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vernal whisperings

if you listen, you can hear the first stirrings of winter loosening its grip. yes, the snow moon, that great white orb that cast its full light on the cold cruel landscape of last night, made it hard to see anything that was not white, or bluish white, a color even colder.

but in fact, and despite the wind chill, this is the day when myth and legend begin their vernal whisperings. there’s the old folktale about the ground hog and his shadow. but that doesn’t much catch my fancy.

what does catch it, locks it in its grip, is something i knew little about. until now. it is the jewish festival of tu b’shevat, the new year of the trees.

it is, it seems, all about vernal whisperings, the first hint of promise that all this, the harsh and the cold and the barren, will soon melt away.

as a woman married to a jew, as a woman who embraces spirit and rite and story and all things of the earth, this little holiday seems made for souls like me.

i had had an inkling that the holiday i had a hard time pronouncing (tu-bish-vat, more or less) had something to do with trees or planting trees. in fact, it is said that this is the day when God decides how bountiful the fruit of each tree will be in the coming year.

in israel, this is when the almond tree awakes from its winter sleep, erupting in clouds of tissue-white flowers, the first blossom of spring.

in ancient times, tu b’shevat marked the day of tithing. it clanged the final bell on the fiscal year. all fruits borne before this day, belonged to the harvest of the last year, and must be divided accordingly, a portion to the poor, a portion to the temple in jerusalem.

all of that was lovely enough.

but then i heard something about a special seder of seven fruits.

and that’s when i knew i needed to dig a little deeper. that’s when i discovered the thinking of the 16th-century jewish mystics.

known as the kabbalists, these deeply spiritual thinkers believed that we elevate ourselves by the eating of certain fruits on tu b’shevat. if done with holy intention, they taught, sparks of light hidden in the fruit could be broken open from their shells, freed to float up to heaven, to the great divine, completing the circle of the renewal of life.

oh my.

they go on, these marvelous mystics. they talk not about seven fruits, but ten. they break them into categories corresponding to four levels of creation. there are the fruits that need no protection, and can be wholly eaten; grapes and figs, among them. there are fruits that require protection but only at the heart; olives, dates and persimmons would be among these. then there are the fruits that need full protection, the pomegranate and avocado, both of which hide inside a leathery shell. the fourth realm, purely spiritual, by definition has no fruits: it’s just pure spirit.

the holiness of each fruit or nut is, according to the kabbalists, the soft edible part, the part you can bite into. the pits or inedible parts were thought to be impure. and the shells were the protection of the holiness. (makes you feel kindly toward that ol’ banana peel, eh?)

reciting blessings–there is a particular line from the torah for each fruit or nut, believe it or not–helps to release the holy spark of life flow trapped within them, the kabbalists believed.

ah, but the act of chewing, they tell us, kicks it all into some sort of spiritual overdrive.

get this: chewing is more powerful than reciting blessings, they believed, because humans have 32 teeth, and that is the precise number of times the word “elohim,” or God, appears in the story of creation.

goodness. it is morsels like that that make it so delicious to dig deep into something of which you once knew so little, but deep in your soul feel so drawn to. it’s the marvelous adventure, open to all of us, of cracking deep into the book of religions other than the one we knew first. it’s the weaving and steeping, the absorbing and unfolding, that i swear enriches the broth.

but back to the fruits, and the part that i think is the absolute swooningest.

along with the fruits of the seder, the kabbalists said there must be four glasses of wine at the meal. you begin, they taught, with a white wine. each glass after that adds more and more red wine, so that each glass deepens in color. the first glass represents the cold whiteness of winter, the next, the pale buds of spring, onto the deep rose of the height of summer, and finally the crimson of the autumn leaves before they fall from the trees.

you needn’t be jewish to want to drop to your knees on that one, the breathtaking progression, the resonance of the fruit of the vine with the rhythms of earth, the unfolding. a whole sensory reminding that the changing of season is a blessing beyond blessing.

and this is a day when we pause, when we listen, for the first stirrings of the deep underground.

abraham joshua heschel, the great 20th-century jewish scholar, writes magnificently of the sanctification of time in judaism. here is one thought to ponder:

“judaism teaches us to be attached to the holiness of time, to be attached to sacred events, to learn how to consecrate sanctuaries that emerge from the magnificent stream of the year.”

