mother and son | pull up a chair

February 20, 2007

paper trail

tucked in the spine of m.f.k. fisher i find scribblings for how to make brisket. bedded down in virginia woolf i find a love heart once ripped from a reporter’s note pad and wedged onto my windshield. the biography of dorothy day, for some reason, contains a motherlode: a check, uncashed, from long long ago; a construction paper anniversary card, now faded along the edge that peeked from the pages; the fresh-faced first-grade school picture of my firstborn; and jottings that tell the tale of a heartbreak borne long long ago.

apparently, i leave my life scattered in bits, buried in bindings, waiting to be exhumed at the flip of a page.

it is the paper trail of my heart. the dots unconnected. the ephemera of a life recorded in scribbles.

i never know what i’ll unearth, or when i’ll stumble upon, say, the train schedule that captured the breathtaking quote my little one spewed about his new jersey grandpa as we rumbled home in the amtrak sleeper in the fall of ’98.
or, sorry about this, the surgical photos documenting the removal of the womb that carried my children, two born, three heartbreakingly not.

each scribble is a passage, a dispatch, that matters. whatever it is that i jotted, it moved me deeply enough that i grabbed for a pen and put pulse to paper. whatever i’ve tucked in the folds of a book is something i can’t bear to lose. even when it hurts.

maybe it’s because i write for a living. but really, i think, i write to keep breathing. if i put it in ink, some brain cell tells me, i hold onto this moment, this thought, this jumble of words in ways that otherwise would not hold. life slips away, i have learned. what’s once in your fingers is gone.

so i scribble. i tuck. i leave paper crumbs. i save the story in snippets.

one christmas, long long ago, i wrote a letter to my whole family. one of my early opuses. poured out my heart. my father, an irishman who kept feelings furled, said only this: “you have a real sense of history.”

that was the last letter i wrote to my father; ended up being the letter they read at his funeral. my father, as always, was right (though i did not understand at the time): i do have an eye locked on history. i do watch it unfold. it’s almost as if one eye lives in the present, the other dwells in the future when what’s now will be the past.

were it not for the notes that i scribble, i would not however know this:

that on september 26, 1997, when my now big boy was just four, he said this: “mommy, i have to tell you a little lesson. when you get a little huffy, you need to calm down. that’s what daddy’s talking about when he says, ‘freddy, calm down.’ you could say sweetly, ‘willie, i’m feeling huffy. could you go out of the room for a little while?’ because when you’re huffy, i say, what the heck. why is mommy huffy? did i not clean my room or something? it makes me feel like i live in a house with no friends.”

or, how on october 4, 1999, an autumn when the first-grade playground for him was a very lonely place, he said: “my heart is open but no one wants to come in.”

or, how after saying prayers on the night of january 19, 2000, he looked up and said: “God must love it at night. i bet he waits all day for it to be night to hear beautiful music.”

i think, given the scribbles, given the puzzle they’ll all put together, i’ll never give up writing my story in torn bits of paper, tucked in the hushed resting places that wait on the shelves of my heart.

do you keep your story in scribbles? do you go digging for how to make chocolate fudge cake, only to find a phone number from long long ago? do the bits that you tuck in your books, or your pockets, leap out and replay some story long past?

7 Comments

February 16, 2007

measuring life in 8 millimeters

it seemed fitting, on the night, at the hour, that he had died, a whole 26 years ago now, to bring him back to the screen. to huddle my children, to wrap up under a blanket, to watch grandpa geno, a grandpa they never met in the flesh, a grandpa the little one says he remembers from heaven, to watch him come quite back to life. on a screen.

it was remembering for me, discovering for them, a life unspooling in frame-after-frame, a life confined to 8 too-narrow millimeters.

i hadn’t hauled out the home movies in such a very long time. they dwell in the dark under a cabinet under the not-so-big screen where eventually we watched him.

but something was roused, something stirred deep inside me. to not just remember the stories, but to watch them. to take in the gestures, the smile, the laugh. the way he threw back his head and woke the whole world—or my world, at least—when he laughed with the whole of his belly.

mind you, home movies at my house are old enough, date back to the day when there was no sound. only the clicking of film, the spin of the reels, as frame-after-frame rolled rapidly past the blinding white beam of the aqua-and-silver projector.

it was the first thing my little one noticed. where’s the sound? how come i can’t hear grandpa geno?

