comforts of home | pull up a chair

November 14, 2025

the ol’ ticker still ticks. and then some.

a rare peek inside this ol’ house, where three of us nestled by the fire, catching a moment that no one saw coming…

because of the way my heart leapt midafternoon yesterday as i bumbled into the house, hands all muddy from tossing out the ferns that had frozen in the snow snap, i can claim with absolute certainty that i’m nowhere near dead yet.

what might i mean by such a rash—you might say “obvious”—pronouncement?

well, quite simply, my oft-tired ol’ ticker fired off a triple flip the likes of which simone biles would be proud soon as i glanced down at my phone, that indispensable appendage i always forget to keep indispensably by my side, and noticed a smattering of words that seemed to be spelling out something about “the trip to Chicago” followed by “keep the drive daylight” followed by “i will just hit the road,“ all walloped with “on the off chance that you guys aren’t busy tonight.”

and thus i discovered the manchild who’s been heavy on my heart all week, as i worried about the car that was stuck in the tow lot, and the miracle that he’d not been slammed into metal or glass when his car fishtailed on a slick, dark country road, i discovered there’d be three not two at our dinner table last night. and how perfect that i’d just made a triple-size batch of one of my autumnal mostly vegetable stews.

never mind that he’s 32, and a law professor these days. never mind that i’ve been at this mama gig for rather a while now (well, 32 years plus the duration of mammalian gestation), it’ll never get old. it’s pretty much an indelible truth that until my last breath on this planet the number one zone in my heart will forever be the can’t-get-enough-of-my-boys zone.

and so, in less time than it takes to spell indefatigably up to the task, i had fresh flannel sheets on the bed, a basket of farmer’s market apples on the bedside table along with a mason jar of my fresh-made granola, and if i’d had time to string up holiday lights in the room where he grew up, i’d have done that too. along with a chorus of night-crooning angels.

why the back-flipping joy?

well, living as i am in a personal epoch of carpe diem, in which nearly every dawn i flutter open my eyes and unfurl a big fat gratitude prayer for making it to the sheer marvel of watching sunlight stream in, while simultaneously existing in this moment in history when good news is as infrequent as a meadow of daisies in november, the sheer joy of surprise, especially in the category guess-who’s-coming-to-dinner, is of the highest order.

and sometimes it’s just plain rejuvenating to remember your heart still knows the steps to the happy dance, and can leap into it on a moment’s notice.

my zeal for making each moment count is not a dynamic that’s waning. it only gets more and more intense as the chapters of living press in from all sides.

i seem to have been catapulted full time into that real-life equivalent of frank lloyd wright’s architectural jujitsu compress-and-release, in which the master architect squeezed in the walls of an anteroom so that once you stepped into the chamber beyond you felt the whoosh of expansiveness as the walls and the ceiling let soar. so too with life and its tough spots. in time, they finally relent and release. and you breathe deeper than you remember breathing in days.

our lives are undulations of breath, on both a grand and an intimate scale. the pattern set soon as the umbilical cord is cut—the lungs, the diaphragm, the ribs rise and fall, empty and fill accordingly. and so it is with our lives on a larger scale, as life seems to toss us into the vise, only to at last let us out. let us breathe.

i am breathing today. i am breathing as my house fills with people i love to celebrate the birthday of a woman we love, the matriarch of us all. my mama, who’s shown us grace, resilience, and who these days unendingly charms. we’re not marking the date of her birth, she tells us, but we are marking our love. and we are doing it the best we know: we are gathering in joy, and in love, from corners hither and yon.

and in this old house, when the three of us sat down to stew, we got an extra dollop of breath out of the deal. it was—and is—delicious.

a bit of social action here at the chair, for anyone who might be so inclined. here in chicago, and even here in the leafy burbs we’ve been shattered by the roving bands of federal agents decked out in the camo gear, faces covered in masks, as they’ve rough-armed and thrown to the ground dozens and dozens and dozens of those whose skin might be brown. contrary to federal messaging, these are good folk earning meager livings the hard way: cutting grass, raking leaves, tending to kids in strollers or buggies, pounding shingles to roofs. and for the sin of trying to live unnoticed lives in a country meant to be safe harbor from thugs and militias, they’ve been plucked from the streets, or their cars, or their classrooms, and sent to a hellhole, leaving behind families to fend for themselves. a little band of us here where i live have armed ourselves with whistles and courage, to stand up to the thugs. and to help in any meager way we can. one among our little band offered this possibility to help stock the grocery shelves at a free market in chicago’s mostly hispanic little village neighborhood, where the fear is rampant and the streets have been swept of their usual buzz. it felt mighty good to send off a grocery cart of simple sustenance. and, indeed, i felt the breath fill my lungs.

here’s what my neighbor wrote….

For those that are looking for an option to offer concrete support to Little Village families impacted by ICE…one of my [neighbor’s] dearest friends (Keri Krupp) is a school social worker at Little Village’s Zapata Academy, which serves 500 kids from pre-k to 8th grade and is in need of support for their free “store” Mercado Zapatista. The Mercado is completely reliant on donations and has become a source of support for many of Zapata’s families — while typically focused on winter apparel and toiletries, it is now also distributing food to families that have been hit by both the loss of income due to ICE and the disruption to SNAP benefits. Her stories are heartbreaking. You can quickly donate through by selecting items from this Amazon wishlist or by sending an Amazon gift card to her work email (kbkrupp@cps.edu).

https://www.amazon.com/hz/wishlist/ls/291BEA7WRUHZ9?ref_=wl_share

At a time when it can be hard to know where to best focus donations, [my neighbor] can personally vouch for Keri’s commitment to the Little Village community and prudent stewardship of Mercado Zapatista, which she began in 2024. Any donations, big or small, will make an immediate difference to Little Village children and their families!

and thank you for considering.

bless you all. what filled your lungs this week?