and so tonight, as i light the shabbat candles, usher in tu b’shevat, a sanctuary i never really knew until now, i will sit down to a feast of the earth’s promise, to fruits and nuts and wine. i will behold the shifting of the seasons, the absolute truth of the returning of life.

yes, now winter is making itself abundantly present. but from the heart of the fruits, will break open great sparks of holiness, wafting toward heaven. from each sip of my ever-blushing wine, the taste of the turning of time.

i will know as i eat and drink that beneath the cold hard snow, the fruits of spring are stirring. are whispering sacred incantations. vernal incantations.

oranges-and-chocolate brigade

i got to thinking about frozen people. got to thinking about folks with no choice about being in the cold.

what got me thinking were the folks i was passing as i made my way through the bone-chilling day. the crews cutting down trees, their limbs barely moving as they hoisted their saws in their orange puffy suits. a guy, red-cheeked, frost-bearded, standing in the middle of the road with a pole, measuring something that couldn’t wait ’til a day with bearable temperatures.

i thought of the mail carriers, the garbage haulers, the firehose aimers. i thought of the crossing guards, the meter readers, the ruptured water main fixers. i thought of my friend who bundles up like an inuit, she says, and walks 20 minutes to work, her cheeks so numb she probably can’t smile when she gets there, not for a good half an hour.

then i really got to thinking about frozen people. i started thinking about dirt man and tax man and refrigerator man. i thought about shorty and squeaky and a guy named everett, who’d built himself a multiplex of boxes up on a platform so the rats couldn’t get in, down in the bowels of the city, down under lower wacker drive.

i met the whole civilization of under-street inhabitants a year or so ago, when i tagged along with two saints, named frank and kay fennell.

frank and kay do an amazing, uncomplicated thing: they flip open the trunk of their car, they fill it with boxes of home-cooked food, and every thursday night, for 17 years now, they drive down to the depths of the city.

they cruise the streets of lower wacker, park, stick their heads around corners, poke behind pillars. they open their trunk, spoon hot food on plates, pour glasses of water. they feed the hungry. and this time of year, they feed the near frozen.

you might have heard all the news bulletins. the city is begging the homeless to come in off the streets, off the sidewalks where they stretch out on a pile of flimsy blankets, inch as close as they can to the heating vents at the bases of shimmering towers.

well, the folks who call the streets home, aren’t much interested in leaving. they’ve got reasons aplenty why they can’t stand the shelters. and if you ask questions, if you listen, you hear the pain, you hear the fear that keeps them locked where they are.

i wrote here the other day that my first instinct when arctic winds hit is to hunker down, to draw into my cave. well, sometimes, i told myself as i thought about frozen people, you need to dig beyond that. sometimes you need to pull up your second instinct.

and that’s when i hatched what you might think is a laughable idea.

but, heck, this world needs something to laugh about almost as much as it needs something else: the courage of plain old anybodys to get up, to get out of their houses, to walk up to a stranger, a cold, hungry stranger, to hand him or her a brown paper bag, a bag filled with oranges and chocolate and the solid conviction that if we don’t notice the cold hungry stranger, if we don’t let him or her know that he or she isn’t forgotten, we might as well pack it up, call it a day, shut out the lights, sign off the planet.

i call it the oranges-and-chocolate brigade.

my guardian angel in these matters, kay fennell, once told me: “we decided it was our job to sustain [these people] for whatever their next step would be. and that might be just to stay alive for the next 24 hours.”

so i went to the store, got oranges and hershey bars, reese’s cups, too. grabbed a stash of brown bags and started to fill. this morning i’m headed down to the bowels of the city, where dirt man and tax man were last seen on the grubby old blankets inside torn cardboard boxes, desperately trying to keep their flesh and their blood at least half alive.

before i even get there, i know, i’ll pass the men who hawk papers in the middle of oncoming lanes. or one of the folks who hover at intersections, dodging green lights, with the signs in their raw, frozen fingers. “homeless, please help.”

it’s not much, oranges and chocolate in a brown paper bag. but it’s fuel in the cold. and it might be something a little more than that.

it might maybe say, in case anyone’s listening, that we will not let the cold and the hungry lay down one more night thinking the world has forgotten, the world has gone cold. that’s a lot to ask of plain oranges and chocolate. but if we don’t ask, who will not wake, frozen, all through?

