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Tag: solstice

of darkness and sunlight in shifting proportion

night was on my mind this week, as the sunlight upon us stretched to its longest shift of the year, the apex of the solstice on thursday, and now the night grows longer minute by minute till winter’s solstice takes its turn, a doh-si-doh of celestial bodies. the interplay of light and shadow is eternal, has been, according to genesis, since the beginning, day one. and it was good. 

it might seem counterintuitive to contemplate night when the day is at its longest, but it’s often through the paradoxical that insights are gleaned. a wise and soulful priest pointed me toward considering the illuminations that come in darkness, at a saturday morning retreat in the great gothic-revival church that so often stirs me these days. 

and then through the week, i kept stumbling on poems that made me marvel, made me think deep and deeper of the hours of darkness. here are two: 

The night never wants to end, to give itself over
to light. So it traps itself in things: obsidian, crows.
Even on summer solstice, the day of light’s great
triumph, where fields of sunflowers guzzle in the sun—
we break open the watermelon and spit out
black seeds, bits of night glistening on the grass.

––Night in Day by Joseph Stroud

Night Ferry
by John Burnside

Had I been less prepared, I would have left
in springtime, when the plum tree in the yard
was still in bloom,
the windows open after months of snow,
one magpie in the road
and then another.

I could have slipped away, late afternoon,
while everyone was busy somewhere else,
the fish van at the corner, children
dawdling home from school
in twos and threes, a porch light
lit against the dusk on Tollbooth Wynd.

Give me these years again and I will
spend them wisely.
Done with the compass; done, now, with the chart.
The ferry at the dock, lit
stern to prow,
the next life like a footfall in my heart.

it’s the last stanza of burnside’s that spoke to me most profoundly. “give me these years again and I will / spend them wisely.”

and then, with celestial bodies on my mind, i stumbled onto john burroughs, the naturalist whose wisdoms and poetries never fail to stir me. 

“If I had my life to live over again, and had my choice of celestial bodies, I am sure I should take this planet, and iI should choose these men and women for my friends and companions. This great rolling sphere with its sky, its stars, its sunrises and sunsets, and with its outlook into infinity — what could be more desirable? What more satisfying? Garlanded by the seasons, embosomed in sidereal influences, thrilling with continents — one might ransack the heavens in vain for a better or more picturesque abode.” — John Burroughs 


but mostly this week i indulged in the sunlight of one of the oldest, dearest friends i have on this planet: my roommate in college, my roommate after college, my maid of honor, godmother to my firstborn, and my heartmate and soulmate through life’s most scouring hours. she’s a california girl, blond still (naturally so), and more beautiful than ever, and she married a man who might be the twin separated at birth from the one i married. not only do they both wear the exact same spectacles, they both dress in old-line khakis and oxford-cloth shirts, and think deeply about the subjects they love (film for the one from LA; bricks, mortar, and marble for the one i married) as well as the ideas that animate the life of the mind. we played, the four of us, at being playful: took long walks through woodsy ravines, gobbled ice cream from cones, motored downtown to see georgia o’keeffe at the art institute, and before we got there stumbled into one of the world’s great symphony orchestras rehearsing schumann’s piano concerto in frank gehry’s bandshell with someone billed as one of the world’s greatest pianist. all for free. and all in the sunlight.

and tomorrow, my firstborn marks another spin around the sun at the center of it all. there are not enough blessings under that sun for me to wish and hope and pray for my boy, but i wish every last one for him and his heart and his soul and his dreams. happy blessed life, you who made me a mama.

how did you mark the solstice, the day when the sunlight shines longest?

looking into the darkness

maybe it’s the darkness we’re meant to look into. deep into. maybe halves of the world go darkest once a year, so we become practiced. so not only our eyes but our souls learn to widen the aperture, to let in whatever droplets of light there might be. or maybe it’s the inky darkness itself we’re meant to wrap ourselves in. to not be afraid.

maybe we’re left to our own devices when the darkness comes — and it will come — so we learn to find our way. steady our wobbling, put meat to the muscle that holds us upright. in a lifetime’s ebb and flow of darkness and light, it’s the shadowed chapters that have made me the deeper parts of who i am. maybe we should all look to the roots wriggling down below the frozen crust of earth to see how it’s done, how the growing comes unnoticed, in the tabernacle of earthly darkness.

