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Category: blessings

all these years later

forty-four cakes. three-thousand-two-hundred-seventy-eight candles. that’s how many cakes and candles we’ve missed since my papa died in the winter of 1981. i counted it up because today would have been his 96th birthday. he didn’t make it past 52. 

all these years later the second of august is still a day i remember.

i remember the sunny sunday mornings when honeydew melon and handmade cards were strewn at his place at the dining room table, birthday brunch a step-up from the requisite eggs, bacon, and toast after ten-o’clock mass. i remember, in the preambles to birthday dinner, the glistening of his pewter mug, summer’s sultry humidity meeting the cold of his ice cubes and tonic and gin. the quarter of lime floating canoe-like near the rim. eight-minute burgers on the grill, corn on the cob littering all of our chins. 

i remember his laugh. 

much, though, fades.

i can’t remember the sound of his voice. or the way he called me barbie. i remember a few lines, but not the ones my brothers often remember. i remember the time he told me he’d prayed and prayed and could not understand why he was driving me to the hospital. i remember the time, driving home from my college graduation, when he told me he’d felt his mother right beside him when they called out the names of those who, like him long before, were graduating with highest latin honors, and he watched me rise from my seat in the crowded arena. 

i remember how one late summer’s afternoon he called me from the office and asked me to meet him for burgers on the outdoor cafe of a place called jerome’s in lincoln park, a place he deemed “kicky.” my papa liked things that were “kicky” or “cool.” my papa, born of a locomotive engineer and a country school teacher in little bitty paris, kentucky, never shed the marvel of being a big-city ad man in the heady era of Mad Men and martini lunches and sixty-second commercials whose jingles and cutlines stoked the soundtrack of america’s bell-bottomed woodstock-and-watergate age. my papa liked to travel the globe. to give speeches in sydney and meetings in munich. he liked his corporate apartment in mid-town manhattan. he loved new york city. a place he never wanted to move us; he’d moved his moptop crew too many times, he and my mama agreed. one more uprooting might do us in. so he more or less made a weekly commute to the big juicy apple.

and home base for all those years was the two-story colonial with all the big trees at the bend in the dead-end lane. he brought the “neat, keen, cool, fab, it’s a blast” to our dutch backdoor, and on in to the big oval table where, at 6:30 sharp each night of the week except for on sunday when we pushed it to 5:30, we sat down for dinner, all seven of us. if there was something new out there in the world, my papa wanted us to know. didn’t matter if it was a word or a box soon to be labeled “hamburger helper.” he was our conduit, our passport, to all that was grander and jazzier than our sleepy little burg one in from the lake. 

those are the things, all these decades later, i still remember––like yesterday. i remember, too, the year after he died when i thought i might never stop crying. how there were nights when i wailed a wild-animal sort of a wail, and bit into my pillow to muffle the sound. i never thought i would know joy again. 

i never thought the ache would stop aching.

but here we are: two kids, a long marriage, and a whole career later. my papa had no idea i––a nurse when he died––would take his and my shared love of words and make a life of it. but the first day i sat down in the chicago tribune newsroom and they told me i needed a password, i knew just what i’d type each time i needed to rev up my desktop computer: my papa’s initials and mine; he was a part of every start to every story. and i never dropped his last name, cuz i wanted my papa to stay in the news. and in print. day after day. byline by byline. 

here’s where i fell short: no matter how many stories i’ve told my boys and the man i love the most, i have not come close to bringing my papa to life. and, believe me, i’ve tried. no story, no matter how animated, no matter the gleam in my eye, can ever, ever come close. the man was a human high-wattage bulb. he was known for his wit. but i remember the tenderest parts. i’ve tried to bring all of it forth over the years. 

but all these years later, it fades. and the truth is, my papa fades too. there’s too much i cannot remember. 

grief and time make for an odd, sometimes cruel calculus. yes, the aching abates most of the time. though the piercing can come and come strong. in a grocery aisle. when a certain song comes on. when you’re trying to tell––or to catch every word of––a particular story. (writing these words here this morning, the tears have come too. if i’ve wallowed in moments, in memories, here, it’s only to make it all last. to live in those moments again.) 

as much as the gasping for air is no longer a part of the grief, so too the frames of a life reel on, and the erasing begins. after so, so many years, you sometimes forget the one who’s no longer there. not always, and not in those crucible moments, when time itself feels condensed and magnified all at once. i too have felt my papa beside me when my firstborn walked a graduation stage; when my firstborn became a professor of law (a profession my papa once yearned for). i’ve watched how tender my so-called “little one” is, especially to my papa’s widow (“grammy” to both of my boys), and i know my papa would melt. but, truth is, ordinary time mostly hurls by, and i don’t remember. and then i might catch myself with a twinge. or i might not catch myself at all. there’s an anesthesia in grief that i never saw coming. maybe it saves us. maybe it’s cruel.

maybe that’s why there are birthdays, even when the someone is gone. especially when someone is gone. they become remembering days. they are days without cakes and no candles. but, in the silent chambers of the heart and the mind and the soul where time knows no rules, those someones return. 

my papa rumbles in me this morning. in the only way i know how, i just brought him back. and i didn’t need to close my eyes, or make a wish, or blow out candles to make it happen.

he’s here. right beside me. in each of these stories. i know it.

happy birthday, dear papa. i love you forever.

at our house, we have an august birthday parade, a 2-4-6-8 of celebrations. so most blessed of birthdays i wish for my brother david (4), my blair(6), my teddy(8). i love you each and all to the moon and mars and beyond.…

tell a story of any someone you miss. any story. any someone. we’ll make this a party.

my papa and me

summer is for cooking. no, really.