here’s the plot, simply: take a few lunch bags. toss in oranges and chocolate, anything else that you fancy. haul ‘em into your car. you don’t need to drive to the depths of the city to find cold folk. how ‘bout this: when you see someone out working, someone without much of a choice, roll down your window, stop your car. reach out your arm, get out from behind the wheel, even. put your brown bag in his or her hand. smile. say what you will. then go on your way. or bring ‘em home for a hot home-cooked dinner. your choice. always your choice.

report back…

reading by the light of the double dd

not a creature was stirring as i looked out the window into the night. not the ‘possum. not the waddling raccoon. not even an owl, the ol’ nightcaller himself.

it was so cold and so quiet last night, you could have heard a snowflake falling. only it was so cold they were up huddling in clouds.

the moon, just a sliver away from the full snow moon, draped its blue light on what in the day had been white. cast shadows, like night lace, all over the lawn.

i could have stood there for hours, locked in my moon meditation. but i thought i heard rustling from the room up above. so i took to the stairs in the dark, just past bedtime.

ah, yes. a creature was stirring, all right. a boy with a beam powered by double-d batteries. a boy in his bed, with a book on his lap, turning the pages with one hand, holding his moon with the other.

seems we were both locked in moonlight meditations. only his offered forth the story of a worm, a worm who keeps track of his days, of his doings.

seems the pages, the pictures, the underground dramas were too much for the boy with his head once kissed, left snug on the pillow.

he was reading by flashlight, a time-honored rite. only this boy’s no fool, he had backups stashed all around him. three tubes of turn-on light. just in case.

he was deep into the earthworm when i came upon him. he barely looked up, barely flinched. certainly didn’t try hiding the light.

i could not protest; in fact, i just melted. rather like a moonbeam on the frozen earth just out the window.

there is something about stumbling upon a child caught up in a moment of childhood, of wonder, of total absorption in a world that is defined, is outlined, only by him.

it’s like watching a child catch a snowflake on her tongue for the first time. or cupping his hands ‘round a firefly.

who teaches these time-honored tricks? is it somewhere deep in our wiring: stop, behold wonder. use your whole body to grasp it, to taste it, to touch it.

to drink it all in by the light of the moonbeam you hold in your hand.

my whisper today is that each one of us, with children or without, discover, re-discover, the magic of stumbling upon wonder and doing our darnedest to hold onto it, to catch it, to tuck it in a jar, to steal a few sacred moments, under the light of the snow moon, ascending, and carry it like a flashlight in our back pocket. where someone obviously had been carrying his.

you can always pull out a little wonder, cast its light on the dark of the world that surrounds you.

hunker down

when the little man who lives in the radio next to your bed rouses you from your slumber with the rooster-squawking news that your world, it is abysmally freezing, that there’s nothing between zero and you but a scant shallow degree or two,well then there’s nothing to do but hunker down.

since pulling up the covers and six months’ hibernation is not an option for the homo sapien species, you do the right-thinking thing: you grab all the clothes from your closet, you pile them on, then you waddle down the stairs, the abominable mother.

deep inside you this mad cave-woman thing is stirring you on: you want to grab all your loved ones, even the birds and the squirrels and that ol’ fat raccoon, and you want to haul everyone and everything to the back of the cave where you, in a cave era gender leap, will rub some sticks, start a fire and keep flesh, feather and fur all warm and all toasty.

but, alas, there’s no cave and you’re not good with sticks, so instead you start fueling your flock for the day.

in the deep arctic cold, you step into the purplish light of pre-dawn, armed with your coffee can brimming with seed. you pour seed for the cardinals, seed for the sparrows. you fill water for everyone, scatter bread, scatter popcorn for squirrels.

back in the house, you repeat the routine for the little ones sleeping up over your head. it’s oatmeal for the sapiens, oatmeal studded with every imaginable fruit on the shelf. you are filling their tanks for long walks to the train, to the bus, to the playground. calorie-packing, the arctic climbers call it, and you call it the same, as you pour almonds and wheat germ and fat juicy apricots into the porridge. if you invest oatmeal with amulet powers on a 30-degree day, you should see what you do when the digits come only one at a time.