10 Comments

June 14, 2024

settling in and summer serendipities

clippers, shovel, trowel. those are the implements of my tranquility. of returning to my roost and sinking in my roots.

i’m back from travels far and farther. old home seeps into all the crags and crevices. knows me as intimately as any living soul. the familiarity of this old house’s creaks and cracks, the way the one floorboard at the top of the stairs whines its arthritic whine (you too might whine if, for a good 85 years, you’d been underfoot to the clumsiness and weighty soles of so many), the way the light falls in at the same afternoon hour day after day and casts a halo on the old clock that never chimes the proper hour, it all is home to me. and it all comes rushing in, as if a tide pool filling once again, oozing into hollow parts now on their way toward sated.

i loved the adventure of my travels. loved being nursemaid to my boy. but coming home is, in deep down ways, where i belong. it’s in this old house that i finally found my peace. and, every time, it soothes me, quietly awaits me.

the garden, most of all, is living breathing companion. more than just a place to dig and poke, it almost speaks to me in whispers. delights me. returns the favour of my attention with its unfurled petals, its landing spot for bumblebee and butterfly and red-breasted robin. as one schooled in the storybook pages of tasha tudor, kate greenaway, and the norton anthology of children’s poetry, i honed early on my imagination’s muscles (thank you, mama). i spy a delphinium in bloom, a bloom as cobalt blue as neptune is thought to be, and i am certain an elfin soul will soon be stretching out a hammock from stem to stem down there where ladybugs and caterpillars roam. and so the garden to me is endless canvas of delight, whimsy, and unfolding tale, as if i’m something of the puppeteer to my plantings.

i relish sinking back into the rhythms of my chores: the way i stack the mugs, the wee bouquets i tuck around the house, the shopping list i know by heart.

all of it serves to cradle me. tells me i’m home where i belong.

the world and its adventures will be mine again, should i choose to wander. but for now, the summer––and the cicada––are upon us, and the tempo’s slowed, and my tank feels very much in need of filling.

i intend to surrender to summer, and let the whimsies steer me. i might not write each friday. i might write wednesdays instead. i might go a spell in silence. i might write in the middle of some night.

the point is, summer plays best in serendipitous tones. and i intend to listen. and to play along.

what will you do new this summer?

14 Comments

November 10, 2023

the roof and the trees under which i grew up

i’d told myself that ever since the night my papa died, when i walked in that dark house, his tennis sweater flung over the back of a kitchen chair, as if he’d breeze through any minute, the night when i sat in the den afraid and unwilling to take in a breath, for i didn’t want to let go of the last one i breathed when he was alive, i’d told myself that house was mostly hollow to me.

it’s held a chill for me ever since.

i didn’t think i’d much miss it.

but then i drove back the other day. drove back to walk through the rooms where no sound was stirring, not even the whir of the furnace. drove back to see rooms emptied, the rugs a radiograph in reverse where the geometries of now-taken-away furniture shone bright against decades-worn dim. where you could make out the plot where my mama’s four-poster bed had been, and the circular table beside it. where the den, too, was a checkerboard of absence, chairs and a couch lifted and moved.

this week my mama moved out of the house where she lived, the house she called home, for six whole decades. long long ago, when my papa got a job in chicago (an ad man in the age of the Mad Men), and they’d moved us again from a faraway city, she’d picked that house out of many along the north shore of lake michigan because it was the house with the oaks. more than a half dozen big old oaks. maybe a whole dozen once upon a time. my mama loves big trees and big skies. the house gave her both.

my mama moved into that house in 1963, with four of us under third grade; two, still tricycle-bound. one of us, the fifth among us, was born to that house. never knew another till the day he went off to college. we used to joke that he and my mama are the only northerners among us. all the rest were born south of the mason-dixon line. we all grew up, though, on brierhill road, a winding dead end of a street carved into the woods. a golf course just across the way made for sixty years of unobstructed sunsets for my mama, who kept watch dusk after dusk through the kitchen window. the creek and the crawdads, the green pond, and the logs in the woods made for my playthings, the topography of all my imaginings.

i made my way back there this week, after it was mostly emptied, when i knew i could be alone. i wanted to walk room to room to room, and up the stairs to my old bedroom at the top of the stairs. the room where you can still find my sixth-grade scribble on the wall in the closet’s back corner. the room where so many nights i looked up and out through the oaks into the stars and the moon, where i rocketed all of my prayers and my dreams.

as i drove there, to the house at the bend in the road, i thought of all that had happened there. how i got married there, under the trees, breezing through the garden gate flanked by all four brothers. how, ten years before that, we’d sat round the kitchen table the night after my papa died, and tried to make sense. i thought how that was the house from which i was taken to hospitals, especially the time at the end of high school, and how our family pediatrician (yes, he really truly was Dr. Kamin, the most beloved housecall-making pediatrician that ever there was) came in the middle of nights when i was burning with fever. i thought how i’d close the door to my room in those sodden sulky middle-school years when i was sure no one loved me, and how during high school i’d yank the telephone cord from the kitchen round into the dining room, as far as i could uncoil it, to steal a wee bit of sanctuary amid the roar of a family of seven.

and then i walked the rooms, poked into drawers, shooshed away cobwebs, and inhaled it all one last time. when i got to the oaks out back, looked into the grove where my little girl log cabin once had stood, when i counted the feeders that still swayed in the november breeze, i felt the tears begin to pool in my eyes.

maybe the old house wasn’t so hollow to me, after all. maybe the old house where we’d all grown up, the house that had so long harbored my mama, maybe it would be hard to leave behind, to say a proper goodbye––and thanks–– to.

my tears spilled one last time on that bumpy old earth under the oaks on brierhill road.

i stooped to pluck one last acorn, now tucked in my snow coat’s pocket, and then i climbed in my own red wagon, the one that has ferried my very own boys through their growing-up years, back and forth plenty of times to their grammy’s. and i drove ever-so-slowly away.

but not without whispering a very deep blessing for the house that held us all, and mostly my mama, for so very blessedly, blessedly long.

what do you miss most about the house where you grew up?