when the day presents itself as sooty afghan, gray and soft and without shadow. when the air is cool, so cool that cranking the oven is not an act of self-destruction. when the bins at farmers’ market are nearly tumbling to the parking lot below, so weighted by their zaftig field-plucked wares. well, on summer days like that the itch to cook begins.

and so it was the other morning i woke up with eggplant visions. eggplant layered lushly with cheesy-herby oozy pillows in between. all bathed in marinara. baked. dubbed summer’s abbondonza eggplant lasagna.

i promised easy reading here in summer time. and thus, below, i keep my promise, with nothing more strenuous to read than a grocery list of things to gather, and step-by-step notes so you can play along.

abbondonza eggplant lasagna, with more than a few idiosyncratic twists

(as always, i read a few recipes, extract a few cues and follow my whims from there. this began from something that zipped by me on instagram, and led me to a website called mediterranean something or other, and wound up so delicious i gobbled two oozy squares the size of my dinner plate. my annotations below in italics, which is basically me talking back to the recipe. . .)

Ingredients

2 to 3 eggplants (about 1 ½ pounds), sliced lengthwise into ½-inch thick slices (about 10 to 12 slices)
1 zucchini, sliced into coins (or honestly any shape you choose)
1 pint cherry tomatoes
Extra virgin olive oil
Kosher salt
1 large egg
1 15-oz tub part-skim ricotta cheese
1 ½ cup part-skim mozzarella cheese, divided
½ cup grated Parmesan cheese, divided
3 garlic cloves minced (i squeezed mine through garlic press)
1 teaspoon dried oregano
10 oz frozen spinach, thawed and fully dried (wring out all the water)
1 cup packed chopped fresh parsley
½ cup packed chopped fresh basil, ⅔ ounce
Black pepper to your liking
2 generous cups marinara sauce of choice (i used trader giotto’s organic tomato basil marinara)

Instructions

  • Season the eggplant slices on both sides with kosher salt and set aside for 20 to 30 minutes (if you don’t have the time, this step can be optional). i skipped this part, because i didn’t have time and because i recently read that these days eggplant has been cured of its bitterness.
  • Meanwhile, preheat the oven to 400 degrees F and position a rack in the middle.
  • Wipe the eggplant slices very well with a paper towel (you want to dry it well and remove any excess salt), then arrange on parchment-lined baking sheet (or two if needed). Brush both sides of the eggplant with extra virgin olive oil. Roast in the heated oven until the eggplant softens and becomes pliable (about 15 to 20 minutes or so on the first side, at least another 10 minutes for the B side, which might be because i have a cranky old oven). to this step i added sliced zucchini, and a tub of cherry tomatoes, similarly brushed with oil, and roasted on their own sheet pan.
  • While the eggplant, zucchini, and tomatoes are roasting, prepare the ricotta filling. In a mixing bowl, beat the egg. Add the ricotta, 1 cup mozzarella, ¼ Parmesan, garlic, oregano, spinach and chopped herbs. Add a small pinch of kosher salt and black pepper to your liking. Mix well to combine. i wandered out to my so-called farm (a raised bed alongside the back alley) and snipped a cup’s worth of basil and another of flat-leaf parsley; the freshness filled the air surrounding my cutting board.
  • Remove the eggplant, zucchini, and cherry tomatoes from the oven. Lower the heat to 375 degrees F.
  • Prepare a 9 x 13-inch baking dish. Pour a bit of the pasta sauce (i used 1 cup of trader joe’s marinara) and spread it out into one layer. Lay a few eggplant slices (anywhere from 4 to 6 and it’s fine if they overlap a bit). Next, add half the zucchini slices and half the roasted cherry tomatoes. Spread 1/2 of the ricotta filling, then spread a thin layer of the sauce. Repeat the process in the same pattern. Spread the final layer of sauce and follow with the remaining ½ cup mozzarella cheese and ¼ cup of Parmesan.
  • Cover the dish tightly with foil. Bake in the heated oven for 15 to 20 minutes, then carefully uncover and return to the oven. Bake for another 10 to 20 minutes or until the cheese has melted and the edges of the lasagna turn a nice golden brown.
  • Let the lasagna rest for 10 minutes before cutting and serving.
  • Slice and savor. And then daydream about it till you get around to making it again.

not all who wander to the chair believe in the stove as kitchen essential, and thus for those good souls and anyone else who never minds a blessing, here’s a treasure sent to me weeks back by dear beloved chair friend nan. it’s a blessing from kate bowler, who is herself something of a wonder. a four-times NYT best-selling author, a professor of american religious history at duke divinity school, the scholar who wrote the book on the prosperity gospel, a wife and mother and 35-year-old when she was diagnosed with stage IV colon cancer, deemed incurable, and now (nine years later) is cancer-free, she’s taken as her mission “giving you permission to be human.” fully human: warts, dents, soft spots, wonders, glories, whole truths and nothing but the truths.

i’ve been in a room where kate was speaking and she is hilarious. and self-deprecating. and doesn’t present herself as the eighth wonder of the world (which isn’t always the case at writing festivals that showcase those who’ve gained fame by building sentences that grow into paragraphs that fly off the shelves and rack up fine profits). so, with no further ado, and deep thanks to our beloved nan, here is a blessing from kate that, to my mind, gets to the heart of so much that matters:

the blessing above is from kate’s book of blessings, co-written with the lovely jessica richie, and titled “The Lives We Actually Have: 100 Blessings for Imperfect Days.”

may all of us work to be the ones who notice the light in their eyes, or when that light dims, and to always not be afraid of scooting up close, close as need be, to their suffering.

and that’s the news from the summer kitchen this week. xox

where did you find blessing this week, at the cookstove or otherwise?

the loads beyond measure

sometimes a batch of words comes tumbling into our world, fluttering onto the path we cross as if the petals from an apple blossom whose bloom has expired. the words come unannounced, and lay there waiting for us to notice. once we read them we can’t think of anything else. all day long, all our thoughts come round to them again and again. 