the whole day will unfold with similar bone-chilling caution. all errands are nixed, unless earth-shatteringly essential. no child of yours shall be dawdling at bus stops. each being who steps out of your house will be so wrapped in cloth, it’ll be nearly impossible to move even a muscle. but you’ll insist.

and then you’ll get on with the business of stoking their furnaces. you’ll rub your numb fingers, yank supplies off the shelves. it’s visions of soup, bread and cookies, all steamy and yummy, all straight from the oven, that swirl in your head.

so pull up your long johns, fasten your ear muffs. we’ve a cold day ahead, arctic winds to contend with. remember the birds. crank your crotchety ovens. it’s hot cookies for all, and for all a good day.

baking for God

if you wandered by my house, you would never stop to think, hmm, something unusual happens inside that house. not any more than you would think that at anyone else’s house.

but inside my house, once a month or so now that my kitchen is back in business, i bake for God. yes, yes.

not in the way dear benny, grandson of a bagel baker in the charming, makes-you-brush-away-a-tear, children’s book “bagels from benny,” ferries the hot bag of bagels into the synagogue every friday morning, tucks them into the holy ark, the blessed cabinet where the torah scroll is kept. only to find, come every saturday morning, that the bagels are gone. and he is convinced he is feeding bagels to God.

no, i don’t bake for God that way. though i cherish the story, cherish the thought.

in the uncanniest twist for a girl who grew up knowing that only cloistered nuns in faraway places were holy enough to mix the wheat with the water that would be cut into wafers that would rest on our tongues and get stuck to the roofs of our mouths, all in the name of jesus, well, i bake communion.

yes, yes.

the same ovens that once a week transform twisty dough into risen sweet challah, once a month turn hot water (4 cups), white flour (2 1/2 cups), wheat flour (4 hard-to-add cups) into squat, flat unleaven loaves.

there is a recipe i follow, and i follow it religiously. turns out i was not doing it according to rules for my first few at-bats, and in a flash that took me back to sister leonardo mary rapping me for my mispronunciation of the word “women” (i couldn’t get that the pronunciation change was on the first syllable instead of the second), i was rapped in an email for my failure to cut the unleaven bread into little brown bits.

i was told they were tossing my loaves. (never mind that that step had been left off the photocopy they’d given to me.)

and i was informed, later on at a workshop (a remedial baking class, disguised as one-day retreat, perhaps?) that the recipe i now follow, one titled “boulder bread recipe” (you only need drop a loaf on your foot to understand the derivation thereof), was the product of many many hours of ecclesiastical to and fro. i was informed that to diverge from the steps was a sure path to, well…at the least your loaves would be, shame of shames, tossed. they would become so much squirrel food.

all kidding aside, there is something so sacred about turning two essentials of life–water and wheat–into loaves whose cut-apart squares will be blessed, will be made into communion.

communion, whatever you believe about it, is the sacrament of taking in life in the form of bread so that in your belly, your soul, you might live life more fully.

i have always found it to be far more than a metaphysical vitamin. i have the sense when i swallow a host that God, more than ever, dwells deep inside me.

so to stand in my kitchen, alone in the silence, to stir the ever-thickening dough, is indeed to be in communion with something far greater than little old me. i think as i stir of all those who will partake. i haven’t a clue who they are, or how this might change them. even if only so far as the trip back to their pew.

but perhaps, just perhaps, the person who swallows the bread that i bake needs sustenance of a form that only can come if you believe that far more than water and wheat is mixed in that bread.

believe me, i pray as i knead. i push hard into that smoothing-out mound. God only knows what else is working its way into the soon-to-rise dough.

for a short spell, then, my kitchen is holy. and the oven at 375 is filling the room, filling my soul, with a heat and a light that lasts long after the loaves they are packed, sealed and delivered.

you wouldn’t know that if you paused by my house. but you do now.

baking for God is a prayer that i pray with my hands and my raggedy red oven mitt. baking for God is my unspoken blessing. baking for God is, well, really quite heavenly.

weekend update

i know. i know. i’m not supposed to be here. supposed to be off spooning lucky charms into my lazy little saturday morning mouth. well, rules, as they say, are to be broken.

so here i am. in my jammies. and my big fluffy slippers. seemed like it was time to not meander in the monday through friday way, but rather get us all here at the table, chat about just a few little things.

