nature | pull up a chair

etched on a map, you might not notice; its tucked-away nature is but the flint of its charm: a treasure in almost plain sight. i might have zipped by a thousand times. it only took once for curiosity’s lure to draw me into its fold. and now it won’t let me go.

i’m coming to think of it as my footpath to the wellspring where the sacred stirs me, a nowhere-else-like-it sanctuary under the arbors, carved into the banks of a slow-flowing channel, a serpentine zig and a zag, through patches of woodland and birdsong.

as far back as i can remember, the woods behold wonder to me. my biography would be laced with a trail through woodlands and ponds and gurgling creeks. the never-ending acres of lily of the valley where my papa once drove me as a wee girl of three. the woods across from the house where i grew up, a copse that came to life in my imagination, one day a pioneer’s outpost, the next day a place to pretend i’m laura ingalls wilder in the big woods.

trailheads beckon. the barely-noticed aperture into the brush, where suddenly suburbia is leagues and leagues away. maybe it’s my imaginative overdrive, or my storybook tendencies. but give me a path, and a parting of trees leaning this way and that, and my feet cannot but go forward.

so it was on mother’s day morn when at last i found myself at the trailhead i’d vaguely noticed in the making. trees had been felled, and buckthorn burned by the wheelbarrow full. logs were yanked from where they’d fallen, and laid in a line, woodchips carpeted the paths in between. a woodland trail that meanders along and through a woods both ancient and newly imagined.

enchanted at first footfall, the only way to describe it. the ups and the downs, the dappling of light, and the peek-a-boo shadow. i walked with my eyes and my mouth wide open. over and over i marveled.

it’s a woods best described as delicate, at least in the moment—a petit point of vernal ephemerals stitched into the hillsides. springtime at its tenderest, springtime in may when it’s no longer tenuous.

it’s a place that suddenly holds inexplicable pull on me. enough to lurch me out of my wintry posture, curled over a book or an alphabet keyboard, snug in the nook by the wall-to-wall windows. it’s a place that lured the prayer right out of me. a place to dwell in my quietest stillness.

it’s my axis mundi, you see.

my friend chelsea steinauer-scudder, a breathtaking writer and author of the new book, mother, creature, kin: what we learn from nature’s mothers in a time of unraveling (broadleaf), explains: “i’ve heard countless stories of what i’ve come to think of as axis mundi experiences: encounters that have pulled someone into a deep experience of felt belonging upon the tiny bit of Earth that they find themselves upon.

“…within the study of religion, an axis mundi is a sacred pole, literal or figurative, which is fixed in a particular place, connecting Earth to the realms of heaven, underworld, and divine. “

these holy places might be a mountain (the Mauna Kea on Hawaii’s Big Island, known by the Indigenous peoples to be the umbilical cord, “the place from which the world emerged”), a cosmic tree (Norse mythology), the Ka’aba in Mecca (which pilgrims encircle seven times, as within it is the stone believed to have been handed to Adam as he was banished from Eden, so his sins would thus be forgiven).

or, in my case, an undulating woodland path along what in fact is a sanitation canal, though i pretend for the life of me that it’s an idyllic stream or a creek. one that just happens to shimmer an odd shade of aqua, a phosphoresence that might signal toxins astir.

my friend chelsea goes on to write that “we are a species in need of centers,” and within us there is encoded “an inherent capacity for place-based awe.”

those are the places with gravitational pull. a pull from the deepest well. the sacred well.

or, as chelsea distinguishes between the capital-A Axes Mundi (the most sacred of places so recognized by cultures or religions), and the small-a axes mundi (the ones you and i might call our own), the ones i know best are the quotidian, intimate ones, defined as “small, daily irruptions of majesty, those any-place encounters with the sacred.”

no surprise then that i can’t stay away. it’s an itch that can’t be scratched till i double-knot my sneakers, and try to remember sunscreen (i never do).

and it’s walking through a poem, quite literally. the soundscape a montage of birdsong and trill, punctuated with quarter notes and a screech that scares off the feeble.

these are the verses i walked among on just one of my mornings traipsing along the trail: common yellowthroat; red-bellied woodpecker; swainson’s thrush; red-winged blackbird; northern cardinal; blue jay; goldfinch; baltimore oriole; rose-breasted grosbeak; gray catbird; and a hairy woodpecker to boot. it’s as if the crayola crayon box was suddenly feathered in flight.

and in the flora department, a whole other poem: bloodroot, bluebells, celandine poppy, and columbine. lily of the valley, trout lily, spring beauty, wood anemone, and blue cohosh. jack-in-the-pulpit, shooting star, mayapples, and dutchman’s breeches.

