pull up a chair

where wisdom gathers, poetry unfolds and divine light is sparked…

Category: blessings

April 11, 2007

thinking in circles

last night, while i scrubbed the onion burn off the bottom of a pan, i dove in deep in conversation with a mind i have known since delivery, which i think was just the other year.

heck, i can close my eyes and see that brain unborn, an ultrasonic skull, white-on-black on screen, the fuzzy outlines of cerebrum, the big black space i once mistook for lack of brain. until the radiologist talked me off the ceiling. i’ve had my eye on that gray matter since way back, in the beginning.

only last night, suddenly flashed forward, we parsed evil versus harmful. evil, he pointed out, is big picture; harmful is far less sinister in scope. next, he told me why he worries about organized religion; he worries that too many are too judgmental. who do people think they are, he asked, judging other people? it simply makes no sense. the God he knows forgives.

then he tossed out this: “people say you’ve gotta be good because you’ll go to heaven. it’s not about heaven,” he said as if that’s plain as day. “it’s about how you’ll impact other people.
“oy!”

not a heartbeat later, he’d moved onto deep forgiveness and i’d moved onto the pan that steamed asparagus.

he circled the sink and me, the boy who’s walked in circles as he thinks ever since he started thinking, which might have been the original day he lifted foot from ground and placed it back again. nearly 13 years, he’s walked circles ’round me; now, i realized as i grabbed for towel to dab at dripping pan, he thinks circles ’round me too.

when all the pots were clean enough, he and i indulged in sweet dessert—even deeper conversation. we retired to the maple table, we pulled up chairs, an after-dishes tete-a-tete all too rare in the world of over-busy, overburdened children. a tete-a-tete that might be required should anyone ever think to license those who sign certificates of birth.

while he ticked through list of one to twelve, a ranking of degrees of evil, each culled from news reports of recent years, i couldn’t help but note how on the days the news had happened, i’d so fiercely blocked him, little thinker, from this very litany of horrors—columbine, timothy mcveigh, the east texas worse-than-lynching death of james byrd, jr., the black man tied behind a pickup truck and dragged down a country road (my thinker’s pick for evil no. 1), and of course 9-11, which unfolded just minutes after i’d put him, then third grader, on a 12-seat van, newborn in my arms, his first solo ride to school on the far side of the city, a ride that, torturously that september day, coursed him through the shadows of chicago’s tallest towers.

back then, not long ago, i’d not wanted him to know the world could hold such hell.

and now, just minutes later, he was almost-man equipped with mind that studied every shade and shadow of every real-life horror story, probed for what it meant well beyond the news. a mind, i couldn’t help but notice, i could drink like desert water for the rest of all my days.

i shook my head, although he didn’t see me shaking. how, i wondered, did we get to here so fast? how is it that all those bedtime prayers, and all those late-into-the-night conversations, the ones where tears were wiped, the ones where stories told and questions asked sometimes felt like brill-o to my heart, how is it that while i was keeping watch, i swear i was, he had unfolded from little thinker of big thoughts into this mind, this soul, who, as i watch, is sharpening that tool, the way a carver sharpens knives, so he can use it to try to rid the world of what he sees as evil and injustice.

there are not, it seems, too many moments when you freeze the frame, see what’s taking shape before your very eyes. not on-stage moments. not graduations. not holding up a torah, or taking first communion. but right there, at the kitchen sink and just beyond, at the same maple table where you once set your elbows and launched a life of asking big fat questions.

there are a million moments along the road to that maple table and the parsing of degrees of evil that are, simply put, not a lot of fun.

there were fevers when the mercury shot to 105. and back at the beginning, weeks of rocking him beside the tub with the water running hard, something about the rushing sound that soothed (hmm, wonder if that’s why he now takes showers that could go on for hours).

there were schooldays when i heard all about how he’d stood alone on the playground, or perched on the roof of the climbing house, keeping watch on all the other children playing games without him.

and then we up and moved in the middle of fourth grade, and he endured a whole semester as the new kid from the city, the kid who in a town where baseball truly mattered, barely ever got on base, and swung at nearly every ball.

but sitting at that table, watching how he thinks, realizing that i was talking to a soul i couldn’t have designed to be more nourishing to my own soul, i couldn’t stop the warming down my spine: i’d do it all, all over again. in a blink, please sign me up.

it is perhaps the sweetest after-dinner morsel i’ve tasted in a long, long time: half an hour being circled by my firstborn child.

might i mention that it is exceedingly hard to write about how you love your growing-up child. i groped my way through the dark just now. i do it not to say how wonderful he is–that’s not the point at all. i do it to hold up the fact that here we are, some of us, in the very blessed front-row seat, watching the spectacle of true creation. it is almost unspoken, shared perhaps in pillow talk, the truth that what we’re watching takes our breath away. this is, i hope and pray, a place where we can whisper out loud the things not spoken often elsewhere. it is majesty, in rawest form. and though it’s hard as heck to put words to God’s most divine creation, i thought it worth a take. this, after all, is life in roughest draft. as always, i pull in close, i would love to hear your thoughts…

and while you’re at it, please, keep my blessed friend susan and her mama in your prayers. they could use a few today.