first off, chair people, i cannot tell you deeply enough how much i love that you are pulling up chairs. wish i could prance around in my big whites (aka slippers of many yarns), tap on your window panes, leave big pucker marks on the glass. yes, it’s true. i would kiss each one of you who is out there regularly pulling up a chair. or even just once in a while.

and i must tell you that when you step out of the shadows, boldly hit that “add a comment” button, well, then you make this the very place that i dream of it to be. it is soooooooo fine if you just like to drop in, read, scamper away. but when you add your fine thoughts, your perspective, your queries, your ponders, well, then this broth gets really rich here.

it almost gives me goosebumps the notion that chairs from maine to california are pulling up here. that dots are being connected. like souls are sniffing each other out. when that happens i just stand back, like the proudest mama that ever there was, and watch magic unfold.

now about that “add a comment” button. do not be afraid. just add. someone asked me just this week, a couple someones i think, if there were rules. heck no! i am not a rule girl, despite my many years of good catholic nuns. (my nuns, by the way, were behind the convent, smoking cigarettes, wearing shorts, stripping off their veils. so that tells you something about my formative catholic years.)

back to rules: no, there are no commenting rules. well, yes, there is one. be polite. please. but that’s not something i need to tell chair people. sing your heart out, like blessed brilliant wm ulysses (wow, can that man write). charm us with tales from your front (see just about any jcv or pv-az post). take us to a new height (all of the above, plus jan the moon lady). delight us with your word play (check out thelonius; and, by the way, how’s that for a name?) unspool your wisdom (mbw on children’s books comes droolingly to mind, but there are so many others). drop in like the old friend you once were and are once again (kd-nj, hullo). pop up here and there, melting us every time (susan, nancy, becc, blessed becc. or even vpk). you might even insert a question, a question to think of all day (carol z, aka bread-delivery queen).

write like you are writing to friends, which i hope we will all become, if we aren’t already. say whatever strikes your fancy. and please please, talk among yourselves. you don’t have to talk to me. i just get the yarn rolling each morn. i am only the beginning.

oh, and one more thing: if there is a spool of conversation that you still want to meander, don’t feel compelled to stick only to the meander of the latest day. (we’re still thinking about what’s called a forum page, so you can easily talk among yourselves, following a particular thread ‘til the spool runs dry.)

but, truly, if you care to sit in silence, you are just as welcome as us wordy ones.

one other thing before me and my slippers shuffle away: seems not all of you are seeing this the way i do, and i don’t mean in a metaphysical or philosophical sense. i mean graphics. plain, old, what you see with your eyeballs.

i see the words that i type in a font that looks, well, just like an old typewriter. some of you do not. i am learning these things. occasionally, i’m told, that mucks things up. words slide behind pictures. pictures eclipse thoughts. not a good thing.

so the committee on graphic construction is considering a little reconstruction (though it pains me to give up the typewriter, although not so much if you can’t see it anyway). so, let’s all pull in our chairs, and give me your vote.

i could start writing in this, which is called georgia, and which my technical wizards think is cool, think is different, think is the closest approximation to typewriter that almost all computers can read.

or i could go for my old stand-by, times new roman, the type i have used for years and years, the type that i first loved. now that i see them cheek-to-cheek, i think i can see why the wizards want door no. 1. but that doesn’t mean i could ditch my first love….

anyway, it’s out on the table. i’ll sure hate to let go of this baby, american typewriter. it’s the font that birthed pull up a chair.

so that’s about it, people. back to your cheerios. back to your froot loops. i’m off to rustle up bagels, lox, the works, for my boy who did not get the part of his dreams, but who is weathering it well. we invited over the boy who did get the big part. and my boy, the fiddler’s butcher, the man who wants to marry daughter no. 1, is taking in wisdom that will last his life long.

see you monday. when i’ll be back to meander. in the meantime, i’ll put some fresh morsels onto the lazy susan. not now, but by the time the weekend is done.

here’s the big kiss i’m smearing on your windowpane. mwah. and here’s me, shuffling away….

little miss hyacinth

hmm. when last we left little miss hyacinth she was asleep at the back of the fridge, tucked back by the leftover spaghetti and the butter-under-cow.

she had, just before last dispatch (“honey, what’s that growing in the fridge?” 12.14.06), been rescued from the deep recesses of the laundry room. where she had unwittingly, and against her deepest desires, been wrongly abandoned. there on a shelf with the holiday wrappings and curlicue ribbons.