all these names, which whirl in me thanks to the Original Mother Nature who schooled me, got me to wondering who in the world gave the names to the winged flocks and the leafy ones too. the stories behind names are their own wonders. the ones from folklore and legend are the ones that charm me most: jack-in-the-pulpit is said, of course, to resemble a preacher spreading the Good Word; the trout lilies’ mottled leaves resemble the markings of the freshwater fish; and dutchman’s breeches clearly resemble the pantaloons of one who’d also wear wooden shoes.

those, though, are merely the preamble curiosities, the ones that loosen my soul, open me up to the prayer that burbles up whilst sauntering deeper and deeper, per God’s gravitational pull, unwilling to pause till i get there. to the place where i go to feel as saturated with the sacred as i do of the sun when at last i plop onto the stump of a log, and consecrate the most blessed moment of being.

where is your axis mundi?

and before we part, a poem worth pondering, from the late, great polish poet and nobel prize-winner, wislawa szymborska

Life While-You-Wait

Life While-You-Wait.
Performance without rehearsal.
Body without alterations.
Head without premeditation.

I know nothing of the role I play.
I only know it’s mine. I can’t exchange it.

I have to guess on the spot
just what this play’s all about.
|Ill-prepared for the privilege of living,
I can barely keep up with the pace that the action demands.
I improvise, although I loathe improvisation.
I trip at every step over my own ignorance.
I can’t conceal my hayseed manners.
My instincts are for happy histrionics.
Stage fright makes excuses for me, which humiliate me more.
Extenuating circumstances strike me as cruel.

Words and impulses you can’t take back,
stars you’ll never get counted,
your character like a raincoat you button on the run?
the pitiful results of all this unexpectedness.

If only I could just rehearse one Wednesday in advance,
or repeat a single Thursday that has passed!
But here comes Friday with a script I haven’t seen.
Is it fair, I ask
(my voice a little hoarse,
since I couldn’t even clear my throat offstage).

You’d be wrong to think that it’s just a slapdash quiz
taken in makeshift accommodations. Oh no.
I’m standing on the set and I see how strong it is.
The props are surprisingly precise.
The machine rotating the stage has been around even longer.
The farthest galaxies have been turned on.
Oh no, there’s no question, this must be the premiere.
And whatever I do
will become forever what I’ve done.
~ Wislawa Szymborska ~

(Poems New and Collected 1957-1997, trans. S. Baranczak and C. Cavanagh)

not all gravitational pulls are without hazard

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May 2, 2025

springtime’s reluctant suitress

i was, for reasons that escape me, something of a reluctant suitress this year. the season’s slow-building seductions did little to seduce. i turned a blind eye. gave the cold shoulder.

harumph.

spring wasn’t an easy sell this time round. it came on thin, and unconvincingly. it taunted, played catch-me-if-you-can. and i couldn’t. couldn’t catch it.

i worried it might wholesale evade me this year. where was the catch in the throat, in the heart, in the soul, that usually caught me? had i been numbed, beaten down by the thrum of the world? was the malaise of the moment eclipsing the vernal exuberance?

but then, this week, it opened the spigot, came on rushingly, came on like a buttery rivulet poured on a mound of mash. i couldn’t resist.

i fell hard. have found myself dizzily staring out windows. even more dizzily tracing the garden’s edge. staring. marveling. asking again and again how it does it. how it knows. how, year after year, for all the inhales and exhales of the millennia of this holy Earth, does it find the oomph to give forth again and again and again?

if there’s wisdom in this year’s slow coming—and we know there is, for the earth is the vessel of wisdom without end—it must be one of patience. of giving it time. no need to go anxious when the oomph isn’t there. “live the questions,” taught rilke, in the one phrase we’re most apt to remember. but it came at the end of a wisdom more fulsome in the whole:

“Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.”

so much of life swirls in the liminal time of not knowing, of waiting, of dwelling in the not-yet.

so this spring was for me. i knew what the calendar said. i knew how the sun had crossed its equinox, how light and shadow had fallen in equal measure and we were now slithering toward light and more light.

but the light out my window didn’t convince me. nor the nubs of green pushing up from their winter’s retreat. maybe it was the noise of the world blocking the sense that something lush and luscious might really be coming.

and then the abundance came. the climbing hydrangea emphatically leafed and greened, all but tapping at my kitchen window, come rub your nose in us. the viburnum buds about to burst with their pyrotechnic perfumery. the nodding heads of bluebell and snowflake. the aubade of the cardinal. the rampant rufflings of feather as sparrow mounts sparrow in the delirious dance of procreation.