4 Comments
April 3, 2007

every year, a cast of characters

 

 

every year. count on it. there will be characters. they will be many. they will be deeply, richly, crazily creviced, shadowed, colored.

it is as much the order of the seder as the haggadah itself. the table will spill with character. ooze with it. rumble, tumble, jumble, full of characters.

wafting just above, that’s character no. 1. the tall one, that is.

that’s ted. rebbe ted. the one wrapped in japanese prayer robe, tied with obi. the one raising the first of four glasses of vintage manishewitz. the one we drive miles to be with every pesach.

ted, a rabbi and cantor without a congregation these days, is a therapist; spends his working hours trying to screw on people’s heads, or at least screw them on a little less wobbly than when they first wandered in.

but mostly, always, ted is a character. ted’s eyes, i think, must gleam even when he’s sleeping.

at ted’s seder, things are, um, unorthodox. ted reaches in a bag and pulls out yarmulkes from around the world. sometimes he wears his tibetan temple headdress. he always wears his japanese robe.

at ted’s, you do some chanting. you close your eyes and chant the vowels. you do not close your lips when chanting vowels, he tells you, and thus you assume a posture of openness that ted thinks the world truly deeply needs. you chant deeply, ahhhhhhhhh.

at ted’s, you eat sumptuous french hors d‘oeuvres. (and then you find out, oops, they are not kosher for passover; maybe that’s why they tasted so good.)

i tell you the story of ted because in bringing my children to ted each year i bring them to one of the most essential gifts a parent can give a child: the gift of the one who’d never paint by numbers, the iconoclast, the eccentric, the character. the deep and rich and soul-expanding knowledge that life is splashed with vibrant colors.

one of those colors is the color ted.

it brings unending joy to me to bring my children to tables where i know they will hear voices they do not hear at home. home is where the grounding happens. home is where you learn that the parachute has a safety cord, and you can pull it any time.

other people’s launch pads are where you learn to lift your foot off the ledge, set it in mid-air, and feel the fall, but then the updraft, carrying you, lifting you to places you’d never see from the safety of that concrete ledge.

last night we soared with ted. heard his salty brand of politics. took in his dash of new-age mysticism. felt the gestalt of letting go of that by which we’d been enslaved. watched him raise a yale sweatshirt, oy, to teach a lesson on hebrew light and perfection. (right there, spelled out on yale’s emblem, in hebrew letters, who knew? found out that centuries ago, at the founding of yale, patrician of patrician schools, hebrew was required study. ted, by the way, went to yale.)

tonight we congregate again. at another table of eccentrics. they will be the ones with whom we’ve worked for decades. the ones with whom i’ve “sedered” for 25 years, before husband, before children, and every variation since. a cast of newspaper kooks. my boys, all eyes and ears, will learn much that i won’t teach them.

besides the wine glasses filled with jelly beans (the kinder version of fruit of the vine), the flogging each other with scallions, yes, scallions, the pulling out of little plastic plagues, there is the annual putting of passover lyrics to broadway tunes.

we drive home each year, from nights one and two, with bellies aching. not from all the passover matzo kugel. no, no. from laughing ’til our sides feel split in two.

we are blessed. so very blessed.

all my life, far back as i can remember, i have loved the odd ball. the duck who waddled to his or her own drum beat. at my mid-century mark, i survey the landscape of my life and see i’ve assembled quite some cast of characters.

my almost-man-child told me recently that one of the most lasting lessons he learned from his uncle david was when david spoke of a brilliant friend of his, a friend with phD in sanskrit, a friend who studies global drumming and, for a long while, drove a cab in new york city. david, it seems, told my almost-man-child: “he really is a kook.” and my almost-man-child told me that the way he said it, he knew that uncle david meant that to be a kook is a very noble thing. “that’s how i learned i should never march to other people’s drummers,” said my boy who decidedly does not.

my prayer this pesach, my prayer that already has been heard on high, is that all the children, not just my boys, hear a world of many drummers. and come, as often as they can, to a table that spills with kooks and characters and bold eccentrics, a table, every first-night seder, led by rabbi ted.

who, by the way, i love with all my heart. even if he makes me close my eyes and chant the vowels.

do you collect characters? do you see the beauty in those who color outside the lines? do you, if you have children, or love children, or are a child at heart, seek out tables where you know they–and you–will hear voices unlike the ones they–and you–hear at home?

