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Tag: rilke

ashes to ashes…

it is among the most profound teachings of any religion. and its point is found at the root of every sage, seer, and saint.

remember that you are dust, and unto dust you shall return.

some years, to be truthful, those words washed over me. not this year. no longer. it is the teaching at the core of my scan time epiphany, pressed onto my heart as i emerged from the months-long fog that followed the words from my surgeon, “it was cancer; i was surprised.”

we don’t have forever. our days are numbered. our time here is fleeting. we’re wise not to whittle away the hours. wiser still to work toward the nub, the holy nub, that i believe lies at the heart of why we’re among the blessed who got to draw a first breath in the first place.

the odds of being born are stacked mightily against us; biology lays it all out at roughly 1 in 400 trillion (that’s 400 million million, or a 4 followed by 14 zeroes; i’m guessing that might be more than all the stars in the heavens. but what do i know?). we’re the ones who were allotted X number of days, who were given a holy task that’s ours and ours alone. and our slot to get it done, to reach toward holiness, to exude the light this world so desperately needs, is not without end.

so knew moses in the wilderness, imploring God: “teach us to number our days, so that we may gain a heart of wisdom.”

come the seventh century, a pope named gregory I pulled out the ashes to press against flesh, to remind the believers, to begin the 46 days then counted as Lent, a season of penitence before the coming of Easter. in judaism, the days of awe, from rosh hashanah, the new year, to yom kippur, the day of atonement, attention is turned to the mortal imperative: we will die. and we’d best make the most of our days. in islam, the inevitability of death is a core tenet, and muslims are taught to pray “as if this is your last ṣalāh (prayer).”

i live now with those teachings pressed hard against my flesh, whether you can see the smudge on my forehead or not. just so happens this week i walked around for a few hours looking as if i’d smudged a thumbful of dirt just above my eyebrows. and this week, a week in which i’ve spent so many hours trying to reach across to the other side, in search of a wink or a nod or a squeeze from two beloveds new to the other side, i found myself transfixed by the wisdom i wore for all the world to see.

i find it imperative. it’s the truth that fuels my every day, and all the hours within.

i live now with the palpable knowing that any minute the something stirring in my lungs (a something i likened to “a couch potato of a cancer” when my surgeon first described it as indolent, or lazy) could, in that surgeon’s inimitable words, “decide to leap off the couch and start running around the house smashing things.” the analogy here refers to the cancer detonating all throughout my lungs, a demonic pinball boinging wall to wall to any old air sac, the wee little bellows that allow you to draw in oxygen, blow out the junk that remains, the carbon dioxide we need to get rid of, lest we die of suffocation.

in my latest adventure in book writing, the book now awaiting yet another round of editing, a book whose working title is when evening comes: an urgent call to love (drawn from the great teaching of saint john of the cross who once wrote, “when the evening of this life comes, you will be judged on love,” and to which the mystic evelyn underhill then adds: “the only question asked of your soul: ‘have you loved well?'”), it’s the very point of the ashes—to dust you shall return—that animates every inkling, question, and meditation in the pages soon to be bound between covers.

in the year since i started writing that book, and in the almost three years since half my lung was snipped out of me, the choice to love well is one that rises over and over, a tide that won’t be quelled. it’s the most clarifying truth i’ve ever clung to. and it expands the walls of my heart, pushes me plenty beyond my comfort zone because i know my chances are dwindling. the next scan could come with the words that something is stirring. has made itself known. and i know those words will crumple me. knock the wind right out of me. at least for awhile. till i find my bearings again.

and so i live just ahead of those words, as if they’re always on the chase, running up from the rear.

the people i love who died last week, who crossed to the other side, were beautiful souls who loved so majestically, so magnificently, and both of whose lungs were filled with the damn cancer that would not relent. each loved till the very last breath. each didn’t want to die. each one was brave—mostly—till the end. and each one finally let go.

in so many ways, their holy nub did not die. their spirit, their joy, their infinite giving, it’s as alive as ever. maybe more so. i feel each of them. i hear their words, their laughter, the very lilt in the way they spoke every word. and their invisible presence stirs me robustly. maybe it’s that we were all in the cancer gulch together, shoulder to shoulder to shoulder. maybe it’s that we spoke a language so little known outside the republic of cancer; a language into which we’d been swept, a language where shadows are looming, a language propelled by unfiltered truth and urgency.

maybe i feel like it’s up to me to carry on their brilliant-beyond-description ways of being in the world. but that would be wrong. their work, their nub, lives on in the ways it will forever animate and rub up against ours. but my work is mine. and my days to do it are now. and your work is yours. and your days are now.

the God i believe in breathed into us a constellation of wonders, and set us on our way. as rilke once wrote in a poem i’ve long pressed to my heart, imagining God speaking to each of us as God makes us, before we are born, before we leave the womb of darkness, God “walks with us silently out of the night.” and as we near the precipice of the womb, the place where the daylight seeps in, God whispers: “Nearby is the country they call life. You will know it by its seriousness. Give me your hand.”