so it was when a friend whose grief is without measure sent along these words the other morning:

I have been telling myself that I don’t know how to do this, that nothing has prepared me.

i’ve been thinking long and hard about those loads we’re tasked to carry. how every one of us, at some time or another, is bound to have one. a load so beyond measure, a load we never saw coming, it simply stumbles us, knocks us flat and gasping. and in the depth of our hollows — if we’re telling truth — we mouth those very words: “i don’t know how to do this. . . . nothing has prepared me.”

all we see is steep climbing ahead. a load we don’t know how to hold. and all we’ve got to bear it are our stubby shuffling feet, and a ribcage that holds the parts of us that breathe and pump the oxygen. our shoulders and our spine we fear will crumple under the weight of it. 

and then there’s the beehive of a brain, where all the wiring and the worrying, where all the remembering and the grieving and the what-iffing and the if-onlying whirs in and out at every turn in every hour of the day. 

the poet and collagist jan richardson put it like this in her “blessing for the dailiness of grief”:

It will take your breath away,
how the grieving waits for you
in the most ordinary moments.

It will wake
with your waking.

It will
sit itself down
with you at the table,
inhabiting the precise shape
of the emptiness
across from you.

It will walk down the street
with you
in the form of
no hand reaching out
to take yours. . . .

but here, maybe, is what we need to remember, to bear the load we’re sure will finally be the one we cannot budge or bear: our whole life long, we’ve been preparing. every hurt and insult hurled our way. the time in third grade when we cried because the kid one desk over made fun of our clunky shoes. but, next morning, we tied their laces into bows and we walked back in the classroom, and sat there all day long, learning how it is to become more than the stubby shoes that were not penny loafers. the time in high school, when someone in the hall pointed at us and said our face looked like someone smashed us flat against a wall. and it stung for weeks after, every time we stood before a mirror and turned this way and that to measure just how flat our irish face really was. 

and then the big ones come: the time the doctor walked up to the knot of us coagulated in the hospital corridor, and simply said, “i’m sorry.” and we were left without air in our lungs, and with the sudden senseless knowing that the brightest light in our existence had just gone dark. forever.

or the night the clots kept coming. and at last the tiny, tiny arms and legs, the intricately blessed face i’ll never forget, as the baby i thought i was having was cupped in the palms of my bloody hands, the miscarriage that hurt the most. 

the litany is plenty long. and we sometimes never notice just how much each ache is strengthening the fibers of the muscle group without a name, the one that holds us up — yes, wobbling at first; yes, stained with umpteen tears; yes, with sleepless sleepless night — but the one that, in the end, does not fail us. 

we are stronger than we know. and, all along, we’ve been piling on the sinew, deepening the courage, deep breathing the determination, to look that unbearable load square in the eyes, to say, “climb on. i’ll carry you.”

just watch. 

and then, at last, there comes this (jan richardson again, this time “blessing of breathing”):

That the first breath
will come without fear.


That the second breath
will come without pain.

The third breath:
that it will come without despair.

until at last . . .

When the tenth breath comes,
may it be for us
to breathe together,
and the next,
and the next,

until our breathing
is as one,
until our breathing
is no more.

my dear and blessed friend, and all who bear loads they deem unbearable, you do know how to do this. deep in your marrow, you know. your whole life long you’ve been growing strong and stronger. you’ve got this, and you’ve got this. and if and when you stumble, we are here with our simple grace and our love that will not falter. 

where did you find the strength you did not know was yours?

PS (note the all caps!): it’s the birthday sunday of one of the wise women of the chair, our very own lamcal, and i can’t gather up enough love in my bouquet to sufficiently surround her. she is beyond measure! happy blessed day, beautiful one. xoxox and happy mothering day who all who love in that way that knows no end….

sunshine girl

i tend toward the grays. and i don’t mean the pewter locks atop my head. i refer here to my meteorological preferences.

i’m of celtic persuasion, which means a pigeon-colored sky, preferably with mists rolling in, a landscape without shadow, for clouds are in the way, that’s the sort of day that wraps me like an afghan dropped from heaven’s hutch, makes me feel cozied by the hearth, deeply much at home. 

give me a gray day and i all but purr. 

this week, though, has been anomaly. the sunbeams of this latest swatch of springtime have been pouring in full proof, and voluptuously so. sunbeams so pure, so concentrated, i’ve bridled the urge to stick out my tongue and lick them––as if a gelato on a cone. or gulp, as if a nectar in the most delicate cut-glass flute that ever was.

it wasn’t lost on me how novel it was for me to be fixated––and bedazzled––by the motes of sunlight shafting in. it shook me from some rafters i’d not even realized had boxed me in. i was paying attention to my paying attention. an attunement to the nth power. and the simple substance that transfixed me was but one of that elemental trilogy: sunlight, water, air. 

to live in a state of fine-grained attentiveness is the instructive of every sage or prophet who’s walked this sunlit earth. for us to notice celestial shifts, as winter turns to spring, as the great star is jimmied higher into sky, must be God’s rapturous delight.

and i must have been more sun-starved than i realized after a long and washed-out winter, for i couldn’t keep myself inside the house this whole week long. i was all but stripping bare my crepe-papery arms and legs, so my famished flesh could guzzle sun. and, every chance i got (and even those i didn’t have), i found myself down on my knees, at the garden’s edge, wherever tender growing things gave me excuse to coax and coddle and slapdash in the dirt. 

from nearly sun-up to sundown, i was out and about, clocking miles on my soles, slip-sliding along a river trail, dodging red-winged blackbirds who tried to perforate my noggin. and, when my legs and knees were tuckered out, i sat splotched in sprees of golden light as i perched, robin-like, atop a rock or stoop, keeping watch on flutterings in trees. 