6 Comments
February 23, 2007

slippers for david

at our house today our hearts are skipping. if you hear a thump in my typing today it’s because my heart it is thumping.

david is coming home. david is coming to our house. david is, pretty much, christmas and new years and birthday and fourth of july, all rolled into one.

david is uncle everything.

he’s the big box under the tree, the confetti, the cake with the candles, the fireworks that light up the night.

he is, to my boys and to me, essential. if oxygen is 02, david is 01. david is the stuff that we breathe. david is life.

and he’s coming home. coming back from his new life in maine, where chairs are the thing that he builds. but a new life is the thing that he’s carving, he and his love, sweet rebecca.

this is the longest he’s been away, and for my boys it’s felt like a lifetime. since he’s been gone, one broke a neck and had a bar mitzvah. the other went off to kindergarten, and learned to pick up a pencil.

we keep in touch, close touch, through the incredible phalanx of options that define ’007.

but still the absence is aching. you can’t feel the rough of his fingers through an email. can’t watch the light dance in his eyes over the phone. can’t inhale how he fills up a room with his remarkable mix of genius and joy. not when you’re 1000-some miles away.

and so, we put out the slippers.

david asked for a day that is given form by the slippers. a day of no strictures, no schedules, no plans, no great expectations.

a day just to be. to be with the boys. to cook. and to eat. to pull up to the table. a day to lie on the floor and stare up at the ceiling. together. a day to tell stories. to laugh. to make silly noises. a day to look for the moon. to marvel at stars. a day to pull out the pillows, make a camp on the floor.

a day for just slippers.

so, of course, we put out our very best slippers. the ones you see up above, waiting just by the door. nothing but the best for our beloved sweet david.

for two weeks now, the little one has been counting as close to backwards as he is able. he asks, fifteen times a day, mama, how long ’til uncle david?

at long last the answer is zero. today is the day that david is coming.

and, boy oh boy, will we ever be ready.

soon as the little one rubs the sleep from his eyes, he’ll be right by the door. waiting. with the slippers.

you see, david was here from the get-go for that little guy. came to the hospital just hours after he was born, and he was born in the middle of night. but david came anyway. david held him. baptized him in a cascade of quiet tears. that little baby was not just a dream come true for me, but testament to many that you can, in the end, cradle your longest-held dream. and my little one came when david needed a dose of that truth. needed to press it close to his heart.

they’ve been joined at the heart ever since.

and my other one, the one i now call the man-child, well, david jumped in six months after delivery day. wasn’t in town ’til the midpoint of year no. 1 for boy no. 1. but when david jumps, stand back for the splashing.

from day numero uno of the days they locked eyes on each other, david gave the now-man-child the absolute whole of his heart.

the litany is long, the litany is rich. here are a few of the highlights: the night he stayed up ’til the dawn, making a life-size aquarium out of a refrigerator box, a work of art, of pastels and passion, if ever there was. the saturn cake he baked for his birthday, the ring of spun sugar, a forest of sparklers scaring the behoozies out of the 5-year-old boy. who loved it, after the sparklers went pfft. the day he showed up at the door with fare for the train, a compass, a map and a grease pencil. the two, uncle david, little man-child (then maybe 6 or 7), spent the day riding the rails, learning the city, but learning forever that you can get wherever you want in this world, and the path uncharted is the one that brings joy you never expected.

the curriculum according to david includes african drumming, purple heart wood, and sushi. victor wooten, the great jazz guitarist. riding a scooter six long blocks to the place that sells extra-choice hot dogs. stopping midway to lie on the grass, and look for shapes in the clouds. a larger-than-life papier-mache elephant head named omar, crafted by david and becca, inspired by a trip to the zoo.

and that’s just the beginning.

the list, i’m sure, will go on as long as there’s air in their lungs. the lessons more lasting the older they grow.

and that’s just the boys.

what he’s taught me is immense.

what he’s taught me the best is that a day rich in slippers is a day to be treasured for life.

may you all have a someone for whom the slippers are waiting. someone you love who fills your heart and your home. we are blessed and we know it. here’s to hearts who come home, and fill every inch of the slippers….