and when the wind blows, which it has quite often this year, magnolia petals take flight, filling the air with what appear to be wings. a fluttering of perfumed birds playing on the breeze.

it might have been the question mark of a woodland fern unfurling that first stopped me on a path this week. a flock of inquiry rising from the garden, in all the shadowed places. it’s the mystery of the universal spiral that catches me by the throat, the fibonacci spiral a leitmotif of all creation. born of the mysterious fibonacci sequence of 1, 1, 2, 3, 5, 8, 13, 21—wherein each number is the sum of the preceding two, beginning with 0—the spiral is the geometry laid upon that very grid. a geometric pattern constructed by connecting the corners of squares whose side lengths are consecutive fibonacci numbers, the spiral (sometimes known as the golden spiral) pervades the cosmos, from the spiral in a sunflower, to the question mark arising from my garden, to the scales of a pine cone, to the swirls of the chambered nautilus.

*chou Romanesco*, or Romanesco cauliflower

i sometimes imagine God so delighting in the whorl that the divine enthusiasms couldn’t be tamped, and thus its profligate presence wherever we look: into the vast galaxies above or the dappled woodlands below.

i often sense the spiral is but a trace of the soul’s very geometry, the innermost chamber tightly held at the apex. but what i don’t know is whether we spend our lives unfurling, from the nucleus of the sacred from which we divide and multiply in the womb, or whether ours is a journey inward, inching closer and closer into the fertile and eminently holy nub.

is it furl or unfurl? twining in or unspooling beyond?

such are the questions that arise from the earth’s thawing, such are the questions put before me, whirling within me, as the season begs only one thing: come close, bend low, watch what arises. from the earth, yes, but more so your soul.

a poem plucked from the book of garden wisdoms….

this is the recipe of life
said my mother
as she held me in her arms as i wept
think of those flowers you plant
in the garden each year
they will teach you
that people too
must wilt
fall
root
rise
in order to bloom
–The Sun and Her Flowers by Rupi Kaur

what stopped you in your tracks this week?

a few summers ago, in one of the wonders of my life, my beloved friend kat the priest handed me a ticket to a summer course at yale divinity school, a course i came to call my “poetry school.” my firstborn (now the law professor) was at law school there at the time, and for the summer had shuffled off to DC, meaning there was an empty apartment where i could play house–or college–for the week. so every morning i shuffled down the lanes of new haven and settled in for a day of poetries with a professor who happens to be named david mahan–yes, exactly like my last name, only without the “y”. when he wasn’t brilliantly teaching poetry, he was running a glorious something called the Rivendell Institute, which “seeks to examine and advance the contribution of a Christian vision of life to human flourishing and the common good within the academy and contemporary culture.” within the institute there is another something called the Rivendell Center for Theology and the Arts (RCTA), and their mission is “curating conversations between a variety of interlocutors.” long story short, this week, in their spring issue of Among Winter Cranes, RCTA published an excerpt from my Book of Nature, and since publishers love eyeballs, here’s the link to the essay, On Paying a Particular Attention.

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March 9, 2012

plugging back in

the sunrise stirred me. out my window, all was pink, was orange, was afire. someone had grabbed at the paint set, was streaking the lowdown corner of sky, the one i could see from my pillow.

i awoke to the heavens this morning.

i’m beginning to do that, set my clock by the sun and the moon again. i am beginning to tell, once again, what the time is, just by watching the way the sunbeams slant through the glass, spill over the floorboards, sink into the pillows.

even at night, when i’m up tiptoeing, i’m catching the moonbeams. the way they play off the panes of the windows, dance through the lace of the tree limbs.

i am soaking in the soundtrack of just-about-spring. the cardinals beginning to show off their trills. the robins and jays debating the worms. who’s got first dibs, apparently, is a matter settled by decibels. (and despite the jay’s protestations, the robin, by my count, is the one barreling toward plucked-from-the-underworld overload.)

i’ve even found moments for walking the blue stone path that winds through my not-so-secret garden. i am watching spring push through the earth. day by day, frame by frame, i track the resilience of tender green nubs. one by one, the choreography that comes from all that autumnal digging and tucking in promise, it makes itself known: winter aconite, wee yellow stars that open and close with the sun, followed by snowdrops, followed by crocus. they are all out there beginning the dance, exhaling hope.

and i am drinking it in.

i am plugging back in.

the mad dash from house to train to faraway office is no longer. once the door slams shut for the very last time in the morning, i am alone, am quiet.