maybe we’d be wise to consider the hidden work of wintertide, the profound intelligence unfolding where eyes cannot see, where sense cannot reach.

in this year’s darkest hour, i can’t say i was up keeping night vigil, awaiting the nadir of night. i was not out in my yard, kindling sticks and dried-up old leaves, setting a bonfire to keep the darkness at bay. fact is, i was felled by a bug that did have me up moseying about the house in the wee hours, but not to contemplate the darkness.

what i did do, as is my wont (and i did it by daylight), was gather up words, snippets of poetry, that made me think about light and darkness, and the shimmering shards we need to find to keep from tumbling headlong into the abyss.

the world this christmas is dark indeed. more than ever, we need to light our way. and pray that our penumbra illumines the path of those who travel nearby.

a solstice offering…

Let the ordinary be in your hand;
hold it open and imagine a bird landing,
offering all it possesses in trust
to come to you.

Learn to look for the little things
that weigh nothing at all,
but fill the heart with such light
they can never be measured.

-Kenneth Steven*, Seeing the Light 



To go in the dark with a light is to know the light.
To know the dark, go dark. Go without sight,
and find that the dark, too, blooms and sings,
and is traveled by dark feet and dark wings.
 
-Wendell Berry


Holding the Light
 by Stuart Kestenbaum

Gather up whatever is 
glittering in the gutter,
whatever has tumbled 
in the waves or fallen 
in flames out of the sky,

for it’s not only our
hearts that are broken, 
but the heart
of the world as well.
Stitch it back together. 

Make a place where
the day speaks to the night
and the earth speaks to the sky.
Whether we created God
or God created us

it all comes down to this:
In our imperfect world
we are meant to repair
and stitch together 
what beauty there is, stitch it 

with compassion and wire. 
See how everything 
we have made gathers 
the light inside itself
and overflows? A blessing.


i keep watch on a few monastics who dwell in the heart of france. brother laurence, a modern-day mystic, sent along this the other day, a wonder of imagery from the winter’s solstice at Newgrange, a stone-age relic and world heritage site that rises from the earth not too, too far from the irish sea along ireland’s eastern shore. he sent a short video along with this short meditation:

“New Grange is a monumental 5,000 year-old burial mound in Count Meath, Ireland. At sunrise on December 21st, the first ray of direct sunlight from the new-born sun precisely, silently, enters the narrow aperture over the entrance, penetrates into the mound of solid rock and fills the inner chamber with golden light for seventeen minutes. Light overcomes darkness. It is irresistible and yet gentle. As it grows stronger with occasional surges, its intensity increases and the power of its beauty. It communicates purely by itself – the meaning of truth.

“I hope you can take time to watch this short silent video of the phenomenon. It captures a sacred moment, the revelation of God in nature. And it may give you a sense of how the light of Christ, the light of truth, actually enters and changes our world.” (Laurence Freeman, OSB)


and finally, for those among us who find the poetic to be a vessel of the ineffable sacred, this from a Paris Review interview with the late great Louise Gluck. i particularly swooned over the line that a poem “is like a message in a shell held to an ear”…:

From the beginning, Glück cited the influence of Blake, Keats, Yeats, and Eliot—poets whose work “craves a listener.” For her, a poem is like a message in a shell held to an ear, confidentially communicating some universal experience: adolescent struggles, marital love, widowhood, separation, the stasis of middle age, aging, and death. There is a porous barrier between the states of life and death and between body and soul. Her signature style, which includes demotic language and a hypnotic pace of utterance, has captured the attention of generations of poets, as it did mine as a nascent poet of twenty-two. In her oeuvre, the poem of language never eclipses the poem of emotion. Like the great poets she admired, she is absorbed by “time which breeds loss, desire, the world’s beauty.” –Henri Cole


*as this is the second Kenneth Steven poem in as many weeks, you can bet i am following his thread and will be finding out more about this scottish poet and children’s book writer. and gathering up his new book of poems, Seeing the Light, from my favorite friendly librarians….

where are you gathering up shards of light these days?

longest night: the blessing of december’s darkness

prayer for new year

amid the darkness, this flickered in this morning’s dawn. it’s a gift for the turning of season, winter’s solstice, the longest darkest night, when we need to look deep to find the light within….