i’m not typically a sunshine girl. despite a nomenclature suggesting otherwise.

my papa and me (aka his “sunshine girl”)

long long ago, there was a fine irishman––my witty papa––who pinned a moniker on me back in the days when i’d take him by the hand and maybe reach just beyond his knees. he called me his sunshine girl, his one and only, and it’s a name that makes my knees go limp even to this day. 

i’ve not heard his voice in 43 years, but i can see the glint in his eyes, the way the pilot light burned bright and brighter, as he warmed up to pronounce the words, deeming me his sunlit girl. 

i rather fail my reputation.

in the long years of his absence, i’ve grown more inclined to sunshine’s shadowless counterpart, the days some define as “the color of bad weather.” i protest, tend to be of a mind with leo da vinci, the polymath and painter, who insisted “a gray day provides the best light.”

though not this golden-glowing week. and not without exception.  

like the poets emily D and annie dillard, i like my light in slants, or as dillard put it once: “i’m a collector” of such angled penetrations. the oblique is how i see things best.

most days, pure drenched feels too exposed. the white light of summer’s height makes me wither. 

springtime, though, is tender season. and the sunlight comes in slant, in perfect concentration. and every once in a rare while, in days as delicious as the sun-drenched string that was this week, i’ll gulp my yearly dose of solar plenty. and i’ll gulp it without pause. 


speaking of sunshine and the irish, here’s a line that made me laugh aloud this week:

“the sad truth is that, like fish, the looks of the irish are not improved by sunshine . . .”

—Niall Williams, This is Happiness, page 193


and as is my wont, i’ll bring mary oliver into the conversation, as she came to mind more than once when i was down on my garden knees this week: in “the summer’s day,” she writes:

“I don’t know exactly what a prayer is. /  I do know how to pay attention, how to fall down / into the grass, how to kneel down in the grass, / how to be idle and blessed.”

and, lastly, i zoomed into a poetry conversation with the poet (and yale institute of sacred music professor) christian wiman the other day, and he was asked to read a poem that shocks right through him, and here’s the one he read: 

Prayer
by Carol Ann Duffy

Some days, although we cannot pray, a prayer
utters itself. So, a woman will lift
her head from the sieve of her hands and stare
at the minims sung by a tree, a sudden gift.

Some nights, although we are faithless, the truth
enters our hearts, that small familiar pain;
then a man will stand stock-still, hearing his youth
in the distant Latin chanting of a train.

Pray for us now. Grade 1 piano scales
console the lodger looking out across
a Midlands town. Then dusk, and someone calls
a child's name as though they named their loss.

Darkness outside. Inside, the radio's prayer —
Rockall. Malin. Dogger. Finisterre.

(the four names in the last line are towns called out on BBC radio’s nightly “shipping forecast” for the various seas around the british isles, waters divided into 31 sea areas, including rockall, malin, dogger, and finisterre. the broadcast litanies, especially the late-at-night ones, are for many britons––including carol ann duffy––a familiar touchstone: the announcer’s voice reciting the sea areas all around the islands, one by one, forecasting the weather. and, higher up, minims are the half-notes in a page of musical notation)

of all the meteorological options, which one most floats your boat? and how and why?

amid the dizzyings of springtime…

i imagine it’s been well-established that i am of the homebody persuasion. the sort of girl who thrums inside the cozy confines of space and time i know by heart. to plop behind the wheel and point myself in a direction i’ve not been is, well, to stretch me. to accelerate the tempo of my little heart, to bring on the rumblies in my tummy. and so it was as i set out for The Driftless (a topography that deserves every drop of its capital consonants) a week ago today.

for starters, i got lost. yes, yes, after dutifully trying to follow my index-card directions through country roads and farmer fields, i decided maybe it was safer to let the little voice tell me where to go rather than glancing down and trying to find the numbers i had scribbled. well, news flash: there are TWO mineral points in ol’ wisconsin, and the one i was steered toward was the one in otherwise unmarked farrow field. that little voice announced, “you’ve arrived. your destination is on the right,” whilst i looked up and saw literally nothing but an undulating plot of shaved-off stalks. hmm. this must not be, i intuitively surmised.

i was miles from nowhere, and 67 miles from where i needed to be. where the world’s loveliest host had a turkey meatloaf in the oven, and asparagus steaming in a skillet. ah, but in due time, rollercoastering along country roads, past baby calves (yes, i know it’s redundant, but i like to say it that way) all gathered under little calf-ling igloos, which must be the latest in dairy husbandry for each baby calf had its own domed shelter, and a place to escape the drifting snows, past rock formations that felt prehistoric or laid there by ancient peoples, through towns that time forgot and that i prayed still stuck to old ways, and not the toxic juice that’s infected so very much of old america, i pulled in the gravel lane that was my destination.

and, from the first footfall inside the charming farmhouse, i was home. daffodils and aldo leopold awaited on the bedside table, and the bed itself was a cloud of comforters. each morning that sunrise above greeted me from the kitchen windows. and each morning, it took my breath away, and filled me with holy airs.

the folks i met were as fine and fluent in the poetries of earth as any souls i’ve met along my way. i met a farmer who plows his field with draft horses, and writes letters back and forth with wendell berry (be still my heart!). and another farmer who used to cook at chez panisse. (yes, that chez panisse, the one in berkeley CA, where alice waters revolutionized the kitchen.) i scrubbed pots and pans beside a woman whose heart must pump in gold. and i heard tales of keeping watch on eagles’ nests.