it’s the same question i ask, the question i ache for, when i watch him but can’t hear a word. can’t hear a sound of the voice i swore i would never forget. it’s a game i used to play, in the weeks and the months after he died. i’d try to imagine how he would sound if i picked up the phone and there was his voice, there was some audible bit to hold onto.

if smell never forgets, i think sound might be the first to go. i cannot, for the life of me, conjure the sound of my papa.

but i can see him. i can watch once again as he tickles me with my little stuffed dog. as he crawls on his hands and knees after me, all around the living room, a study in brown, the beiges and browns of the late 1950s. or at least that’s how it looked through the blur of the film now 50 years old.

as is always the case when i watch the home movies, i found myself studying each frame as if leaves in a teacup. searching for clues that made me, that scarred me. realizing this was the slate of my life when it was clean; the id untarnished, the script not yet scripted.

as the whole of my youth swept past, one reel at a time, i eyeballed the aunt, the first woman i knew to actually wear hotpants (and actually look, well, rather hot), now lost in an alzheimer’s fog, and the cousin i worshipped and now cannot reach, no thanks to a near-lethal cocktail of chemicals.

i saw how my papa, in frame after frame, was tucked in the corner, a book or a newspaper held up to his face. saw how he’d drop it, put down the paper, when someone, my mama perhaps, made mention that this was all being recorded for posterity (a word, by the way, that he tossed with abandon). posterity, i realized as my papa swept by, was now, was what we were watching, the title of this untitled film.

not all was so sweeping. sometimes what leapt from the screen was only a prop, not a player. but it echoed from deep in my life.

in a pan of one christmas morn, i spotted my papa’s plaid robe, the one thing that i took when he died. for a long time, on cold empty mornings, i’d slip my arms through the sleeves of that robe, and cinch it quite tight. then i’d sit and i’d rock as i wiped away tears for my papa.

i watched the whole narrative unfold, right up to the months before he died. i was hungry, have always been hungry, for a look at the last possible frame of his life as i knew him, i loved him. one last frame to hold onto. one frame to freeze. but, alas, that frame never came. no camera was rolling. posterity, lost.

it wasn’t long, i soon noticed, before i was the only one left in the dark, the only one watching the screen. it’s hard to hold interest in a life shot in silence, even when that life is a life that begat you.

but a night or two after i watched, as my little one spooned bedtime cheerios into his mouth, he looked right at me, out of the blue, in that way that 5-year-olds do, and mentioned that when he grew up he was going to get a tv and watch all the movies.

“i want to see the one where grandpa geno sneaks the peanut butter,” he said, of a story he’d heard told time and again, a story that’s nowhere on film. it was the tale of how, like a mouse, before bedtime, my papa would hollow the peanut butter jar, leaving the sides unscathed, no one suspecting. until my mother, poor thing, opened the jar one eventual morning, to make pb & j for her brood, a brood, she discovered, who would be left with just j for the bread she would smear for their lunch.

in my little one’s mind’s eye, it was all on the roll. every last bit of the life he’d not known. like magic, he figured, you put in the disc, and every story is there.

a whole life resurrected on film. oh, if only, i thought, as i sighed. if only we could curl up and watch any frame of a life that’s now only on film. and too many frames, they are missing.

how do you remember the ones you have loved, and now lost? how do you pass on their soul to the hearts of those who never knew them? the ones you love now, who were not in the past, the ones you ache for them to know?

17 Comments

February 9, 2007

moon walk

“hey mom, something’s wrong. the sky is green. no, it’s orange. i have a idea. the sun is probably getting ready to come up.”

this, at half past eight on a night when, as always, the orange glow from the city lights oozes across our evening sky, blurring the edges of day and night, urban and beyond.

and so we set out, me and the boy with the tethoscope. or so he called it. actually he had emerged from the basement with the purple plastic spy binoculars, the better to lead the way. so we trudged, he and i, through the great arctic alleys, past the abominable snow shoveler, down the ice floe of a sidewalk.

“be careful,” he warned, my 5-year-old admiral byrd. “there’s ice underneath the snow. hold my hand,” he insisted, the boy with one hand still on the binoculars, peering ahead into the molasses-thick murk of the night.

“mom, why are you walking so fast,” he asked when my toes got so cold i was scrunching them under, shuffling a little more swiftly than when we’d set out, me and my arctic explorer.

we looked up, the orange glow and the snow clouds stretching a sky screen far as we could see on all sides, blocking the moon, most of the stars. we managed to pick out the north star. groped through the heavens, intent on finding the february trifecta: saturn, the ringed one; venus, the evening star; and mars, the angry planet, i tried to explain.