11 Comments
February 20, 2007

paper trail

tucked in the spine of m.f.k. fisher i find scribblings for how to make brisket. bedded down in virginia woolf i find a love heart once ripped from a reporter’s note pad and wedged onto my windshield. the biography of dorothy day, for some reason, contains a motherlode: a check, uncashed, from long long ago; a construction paper anniversary card, now faded along the edge that peeked from the pages; the fresh-faced first-grade school picture of my firstborn; and jottings that tell the tale of a heartbreak borne long long ago.

apparently, i leave my life scattered in bits, buried in bindings, waiting to be exhumed at the flip of a page.

it is the paper trail of my heart. the dots unconnected. the ephemera of a life recorded in scribbles.

i never know what i’ll unearth, or when i’ll stumble upon, say, the train schedule that captured the breathtaking quote my little one spewed about his new jersey grandpa as we rumbled home in the amtrak sleeper in the fall of ’98.
or, sorry about this, the surgical photos documenting the removal of the womb that carried my children, two born, three heartbreakingly not.

each scribble is a passage, a dispatch, that matters. whatever it is that i jotted, it moved me deeply enough that i grabbed for a pen and put pulse to paper. whatever i’ve tucked in the folds of a book is something i can’t bear to lose. even when it hurts.

maybe it’s because i write for a living. but really, i think, i write to keep breathing. if i put it in ink, some brain cell tells me, i hold onto this moment, this thought, this jumble of words in ways that otherwise would not hold. life slips away, i have learned. what’s once in your fingers is gone.

so i scribble. i tuck. i leave paper crumbs. i save the story in snippets.

one christmas, long long ago, i wrote a letter to my whole family. one of my early opuses. poured out my heart. my father, an irishman who kept feelings furled, said only this: “you have a real sense of history.”

that was the last letter i wrote to my father; ended up being the letter they read at his funeral. my father, as always, was right (though i did not understand at the time): i do have an eye locked on history. i do watch it unfold. it’s almost as if one eye lives in the present, the other dwells in the future when what’s now will be the past.

were it not for the notes that i scribble, i would not however know this:

that on september 26, 1997, when my now big boy was just four, he said this: “mommy, i have to tell you a little lesson. when you get a little huffy, you need to calm down. that’s what daddy’s talking about when he says, ‘freddy, calm down.’ you could say sweetly, ‘willie, i’m feeling huffy. could you go out of the room for a little while?’ because when you’re huffy, i say, what the heck. why is mommy huffy? did i not clean my room or something? it makes me feel like i live in a house with no friends.”

or, how on october 4, 1999, an autumn when the first-grade playground for him was a very lonely place, he said: “my heart is open but no one wants to come in.”

or, how after saying prayers on the night of january 19, 2000, he looked up and said: “God must love it at night. i bet he waits all day for it to be night to hear beautiful music.”

i think, given the scribbles, given the puzzle they’ll all put together, i’ll never give up writing my story in torn bits of paper, tucked in the hushed resting places that wait on the shelves of my heart.

do you keep your story in scribbles? do you go digging for how to make chocolate fudge cake, only to find a phone number from long long ago? do the bits that you tuck in your books, or your pockets, leap out and replay some story long past?

7 Comments
February 14, 2007

coronary care

it’s pretty much the essence around here. the reason we’re in business, you might say. it’s what pull up a chair is really all about. saying i love you. in ways that otherwise fly under the radar.

leave the billboards alongside the highway to someone else, please. never mind airplanes dragging propositions through clouds. giant bouquets of long-stemmed fleurs rouge? they’re fine, but no thank you.

i’d rather do whimsy. tuck love under a napkin. spoon it into the batter. sprinkle it onto the pillow. maybe even into a tub that’s all sudsy.

i’d rather make it a game. give it some thought. tickle the brain.

i like love folded in triangles and slid into lunch bags. i like love scrambled in eggs, eggs dabbled pink for the day. i like love cut in red paper hearts, laid out in a trail from the edge of the bed, down the stairs, through the front hall, past the old stove, right up to the heart-laden table, where love leaps onto your lips when you pucker and bite into a fat, juicy berry in winter.

i’m pretty sure i’ve been a child of hearts ever since i could pick up a pencil and scribble. i like nothing so much as a big stack of construction paper, decidedly pink and red, topped off with a pair of squiggly scissors. i cut to my heart’s content. doesn’t matter if it’s february or not. i do hearts twelve months a year. but the hearts of today, they are perhaps the finest of hearts. they have a little more oomph than some of the others. a little more sparkle, you know.

i’ve been pondering this national feast day of hearts. and i’m thinking that we should start counting. count all the ways that there are to spell out i love you to those whom you love with, well, all of your heart. i’ve already started, dropped little love crumbs, just up above.

so here, counting by numbers, a dozen and two ways to spell love, to say love, to pound out a love tune from your very own heart into the heart of the ones who you love…

1.) quick, grab a scissors. cut as many red hearts as you can possibly cut.