19 Comments

May 26, 2023

catching my breath . . .

catching my breath is something i do quite often these days. my breath runs away from me. or it gets lost deep down inside me, down where the sacs of my lungs are no longer, i sometimes imagine. and i steady myself in ways i like to think are inconspicuous: i lean against walls, i grab onto the arm of whomever i’m walking with. i plop swiftly onto the nearest flat plane. i lurch to a pause in the thick of a sentence, one that never would have stopped me before.

but the breath i’m catching this week is the breath that comes from deeper than lungs. it’s the breath of being home, of feeling swept into the holy embrace of the nooks and crannies you know by heart. the ones on which you’ve been keeping watch for whole long decades. the ones you sense keep watch on you.

especially the ones in the garden, the patch of earth you call your own. where every square inch is a story unfolding, a story that bedazzles me, that fills me with wonder, a story that feels like watching the impossible prove the possible: like how, after three years of being nothing but prickly canes and leaves, does the raspberry bush know to put forth teeny tiny clusters of what will be sunbursting shades of fat juicy berries? or how, out of the stark and bare ground, does the fern know to jut forth frill upon frill of feathery fronds, tight curled into commas that only slowly relent? and how, pray tell, does the red-breasted robin know right where in the grass to pluck out a worm? (here’s a hint: the robins can hear the slithering of the worm underground. how’s that for astonishing wonder?!?!)

because i’m sauntering at the slowest of paces these days, i find my long silent spells in the garden particularly punctuated by questions like these. and the answers that come, given their long-winded meanders and the places they take me along the circuitous way, give me plenty of time to consider how all of creation proclaims the one certain truth i need in these days: there is an animating force, beyond comprehension, and as it choreographs the turning of this holy earth and the unfolding of wonder, so too it keeps watch over me. which is just another way of saying the God who greens the world is the very God who, so too, keeps me so tenderly, tenderly close.

being home, being back in my garden, is the closest i know to curling into the palm of my God’s holy clutch.

we’re only home for the shortest of spells, which is why i’m so busily catching my breath here. last week we were away for a longer stretch of days––truth be told––than i’d felt ready to be, but it was the graduation of that boy i so love. and it was, uncannily, at the very same time, ultimate frisbee, the national championship. for three days in the sun, and the rain, perched on the sidelines, and under the power lines, in picturesque obetz, ohio. and in a few more days we are going away again: to the city of lights and baguettes and the eiffel tower. it’s a rare trip for the whole motley lot of us, and i can’t think of a quartet to which i’d rather belong. even if it means this ol’ homebody is going to have to uproot her slowpoke of a self once again.

a part of me aches to leave so soon. i am, after all, the queen of the homiest homebodies. but, as i work to absorb the wisdoms this hard chapter brings, i will trust my ferns to unfurl, and my not-yet berries to fatten. i will leave the robins and cardinals in charge. and i will inhale the city of lights, and a few baguettes besides.

i long to be home again. home for a long quiet summer. where my breath will be caught, and my lungs will be filled, and, holy God willing, i will be deeper than ever before.

a few treasures before i go….

And I am thinking: maybe just looking and listening
is the real work.
Maybe the world, without us,
is the real poem.
Mary Oliver (an excerpt from “The Book of Time”)

and this from my friends at SALT Project, who this week bring us denise levertov’s poem about caedmon, the earliest english-writing poet whose name we know, though only one of his compositions—translated as “caedmon’s hymn”—survives. caedmon was a seventh-century northumbrian cowherd, our SALT friends tell us, “who took care of the local monastery’s cattle, and who wasn’t much of a talker or a singer (cowherds would sometimes sing to pass the time, keep the cattle close, and keep predators away).” but “one night in the cowshed, the story goes, an angel inspired him to sing about creation—and he never looked back. convinced he was divinely called, the monastery took him in as a monk, and he wrote lyrics for songs on Genesis, Exodus, the New Testament, and more, always honoring God the Creator. so when it comes to the English language, the earliest poet we know of was a composer praising creation.”

in “caedmon,” levertov imagines that fateful night, to tell the story of an ordinary, humble person who’s given the courage to speak, create, and sing.

*one other note, from SALT: “a twist / of lit rush” refers to a rushlight, an old, inexpensive sort of candle (essentially a wick of rush drenched in fat).

Caedmon

All others talked as if
talk were a dance.
Clodhopper I, with clumsy feet
would break the gliding ring.
Early I learned to
hunch myself
close by the door:
then when the talk began
I’d wipe my
mouth and wend
unnoticed back to the barn
to be with the warm beasts,
dumb among body sounds
of the simple ones.
I’d see by a twist
of lit rush the motes
of gold moving
from shadow to shadow
slow in the wake
of deep untroubled sighs.
The cows
munched or stirred or were still. I
was at home and lonely,
both in good measure. Until
the sudden angel affrighted me — light effacing
my feeble beam,
a forest of torches, feathers of flame, sparks upflying:
but the cows as before
were calm, and nothing was burning,
nothing but I, as that hand of fire
touched my lips and scorched my tongue
and pulled my voice
into the ring of the dance.