oh, there is work to be done, every day for hours and hours. but, in wisps and stanzas and pauses between places and thoughts, i am beginning to look up from what i’m doing, where i’m going, and notice. i’m catching the light. inhaling the song. i am breathing again.

deep breathing.

i seem to hum most contentedly when my canvas has room for the paint dabs of God. when i hear the wind rustling through pines, when i take in the scarlet flash in the bushes just beyond the window, when i trace the shift in the shadows through the long afternoon, that’s when i feel the great hand of the divine slipping round mine, giving a squeeze. that’s when i know i am not deeply alone. but rather more connected than in a very long time.

it was here, in the quiet of this old house, that i discovered how very much my lungs are filled by the scritch-scratch of heaven’s stirrings here on earth, in the trees, in the sunlight, in birdsong. in my garden.

and while my days are plenty packed, it’s the silence of the interlude that glues me together. the grace of time to laugh out loud at a persimmon-breasted robin perched on the window sill. the chance to take in the picture show of spring on the brink, knowing this time around i won’t miss a frame. the wordless prayer that fills my heart as i hear the rumble of thunder far off and rolling closer.

i take my religion in the gulps and sips that come to me when heaven taps on my window panes. and once again i am home to hear the tapping.

what are the ways that you plug back in to that which makes you whole — or holy?

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December 28, 2011

when wonder comes for christmas

By Barbara Mahany, Tribune Newspapers

When at last the morning comes, I am not unlike the little child at Christmas. Having tossed and turned in anticipation, through all the darkest hours, at first light I throw back the blankets, slide into clogs, slither into a heavy sweater and tiptoe down the stairs.

For days, I’ve been stockpiling for my friends. I’ve corncakes stuffed with cranberries and pine cones wrapped in peanut butter. I’ve suet balls to dangle from the boughs, and little bags of birdseed, just small enough to stuff in all my pockets. I’ve a jug of fresh water for all to drink and splash before it turns to winter’s ice.

It’s time for a Christmas treasure all my own, one I unwrap every year.

My walk of wonder takes me no farther than the patch of earth I call my own, a rather unassuming tangle of hope and dreams and heartache (for what garden doesn’t crack a heart, at least once a season?), in my leafy little village.

I carve out this hour of Christmas morn, before the footsteps slap across the floorboards up the stairs, before I crank the stove, and kindle all the Christmas lights.

It’s my hour of solitude and near silence, as I tug open the back door and step into the black-blue darkness of the minutes just beyond the dawn.

It’s my chance to take in the winter gifts of my rambling, oft-rambunctious garden plots, and all who dwell among them — the birds, the squirrels and fat-cheeked chipmunks, the old mama possum, and, yes, the stinky skunk who sometimes ambles by and sends us dashing in all directions.

And, best of all, it’s my early Christmas moment to reciprocate the many gifts that all the seasons bring me.

I am nearly humming as I make my yuletide rounds: I fill the feeders, scatter seed and stuff an old stone trough with what I call the “critter Christmas cakes.”

At this scant hour, the black-velvet dome above is stitched still with silver threads of sparkling light. And limbs of trees, bare naked in December, don’t block my upward glance at all that heavens offer.

This is where my prayer begins, as I whisper thanks for all the chirps and song, for flapping wings and little paws that scamper — all of nature’s pulse beats that bring endless joy, and teach eternal lessons.

As light brightens in the southeast corner of the sky, the architecture of the wintry bower emerges. The black of branches — some gnarled, others not unlike the bristles of an upturned broom — etch sharp against the ever-bluer sky.

Exposed, the silhouette reveals the secrets of the trees — the oak, the maple and the honey locust that rustles up against my bedroom window.

As I come ’round a bend, gaze up and all around, I cannot miss the nests not seen till late in autumn, when the trees disrobed and shook off their blazing colors.

In murky morning light, the nests appear as inkblots of black among the lacy boughs. Only in winter do we realize how many dot the arbor. There is the contour of the squirrels’ shoddy leaf-upholstered hovel high up in the maple, and, down low in a serviceberry, the robins’ tuck-point masterpiece of twigs.

While in robust and leafy times, the trees did not let on, but in winter’s stripped-down state there’s no hiding the part they play in watching over the nursery, shielding barely feathered broods and not-yet-furry baby squirrels from wind and sleet and pounding rains. Or even too much sun.

This cold morning, all is still. Every nest is empty, every bird house hollow once again. Where the winter birds cower, where they huddle, close their eyes and doze, I cannot figure out. Somewhere, even at this illuminating hour, they’re tucked away in slumber.

It won’t be long till the stirrings come, but for now the only sound is the scritch-scratch of brambles and left-behind leaves as they brush against my legs. I make my way among them, along a bluestone path, past all the shriveled blooms of not-forgotten summer.