and so this work that is ours to do, in this time that will end, we are here for holy purpose. and our God is at hand.

ashes to ashes. dust to dust.

the time in between is our one holy chance.

how will we use it?


in the tiny chapel where i go to pray, and where this week the ashes were smudged on my head, i found these words from psalm 103 breathtakingly beautiful. . .

for [God] himself knows whereof we are made;
he remembers that we are but dust.
Our days are like the grass; we flourish like a flower of the field;
When the wind goes over it, it is gone, and its place shall know it no more.

may our time in the field be fruitful, may our petals unfurl fully as we drink in the sunlight. before the wind blows over us, and our time here is no more….

love, bam

sending special special love to the beautiful mama of one of the beauties who has crossed to the other side….i know that all of us here reach across the table in hopes of steadying your trembling hand, tissue at the ready to dry your flow of tears….

springtime’s reluctant suitress

i was, for reasons that escape me, something of a reluctant suitress this year. the season’s slow-building seductions did little to seduce. i turned a blind eye. gave the cold shoulder. 

harumph.

spring wasn’t an easy sell this time round. it came on thin, and unconvincingly. it taunted, played catch-me-if-you-can. and i couldn’t. couldn’t catch it. 

i worried it might wholesale evade me this year. where was the catch in the throat, in the heart, in the soul, that usually caught me? had i been numbed, beaten down by the thrum of the world? was the malaise of the moment eclipsing the vernal exuberance?

but then, this week, it opened the spigot, came on rushingly, came on like a buttery rivulet poured on a mound of mash. i couldn’t resist. 

i fell hard. have found myself dizzily staring out windows. even more dizzily tracing the garden’s edge. staring. marveling. asking again and again how it does it. how it knows. how, year after year, for all the inhales and exhales of the millennia of this holy Earth, does it find the oomph to give forth again and again and again?

if there’s wisdom in this year’s slow coming—and we know there is, for the earth is the vessel of wisdom without end—it must be one of patience. of giving it time. no need to go anxious when the oomph isn’t there. “live the questions,” taught rilke, in the one phrase we’re most apt to remember. but it came at the end of a wisdom more fulsome in the whole:

“Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.” 

so much of life swirls in the liminal time of not knowing, of waiting, of dwelling in the not-yet. 

so this spring was for me. i knew what the calendar said. i knew how the sun had crossed its equinox, how light and shadow had fallen in equal measure and we were now slithering toward light and more light.

but the light out my window didn’t convince me. nor the nubs of green pushing up from their winter’s retreat. maybe it was the noise of the world blocking the sense that something lush and luscious might really be coming. 

and then the abundance came. the climbing hydrangea emphatically leafed and greened, all but tapping at my kitchen window, come rub your nose in us. the viburnum buds about to burst with their pyrotechnic perfumery. the nodding heads of bluebell and snowflake. the aubade of the cardinal. the rampant rufflings of feather as sparrow mounts sparrow in the delirious dance of procreation. 

and when the wind blows, which it has quite often this year, magnolia petals take flight, filling the air with what appear to be wings. a fluttering of perfumed birds playing on the breeze.

fibonacci spiral

it might have been the question mark of a woodland fern unfurling that first stopped me on a path this week. a flock of inquiry rising from the garden, in all the shadowed places. it’s the mystery of the universal spiral that catches me by the throat, the fibonacci spiral a leitmotif of all creation. born of the mysterious fibonacci sequence of 1, 1, 2, 3, 5, 8, 13, 21—wherein each number is the sum of the preceding two, beginning with 0—the spiral is the geometry laid upon that very grid. a geometric pattern constructed by connecting the corners of squares whose side lengths are consecutive fibonacci numbers, the spiral (sometimes known as the golden spiral) pervades the cosmos, from the spiral in a sunflower, to the question mark arising from my garden, to the scales of a pine cone, to the swirls of the chambered nautilus. 

chou Romanesco, or Romanesco cauliflower

i sometimes imagine God so delighting in the whorl that the divine enthusiasms couldn’t be tamped, and thus its profligate presence wherever we look: into the vast galaxies above or the dappled woodlands below.

i often sense the spiral is but a trace of the soul’s very geometry, the innermost chamber tightly held at the apex. but what i don’t know is whether we spend our lives unfurling, from the nucleus of the sacred from which we divide and multiply in the womb, or whether ours is a journey inward, inching closer and closer into the fertile and eminently holy nub. 

is it furl or unfurl? twining in or unspooling beyond?

such are the questions that arise from the earth’s thawing, such are the questions put before me, whirling within me, as the season begs only one thing: come close, bend low, watch what arises. from the earth, yes, but more so your soul. 


a poem plucked from the book of garden wisdoms….