2.) make a paper heart trail from the edge of your little one’s bed (or even the bed of your big love) to some undisclosed location, say, maybe the kitchen, where the whole day unfolds.

3.) set the kitchen table with all things red and pink.

4.) go crazy with doilies. they are the accessory of choice for this festival of frills, morning ‘til night.

5.) sprinkle tiny paper hearts—or, heck, even rose petals—all over the bathroom sink. consider more rose petals for the watery bowl of la toilette. i’m not kidding, they’ll go nuts. especially if they’re boys with good aim.

6.) now, dash back to the kitchen. put out a fat bowl of strawberries. or a bowl of fat strawberries. your choice. (by the way, have you noticed that the strawberry is, drum roll, the original red-heart-shaped fruit?)

7.) whip up some scones in little heart pans. or, easy way out, cut toast with little heart cookie cutters.

8.) scramble eggs. add a few drops of red food dye. keep scrambling. get ready to slide onto plate. (lox added to eggs makes eggs even pinker. the pinker, the better today).

9.) open a jar of the yummiest, reddest strawberry jam you can find. (there must be one jammed at the back of the fridge in case you forgot to stock up). insert spoon. try not to lick straight from the jar.

10.) leave love note under the plate (if you’re truly in luck, you’ll have found one of those cheap plastic red heart plates at the grocery store; it’ll come in quite handy today). while you’re at it, a love note tucked somewhere in the salle de bain also works. under the shaving cream. behind the shampoo. who knows, it just might work wonders.

11.) pour sparkling juice of some kind into a long, tall champagne glass. dunk a fat strawberry into the fizz.

12.) fill sugar bowl with red and pink m&ms.

13.) tuck yet another love note into the belly of a mitten. it’ll be found once your love is out in the cold.

14.) cut peanut butter & jelly into heart shape. drop into brown lunch bag, emblazoned with hearts. add requisite love note, pink m&ms, small bag of fat strawberries. silly pink napkin never hurts.

15.) spend the rest of the day figuring out how to top this for dinner and bedtime.

so there you have it. fourteen ways to say i love you, plus one for good luck.

that’s how i’m spelling love at my house today. how will you spell it at yours? it’s your turn, keep counting…

p.s. and, oh, by the way, from my heart to yours, here’s a big puckery smooch.

7 Comments
February 13, 2007

snow, when it’s still white

i know. i know. it’s a little raucous out there. a bit like walking into a bowl of vichyssoise, whirring.

and once the world rustles from its dumbfounded look out the window, slams on the snow boots, trudges to the car, or the train, or the bus, it’ll all be so much blkkh. that gray-black mess of crusted-over car dirt, tire rub, city street, all tossed together, tumbled. left to leave us thinking this snow thing is a terrible nuisance, a blight upon the trek to wherever we have to be. end of story.

only this is not about that. this is about snow before the blkkh.

this is about snow when it’s still white. when it’s still.

this is about slipping into your mukluks, and giving snow the due it deserves: step out and just stand there. go nowhere, really. meander aimlessly. pretend its moon dust and tromp through it. crane your neck, watch it swirl toward you.

then do this: drink it in. listen to the snow sound. then listen more closely still, listen with your soul.

the snow, i am convinced, is God’s way of putting finger to lips, pursing, whispering, “shhhhhh.”

snow, if you listen, speaks loudly. but only in a way that the soul is equipped to hear. the snow is telling us to slow. to behold. behold wonder. behold mystery.

behold the miracle of mere air and water and the cold of a cloud, coming together, falling down. tumbling. a 15-minute ride from the sky to the tip of our tongue, if we, like a child, try to catch it. scientists clocked that. i’m not making it up. some day soon we will consider the universe of each little snowflake. apparently, it’s a sport. watching snowflakes. i’ve got a book, right here on my desk, a field guide to snowflakes, and it says so, likens it to bird watching, only colder.

but today is about the blanket of white, the blanket of quiet. the blanket shaken before us, every intricacy of every limb and twig and pine needle shrouded in, swaddled in, white.

to go out in it, to crouch under the bough of a tree, to watch it come down, down onto your eyelash, is to be filled, once again, with the mystery of the heavens coming down to our midst. intermingling, the divine and the utterly earthly.

maybe that’s why young children thrust themselves into it, onto it, prostrate, making snow angels. maybe they understand in a way we forget when we’ve had too many snows under our boots. maybe they sense the godliness in each six-sided flake. if you could dive into the celestial, wouldn’t you want to rub your arms and your legs, your whole being, through the thick of it? once again, look to the children.