“why is it mad,” he asked, and i didn’t have much of an answer. maybe because it can’t find the moon either. “mars has a mad face,” he told me, making one. “earth has a gloomy face,” he added. why, i wondered out loud. “because we’re using up all the energy. and the sun is getting too close to it, so the moon is trying to get close to the sun so we don’t all fall asleep and never wake up again.”

hmm. not bad for a sky novice.

we are beginners at this, me and the boy with the purple binoculars. i know a kindergarten where the children keep a chart of the moon. the moon journal, they call it. i swooned when i heard the idea. love the notion of a child connecting the dots up above, of a child figuring how to add and subtract with crescents and quarters of the man in the moon.

of a child learning to marvel.

of a child learning how little he is.

learning to read the heavens seems like a very smart thing for a boy who is struggling to learn u, v and j. those scribblings on paper, they don’t seem to stir his sweet little soul, not yet anyway. so maybe the sparkling on high is the way to go, to entice, to engage, to draw him into the learning.

with our fingertips frozen, the tethoscope threatening to stick to his nose, we bid good night to the sky, dashed back in the house.

thawing, i grabbed for the newspaper, spread out the page that might be one of the best in the bunch: the one with the maps, and the charts and the moon. the only place in the news that reliably reports on the heavens.

look here, i showed him. here’s today and here is the moon. and then i learned something. ohhh, i began, making my mouth like a moon. the moon doesn’t rise ‘til minutes to midnight, i found out, i informed. the news, not good news at all, landed with a thud for the boy who’d set out to lock his lens on the moon.

i promised, as i tucked him in bed, i’d get the moon just for him. and so, like a card-carrying lunatic, i crawled from my bed at 2:43, crept down the stairs, walked into the arctic cold night, me and my red-plaid pajammies. i aimed and i grabbed, i got the moon, all right. but what i got was all black and blur.

undaunted, moonstruck maybe, i went back just before dawn, when the blue of the heavens is first being stirred into the black of before. there was no missing this moon, hanging up there in the limbs of the linden. there is his moon. there is your moon, too. the one shining way up above. one half of the snow moon, on its way toward the worm moon of march.

next moon walk, i teach the moon boy how the moons got their names. i’m pretty sure he’ll howl at all that.

for a heavenly guide to learning the sky, check out http://skytonight.com/observing/ataglance

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January 31, 2007

reading by the light of the double dd

not a creature was stirring as i looked out the window into the night. not the ‘possum. not the waddling raccoon. not even an owl, the ol’ nightcaller himself.

it was so cold and so quiet last night, you could have heard a snowflake falling. only it was so cold they were up huddling in clouds.

the moon, just a sliver away from the full snow moon, draped its blue light on what in the day had been white. cast shadows, like night lace, all over the lawn.

i could have stood there for hours, locked in my moon meditation. but i thought i heard rustling from the room up above. so i took to the stairs in the dark, just past bedtime.

ah, yes. a creature was stirring, all right. a boy with a beam powered by double-d batteries. a boy in his bed, with a book on his lap, turning the pages with one hand, holding his moon with the other.

seems we were both locked in moonlight meditations. only his offered forth the story of a worm, a worm who keeps track of his days, of his doings.

seems the pages, the pictures, the underground dramas were too much for the boy with his head once kissed, left snug on the pillow.

he was reading by flashlight, a time-honored rite. only this boy’s no fool, he had backups stashed all around him. three tubes of turn-on light. just in case.

he was deep into the earthworm when i came upon him. he barely looked up, barely flinched. certainly didn’t try hiding the light.

i could not protest; in fact, i just melted. rather like a moonbeam on the frozen earth just out the window.

there is something about stumbling upon a child caught up in a moment of childhood, of wonder, of total absorption in a world that is defined, is outlined, only by him.

it’s like watching a child catch a snowflake on her tongue for the first time. or cupping his hands ‘round a firefly.

who teaches these time-honored tricks? is it somewhere deep in our wiring: stop, behold wonder. use your whole body to grasp it, to taste it, to touch it.

to drink it all in by the light of the moonbeam you hold in your hand.

my whisper today is that each one of us, with children or without, discover, re-discover, the magic of stumbling upon wonder and doing our darnedest to hold onto it, to catch it, to tuck it in a jar, to steal a few sacred moments, under the light of the snow moon, ascending, and carry it like a flashlight in our back pocket. where someone obviously had been carrying his.

you can always pull out a little wonder, cast its light on the dark of the world that surrounds you.