+ Denise Levertov

how do you catch your breath?

a heavenly friend arrived at my door with a library of my books, in miniature.

p.s. i promise a few picture postcards from paris….

happy blessed day to my beloved jan, safe harbor for so many years. may this year bring you those things of which you dream….

14 Comments

October 1, 2021

the dangers of not letting go. and the dusty path toward redemption.

this is not a story about religion. though it’s a subject with zealots and slackers.

marie kondo, the porcelain doll of a declutterer, calls it sparking joy (and swears it can change your life). i call it getting covered with cobwebs. and eye-watering dust. and reminding myself of my proclivities for not letting go of the sentimental.

but i took a trip to new jersey, to a white-clapboard house that might have been built in the early 19th century, and might have been there (in one form or another) as early as 1789.

and everything changed.

inside that old house were dozens and dozens of orifices, each one packed to the brim. to open the door to the attic was to trigger a domestic avalanche, the sort you might find spelled out in the weekly gazette, where some poor soul was buried alive beneath decades-old shoeboxes, crumbly yellowed news magazines, and strings of christmasy lights that might never have burned.

when your job is to pack up the kitchen, to wrap not only the skinny-necked goblets, but to sift out toothpicks, circa 1960, and mismatched tupperware lids by the dozens, you swiftly absorb an abiding commandment: thou shalt not leave behind a house stuffed with stuff thou hast not had the courage or chutzpah to preemptively toss.

you get cured right quick of your stockpiling ways.

marie kondo, whose best-selling tidying book i once was assigned to survey, makes the closet-clearing task sound downright zen-like, as if standing before overstuffed shelves, blithely sorting and chucking and plucking for joy — would that be placing the object in the palm of one’s hand, awaiting the wee bit of voltage that’s the signal for “keep me”? — is the next best thing to a trip to the spa. (no wonder i tossed aside that pretty little spark of a joy-jolting book, the book that sparked little but befuddlement back in my stuff-keeping days.)

the truth is, i found packing up the kitchen of someone i love a hauntingly heart-tugging endeavor. i unearthed the red apple-shaped placemats she must have delighted in setting on her breakfast table, or when a struggling student she lovingly tutored came for after-school cookies and milk. i pulled from a drawer the crystal-handled cake cutter that might have sliced into chocolatey layers on countless occasions, and i heard once again the peals of laughter that echoed through the house’s post-colonial walls. i discovered my mother-in-law’s absolute obsession for all things valentine’s day; heart-shaped candy dishes, red paper doilies, and 101 variations on heart-speckled pink paper napkins.

it’s as if a life is being unspooled wordlessly, a silent reel of thing upon thing. each one with a story you can only imagine, each one a frame still palpably pulsing, but only just barely. and you feel the slipping away all over again.

i kept picturing my mother-in-law peeking over my shoulder, wincing each time i tossed a tchotchke into a trash bag or pitched some trifle to the give-away pile. i felt guilty. i felt tender of heart. i wiped away dozens of tears. (and i kept those few things that belong in the family treasure heap: a dough cutter (highly likely unused), a trio of age-worn red plates (the ones i ate off dozens of times), the red-plaid apron i long ago sewed for her birthday, and now frayed at the ties.)

but then, stripped of my long-held tossing hesitancies, emboldened to not bequeath such a task to my own two boys, i came home and applied my newfound thick-as-reptilian toughness to the orifices i call my own. all week i’ve been standing akimbo in closets and tucked-away corners, dispatching and discarding with gusto. whole bags have been filled as i’ve scoffed at the millions of times i’ve stashed some odd something away, long deluding myself that some day i might find reason to put into action whatever was the odd esoterica. i now know that someday never comes.

and my new best allies are the fine fellows at goodwill industries, who handily roll out the big blue bins every time they see my red wagon pulling into the lot.

it’s hard work for the heart. and i don’t mean the muscle that’s doing the pumping. i mean the ineffable filaments of said organ that cling too mightily to the objects of everyday living. the invisible cords that — in some of us anyway — tug too hard in the attachment department.

to excavate the closets and cupboards of a life long lived is to sweep across the narrative told in dusty old things. in the story told from the long life i hope is mine, i want the people i leave behind to lift up each object and know it sparked me pure joy.

but more than that, far more than that, in the now, i want my life to not be buried under the crumpled weight of stuff that niggles at me, taunts, “why on earth are you holding onto me?” why not let go, and be freed from the crushingness of closets that threaten to topple, drawers stashed with missing and misplaced parts, and the generalized sense that i live in a house that might split at the seams?

i want only the things that conjure a someone or sometime or someplace i loved. i want to live lean and clean and not take up more than my share of the room. i want a house without the ghosts of fibber mcgee. i want a lightness of being.

mostly, i guess, i want to pare it all back to the essence, the true essence of joy — unencumbered.

turns out, marie kondo was right after all.

how do you rate in the declutter department? are you a stasher or trasher? if you told your life story in objects, what might be the most treasured pages?