albert einstein, a guy smart like the children, wrote this in 1930, in a paper titled, “what i believe:”

“the most beautiful thing we can experience is the mysterious. it is the source of all true art and science. he to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed.”

open your eyes, my friends. open your eyes. the snow, falling all around us, is begging us to drink in, to taste, to behold the mysterious. to realize, in one single snowflake, we hold onto the infinite. in a whole world of snowflakes, the infinite holds onto us.

if we open our eyes…

tell a snow story. tell a tale of beholding the wonder of the world of snow when it’s still white. or, if you must, spit it out. tell us how the blkkh got in your way, made you mad. made you sputter. then, once you spew here at the table, you might feel all better. might then be able to slip on your muks, step out the door, sink into the wonder…..

1 Comment
February 6, 2007

grammy tuesday

as long as anyone around here can remember, certainly as long as two of ‘em truly can remember, tuesday is synonymous with only one thing: grammy.

thirteen years. six hundred seventy six tuesdays. give or take only about one or two a year. at the very least, it’s 650 tuesdays.

that’s nearly two solid years of her life (ah, what a math wizard, i am…), utterly completely devoted to the love and tending of her only two grandsons.

from the get-go, grammy tuesdays have had rules different from the rest of the week. she is two parts indulgence, one part old-fashioned mama. there will be elbows off the table, chew with your mouth closed. keep your bottom on the chair. comb your hair. tuck in your shirttails. patch the hole in the knee of your jeans.

she keeps us, and our house, in line. she will fix the wobbly neck of the lamp. glue the leg of the chair. rig up a rather impressive concoction to keep the cold air from blowing in under the door. and once she threatened to rebuild the inside of the toilet tank, the part where the water whooshes down into the bowl, does its thing. i told her to stop.

she reminds us to turn out the lights behind us. to not let the water run. to recycle every scrap in the house. she launches into her shpiel about keeping the world fit for her grandsons’ grandsons.

she reminds me i forgot to water the herb garden. forgot to deadhead the daffodils. forgot to haul in the porch furniture.

she thinks it a waste that we still have the little white lights strung on the crabapple. can’t believe i let the little one stay up ’til past nine, on a school night. asks for the umpteenth time if i’ve gone through the toys and the clothes to give to the place where the people have little to none.

oh my.

she is, in many ways, my walking, talking conscience. sometimes i’m sure it makes me crazy, leaping over this should, dodging that.

but you know something: i love her like crazy. she’s my mama. and i know i’m lucky to have one. right here in my house, every tuesday.

my papa died a long time ago, 26 years ago saturday. my mama was my age now when he died. she was 50. ever since, she once told me, she’s turned over her life to making life better for all those around her. a vocation of mercy.

wednesdays are soup kitchen. thursdays, for a long time, were a very poor school in what was once called the slums of the city. the rest of the week she is running a roast chicken to someone, cleaning the trail in the woods for the schoolchildren.

tuesdays, though, she saves for her boys. tuesdays are a day for chef boyardee, that gummy blah pasta in red runny sauce, a something their mama would scorn. tuesdays are a day for cinnamon toast and alphabet letters, all mixed, smack in the mid of the morning. for sitting on laps and reading of eagles. for building train tracks that curve ‘round the room. for going to the zoo. for getting the animal fries.

tuesdays are days for listening to stories while mommy types in the other room. for keeping things calm while mommy pulls out her hair. for making chicken rice grammy, a thing that i loved when i was a girl and now i eat it again, many a tuesday.

she’ll be here any minute, because it’s half an hour ‘til nine. and she is, like clockwork, always too early. maybe she can’t wait to come. maybe she knows that we need her.

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February 2, 2007

vernal whisperings

if you listen, you can hear the first stirrings of winter loosening its grip. yes, the snow moon, that great white orb that cast its full light on the cold cruel landscape of last night, made it hard to see anything that was not white, or bluish white, a color even colder.

but in fact, and despite the wind chill, this is the day when myth and legend begin their vernal whisperings. there’s the old folktale about the ground hog and his shadow. but that doesn’t much catch my fancy.

what does catch it, locks it in its grip, is something i knew little about. until now. it is the jewish festival of tu b’shevat, the new year of the trees.

it is, it seems, all about vernal whisperings, the first hint of promise that all this, the harsh and the cold and the barren, will soon melt away.

as a woman married to a jew, as a woman who embraces spirit and rite and story and all things of the earth, this little holiday seems made for souls like me.

i had had an inkling that the holiday i had a hard time pronouncing (tu-bish-vat, more or less) had something to do with trees or planting trees. in fact, it is said that this is the day when God decides how bountiful the fruit of each tree will be in the coming year.