what did i know about hyacinths? i was, still am, a hyacinth virgin. when the little cheat sheet that i carried home with her told me to leave said bulb in a cool, dark place, i thought the back of the storage room was as good as it gets.

i was wrong.

so i righted my ways—once shown the light by my bulb lady friend.

i fetched poor miss hyacinth, hoisted her up from the cellar and into the back of the fridge. where she sat, nestled alongside her leftover neighbors, sinking her tush in a bath of cold water, soaking up all that she needed, all that she wanted, so she could let rip a tangle of white waxy roots.

i don’t know about you, but if i sat in cold water for a month and a day i might go on some sort of a strike. a protest, you know. a no-growth, no-how, sort of horticultural tirade.

hmm. seems that she might have.

friends, little miss hyacinth has been out of the fridge for a full 11 days now, and barely a peep has she made. her green leaves, they are tight. her buds-in-the-making, they are pursed and determined. she seems, by all measures, hellbent on not moving.

hmmm.

remember how our bulb lady friend likened the big red amaryllis to that teenage boy who had no desire to move ’til he was good and well ready (“red triumphant” 1.18.07)?

well, meet little miss prissy hyacinthy who seems to be the bulb equivalent of the teenage girl who has locked herself in the bathroom for hours on end, swiping mascara, dabbing gloss here and there, sweeping cobalt-blue blush all over her most striking cheekbones.

we have been banging on that bathroom door for days now. but she won’t answer. won’t come out. won’t even humor us with a note slipped under the transom.

by even the worst prognostications, she was, by now, supposed to be strutting her stuff, perfuming the daylights out of the kitchen. but nooooooo. here we are bounding toward february and she is in there doing god-only-knows-what with her girlie-girl bag of botanical tricks.

so we just thought we’d let you in on the big bulby letdown. and tell you that little miss hyacinth seems to have turned into some sort of behind-closed-doors balled-up prima donna.

we’ve little to do here but leave her there on the sill. we shove her toward sunlight. we whisper sweet nothings. it’s useless, it seems.

so we slump by the door and we wait and we wait. she’ll be out as soon as she runs out of mascara.

p.s. and meanwhile, ol’ stud boy amaryllis, mr. red buds on long tall stout stalk, is putting the rest of the winter garden to shame. he’s up to six, count ‘em six, trumpets on high. the boy, finally roused, is running and running the bases. long past home, he’s back over to second. (if you can do such a thing in baseball…) maybe he’s showing off so little miss hyacinth will come out of her shell.

after-school cookie therapy

the little one had his hand deep in the cookie bag when i walked in.

“hey sweetie,” i said, launching into the kitchen. “hold on. let me make something healthy.”

that’s when he started to cry. words followed tears. tears followed words. “but i had a hard day,” said the boy who is 5.

that’s when i kicked the after-school snack into super high gear. “oh, boy, let me make something special,” i said as i grabbed for the bag and the boy and a red splatterware plate. while i gathered my wares—orange, dried strawberries, banana, and, yes, even reclaimed bag of pepperidge farm brussels–i turned up my ears, cranked open my heart.

“tell me what happened,” i said, slicing orange into juicy-spoked wheels.

something about dominoes, it turned out, was the source of the tears. something about dominoes not being shared.
by now i was sprinkling dried strawberries like rain on orange puddles.

that’s when his big brother walked in. “you need a hug, little buddy? looks like you need a hug.”

as they squeezed, the big brother therapist added this: “the best way to fix a bad day, little bud, is to talk. talking fixes bad days.”

while they wrapped up the squeeze, slid onto chairs at the old kitchen table, i reached into cookie bag, pulled out buttery-crisps that the little one had already determined would sop up the hurt.

laid crisps on the plate, tucked in between orange wheels. making it pretty. some quirk in my brain thinking that pretty sops up hurt better. maybe because really it soars to a place beyond words, says someone cares, cares enough to make the plate pretty. and, sometimes, you’ll do anything—words, pretty, pepperidge farm–to sop up the hurt.

sopping up hurt.

