention to how she places that very last line. The barbed last hook. The one that sticks in your craw just a little bit longer. Whispers a gossamer faith. Mary O was a theologian of the barest brushstroke. You’d barely know you were shaken, but then you quake through to your deepest marrow.

Mary Oliver’s birthday is September 10. She would have been 88.

And here, in her poem “Messenger,” she describes her life’s work:

My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

—by Mary Oliver

Seeing Not Looking

Celtic scholar Esther de Waal considers Thomas Merton’s practice of contemplative photography:

Thomas Merton was of course a writer and a teacher, and a poet, but he was also a photographer, and it is from his photographs that we learn much about how he saw the world, and how he prayed—and the two are of course intimately connected…. He handled a camera as an artist would, and used it as an instrument of delight and perception. It was in the later 1950s that the journalist John Howard Griffin [1920–1980] visited Merton in his hermitage. He had his camera with him and … let [Merton] keep it on extended loan. At first when Merton sent him the negatives, John Howard Griffin was puzzled, for [Merton’s] view was so different from that of most people. Merton photographed whatever crossed his path—a battered fence, a rundown wooden shack, weeds growing between cracks, working gloves thrown down on a stool, a dead root, a broken stone wall. He approached each thing with attention, he never imposed, he allowed each thing to communicate itself to him in its own terms, and he gave it its own voice.

Later on when he was out in the woods with a young friend, Ron Seitz, both with their cameras, Merton reprimanded him severely for the speed with which he approached things. He told him to stop looking and to begin seeing:

Because looking means that you already have something in mind for your eye to find; you’ve set out in search of your desired object and have closed off everything else presenting itself along the way. But seeing is being open and receptive to what comes to the eye…. [1]

He used his camera primarily as a contemplative instrument. He captured the play of light and dark, the ambience, the inner life. But above all he struggled towards an expression of silence through the visual image, so that his photographs show us that ultimately his concern was to communicate the essence of silence.

it’s the month of Elul in the Jewish calendar, a month for accounting of the soul before the high holidays, Rosh Hashanah, the new year, and Yom Kippur, the day of atonement. i’ve been deep in soulful accounting, and bring along this prayer from the blessed Rabbi Nachman, who taught that life should be lived with joy. and centered in prayer.

A Prayer of Rabbi Nachman of Bratslav (1772-1810)

Grant me the ability to be alone;
may it be my custom to go outdoors each day
among the trees and grass – among all growing things
and there may I be alone, and enter into prayer,
to talk with the One to whom I belong.
May I express there everything in my heart,
and may all the foliage of the field –
all grasses, trees, and plants –
awake at my coming,
to send the powers of their life into the words of my prayer
so that my prayer and speech are made whole
through the life and spirit of all growing things,
which are made as one by their transcendent Source.
May I then pour out the words of my heart
before your Presence like water, O God,
and lift up my hands to You in worship,
on my behalf, and that of my children!

hummingbird photo (above) by shelia zimmerman, sister of my beloved late friend mary ellen sullivan, may her memory be a blessing, (and it is. every day.)

happy blessed sunday birthday to a personal patron saint of mine, mark burrows.

looks like i was in the mood for capitals this morning, maybe just to prove i know how to find the shift key. hope you don’t mind the tall letters every once in a while. i do understand how it makes a sentence filled with proper nouns a bit easier to read…..

let’s play a bit of book group: what are some of your favorite Mary O lines, or words, or phrases?

p.s.s. i almost forgot: i’m taking The Book of Nature on the road this weekend. sunday afternoon, in fact, when i’ll be at Winnetka’s Book Stall at 2 p.m. for a book talk canceled last spring and now back on the calendar. problem is my little voice has gone missing again, and my vocal cord injections are on the books for tuesday, so it’ll be a bit squawky but the show must go on. it’s also Printers Row LitFest this weekend, so lots of getting pulled in several directions. wherever you are, have a lovely blessed almost-autumn weekend.

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