“Darkness draws out our deep-down depths. And, in the northern hemisphere, December’s darkness invites us inward. A lesson in wonder, an elegy for light, and a call to pay attention for the unbroken darkness of a December night.”

so begins the gift i stumbled on this morning, one i share with you here. the words above are the introduction to an essay i wrote on the blessing of december’s darkness…

and here’s a bit of the back story: a couple weeks ago, i wrote here about my quivering knees as i was about to get up to a squawky microphone in a glorious downtown chicago old-guard club, the union league club, to say a few things about the gifts of the darkness, december’s darkness. ever since, i’ve been wanting to bring to the table the words i spoke on that first friday of advent. but i’ve been patiently waiting. i’d been given an inkling that a wish might come true, and those words might be posted online at OnBeing, the home of blessed krista tippett, and glorious trent gilliss, who fill the NPR airwaves and cyberspace with wisdom, and contemplative truths. they ask big questions, and mine the landscape searching for answers, or lamplights, along the way.

this morning, with some measure of astonishment, i found the essay, indeed posted in the public square that is OnBeing, the words beautifully draped in breath-taking images. you can find the words and pictures if you click on the link to the essay they’ve titled, “The Invitation of December.”

or, you can read along here, where i’ve unfurled the essay. (i say click the link, because OnBeing has made it so very pretty….)

The Invitation of December

By Barbara Mahany (as posted on OnBeing, the blog)

There is something about December, all right. And I call it a gift.

It might be my ancient Celtic roots, or maybe it’s my monastic inclinations, but give me a gray day, a day shrouded in mist and peekaboo light. Give me a shadowed nook to slip into, and I wrap myself in the cloak of utter contentment.

It’s dark all right, come December, month of the longest night, when minute by minute our dot on the globe is darkening. Today, December 21st, darkness shrouds all but nine hours — give or take a few minutes and seconds — of mainland America’s hustle and bustle.

Yet darkness to me is alluring; it calls me to turn inside, to be hushed, to pay attention. And mine is a lonely outpost.

December, most everyone else complains, is unbroken darkness. And they’re grinding their teeth when they say it. The way I see it, though, maybe the saddest thing is, we’ve blinded ourselves to the darkness. Cut ourselves off from the God-given ebb and the flow of darkness and light. It’s poetry, the rise and the fall of incandescence and shadow, measured in lumens per square foot. But, mostly, it’s lost on us — bright lights, big city.

Fact is, we live in a lightbulb world: LED, CFL, halogen, fluorescent — blaring, glaring, blinking 24/7, especially in modern-day December. When’s the last time you tiptoed out your kitchen door, or onto a fire escape, and took in the sky show? It’s there every night: the stars and the moon, waxing or waning, a night-after-night lesson in fractions. Lesson in wonder.

I say, celebrate the darkness — landscape of discovery, of finding our way only by engaging, igniting, heightening our deeper senses, the senses of the heart and the soul, the intellect and the imagination.

Consider how attuned you are to sound and touch and danger when it’s late at night and you can’t find the light switch, and you’re groping your way up an unfamiliar staircase. Or, you’re out in the woods trying to clomp from sleeping bag to gosh-darned outhouse without falling into the brambles — or the icy-cold creek.

The truth is: Darkness draws out our deep-down depths. Darkness is womb, is seed underground. Darkness is where birthing begins, incubator of unseen stirring, essential and fundamental growing.

December, I like to think, is when God cloaks the world — or at least the northern half of the globe — in what amounts to a prayer shawl. December’s darkness invites us inward, the deepening spiral — paradoxical spiral — we deepen to ascend, we vault from new depths.

At nightfall in December, at that blessed in-between hour, when the last seeds of illumination are scattered, and the stars turn on — all at once as if the caretakers of wonder have flown through the heavens sparking the wicks — we too, huddled in our kitchens or circled ‘round our dining room tables, we strike the match. We kindle the flame. We shatter darkness with all the light we can muster.