18 Comments

June 4, 2021

where summer begins

it’s inevitable. ever since we ripped out the rug that wanted to be a putting green, tore down the faux attic, and hauled in the wicker chairs someone abandoned in the alley, the room where summer begins, middles, and ends is here where the concrete floor is cracked, the wicker threatens to unravel, and the old paneled-door-cum-dining-table wobbles. and makes a balancing act of every breakfast, lunch, or dinner plate.

apparently, i like things off-kilter, a bit rough around the edges. at least when it comes to my definition of summer, where the living is unstructured, unbound, and on its own sweet time.

we’re back home from faraway land, hipsterville USA where the summer is launched with the naked midnight bike ride, held under the full moon of may — and every month, and every season thereafter. we don’t launch the summer thusly here; far as we get is kicking off our shoes, but it’s official summer nonetheless here in WickerLand, where we don’t wait for the solstice to get things underway.

we call this “the summer house,” and only because that’s what the long-ago realtor called it, and we’re not ones to shake things up. of late, i’m trying to take to calling it the summer porch, because that’s a wee bit less confusing. but, either way, what it is is a screened room attached to the garage, and surrounded by my storybook garden. it’s storybook because i imagine it to be a whole lot prettier than it really is, but what’s the point of imagination if you can’t put it to good use and your own personal advantage every once in a while. i’ve got vines climbing up both corners and a white pine that’s trying to reach the sky. birdhouses dangle and perch from just about every angle. and a brick path meanders from the back door to here. and meandering is everything, don’t you think?

it’s more or less an inside-out bird cage, only i’m the one inside the screened-in cage and the birds flit wildly on the outside, not minding me at all. they flit and flirt, squawk and warble and feed each other worms right before my eyes.

ever since we unfolded ourselves from all the hours on the airplane and in the speeding taxi cab the other evening, i’ve been sinking deep into the velvet folds of summer here in the corner of the world i call home. there’s something about this summer — the ease of it, the at-last of it — that feels hard-won and worthy of the wait.

it promises to be summer unedited. the college kid has a job hauling sail boats at the beach, which by any measure is quintessential summer. the resident architecture critic is gearing up for his first triathlon, and i am up to my elbows in the verb that for me is synonymous with summer: garden, as in “to garden.” really, that means i am yanking weeds from their misplaced scatterings, but regardless of the specifics, it has me out with spade and rake and once again employing imagination. and occasional consternations: while we were away some furry someone feasted on every luscious leaf of my fledgling black raspberry, but my faith-testing with its fellow blackberry paid off and what for weeks was nothing but a bare-naked stick in the ground is now sprouting its own itty-bitty leaves.

once again, my farm — aka raised bed of herbs, tomatoes, cukes, and now two berry bushes in waiting — is where the summer gospels are likeliest to be preached. lessons in resilience, in patience. in careful and doting attentions. all enfold all the holy wisdoms i might need to carry me through june, july, and august.

it promises to be a redolent summer. a summer unlike any we have known in our sweet lifetimes. it’s one for relishing all the simple joys, the ones we refrained from all last year: picnics with friends. shared potato salad even. easy comings and goings. dashing to the store for one more pint of raspberries, and a sack of peaches too.

summer without a mask (only around the duly vaccinated, that is). summer slow and easy. summer with a pinch of relish.

it all seems sweeter now. sweeter than i ever remember.

sweet as the slump soon dripping down my chin.

speaking of slump, here’s the recipe: (with thanks to marsha of low country carolina for reminding me how delicious it is…..) (i think i leave this recipe here every summer; oh, well!)

Blueberry Slump

(As instructed by a friend bumped into by the berry bins; though long forgotten just whom that was, the recipe charms on, vivid as ever…)

Yield: 1 slump

2 pints blueberries dumped in a soufflé dish (fear not, that’s as close as we come to any sort of highfalutin’ cuisine Française around here….)

Splash with 2 to 3 Tbsps. fresh lemon juice

Cinnamon, a dash

In another bowl, mix:

1 cup flour

1 cup sugar

1 stick butter, cut into pea-sized bits

{Baker’s Note: Add a shake of cinnamon, and make it vanilla sugar, if you’re so inspired…(I usually am. All you need do to make your sugar redolent of vanilla bean is to tuck one bean into your sugar canister and forget about it. Whenever you scoop, you’ll be dizzied by high-grade vanilla notes.)}

* Spoon, dump, pour flour-sugar-butter mix atop the berries.

* Bake at 350-degrees Fahrenheit, half an hour.

(Oh, goodness, it bubbles up, the deepest berry midnight blue. Looks like you took a week to think it through and execute. Ha! Summer in a soufflé dish. Sans soufflé….)

* Serve with vanilla ice cream. But of course….

Tiptoe out to where you can watch the stars, I was tempted to add. But then I quickly realized you might choose to gobble this up for breakfast, lunch or a late summer afternoon’s delight. In which case a dappled patch of shade will do….*

*from the pages of good ol’ Slowing Time…

where do you begin summer?

and speaking of summer, two very very very beloved friends of the chair are back-to-back birthdaying in the days ahead: sweet amy of illinois (the very description long ago that introduced me to her), who dwells along the banks of the mighty mississippi, and nan of my heart….happy blessed days to the pair of you. xoxox

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November 15, 2019

eddies of joy

for months and months, and especially as august drew near, and september tumbled upon us, as this old house turned quiet and oftentimes hollow, it was a question i fielded over and over and over again: what will you do now that you’re an empty nester? or, the variation: how will you handle this empty nest?

one friend came to the door with a jumbo-sized carton of kleenex. it was an apt gesture.

the truth about our lives is that, more often than not, it’s a current that’s rushing and there’s little, quite frankly, we can do to alter its course, to slow it or stop it from running down rapids, to re-route the channel it’s gnawed through the earth.

but the thing about rivers is this, a thing that i learned long long ago in the woods where i played on the banks of a creek, tracing the course of the flow with a long pointed stick, or by tossing a log or a leaf or a twig and watching it go, making the invisible visible: sometimes rivers — or even a rain-swollen creek — run fast, and run wild; sometimes, the river runs lazy, its waters scuttled off to the side, caught in a pile of leaves, or tangle of sticks, idling or whirling in some extra-deep groove spooned from the oozy bottom.