and then, come sunday morning, after hiking through the woods, and talking books in a charming indie book store (where croissants were rising in the ovens behind me), i took to the pulpit in a little country church to deliver what you might call the sermon, but which the priest referred to as a “reflection” since i’ve not passed the sermon-licensing exams. and as i wove threads from the doubting thomas gospel and the book of nature’s sometimes tangible God, i looked out on a congregation of fine souls who were listening in a way i’ve never known: heads cocked, a posture of deep attentiveness, eyes on the pulpit, you could hear a pin drop in that blessed church. and i saw how good souls are hungry for a word of wisdom with their sunday-morning coffee. if this is church, and i do believe it is, may we become a people who know to carve out time to put down phones, dial down the pings, and find our way to wherever it is the holy wisdoms come.

not an hour later, the whole adventure in soul-stretching reached its crescendo when every last soul at the basement coffee hour stood and raised an arm toward me, or laid a hand on my shoulders, and at the behest of the priest, father christian was his name, blessed me with a prayer that had me all but gulping back a walloping sob. when i felt the tiny hand of father christian’s little boy, a kid with special needs, squeezing my left arm, i really truly nearly lost it, as they say. instead, i held his hand and together we squeezed and prayed all the way to the last amen.

and then i motored home, not quite the way i got there. and forever deepened and shifted by the glorious goodness of my new friends who dwell in the driftless.


i came home, of course, to sunlight-blocking moon, and a garden erupting in springtime’s accelerandos. and i spent a good bit of week deep-breathing all of that, and getting mighty muddy too. but i also came home to friends who are grieving inconceivable losses. and when i found this prayer-poem from jan richardson, i knew i needed to pass it along. so, here, too, for all of you is a poem to keep for when grief comes to you or someone you love, or even someone you might not know too well at all. jan is a poet, artist, ordained minister in the united methodist church. i was introduced to her years ago now, by my very own night chaplain (slj to all of you, a regular visitor here at the chair). and as jan’s life was torn open by the sudden death of her husband, she has only deepened. and her work all the more mesmerizing. this is from not long after the death of her husband, when she was coming up on her first valentine’s day without him. her words are among the truest i’ve ever read. she is pure blessing.

Image: Valentine © Jan Richardson

Blessing for the Brokenhearted

There is no remedy for love but to love more.
—Henry David Thoreau

Let us agree
for now
that we will not say
the breaking
makes us stronger
or that it is better
to have this pain
than to have done
without this love.

Let us promise
we will not
tell ourselves
time will heal
the wound,
when every day
our waking
opens it anew.

Perhaps for now
it can be enough
to simply marvel
at the mystery
of how a heart
so broken
can go on beating,
as if it were made
for precisely this—

as if it knows
the only cure for love
is more of it,

as if it sees
the heart’s sole remedy
for breaking
is to love still,

as if it trusts
that its own
persistent pulse
is the rhythm
of a blessing
we cannot
begin to fathom
but will save us
nonetheless.

—Jan Richardson

This blessing appears in Jan’s book, The Cure for Sorrow.

gremlins seem to be lurking here this morning, so let us see if we can fling this to the cyberwires that carry this from my kitchen table to yours. question for the day, besides “will this work?” is where did you find holiness this week? 

and here is a special wink and nod for the great good souls i didn’t get to mention above: the glass sculptor who sailed the world before planting herself on high street, in downtown mineral point. the ones who’d taught for years and years in alaska before sinking deep roots in driftless loam. the bibliophile who opened an indie bookstore, and thought to attach a cooking school besides. and most of all to jane, my storytelling hostess whose graces left me nothing short of gobsmacked.

time travel

the other morning, when the clouds were especially bumpy, i boarded a plane, paid no mind to the bumps, and flew 612 miles to turn back the clock to “before time,” and seize a few of the most important days of my life. 

what might those days be, you wonder? those days are nothing so fancy as plain old ordinary quotidian days side-by-side with a law professor who happens to be my firstborn. and whose life all those hundreds of miles away from where i usually lay my head on my pillow feels too far for a mama trying to seize every blessing from every old day. 

i count myself among the blessed, having birthed a human who happens to be one of my favorite of the whole species. he is 30 and i am double that-plus. and all these decades in, i still purr like a happy cat when he and i are curled like bookends on either side of the same couch. or side-by-side in the front seat of a car, him at the wheel, motoring hither and yon as together we trace some curiosity. or attend to a plain old errand. 

a year ago at exactly this time i was here slicing open boxes, stacking sheets on shelves, and filling a fridge, moving him in at the start of his professorial life. it was just weeks before i had surgery, and before i had any idea what the surgeon would tell me as i lay there coming out of an ethereal fog. in fact, it was during my week here in DC that i tried to casually mention that i was going to be having a little surgery. and so, this week in time and place holds some sort of magical power for me: it allows me to suspend time, to return to “before,” and to savor the simple insatiable union of mother and manchild. 

only, truth is, there’s a twist this time round. and that twist takes it up a notch. or many a notch. 

i know now, in a way i didn’t know then, how very precious even one day is. and how, if you told me i had only a certain number of days, and then asked me how i would want to seize the most of those days, i would tell you the one thing i wanted most emphatically was to be as close as i could be to the people whose lives have left the deepest mark on me. 

this year, i know a bit more about the arithmetic of life. and how, no matter how many days there are, there are a precious few categories for which there are never enough. and how, simply hearing the sounds––even the humdrum ones, maybe especially so––of someone you love shaking off the bedsheets in the other room, awaking to another day, watching that someone in real time, in the flesh, go about the unspoken routines that make for a day––grabbing the keys from the bowl, looping back for one last chug of coffee, turning down a particular street to get to work, all those incidentals that make a life a life––those are the things i want to take in in real time. to press them to my knowing. to be entwined with.

and so, as the calendar rolls back to that seminal season when everything changed, i wanted to slip in between time and enter a netherworld in which i could plant one foot in “before time,” when i wasn’t someone who’d been told she had cancer, and “after time,” another name for now, when i do know that the blessing of cancer, or any leaden-weighted diagnosis, is that nothing means more than time. unfettered, ordinary, spectacular, magnificent hour-upon-hour doing the things that make a life a life. 

because these are the hours i will never ever regret or forget. and i don’t ever want to wish i’d made more time for time. 


while i marinate in the hours and days before me, before i board the homebound plane, here are a few things worth pondering. all of which make for this most beautiful mosaic we call our sweet fine lives. . .

this sweet gem is an excerpt from the very lovely susan cain’s Bittersweet

Franz Kafka was one of the great European novelists of the twentieth century. But there’s another story, this one written not by Kafka but about him, by the Spanish writer Jordi Sierra i Fabra. This story is based on the memoirs of a woman named Dora Diamant, who lived with Kafka in Berlin, just before his death.