in israel, this is when the almond tree awakes from its winter sleep, erupting in clouds of tissue-white flowers, the first blossom of spring.

in ancient times, tu b’shevat marked the day of tithing. it clanged the final bell on the fiscal year. all fruits borne before this day, belonged to the harvest of the last year, and must be divided accordingly, a portion to the poor, a portion to the temple in jerusalem.

all of that was lovely enough.

but then i heard something about a special seder of seven fruits.

and that’s when i knew i needed to dig a little deeper. that’s when i discovered the thinking of the 16th-century jewish mystics.

known as the kabbalists, these deeply spiritual thinkers believed that we elevate ourselves by the eating of certain fruits on tu b’shevat. if done with holy intention, they taught, sparks of light hidden in the fruit could be broken open from their shells, freed to float up to heaven, to the great divine, completing the circle of the renewal of life.

oh my.

they go on, these marvelous mystics. they talk not about seven fruits, but ten. they break them into categories corresponding to four levels of creation. there are the fruits that need no protection, and can be wholly eaten; grapes and figs, among them. there are fruits that require protection but only at the heart; olives, dates and persimmons would be among these. then there are the fruits that need full protection, the pomegranate and avocado, both of which hide inside a leathery shell. the fourth realm, purely spiritual, by definition has no fruits: it’s just pure spirit.

the holiness of each fruit or nut is, according to the kabbalists, the soft edible part, the part you can bite into. the pits or inedible parts were thought to be impure. and the shells were the protection of the holiness. (makes you feel kindly toward that ol’ banana peel, eh?)

reciting blessings–there is a particular line from the torah for each fruit or nut, believe it or not–helps to release the holy spark of life flow trapped within them, the kabbalists believed.

ah, but the act of chewing, they tell us, kicks it all into some sort of spiritual overdrive.

get this: chewing is more powerful than reciting blessings, they believed, because humans have 32 teeth, and that is the precise number of times the word “elohim,” or God, appears in the story of creation.

goodness. it is morsels like that that make it so delicious to dig deep into something of which you once knew so little, but deep in your soul feel so drawn to. it’s the marvelous adventure, open to all of us, of cracking deep into the book of religions other than the one we knew first. it’s the weaving and steeping, the absorbing and unfolding, that i swear enriches the broth.

but back to the fruits, and the part that i think is the absolute swooningest.

along with the fruits of the seder, the kabbalists said there must be four glasses of wine at the meal. you begin, they taught, with a white wine. each glass after that adds more and more red wine, so that each glass deepens in color. the first glass represents the cold whiteness of winter, the next, the pale buds of spring, onto the deep rose of the height of summer, and finally the crimson of the autumn leaves before they fall from the trees.

you needn’t be jewish to want to drop to your knees on that one, the breathtaking progression, the resonance of the fruit of the vine with the rhythms of earth, the unfolding. a whole sensory reminding that the changing of season is a blessing beyond blessing.

and this is a day when we pause, when we listen, for the first stirrings of the deep underground.

abraham joshua heschel, the great 20th-century jewish scholar, writes magnificently of the sanctification of time in judaism. here is one thought to ponder:

“judaism teaches us to be attached to the holiness of time, to be attached to sacred events, to learn how to consecrate sanctuaries that emerge from the magnificent stream of the year.”

and so tonight, as i light the shabbat candles, usher in tu b’shevat, a sanctuary i never really knew until now, i will sit down to a feast of the earth’s promise, to fruits and nuts and wine. i will behold the shifting of the seasons, the absolute truth of the returning of life.

yes, now winter is making itself abundantly present. but from the heart of the fruits, will break open great sparks of holiness, wafting toward heaven. from each sip of my ever-blushing wine, the taste of the turning of time.

i will know as i eat and drink that beneath the cold hard snow, the fruits of spring are stirring. are whispering sacred incantations. vernal incantations.

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January 3, 2007

blessed, blessed day

the plan is this: stitch one blessed stretch of time with as many moments of grace and delight as i possibly can.

already i have been out bowing to the moon, listening to the rush of the wind, the far-off cry of the trains rumbling into the city. the birds, they were quiet, nestled still in their limbs, in their slumber.

see, i hopped out early. barely fluttered an eyelid, saw 6 something winking at me in bright red numbers, leapt. not a moment to waste on this day of days.

listening to my own challenge from yesterday–the birdsong v. the treadmill–i pulled my red-plaid flannel robe tighter, slipped old shoes on my feet and went out to inhale God’s world, to bow to the moon. to use the burgeoning goosebumps as reminder that i am so extraordinarily blessed to be alive, here at the mid-century mark.