in river talk, that’s an eddy.

ed·dy /ˈedē/ noun: a circular movement of water, counter to a main current, causing a small whirlpool.

in life talk, it’s the wholly unexpected moment that seems to come out of the blue, the ones we hadn’t seen coming. in this particular case, at this turn in the bend of my particular river, it’s a dollop of joy. the sudden awareness that, without a whole heckuva lot of planning nor thinking too hard, you find yourself idling in a nook or a cranny you’d not wholly imagined, in a newfound pool of something that soothes you.

turns out that in these vast stretches of days where it’s mostly just dinner for two, where my most frequent companion for hours on end is unbroken silence, the dinner party is my newfound eddy of joy. aside from the fact that our overdue list is long enough to leave me penniless if life was charging fines, i’ve unwittingly found myself delighting in the joy of dinner table equations: mixing and matching various combinations of conversationalists — the deep and quiet listeners, the ones who say not a lot but whose words when they do choose to speak are the ones that rumble for days in your head, the laugh-out-loud storytellers, the ones who lean in and soak up each word, the ones who always know something you’ve never heard of.

i consider the ones to seat around the table, and then i consider just what to concoct for a multi-course feast intent on striking a particular note: autumnal warmth. winter cozy. and i never stop at the food. that’s just a part of the stage set. to me, all of it matters: the crackling logs in the fireplace, the fireworks-worthy explosion of blooms soon as you walk in the door. the candles flickering on the table, yes, but all along the window sills, too. what i’m after is a whole-body immersion, a wrap-it-around-your-shoulders sense that you’re in a house that wholly and emphatically welcomes you. we want you here. we want to hear what stirs you and strikes you. we want you lavished in welcome.

the dinner party — unlike my other most favorite gathering, just the two of us, leaning in over hot mugs of tea, pouring our hearts out — is all about the alchemy of a particular cast of characters. it’s less certain than the tete-a-tete. there’s a sense of adventure, of risk, of putting yourself more on the line (especially if you’re the one practicing prestidigitation at the stove).

and, as i am wiping dry the very last glass or the fork at the wee end of the night, when i awake the very next morning to the afterglow of a leftover-stocked fridge and the lingering echoes of laughter, i am reminded that sometimes the river of life — even when you’ve been nervously cowering on the side of the bank — will carry you into nooks and eddies you’ve been seeking forever and ever.

so here’s a recipe that practically made me jig with joy. a friend who’s a vegetarian was coming for dinner, and this one tickled my fancy. it’s a variation of nigella lawson’s roast stuffed pumpkin. whether you make it for one or two or eight, it’ll carry you to an eddy of joy. that’s a promise.

roasted stuffed pumpkin, ala nigella + me

INGREDIENTS

1 6 1/2- to 7-pound sugar pumpkin, or other pumpkin suitable for eating
1 tablespoon vegetable oil
1 onion, finely chopped
3 cloves garlic, 2 minced, 1 halved
1/2 cup dried cranberries
1/2 cup toasted walnuts
1 teaspoon thyme
1 teaspoon dried oregano
1 teaspoon cumin
¼ teaspoon
10 mushrooms, chopped
1 large handful spinach leaves
2 cups basmati rice
4 cups vegetable stock
Salt

PREPARATION

Heat oven to 400 degrees. Fill a kettle with water, and bring to a boil. About an inch below the top of the pumpkin’s ”shoulders,” about where it would be cut to carve a jack-o’-lantern, slice a lid from top of pumpkin, and set it aside. Remove seeds and fibrous flesh from inside.
In a large saucepan over medium-low heat, toast the walnuts for a minute or two, moving constantly. Remove from heat, and set aside.
Using the same saucepan, heat the oil, and sauté the onion until it is softened. Add 2 minced garlic cloves, and sauté for 30 seconds. Then add mushrooms, and cook for one minute. Stir in the cranberries, and spices. Add the rice, and stir until it is glossy. Pour in stock, and bring to a boil. Cover, and reduce heat as low as possible. Cook for 15 minutes. Meanwhile rub the inside of pumpkin with cut garlic clove, and rub with some salt to taste.
When rice has cooked for 15 minutes, it will be damp and not very fluffy. Adjust seasoning to taste, and spoon into pumpkin cavity. Press lid firmly on top. It may sit above stuffing a bit like a jaunty cork. Wrap bottom two to three inches of pumpkin in a double layer of foil to protect it from contact with water during baking. Place in a roasting pan, and add about 1 inch of boiling water to pan.
Bake the pumpkin until it is tender when pierced with a knife, about 1 1/2 hours. (If there is resistance when pumpkin is pierced, allow more baking time.) To serve, remove pumpkin from pan, and allow it to rest for about 10 minutes. Discard foil, and place pumpkin on a serving platter. Slice into segments like a cake. Place a wedge of pumpkin on each serving plate, and mound with rice stuffing.

what are your eddies of joy? what are the ones you never saw coming?