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January 25, 2007

after-school cookie therapy

the little one had his hand deep in the cookie bag when i walked in.

“hey sweetie,” i said, launching into the kitchen. “hold on. let me make something healthy.”

that’s when he started to cry. words followed tears. tears followed words. “but i had a hard day,” said the boy who is 5.

that’s when i kicked the after-school snack into super high gear. “oh, boy, let me make something special,” i said as i grabbed for the bag and the boy and a red splatterware plate. while i gathered my wares—orange, dried strawberries, banana, and, yes, even reclaimed bag of pepperidge farm brussels–i turned up my ears, cranked open my heart.

“tell me what happened,” i said, slicing orange into juicy-spoked wheels.

something about dominoes, it turned out, was the source of the tears. something about dominoes not being shared.
by now i was sprinkling dried strawberries like rain on orange puddles.

that’s when his big brother walked in. “you need a hug, little buddy? looks like you need a hug.”

as they squeezed, the big brother therapist added this: “the best way to fix a bad day, little bud, is to talk. talking fixes bad days.”

while they wrapped up the squeeze, slid onto chairs at the old kitchen table, i reached into cookie bag, pulled out buttery-crisps that the little one had already determined would sop up the hurt.

laid crisps on the plate, tucked in between orange wheels. making it pretty. some quirk in my brain thinking that pretty sops up hurt better. maybe because really it soars to a place beyond words, says someone cares, cares enough to make the plate pretty. and, sometimes, you’ll do anything—words, pretty, pepperidge farm–to sop up the hurt.

sopping up hurt.

some days that’s what after-school snack is all about. i am an ardent believer in after-school snack, depend heavily on its medicinal powers. i still remember, more clearly i think than any other food of my childhood day, the apples in wedges, the pretzels in twists and stirring the chocolatey powder into deep earthen ooze at the bottom of my green glass of milk. i don’t remember the talking. but i do remember the after-school rite.

and i distinctly remember a smart lawyerly friend, a mother of two in that smartland known around here as hyde park (home to the university of chicago and iq’s off the chart, for you who dwell outside the land of 606-something). i distinctly remember her telling me she worked part-time hours just so she could be there for after-school snack. mind you, this was one tough cookie making time for, well, milk and cookie.

some things stick with you forever. that one sticks with me.

all these years later it defines the minutes from 3:30 on, ’til the talking is done. no matter the stacks on my desk, no matter the deadline, i practically always lift my head long enough for snacks and the news of the school day.

little people have hearts, they have hurts, they have sorrows. some days they have triumphs. or just a good knock-knock that makes them laugh silly.

today it took oranges in wheels, sprinkled with strawberries. then the boy who loves cheerios thought a handful of o’s might make it more better. so we nibbled, we talked, we indeed made it all better. more better, even.

they pushed in their chairs, i rinsed off the plate. we are back to our days now. our tummies are filled, and so are our hearts.

you needn’t be a parent, nor have little birds still in your nest, to partake in the patching together of a broken heart at the end of a long day. this was our story, our story from yesterday. tell us your story of a heart being patched all together again….if you care to, of course. only if you care to…

9 Comments

January 16, 2007

little legs under the covers

some time in the thick of the darkness, those little legs climbed into our bed. he was sneezing, he told us, in his own bed. too much cat curled on his covers.

he was warm. he was soft. he was tender.

all night his sweet little self rolled up against me. we draped over each other, limb over limb, arm around middle.

it is like incubating all through the night. it is, i pray, seeping the best of us into each other.

my little boy, by day, can be, um, a bit of a handful. he’s the youngest by far of anyone around. so he makes up for it with whatever plot he can imagine. we want a dinner conversation. he takes to under the table. we say turn off the tv. he darts down to the basement where he thinks we’ve forgotten there’s yet another tiny screen lurking.

but, by night, the boy is a cuddler. the boy is soft. the boy is utterly tender.

he said something in his sleep last night. something about God. i haven’t a clue of the rest of the story. but i know for a moment he was talking to God.

as i lay there beside him, drinking in the tender side of the boy, of the night, i marveled at how it was that he knew that this particular night, more than many, i needed the gift of the boy with the legs under the covers.

there won’t be many more nights when our bed is his refuge. little legs get big, forget the way in the dark into the room with the extra-thick covers.

but for now, there’s a boy, there’s a bed, there’s a mother. and she is softer this morning for the long night with the soft roll beside her.

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