some days that’s what after-school snack is all about. i am an ardent believer in after-school snack, depend heavily on its medicinal powers. i still remember, more clearly i think than any other food of my childhood day, the apples in wedges, the pretzels in twists and stirring the chocolatey powder into deep earthen ooze at the bottom of my green glass of milk. i don’t remember the talking. but i do remember the after-school rite.

and i distinctly remember a smart lawyerly friend, a mother of two in that smartland known around here as hyde park (home to the university of chicago and iq’s off the chart, for you who dwell outside the land of 606-something). i distinctly remember her telling me she worked part-time hours just so she could be there for after-school snack. mind you, this was one tough cookie making time for, well, milk and cookie.

some things stick with you forever. that one sticks with me.

all these years later it defines the minutes from 3:30 on, ’til the talking is done. no matter the stacks on my desk, no matter the deadline, i practically always lift my head long enough for snacks and the news of the school day.

little people have hearts, they have hurts, they have sorrows. some days they have triumphs. or just a good knock-knock that makes them laugh silly.

today it took oranges in wheels, sprinkled with strawberries. then the boy who loves cheerios thought a handful of o’s might make it more better. so we nibbled, we talked, we indeed made it all better. more better, even.

they pushed in their chairs, i rinsed off the plate. we are back to our days now. our tummies are filled, and so are our hearts.

you needn’t be a parent, nor have little birds still in your nest, to partake in the patching together of a broken heart at the end of a long day. this was our story, our story from yesterday. tell us your story of a heart being patched all together again….if you care to, of course. only if you care to…

illumination: bees’ no lesser labor

ah yes, back to the hive. back to the inner sanctum, the holy hollows, of hundreds of thousands of Apis mellifera, uncommonly known as the western honeybee. more often, simply, the bee.

it is the wax of the bee we consider today, hardly the lesser of the sweet honeybee’s labors.

there is so much to ponder about the great pollinators, your pontificator soon will be percolating. strike that. make it a buzz. as in your brain soon will be buzzing.

consider this: to produce a pound of beeswax, bees must consume roughly eight times that in honey. likened to a sumo wrestler packing on pounds by sucking down steaks before the big match, the bee intent on waxing might be found gas-guzzling nectar.

put another way, it is estimated by those who estimate such things that bees fly 150,000 miles to yield one pound of beeswax.

or, this: 10,000 bees can produce one pound of beeswax in three days.

here’s how it works: the bee, known for short as A. mellifera, sucks up the nectar from les fleurs, from blossoms, from your own lowly rose bush, through a very long tongue. the nectar is then stored in a sac called the honey stomach. when the honey tummy is full, the besotted bee zig-zags back to the hive, and somehow transfers the not-yet-liquid-gold to young house bees, bees 12 to 17 days old, in case you’re counting. the house bees, not unlike a compulsive housekeeper, spread the nectar drop by drop into the honeycombs. while they’re at it, they add enzymes to the nectar to break it down from complex into simple sugars.

because the nectar, back at the blossom stage, is 80 percent water, the bees need to distill it down to its dehydrated essence, a fantastical feat they accomplish through, get this, the fanning of their little bee wings. flap, flap, flap, out goes the water, out of the nectar. turning watery nectar to syrupy honey.

here’s where the beeswax comes in: each little house bee has eight slits on her belly. when it’s time, teeny tiny shavings of wax–flakes the size of the head of a pin, one hundred of which are said to weigh hardly as much as a kernel of wheat–emerge on the bee belly.

what happens next is best put in the words of one holley bishop, author of the utterly mesmerizing, “robbing the bees: a biography of honey–the sweet liquid gold that seduced the world” (free press, $24).

she writes: “… like a construction worker pulling nails from her toolbelt, she reaches for a flake….in an advanced yoga move [she] transfers it to her mouth. there, she masticates it, chewing and working the wax like a baker kneading dough…all around her, other masons are patting and caressing their own scales of wax into place.”

never mind that she switches similes faster than a bee beats its wings. what she’s telling us here is fairly straight-forward: the bees do a helluva job constructing their hexagonally-heavy honey palace. and not only that: each she-bee minds her own beeswax.

when each honeycomb is filled, the ol’ house bees drop one final wax blob, sort of the tupperware lid on the sweet golden goo. in fact, one lid, about the size of a split pea, can take several hours and dozens of bees to assemble.

it is hard not to be awed, not to be wowed, by the fannings and droppings of the wax-wielding bees.