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October 25, 2019

this old house is so much more…

not long after nine the other morning, an army of painters pulled to the curb and launched what appeared a military-level operation on this old house. ladders upon ladders were hauled from the lid of a van, drop cloths were draped over bush, tree and stoop. brushes were slid from plastic wrapping, buckets of paint shimmied up ropes, dangled from hooks that swayed in the breeze. in all, 15 painters had at it, each with his eye on the darkening skies, the skies that threaten a freeze by daybreak tomorrow.

it’s been 15 years — at least — since this old house was slathered in beechwood semi-transparent stain all across its shingles, its windows and mullions traced in white white, its doors in van deusen blue. that was back in the long-ago days, back before high school and colleges and law school, back before a broken neck and assorted orthopedic adventures, back in the days when a fat cat prowled the so-called acreage. back when we were deep in the grain of making this old house our own.

this old house has harbored much in our short slice of its 78 years. it’s become the place we come home to, the place we miss when we’re away. a few weeks ago, when the tree cracked in half in the dark of the night, both boys — faraway now — wrote home with alarm. they begged for pictures, needed to see for themselves; hauled out the exclamation marks on their keypads. even from a distance — long distance — they did not cozy to the notion that their old house and the tree that harbors it had suffered a blow.

home is like that. home roots us. home is our ballast in the storms — and, oh, there will be storms. we come to consider home — the old house with its particular creaks and moans and recalcitrant sashes — something of a character in the life of our family. its floorplan is the one we trace in our imagination, the narrative throughline of all of our stories. we picture it, no matter how far we roam. sometimes we physically ache to run our palms down its bannister, to click open the door that insists on a shove. sometimes, when we’ve been away a long while, we begin to feel its pull, its true magnetic pull, soon as we come through the underpass, take a left at the smoke house, retrace the leafy lanes, see the place standing, just as we’d left it. sometimes, we can’t get the key in the lock to turn quite fast enough. sometimes we don’t fully breathe till we’re standing there in the old front hall, and we inhale the smell of home again.

there’s a book on one of my shelves titled, a home for the soul: a guide for dwelling with spirit and imagination, by anthony lawlor, who happens to be an architect and author of the acclaimed the temple in the house. in the opening pages of home for the soul, lawlor writes:

from the moment we are born, we seem compelled to travel homeward. in places and people, we seek that elusive feeling of being welcomed. home is the goal of the epic journeys of the human spirit. jesus returns to his heavenly father. moses leads his people to their homeland. buddha reaches the immovable spot of enlightenment beneath the bo tree.

i like it even more when lawlor turns to a lakota medicine man named Lame Deer who writes of the sacredness right under our noses, a sacredness woven into the everyday fibers of home, yet a sacredness we sometimes forget to see.

writes lame deer:

what do you see here, my friend? just an ordinary old cooking pot, black with soot and full of dents. it is standing on the fire on top of that old wood stove, and the water bubbles and moves the lid as the white steam rises to the ceiling. it doesn’t seem to have a message, that old pot, and i guess you don’t give it a thought. [but] i think about ordinary, common things like this pot. the bubbling water comes from the rain cloud. it represents the sky. the fire comes from the sun, which warms us all. the steam is living breath. it was water; now it goes up to the sky, becomes a cloud again. we sioux spend a lot of time thinking about everyday things, which in our mind are mixed up with the spiritual. we see in the world around us many symbols that teach us the meaning of life. we try to understand them not with the head but with the heart, and we need no more than a hint to give us the meaning.

the painters are gone now. they’ve folded up their drop cloths and hauled them and the ladders away. our old house this morning is redolent of eau de semi-transparent stain. when i wandered out to gather up the newspaper at the curb, i turned to ogle the beechwood shingles and the van deusen blue door in the first light of the day. i’m certain this old house is standing just a little bit snappier today. it’ll be good for at least another chapter, this one that now echoes too often and too loudly with the sound of not quite full.

where do you find the sacred pulse point in the place you call home?

the painters tied up the bushes so they could paint my window to the world

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July 6, 2018

coming home.

coming home kitchen

i slipped back in as if gliding my arms through the sleeves of the oldest soft-knit sweater from the back of my closet. the sort of sweater you reach for when it’s the end of the day, and you want the goosebumps to go away, but even more you want woolen threads that breathe against your skin, woolen threads that whisper to your soul, “here we are, home.”

that’s pretty much how it felt to unlock the door after a few days away, to plop the duffel in the front hall, to wander about in that way that one does, to check for what’s happened while you’ve been gone. i saw right away that chipmunks must have upturned a brick or two at the steps that lead down to the garden. and the old house all but hollered to please open the windows, to let the hot dry air back out where it belonged.

wasn’t long till i found the note left on the kitchen counter, the note written by a dear, dear friend — the one who’d stayed at our house while we were away, since she needed a place to sleep and we had one. she wrote:

“in this house, one is always aware of time. the ticks and tocks, the chimes of multiple clocks evoke shared joys, episodes of comfort and sorrow, presences long gone but still close to our hearts. the rhythms of those machines wake me in the mornings, lull me to sleep…and call me to return.”

it’s a fine thing to hear your house through the ears of a friend, a soulful friend, a friend who has always put words to page with more grace than nearly anyone i know. my blessed friend’s words only amplified what i already know. what i know every single hour of every single day i live here.

coming home — even when there’s not a note to remind you — sharpens your ears, and all of your senses. wakes you up once again to this place you’ve spent your life making — making home.

home, for those of us lucky enough to have one, is that place that over time has come to hold the living breathing narrative of perhaps your most essential essence, those threads in your life you hold to be sacred.

my old house is one layered with story upon story. each old clock tells a story. the sounds that ooze in through the windows — the fact that i almost always leave a window open at least a crack — the birdsong, the breeze rustling the leaves, the faraway train whistle, the dog down the block. those are the sounds of home to me. i know its gurgles and burps so intimately that if one is off-kilter i know it’s time to call the plumber or the fellow who stokes the furnace. i am the guardian of my old house, and my old house returns the favor: my old house guards my heart and my soul.