In this story, Kafka takes a walk in the park, where he meets a tearful little girl who just lost her favorite doll. He tries and fails to help find the doll, then tells the girl that the doll must have taken a trip, and he, a doll postman, would send word from her. The next day, he brings the girl a letter, which he’d composed the night before. Don’t be sad, says the doll in the letter. “I have gone on a trip to see the world. I will write you of my adventures.” After that, Kafka gives the girl many such letters. The doll is going to school, meeting exciting new people. Her new life prevents her from returning, but she loves the girl, and always will.

At their final meeting, Kafka gives the girl a doll, with an attached letter. He knows that this doll looks different from the lost one, so the letter says: “My travels have changed me.”

The girl cherishes the gift for the rest of her life. And many decades later, she finds another letter stuffed into an overlooked cranny in the substitute doll. This one says: “Everything that you love, you will eventually lose. But in the end, love will return in a different form.”


and, lastly, this: wisdom from The Dhammapada, a collection of sayings of the Buddha in verse form and one of the most widely read and best known Buddhist scriptures.

With gentleness overcome anger – with generosity overcome meanness – with truth overcome deceit – Beware of the anger of the mind – master your thoughts – Let them serve truth – the wise have mastered body, word and mind – the wise harm no one. 

The Dhammapada*

“the wise harm no one…” let us be wise, be gentle, be generous.


and speaking of generosity one of our beloved beloved chairs who lives not far from where i sit typing here in DC motored over yesterday to spend a good chunk of the day traipsing through a franciscan monastery that took our breath away (and not only because of the paths up and down hills) and who delivered this glorious berry-filled galette to me and my sweet professor, whom she knew when he was a mere wee lad of kindergarten age…generosity abounds at the chair, and i love you all for it.

pjt’s very magnificent very-berry galette

and how might you choose to seize a day, any old day, in the magnificent story of your sweet and blessed life?

the roots are stirring. . .

sometimes, especially when staring into a tableau best described as blkkh, a monochrome of melted soot + oozy mud, we little people need reminding that there is stirring afoot. underground, that is. deep in this holy earth, particles expand. and multiply. and do those “rooty” things. they set down shoots. reach into the hollows to construct the nutrient highways that, come spring, will rise in daffodil and snowdrop. will punctuate the earthscape in royal-purple crocus and knock-your-socks off cobalt blue.

since ancient times, spurred by the collected wisdoms of those who’ve found themselves at this point in the revolution of the year, at the very midpoint between winter’s darkest longest night — the solstice — and springtime’s resuscitating equinox, the moment when the shadow and the sunlight fall in equal measure, this moment has been marked in ways that promised hope. ancient peoples, too, must have known the dregs of winter trodding on too long, or at least the ancients of the north.

those ancient peoples dubbed this a cross-quarter day, the precise mid-score between the changing of the seasons. and those ancient peoples, ones whose livings came not from sitting in front of keyboard pounding keys, but rather who picked up staff or rod, and herded flocks or fished the seas or tilled the earth, they turned to what they knew best to look for hopeful signs: earth and sea and sky. therein was the stirring from which they drew their wisdoms and their post-it notes from God.

in the case of this cross-quarter day, the one that falls as winter wanes, when springtime hasn’t yet picked up its paces, there might well have been some undercurrent of we-are-running-out-of-steam-here. and so perhaps one wintry day, one wise (and desperate) someone dropped to her knees, pawed the crusty earth just down deep enough to catch a glimpse of tangled rootlets reaching down, down, down. she might have whooped in exclamation, let her fellow desperados know that, lo and behold, all was not lost. the earth had not gone thoroughly to sleep. deep down where earth keeps all its secrets, there was promise stirring.

and so, the peoples celebrated. the peoples, being wise long before we were specks of anyone’s imagination, might have extracted their own wisdoms from this botanic wonder. they might have realized that if the wondrous underbellies of the bulbs were hard at work in ways unseen, we too might seek analogous metaphor in the vicinity of our psyche and our souls. we too might figure out that now, as winter’s grip begins to loosen, our own deep-down growing stirs. even when we think it not. (and we’d be wise, methinks, to bolster that stirring with at least a dab of concentrated meditations, sifting through the questions that might propel our year ahead, steering our own soulful energies to those one or two roots we decide most warrant our attention.)

the ancient israelites (and jews today) called it tu b’shevat, the new year of the trees, so marked by the first blossoming of the almond trees. the celts called it imbolc, a word that means “in the belly,” when the earth’s belly begins its thaw and the seeds below begin their stirring. (the word imbolc comes from Old Irish, and was reference to the ewes beginning to lactate as birthing season comes and the field grasses start to grow.)

indeed, the earth is quickening, the obstetric name for that first sacred stirring from within, when that tiny tiny human limb first garners enough muscular oomph to kick the wall of mama’s womb. i remember sensing it, unsure if it was just a tummy rumble, or the first fetal morse code that someone in there was really in there. in due time, the kicks make clear that it’s no hiccup of the fetal variety.