The liturgical calendar, prescriptive in its wisdoms, lights the way: It gives us Advent, season of anticipation, of awaiting, of holding our breath for spectacular coming. Season of dappling the darkness with candled crescendo.

And therein is the sacred instruction for the month: Make the light be from you. Deep within you.

Seize the month. Reclaim the days. Employ ardent counter-culturism, and do not succumb.

Plug your ears the next time you hear Muzak Jingle Bells. Instead, fill your iPhone with Gregorian Chant or the 12th century symphonia of mystic and abbess Hildegard of Bingen. Be in the cave. Away from the crowd.

Abraham Joshua Heschel, the great Jewish thinker and one of my heroes, talks about Shabbat — every week’s holy Sabbath pause — as erecting the cathedral of time, the Jewish equivalent of sacred architecture, only for Jews it’s the sanctification of time, not space. Writes Heschel: “Learn how to consecrate sanctuaries that emerge from the magnificent stream of a year.” I say, build yourself a tucked-away chapel, a humble half hour’s chamber of silence, of prayer, of deepening.

Here’s a radical thought, for December or otherwise: Live sacramentally — yes, always. But most emphatically in the month of December.

What do I mean? To be sacramental is to lift even the most ordinary moments into Holiness. Weave the liturgical into the everyday. Look to Jesus, for starters. Bread and wine, everyday agrarian foodstuffs, he made into the most sacred sacramental feast.

Live sacramentally: Sit down to a dinner table — even dinner for one — set with intention. Ditch fast food. Embrace all that’s slow. And with purpose. Light candles at dinner. Light the Advent wreath. And if you’re Jewish, blaze the menorah. If you’re Jewish and Catholic, as my family is, well bring on the fire battalion, we’re lighting every which flame.

A dear friend of mine laughs about being a person of “smells and bells,” and by that he means a certain affinity for the burning of incense and chiming of carillons. The candle, the tintinnabulation of the bells, it sets off a deep-down stirring in a Catholic or an Anglican of certain age, it echoes of our not-so-distant past. And what I love about the coining of that phrase, “the smells and the bells,” when I pause and really think about it, is that it reminds me that deep in the heart of our spiritual DNA, we are hard-wired to respond to the liturgical, to pulse with reverence at a life lived sacramentally, slowly, marveling at the magnificence, yes, at each and every turn.

Maybe we’re most purely and purposefully alive when we turn our backs to — press against — a guzzled-down life that pays no attention, that goes with the flow, that “kills a few hours,” that takes it — all of it, any of it — for granted.

And why? Why are we screeching the brakes, dialing down all the noise? Why are we ardently not joining in on a December punctuated by office-party folderol, and speed-dial shopping, and holiday cards canon-balled out of the printer, without so much as a touch of the human hand?
Because this is our one chance at December this year — and who knows how many Decembers we might have.

December is invitation. December is God whispering, “Please. Come. Closer.” Discover abundance within. Marvel at the gifts I’ve bestowed. Listen for the pulsing questions within, the ones that beg — finally —to be asked, to be answered. Am I doing what I love? Am I living the life I was so meant to live? Am I savoring, or simply slogging along?

December is invitation. Glance out the window. Behold the silence of the first snowfall. Stand under heaven’s dome and watch the star-stitched wonder: Orion, Polaris. Listen for the love songs of the Great Horned Owl. Be dazzled. To be dazzled is a prayer.

Mary Oliver, the poet saint, tells us, “attentiveness is the root of all prayer.” And reminds us that our one task as we walk the snow-crusted woods or startle to the night cry of the sky-crossing goose is “learning to be astonished.”

Ever astonished.

Renaissance scholar and poet Kimberly Johnson says, “I want to live my life in epiphany.”

So do I.

Maybe, so do you.

And December, at the cusp of winter, season of fury and stillness, December demands our attention. It is a month draped in myth and legend. It is a month that rings with the power of the simplest story, the one we wait for — childlike, rapt, noses pressed to the window, scanning the heavens for bright and shining light.

December invites us be our most radiant selves. And we find that radiance deep down in the heart of the darkness. The darkness, our chambered nautilus of prayer. The coiled depths in which we turn in silence, to await the still small voice that whispers the original love song. Chorus and refrain, inscribed by the One who Breathed the First Breath.

glories bush at night