and so coming home to it was coming home to a friend i’d left behind. we’d gone off to see the boy we brought first into the world. we’d packed a two-week visit into four short days — whirled our way through the hottest days DC has seen in a mighty long time (and lived to tell the tale, though for a while there we were gasping for air and long, tall quenchable waters). i’d be lying if i didn’t admit to wiping away a tear (or more) when we said goodbye to the sweet sweet legal-scholar-in-the-making, the one who was working so hard he couldn’t even take in the fourth of july fireworks. and while i wouldn’t trade a single one of those days away for anything, the sweet joy of finding myself back in this place where i most belong made the absence more than worth it.

i’ve come to know my particular custom for coming home: right away i dump the laundry down the chute, i gallop off to the grocery store, tear through the stacks of mostly-junk mail. i’m a madwoman restoring order. and then the puttering comes: i pour drinks down the gullets of my garden. i reach for the clippers and snip here, there, and yon. i stuff the old pitchers again, and tuck a fresh batch of cookies under the shiny glass dome that sits atop the pedestal (my nod to the ’50s diner).

i always take time to listen. to breathe in the ticks and the tocks and the chimes and the rhythms. to be quelled and lulled by all of the quirks of this place i so know by heart.

by the time i plop my creaky bones atop that old familiar mattress, perk my ears to the night sounds seeping in through the screens, whisper my litany of thank-you prayers, i am thoroughly deeply home. and more than grateful to call this old friend by that most blessed of names — home.

thank you, sweet home.

what’s the thing you relish most when you come home? and, just because i’m curious, do you have a quirky way of reacquainting yourself with the place once back from where you’ve roamed?

here’s a little extra morsel, a link to a story about retro and vintage cookbooks i wrote for the chicago tribune. it ran on the fourth of july, a day not too fit for browsing through the news pages. it’s a story whose reporting made me swoon — for the fine cast of characters from the literary kitchen, tamar adler, graham kerr (the famed “galloping gourmet”) and a very fine baker with a yen for updating retro pies, cakes and confections.

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December 29, 2017

hibernation station

book corner

reporting from my arctic cocoon, where the mercury hovers at a brisk -3, which the weatherfolk tell me feels something akin to -19, which explains why nary a bird is in sight and the bumps on my flesh are reaching architectural proportion…

if you propped up a camera at my house and did something of a time study, clicking the bulb every five seconds, it might appear that i’ve not moved in five days. the hide of the couch has given way to the rounds of my bum, the blanket lurches off to the side on those rare few occasions when i rise — for a drink or a nibble or a night’s sleep in full recumbent position — awaiting my certain return, where it folds itself just so round my knees and all of those knobby parts that protrude from the human equation. i am the very definition of “to cocoon,” or better yet, “to slither into dormant state where the turning of a page is perhaps the most taxing of movements.”

and so it goes in a week when you’ve intentionally left the calendar unmarked — not a doctor’s appointment or deadline in sight. all you’ve to do is hunker down with the ones you so love, the ones whose appearance by your side becomes rarer and rarer as the years and the miles pull you to faraway points on the map.

just yesterday there was an actual moment — an hour or more — when four of us were all nestled in the very same room, all under blankets of our own choosing, and all turned pages (or, truth be told, clicked through screens), while the logs in the fire crackled and hissed and occasionally whistled. it was — we were — the very picture of post-pioneer home entertainment.

i’ve been hunkering down with three glorious friends — john mcphee, john o’donohue, and my newest friend, robin wall kimmerer, a plant scientist, potawatomi, and poet who is taking my breath away by the paragraph, with her brilliant collection of essays, braiding sweetgrass, a book that’s been lined up in the queue between bookends that sits atop my desk, but only just now shoved its way to the front of the line and into my lap. i take turns with the three of them, as if in deep conversation with friends across the kitchen table. i read mcphee, draft no. 4, a collection of essays on the craft of writing that reads something like a masterclass, for whole chapters at a time; it’s that good that a whole hour can sweep by and i’ve not moved saved for the scritches and scratches and exuberant stars i’ve penned in the margins.

it’s the rarest of times, the depth of the pause that comes in this bend in the year, the days wedged between christmas and new year’s. and, by golly, the weather outside is playing right along. i trudge outside only to dump seeds for my hungry feathered friends, the ones i worry about, especially when there’s barely a flutter of wing and i imagine them barricaded and seed-less in the places they hide to keep out of the cold.

it’s a rare refueling respite. a time to curl away from all that pulls at us, all the other times of the year. it’s what makes these days holy to me. unfettered, unbroken. a time to breathe in the same air as the ones you so love. a time to lay a soft palm on the arm or the shoulder of the one who turns pages beside you. a time for whispers and glances, and heart-melting meeting of eyes.

it’ll be over today, when the tv roars to a tiger-ish roar, and the football teams clang helmets, and the boys i love — along with a few of their friends — haul in spicy hot food and decibels to match.

perhaps i’ll begin to turn my thoughts toward the cusp of the new year coming, the one about to be birthed, the one i will once again fill with hope and dreams and prayer. i will pray for peace, and for gentle ways to rinse the land. i will remember those who’ve stitched this past year with kindness, defiant kindness, a kindness that refused to submit to the ways of the loudest and most churlish among us. i will count my blessings, one after another, one sweet soul after another. for it is in the sweet souls who surround me that i find those rare shimmering lights, the ones that keep me from slithering into the muck. i’ve needed those lights more than ever in this past soul-tattering year. needed reason to rise above the least common denominator, needed scant outlines of hope that the darkness would pass, the dawn might certainly come.

oh, coming year, come on us gently, come on us with occasional radiant light….

i pray you’ve found quiet or noise in the proportion that best suits you. and i pray for all of us that the year and the days ahead are gentle to the heart and the soul, and that one or two of our dreams come tumbling true.

for what do you pray in the year just up around the bend?

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Category: comforts of home