pull up a chair

where wisdom gathers, poetry unfolds and divine light is sparked…

Tag: jane hirshfield

pay attention to this one most blessed day. . .

i am sitting here in a shaft of golden light spilling across the worn planks of this old maple table. i am looking out at a world ablaze in iterations of gold. as if the world out my window is a benjamin-moore paint strip, all in the key of saffron. 

i sighed a deep sigh when i tiptoed down the stairs this morning, and filled my lungs with the glorious knowing that this day held no appointments. no doctors. no dentists. no needs to stand or sit in front of a crowd and talk about the words i’d poured onto a page. 

this day is a big blank slate. a slate to fill with the simple wonders of being alive. and i intend not to waste it, not a drop of it. and urgently so.

it’s the unintended gift of holding on for dear life to the life that you love with every cell of your being. 

it’s a day i might otherwise not have noticed quite so keenly. but i see more vividly now. the blessing of holding on dearly to life is that you see each new dawn for the miracle that it is. 

it might have been just another weekday. but suddenly, perceptibly, it is the answer to my deepest prayer, a day to simply be alive and breathing it in. every pore of it. the earthy rummesence of autumn leaves crisping and crinkling and falling in heaps to the ground. the last gasp of the garden, exploding in singular vibrancies that beg to be remembered all through the winter. the air, a mix of chill with undertones of heat as if the earth’s autumnal respirations draw forth the last breaths from summer’s stockpiled embers. 

to knowingly not waste a day is to live at fullest attention. while we can. while we’re upright and ambulant. 

sometimes we realize we shan’t take it for granted. 

sometimes we need a reminder. 

i am reminded. 

i am living inside a body that reminds me to savor it, to inhale it. to all but rub it over my skin, to  let it soak in through each wide-open pore. 

we all have days when our hours are clogged with the usual distractions. we forget the marvel of a friday reliably following a thursday. we look to the calendar as if it’s the sovereign of how we spend our time. we are chained and unchained. we’re obliged to to-do’s, and we forget that all the in-betweens might just be the hours we’re most deeply alive. we might, at any moment, put down the chores, surrender the assignments. we might seize the day in whatever outline or equation rises from the blur. 

we might call a friend whose voice we’ve not heard in too long. we might find a log in the woods, plop ourselves down, and keep watch––close watch. we might fill a bowl with the indulgences of autumn, the leaves and the seeds and the roots, all meant for seasonal sustenance. 

we might light a candle. sit in a shaft of sunlight, watching the dust motes ride the air. we might roll up our sleeves, or get down on our knees, and plant a few bulbs for the joy of it––for the allure and the promise and perpetual hope of the springtime to come.

more and more, one of the first prophets i turn to for wisdom is the incomparable maria popova, she of marginalian wonders. in a cataloging of eighteen wisdoms she’s extracted from her eighteen years of gathering wisdoms (she must have started her brain pickings––now re-named the marginalian––a mere two months before the first chair was pulled up, for we too are about to mark 18 years of chairing), she included this bit of wonder and wisdom that says it as beautifully as it might be said:

Choose joy. Choose it like a child chooses the shoe to put on the right foot, the crayon to paint a sky. Choose it at first consciously, effortfully, pressing against the weight of a world heavy with reasons for sorrow, restless with need for action. Feel the sorrow, take the action, but keep pressing the weight of joy against it all, until it becomes mindless, automated, like gravity pulling the stream down its course; until it becomes an inner law of nature. If Viktor Frankl can exclaim “yes to life, in spite of everything!” — and what an everything he lived through — then so can any one of us amid the rubble of our plans, so trifling by comparison. Joy is not a function of a life free of friction and frustration, but a function of focus — an inner elevation by the fulcrum of choice. So often, it is a matter of attending to what Hermann Hesse called, as the world was about to come unworlded by its first global war, “the little joys”; so often, those are the slender threads of which we weave the lifeline that saves us.

and she includes these lines from poet and former zen monk jane hirshfield’s “the weighing”:

So few grains of happiness
measured against all the dark
and still the scales balance.

and if all that isn’t enough joy stoking for the day, here’s one other wonder and wonder-soul i learned of this week at a book talk where to my delight and pure joy i was pointed toward good souls i fully intend to get to know more deeply and intimately. (i never cease to be amazed at the goodness lurking in utterly unexpected nooks and crannies of this world.)

here is a woman—one with a PhD in human anatomy and cell biology, no less—who happens to live in a house with a four-acre flower garden who coaxes beauty from the earth for the sole purpose of giving it all away, filling the flower fridges at hospices and homeless shelters, and the larders at food pantries near and far. she calls it the backyard flower lab. and it sounds like a holy slice of sustenance to me. i intend to point my old wagon in the direction of her flower farm before the sun sets on this day, and i will see where the adventure takes me. her name is april potterfield (which sounds to be a perfect plucked-from-the-storybook name for someone who grows beauty for joy), and you can find her on instagram at @thebackyardflowerlab.