in days of old, every move mattered, mattered to the extreme, on my birthday. i made lists, stacked one blessed moment on top of another. and when the birthday ebbed, i ached, thinking i needed to wait a whole nother sweep of the calendar before once again i could indulge in such simple pleasures, stacked one on the other, all through the day.

over the years, i got wiser. realized the true gift was seeing each day as a blessing. stitching grace, beauty, magical moments into any old day on the page.

and so, for instance, i set tables. set them as if it’s my birthday. old blue willow plates, a basket of clementines, coffee poured into my old favorite mug, the red one with little white hearts all around, and a few chips at the rim.

i make rich simple foods, foods of the earth, unadorned as often as possible. a snippet of herb, plucked from my sill, is enough to send me swooning.

i breathe deep, i breathe lasting.

the one gift i give on my birthday is the rare and incredible gift of taking time. i will dally over coffee, take a long walk to no particular place. i will sit before the fire, writing, flipping pages in a book that delights. i will drink in the tick of the clock. i will, thanks to the public school schedule, be with my boys all through this day.

nothing fancy. not a drop. intentionally, consciously so. i will, all through the day, whisper a long-winding prayer: blessed God you have kept me aloft and afloat. have not let me bob under the waters. filled my lungs, filled my heart, filled my arms. i am awake to your gifts, lord. i am awake. and that, in the end, is the most marvelous gift.

may you, each one of you, live this day stitched with riches and grace. simple riches. the ones you can’t buy. the ones that come from living awake.

i sign off hoping and praying that your days and mine, we never forget that each blessed one holds the possibility for all that is breath-takingly, spine-tinglingly good.

that, after all, is the ultimate challenge: to live a day, not in a rush toward some other day, some other deadline. but deeply to dwell in the blessing of blessings. deeply to dwell in the riches within.

may there be even one moment in this day that’s unfolding when you find yourself whispering, ah this is a day that is blessed, this is a double blessed day.

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January 2, 2007

bring on the birds

it seems fitting, doesn’t it, to begin the new year with an ear to the symphony outside. the sounds we don’t notice. the birdsong we are missing, dashing in and out from the house to the car to the errands that never ever seem to stop.

i was just out listening. and i’m telling you, it was an awakening. bach and beethoven, they tried. but they never got close. never got close to the sound and the song that the little birds make.

i had a fellow over, a wonderful fellow, the sort you want to sip coffee and listen to all the day long. his name is tim joyce, and he is a bird man. he came for a story i’m working on, a story about birdscaping, which is, believe it or not, the fine art of figuring which birds you might attract, and then laying out a plot for doing just that. it’s the bird version of landscaping. only it’s all about bringing on the birds.

so for a good hour or more, in the finger-numbing chill of this january morn, we stood and we watched and we listened. there were, in no particular order, house finches, house sparrows, black-cap chickadees, white-breasted nuthatches, and red-breasted ones, too. there was a red-bellied woodpecker, a downy woodpecker, an american crow, and darn it, european starlings. of course, there were cardinals, my signature bird. and last but not least there were juncoes and goldfinch.

what all of that means is that nestled in the branches of my pines and my old scrubby brush, i have whole civilizations with stories to tell and flutterings to delight.

this tim fellow, bearded and spectacled, unspooled tales of how the starling, a seed swisher and most social bird i now know, was an invader from europe, how they’d come generations ago, brought over by settlers who, so the story goes, thought a starling in the background would make a new york city performance of shakespeare’s “king lear” seem so much more authentic. who knew?

he told how a hummingbird, flying from the yucatan peninsula to a quiet little corner of, perhaps, southern ontario, would dart into my little yard if i put out a hummingbird feeder, dally for a day or two, and then in the fall, flying back south, would remember my spot on the map and make a certain return. imagine that, my very own hummingbird friend.

but, he cautioned, should i ever forget to put out fresh hummingbird nectar (aka sugar water) and that sojourner took a gulp of bird drink gone bad, i would be blackballed forever by that sweet little flapper. egad.

all in all, it enchanted. and it turned on lightbulbs galore. here, in my little corner of the world, close enough to the big city that i’m there in a blink, i could be brushed day in and day out by the spectacle of God’s winged creation. what it takes, most of all, is carving out time, carving out quiet, to sit and to marvel at all that’s around me.

what if every morning i started my day not with a leap to the treadmill but instead crept outside, bowed to the rising sun and listened for the bach and the beethoven already nestled in my limbs?

i’m curious. how do you bring the natural world into your every day? is it the stars, or the moon? the rising or setting sun? and what about the birds, do you ever stand at your window and marvel, or better yet, step outside and drink in their song?

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