it is ancient, this hushed veneration of bees and beeswax. daedalus of course used beeswax for his flawed wings. and ulysses, in the odyssey, stuffed ears with the stuff, in hopes of blocking the call of the sirens. and, at the cusp of the first millennia, candles as we now know them were born, and, without haste, made their way to the front of the pews. the roman catholics insisted on beeswax. the greek orthodox, too.

in 1855, a thinker named karl von leoprechting wrote: “the bee is the only creature which has come to us unchanged from paradise, therefore she gathers the wax for sacred services.”

clearly, we are not the first to draw a line between the divine and the communal chaos of the hive where, through mystery and miracle, the sap of the back forty is turned into the golden sweet goop we spread on our toast. and the fall-out from the shelter is melted down and dipped into sticks that shine light on our lives.

perhaps this is all more than you wanted to know about bees and their pre-plastic, all-purpose wax. perhaps it’s making your head buzz.

but, in the end, i know one thing for certain: the next time i strike a match to a wick, i will marvel, will drop my head in a deep bow of reverence for the little winged things that laid down their lives for my sweet incandescence.

what if we all did away with those paraffin fillers? what if we vowed that the only candle worth burning was one built the hard way, through the flapping of hundreds of thousands of wings, for hundreds of thousands of miles, through the hard work and labor of A. mellifera & friends?
cast your vote here….

from tasha’s bees to me

a box arrived over the weekend from vermont. anything from vermont makes me happy. but this particular box said it was from tasha tudor, who is pretty much my hero. she might be the loveliest illustrator of children’s books that ever there was. think “secret garden.” she’s the one who painted the garden that pulled you in, and all these years later has never let you go.

tasha is my hero as much for how she lives as for how she puts color to paper. she lives at the end of a perilously-steep, much-potholed road, in a timeworn cedar-planked farmhouse–just like one built in 1740 in concord, new hampshire, one that caught her considerable fancy.

but her house, on the crest of a hill, the inside a labyrinth of rooms with low-slung doorways and uneven floorboards, is one that her son seth built for her, using only hand tools.

seth and his mama are both, they like to say, “a bit reluctant to live in the twentieth century.”

tasha, who is 91, lives purely. you might say she lives simply, but that would be to discount the bone-thinning work it takes to live the way she lives. she is old yankee through and through.

she cooks on an old black cookstove, roasts a turkey in a “tin kitchen,” a contraption she describes as a reflector oven, set in front of the fire. (“barricade the bird from corgies and cats with a firescreen,” she warns, right in the midst of her roasted turkey recipe, a recipe for which she insists a fireplace is required, not optional.)

she eats what she grows in her tumbly riotous garden. raises goats for milk and butter and cheese. wraps herself in shawls to keep away the cold.

when dusk rolls in through the windows, she lights her rooms with beeswax candles, candles she has dipped in autumn, after she cleans the hives so the bees can begin again.

which brings us back to the box that came from vermont over the weekend. it was sent by my sister who is married to my brother in maine (don’t be frightened by that construction; i just constructed it, but it seems right, more right than saying, sister-in-law, a term too clinical for me). it was sent by becca. but it came from tasha.

yes, tasha dipped the candles that now are at my house, now lying on my window seat. maybe it was her children who did the dipping, or maybe one of her grandchildren, some of whom live in cottages nearby. whoever dipped, it’s close enough for me.

and so, as i opened the box, unrolled the sturdy brown paper, i watched six nubby, knobby hand-dipped sticks of beeswax roll toward me. they are in pairs, their wicks still joined, their wicks all tumbled together.

i was dumbstruck by the candlesticks. by the bees’ hard work. by their purity. by the fact that they were dipped and came from tasha’s bees, bees that sucked the nectar from tasha’s enviable and magnificent garden, the garden that has long been the muse for all her painting. the garden that is a muse for me.

the candles got me to thinking about bees. i happen to love bees. i did some reading. soaked up all kinds of wonderful things about bees, about beeswax. i will tell you all about it tomorrow, because this seems to have turned into a tale about tasha. which is a good thing.

which is a pure thing.

please come back tomorrow for another pure thing, a bit about bees, a bit about beeswax, the less considered thing about bees and their labors. honey, of course, being the bee thing that tends to get more of our time and attention. because it’s a sweet thing. of course.