what prompts you to find joy and seize the slender threads of which we weave our lifelines? and what are some of your favorite ways of doing so?

 the cobalt beauty perched on the windowsill above is an autumn vibrancy from my garden, the closing note of a summer’s-long love song. i call it monkshood, but it has other names: aconite, wolfsbane, leopard’s bane, devil’s helmet, or blue rocket. the name aconitum comes from the greek word ἀκόνιτον, which may derive from the greek akon for dart or javelin, the tips of which were poisoned with the substance, or from akonae, because of the rocky ground on which the plant was thought to grow.

deep thanks to maria popova who week after week for years now has filled me with wonder, with curiosities, and most of all with the breathtaking beauty of her intellect and imagination…

out of chaos, come pages of quiet

this is the word factory, the chamber where a book is in the making. and if you can’t see the steam rising from the computer screen, imagine it. it’s there. and so too it rises from the fingers wildly skipping about the keyboard, plucking new verbs from out of thin air. making up occasional others.

i’m in the final stretch of a book-making adventure that has been wildly, um, adventurous. early thursday morning i was given the latest in a long series of hurdles, each one daunting, each one prompting me to mutter under my breath, this is impossible, i can’t do this. but then, hours later, after the shakes (and the swears) wear off, i find my stride here on the alphabet keys from which i build so much of my life. i type like there’s no tomorrow, i type into the wee wee hours. my deadline––a full revision of a manuscript: this sunday night, before bedtime.

which is why this one particular friday, there isn’t much chair to pull up to. i’m deep in the 70,359 words that currently comprise The Book of Nature: The Astonishing Beauty of God’s First Sacred Text, a quiet contemplative book slated for birthing on the vernal equinox of 2023 (that’s march 21st, if you’re wondering). where it will end, is anyone’s guess. i sense a word chopper not too far in the distance. that’s when you’ll hear the telltale welp of the writer watching her words whirl down the drain. a painful interlude in which i try hard to fixate on the words of that guy we know around here as the oak park native and spear-fisherman, one ernest miller hemingway, who might or might not have once insisted “a story is only as good as what’s left on the cutting room floor,” a possibly apocryphal maxim that’s meant to take the sting out of the editor’s slicing and dicing, and by which the writer soothes herself as each “little darling” dies a swift death as it whirls to the cutting-room catch basin. what it means is that you’ve pared your pages of prose of all fat and mouthfuls of gristle, and all you have left is sinew and spine. and now, i’ve mixed enough metaphors in a single paragraph to have each and all editors unbuckling their seatbelts, scrambling for safe exit.

speaking of safe exit, you might be wondering if this room where i type has been deemed an occupational hazard, a danger zone where i could be caught under an avalanche of literary proportion. there is, you might be pleased to know, a single narrow uncluttered trail to the door. and the books that surround me on four of four sides are stacked in utterly intelligible groupings, all of which i can easily reach from here in the chair where i spell out my words, one tap at a time. i pride myself on conservation of effort when it comes to bending and plucking.

before i leap back in, somewhere around the 39,000-word mark, i thought i’d quietly leave a dollop of wisdom from the inimitable novelist george saunders on why it is we write in the first place. may this give you something fat-free, and stripped of all gristle, to chew on:

Literature is a practice that improves a culture and can make it more tender and open.  But its effects lag and are approximate and tend to benefit people already gentle and inclined to caring. 

And yet.

In stories we might catch a glimpse of why people do the things they do, which should prepare us to think about things more incisively and boldly when people do something that is cruel, violent, or inexplicable.  Whatever we are brought to feel, through literature, about love and understanding and sympathy must take this into account: the invasion of a peaceful country by people who have somehow, it would appear, set aside love, understanding, and sympathy, or have twisted these notions into strange shapes amenable to their purpose.

Also, in this world of ours, there be monsters — the workings of whose minds are mysterious, and whose darkness (their apparent indifference to love, understanding. and sympathy) we somehow keep underestimating.

This, too, can be written about. 

But what also can be written about: people fighting and dying for their freedom and the freedom of the people they love.

What do we do when notions dear to us (notions of compromise and kindness and the ultimate goodness of any human being) are mocked by events and made to feel facile? Can our understanding of these notions be expanded so that they are more muscular and useful and don’t have to be set aside or apologized for at moments like this?

George Saunders, Story Club newsletter

or this, from jane hirshfield:

“Poetry’s work

is the clarification

and magnification

of being.”

may this week bring you peace. and a glimmer of peace to this broken, broken world.

and happy blessed most magnificent birthday to two complete loves of my life, who happen to have been born back-to-back: my beloved sweet P, on sunday, and auntie M, on monday the 28th, a day i consider a national treasure.

the room to which i return….