jews gather for the tu b’shevat seder, a feast of seven fruits and four glasses of wine, beginning with one of deepest red (winter at its fullest) and each successive glass a paler pink till springtime’s wine, all white. the celts, being earthly people, turned to fire and water: the women of the home slept beside the hearth on imbolc’s eve (jan. 31), and checked in the morning for any markings in the ash signifying that saint brigid (a fiery spirit) had wafted by in the night, spreading her imbolc blessings. they headed for the hills, too, and lit bonfires atop the crests, then spent the night leaping over the flames. more docile celts might have settled for kindling a few wicks around the house. but every peoples has its wild ones. and if fire wasn’t your thing, you might wander to the nearest sacred well, and take a dip for purification purposes.

i might let the candles burn today, or perhaps i’ll take a sudsy bath, as i think deep and hard of how i intend to bring my little flickering of light into this world that grows dark and darker by the day….

and on that note i bring you this emboldenment that my blessed firstborn sent along the other day, quoting from his favorite of thomas merton’s writings, raids on the unspeakable.

Be human in this most inhuman of ages; guard the image of man for it is the image of God. You agree? Good. Then go with my blessing. But I warn you, do not expect to make many friends…

Thomas Merton

what might you do today to mark the incoming of light, minute by minute, day by day, till the full birthing comes?

the quarryings of time

my hair is gray. my left shoulder is frozen. my right middle finger locks most mornings. and half of one of my lungs is no longer. 

there’s more (darn that paralyzed vocal cord), but the dirge needn’t drone on. the point is i’ve been quarried by time. which is close to the way annie dillard, my polestar and patron saint of seeing, put it in a passage i read –– and couldn’t forget –– this week. 

on page 238 of pilgrim at tinker creek, my bible of the woods, annie D. turns her otherworldly attentions to living creatures in various states of disarray: spiders with only six or seven of eight species-imperative legs; grasshoppers missing antennae; butterflies whose wings are torn; a swallowtailed sparrow minus its tail. and, yet, and yet, they creep and leap and flutter and glide on anyway. nature is not daunted by its disassembling. 

nor should we be. 

when it comes to us humans –– the species with the power to wonder, to question, to connect the occasional dots –– each quarrying carries its own volume, its own mysteries and humilities and sometimes epiphanies. each nick or chink in the armament of flesh and sinew and bone both takes us down a notch, and, if we’re paying soulful attention, points us closer to our soul, to that essence that bellows our being.

dillard writes thusly:

I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wandering awed about on a splintered wreck I’ve come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty beats and shines not in its imperfections but overwhelmingly in spite of them, under the wind-rent clouds, upstream and down.

she got me to thinking about the beauty in brokenness. in disrepair. in all the parts of me that no longer follow instructions. 

and then four pages in, annie lands on the phrase that’s entranced me all week. she wonders aloud if, rather than somehow thinking it our birthright to come into existence “with the spangling marks of a grace like beauty rained down from eternity,” we might be wiser to realize we’re most whole “with the botched assaults and quarryings of time?”

“we are all of us clocks,” she goes on, quoting british astrophysicist arthur stanley eddington, who described us as clocks “whose faces tell the passing years.”

there, in those time-etched crowsfeet and the lines that furrow our brow, lie some of our deepest wisdoms. and most hard-earned beauties. that is, if you, like me, consider it a dazzling thing to have tucked into your brain files those rare few ideas whose staying power drives your every step thereafter. 

i’ve been in hospitals more times than i can count, have sat with eyes squeezed shut as someone drew needle and thread through my torn flesh, have felt the warm ooze of plaster cast being swaddled round my broken wrist. and each and every time, the wounds have left me more awake to life’s unscripted, oft-unspoken ponderings. (except maybe not the time when i made like peter pan, and flew off a garage roof when a rope swing escaped my grasp.) each and every time, we emerge keener to the pains –– and wonders –– of the world.

the most lasting empathies are forged in ERs and aftermaths.

and think about this: might you tally the innumerable times you’ve broken into smile, or squinched your eyes in irrepressible delight, to earn yourselves those hieroglyphs that now stand testament to your life’s-long accumulation of joy, or the hours you bent in deep concentration. or worried for the someones you love.

such are the quarryings of time. they inch us toward our holiest core.

it’s an excavation i’d not surrender.

now in my seventh decade (egad, that sounds sooooo old), i’ve been reminded time and again that none of this is a given. and we are breakable vessels nearly every time. and yet, without the botched assaults and the quarryings, from whence would come our vast acquired wisdoms? 

how would i know how precious each birthday candle is if i’d not wondered “will there ever be another?” how would i know the utterly-taken-for-granted gift of seamlessly sliding an arm down a sleeve if i’d not done so yelping the whole while?

doesn’t our brokenness bring us the pricelessness of knowing how deeply perishable we are? and how we’d best get on with what we know to be those few defining pursuits: whatever is the thumbprint we aim to leave behind on the life and lives we’ve loved? 

aren’t our depths — even the impossible-to-ask-aloud parts –– the prize that comes via our frayed and nibbled selves? 

none of us asked for nor expected the choreography of our lives. but with each and every quarrying there’s come an unintended plus. even if it took awhile to make itself apparent. 

all of which brings me roundabout to this prayer for beauty in the mundane. beauty in the brokenness is another prayer for which i pray. but first, this from writer and poet Cole Arthur Riley*’s breathtaking book Black Liturgies, in which she prays for our capacity to hold together the extraordinary and the ordinary:

God of every beautiful thing,

Make us people of wonder. Show us how to hold on to nuance and vision when our souls become addicted to pain, to the unlovely. It is far easier to see the gloom and decay; so often it sings a louder song. Attune our hearts to the good still stirring in our midst, not that we would give ourselves to toxic positivity or neglect the pain of the world, but that we would be people capable of existing in the tension. Grant us habits of sacred pause. Let us marvel not just at the grand or majestic, but beauty’s name etched into every ordinary moment. Let the mundane swell with a mystery that makes us breathe deeper still. And by this, may we be sustained and kept from despair. Amen.