this is the recipe of life
said my mother
as she held me in her arms as i wept
think of those flowers you plant
in the garden each year
they will teach you
that people too
must wilt
fall
root
rise
in order to bloom
The Sun and Her Flowers by Rupi Kaur


what stopped you in your tracks this week?

a few summers ago, in one of the wonders of my life, my beloved friend kat the priest handed me a ticket to a summer course at yale divinity school, a course i came to call my “poetry school.” my firstborn (now the law professor) was at law school there at the time, and for the summer had shuffled off to DC, meaning there was an empty apartment where i could play house–or college–for the week. so every morning i shuffled down the lanes of new haven and settled in for a day of poetries with a professor who happens to be named david mahan–yes, exactly like my last name, only without the “y”. when he wasn’t brilliantly teaching poetry, he was running a glorious something called the Rivendell Institute, which “seeks to examine and advance the contribution of a Christian vision of life to human flourishing and the common good within the academy and contemporary culture.” within the institute there is another something called the Rivendell Center for Theology and the Arts (RCTA), and their mission is “curating conversations between a variety of interlocutors.” long story short, this week, in their spring issue of Among Winter Cranes, RCTA published an excerpt from my Book of Nature, and since publishers love eyeballs, here’s the link to the essay, On Paying a Particular Attention.

the light does come . . .

the light does come. this is a reminder. this is a note to tuck away for the days when the shadows occlude the sun.

we all live among darkness sometimes. sometimes for spells that stretch on for so long we’re sure we’ll run out of oxygen. but we muscle on anyways. because what other choice do we have? even in the darkest times, there are tiny shards that fall on our path. the kindness of someone we didn’t realize was paying attention. the encounter that puffs just enough hope back into our hearts. the wholly unexpected solace of finding ourselves shoulder to shoulder with someone who knows something about the steepness of the incline we’re climbing.

we all find ourselves in chapters so impossibly hard we’ve no choice but to tap into playbooks we’ve not yet scanned. we revert to those fine few things that just might steady us: we remember to breathe; we stand under the sunshine just long enough to plump a few shrunken cells; we giggle aloud at the ridiculous humor that never fails to creep its way in. even in ICUs. and funeral homes.

truth is: ours is a choreography of shadow and peekaboo sunlight. we bank on it. wars end. babies are born. laughter comes. so does the dawn. even the night is speckled with stars.

i’m here to say that after an almost unbearable few weeks, weeks that had me teetering, all but certain this might be the time my heart called it quits, the load is lighter again. my mama is chipper. my mama is finding her way, carving her path, skittering hither and yon, all on her new red convertible. (the name we’ve given her little red rollator, the latest iteration of spiffy walker, with wheels and brakes and a little compartment for stashing your assorted sundries.)

we’ve pulled through. none of us too worse for the wear.

my mama’s return to her lifelong indomitable state of being happens to coincide with the end of my jam-packed calendar of book talks. and after a summer of searching for answers to questions of cancer, i finally found someone who knows my cancer inside and out. and who laid out a scenario i can live with.

feels to me like someone’s rung the school’s-out-for-summer bell, and i might wiggle a jig all the way home.


because this week held one of my favorite feast day — all saints — and because i love looking for saints in places where no one might think to look, i found myself swooned by this blessed sonnet, “a last beatitude,” from malcolm guite, an anglican priest and poet who’s been said to resemble a hobbit, what with his predilection for waistcoats and long-necked pipes (from which he blows smoke rings), and whose tonsorial tastes tend toward the bushiest of beards, and long locks to go with it.

herewith, “a last beatitude” by malcolm guite . . .

And blessèd are the ones we overlook;

The faithful servers on the coffee rota,

The ones who hold no candle, bell or book

But keep the books and tally up the quota,

The gentle souls who come to 'do the flowers',

The quiet ones who organise the fete,

Church sitters who give up their weekday hours,

Doorkeepers who may open heaven’s gate.

God knows the depths that often go unspoken

Amongst the shy, the quiet, and the kind,

Or the slow healing of a heart long broken

Placing each flower so for a year’s mind.

Invisible on earth, without a voice,

In heaven their angels glory and rejoice.



and one last bit of poetry, as autumn, the season of awe is upon us, these lines from rilke’s poem “Onto a Vast Plain”: 

Summer was like your house: you know
where each thing stood.
Now you must go out into your heart
as onto a vast plain. Now
the immense loneliness begins.

The days go numb, the wind
sucks the world from your senses like withered leaves.

Through the empty branches the sky remains.
It is what you have.
Be earth now, and evensong.
Be the ground lying under that sky.


and, lastly, before i skitter off, this line from the thirteenth-century mystic and monastic mechtild of magdeburg:

When simplicity of heart dwells in the wisdom of the mind, 

Much holiness results in a person’s soul.


what, pray tell, carries you through your darkest hours?