The moppy heads of hydrangea, now dried and crisped to brown, are bowed but not surrendered, still clinging, even in the cold. And all that’s left of all the roses are persimmon-colored full-to-bursting hips, a final exhortation, punctuation on the winter page.

By the time the Big Dipper fades from the morning sky, that early riser, papa cardinal, ignites the winterscape with his scarlet coat. Soon follows the red-bellied woodpecker, a nuthatch or two, and, not long after, the choristers of dun-robed sparrows, all a-chatter with Christmas morning news.

I take cover back behind a fir tree, where the crowd at the feeder pays no mind. And where in winter storms, I find the flocks, too, take shelter, the only branches left that promise shield and a place to hunker down. For anyone who wants to hide — too often it’s the hungry hawk — these piney limbs are plenty thick.

Then I get brazen, and toss a handful of peanuts to the bristle-tailed squirrels. These are mere hors d’oeuvres, of course, for that trough now spills with Dickensian plenty — among the larder, bumpy apples no one wanted, and pumpkins plucked from the after-Thanksgiving discount bin.

It is all my way of making real my unending gratitude, of bowing deep and soulfully to Blessed Mama Earth.

and so twas my christmas morning meander in the pages of the chicago tribune, where, yes, i must act all grown up and enter the word of capital letters.

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September 16, 2011

season of the mournful cry

it gives you goosebumps when, say, you are meandering down the lane, and suddenly through the leafy canopy above, you hear the song of your heart raining down from the heavens.

what i mean is it’s been happening all week, for a string of weeks. i am out attending to the nooks and crannies of my life, my garden, the here-to-there of chores and errands and putting one foot before the other.

i am likely sifting through the shadows of my heart, my ache, my longing, and there it comes, the piercing. the minor key, the dissonance, the trumpet blasts of geese in Vs, far above the trees.

they punctuate the sky, the gray september sky. they punctuate the flight. and with it, my own mournful song.

this is the season of migration, of winged flight, of thousands of miles of flapping wings, and honking siren’s call.

the snow geese, the canadian geese, turn and return, from cold north woods, to far-off warmer climes.

and as they pass on high, they cry out to me. and i in turn return the call–though silent. my mournful song has no melody, and its verse i keep inside. some sorrows, best kept hushed.

i have always, though, found company, found solace, in the geese’s call. it is but one of the dark notes of autumn that draw me in, that take me to a deeper place, the cove of meditation.

and this autumn in particular it is as if my song, my internal cry, is broadcast from the clouds. the geese cry, they call out, and so i listen, i respond. i reply, stopping in my tracks, taking in their celestial signal.

(i wonder if perhaps the cry of the signal goose is why they call it goosebumps. for that is the thing, the spine-tingling, up-and-down-the-arm-tingling, that happens in an instant when that one long note makes its way down, down, spiraling from above to the inner crevice of my heart.)

i hear the lonely goose, and i understand its story. i embrace the mournful cry.

God’s world is at one with me.

and how blessed are we, we who live beneath the arc of flight, to take in the sorrowful song of the V that etches ’cross the sky.

how blessed are we, when, at oddest hours, just beyond the dawn, or in the cloak of nightfall, we hear the trumpet blast rain down.

i am not one to run and hide from shadow, from sadness. i say bring it on, the whole orchestra of heart sound, the light, the bright, and, yes, the dark. i find particular company in the darkness. i find much to explore there.

and this september, as my heart is stretched and pulled, and i redefine the rhythm, the verse of my everyday, i am at one with the crying goose who flaps across my frame of sky.

i turn and crane my neck. i scan in search of all the pitch-black Vs. i hear before i see.

and when at last i catch the flapping geometry, when i match song to sight, i lock my eyes. i follow that acute angle till the dull edge of my horizon.

it is a call to prayer for me, this mystical stirring from beyond the beyond.

and so i send up holy whispers, and so i wrap myself in the sacred folds of their heavensong.

be safe, mournful geese, as you cross the globe. bless your brave determined flight.

i hear you, papa goose, as you and i together sing in minor key, the sound of love trying to find its way.

a short bit of musing on this crisp cool day, when pumpkins tug on the vine, and cinnamon bubbles on my stove. i am haunted in the best way by the cry of the geese. i find such comfort in their mournful melody. who else has heard their flight song? who else is stirred by the power of migration? who else finds full glory in all the colors of the rainbow, the light, the dark, and shadows in between? who else is trying to find the way, this september?

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pull up a chair

Tag: nature

May 16, 2025

gravitational pull