cole arthur riley

*i am reading cole, stockpiling her wisdoms, as i begin to stock my larder for the lean months to come, when i sense the discord of the world beyond my quarter acre might otherwise knock me asunder. i intend to find a path toward the light. and i will, of course, bring it here.

how has time quarried you? what treasures did you find down deep beneath the dug-out parts?

any time i can bring a nurse to these pages it’s a good day. here, a fine acolyte of healing in action….can you imagine the shenanigans that landed this crew in her sublimely fine care? and, yes, i once wore a cap as pert as hers. and shoes not too dissimilar….

incandescence

There must be always remaining in every one’s life some place for the singing of angels, some place for that which in itself is breathlessly beautiful and, by an inherent prerogative, throws all the rest of life into a new and creative relatedness, something that gathers up in itself all the freshest of experience from drab to commonplace areas of living and glows in on bright white light of penetrating beauty and meaning — then passes.

— Howard Thurman

my relationship with time shifted this year. living does that. somewhere along the line, a rock is thrown. it shatters what it hits. and as you stumble to pick up the pieces, you start to see that you won’t get it back to what it was. the picture window is no longer. instead, the shards are what you hold. 

i’m beginning to practice gathering the shards, holding each to the light. being careful not to get cut on the sharp edges, the piercing edges. knowing the shards are what’s left, i find it easier to lift each one, position it in front of the flame, turn it this way and that, and watch for the incandescence. 

it’s called seizing the day. 

it’s why we watch babies, stare at them mesmerized. they are our sages, the ones whose every dandelion, every dust mote floating by, is a new encounter. can you imagine emerging from the dark wet womb and suddenly feeling fleshy arms cradling you, soft lips kissing you? can you imagine finally putting form to the face from which that one murmuring voice has been coming? 

babies seize everything because it’s all new. the rest of us learn to seize things when we start to realize they won’t last forever. 

if only we all realized how fragile a life this all is. we would be kinder to it. we would be kinder to ourselves maybe. we’d let go of the hurts that poison us. we’d shake off the fears that strangle us. we’d dig down deeper maybe, and let all the beauties out. and, critically, we’d let more in. 

and so, with my understanding of time now deepened, my frame of time shifted, i am more determined than ever, and finding it far less arduous, to step out of my old, afraid ways and into the incandescence of each and every shard. each and every blessing called “this day.” this holy day.

i am, as thurman writes above, keeping an ear out for the singing of angels, and allowing the bright white light of this most blessed life to enfold me, to behold the breathlessly beautiful. before it passes. 

where are you seeing the incandescent? are you letting it in?

and happy blessed blessed new year. while my seat belt is buckled for the year ahead, let us hold hands, and bump our way along, scaffolded by those few fine things we know to be immutable and imperative.

note to true wonder: the bottom photo i took driving home from your farm all those blessed years ago. yes, i drove and clicked. and how it happened, i still wonder. but that heartland panorama i do love. and the heartland farmer.

fallowing

fal·low
/ˈfalō/
adjective
(of farmland) plowed and harrowed but left unsown for a period in order to restore its fertility as part of a crop rotation or to avoid surplus production.
verb
leave (land) fallow.
”fallow the ground for a week or so after digging”


i am fallowing. i am also making up a word (a particular quirk of mine), but a word most apt for i use it here to describe the wide-open plain of time when i see no deadlines peeking from behind trees, nor wide gulleys and ditches to swallow me whole. 

after season upon season that taxed me from every which angle, i am all but stringing a wintry hammock between cedar posts in my fir lot and settling in for a long winter’s nap. 

i am fallowing. i am, per merriam webster’s instruction and strict definition, leaving my days “unsown for a period in order to restore fertility” of both soul and imagination.

i have been so thirsty for days that unfurl with little to do, for days that meander from daybreak to starshine. i am, per the law of the fallowing land, partaking of those soulful things that stoke my deepest flickering flame: i am reading deep and thick theological treatises; i am making burgundy stews, and sorting through boxes of long-ago treasures; i am reading old letters, and wiping back tears; i am simmering bones into broth and ferrying batches of soups to friends i’ve long wanted to visit. i am even reciting the occasional poem with my mother. at the moment, i am listening to rain, the fallowest thing i might know how to do.

i am not actively worrying. 

to fallow is to partake of an otherworldliness, at least when you find yourself born into an age that grows increasingly attention-deficient. when the background noise is incessant. and so little of it sustenant. 

sometimes you don’t realize how deeply you need something till it’s suddenly there in your grasp. and then you can’t let it go. or you hope you don’t have to anytime soon.

advent for me is quieting time. advent ushers in the stillness of winter. advent, i’ve written, is the season of anticipation, of awaiting, of holding our breath for spectacular coming. 

as the darkening comes minute by minute, day after day, the liturgical calendar, prescriptive in its wisdoms, unfurls the sacred instruction: make the light be from you. deep within you. seize the month. reclaim the days. do not succumb to the noisy distraction. 

make your december a blessed one, a quiet one. a stretch of kindled light against the whole cloth of darkness. 

this world is aching, is crying, is calling for even one matchstick of light. imagine if we all struck a match, put flame to wick, and allowed it to burn long through the night. my light + your light + your light would = a light that would make ours one glowing orb. 

the instructive is this, even in fallowing times: one mere droplet. one bare kilowatt of luminsence to shatter the darkness. it’s ours to kindle, to light, to enflame. day by day, droplet by droplet. might we gather our goodness and bring back a flicker of light to this world?

how and where will you strike your match?