pull up a chair

where wisdom gathers, poetry unfolds and divine light is sparked…

Tag: bees

August 25, 2023

bee season

when you happen to tiptoe outside into the dewy sop of dawn, just after the light breaks through, you might hear a noise, at that liminal hour when noise is one thing there’s not. not much of, anyway. 

i was standing there with my mug and my prayers, when all of a sudden i heard it. the sound of a mosquito buzzing your ear, only amplitudes louder. it’s not as loud as the nighttime’s cicada, nowhere near it. it’s the buzzsaw of dawn, when the bees are up early and nose-deep in work. 

i followed a pair, fat, fuzzy, all full of themselves. full of unctuous beads of gold-dazzled pollen. looked like they’d rolled in a can of it. which they more or less did, dive bombing into the gold-dusted pincushions that rise from the swirl of anemone petals.

because i tend to read nature in a scriptural way, meaning i stand there in the face of a question, connecting the dots, unpuzzling the parable, i wondered what lesson i might extract from the bee, while the bee was drowsily, drunkenly, extracting its pollen-y porridge. 

what i came up with was unrelenting. unrelenting as in the bee, morning after morning, rises up from the hive, zigzags out the door, and plows ahead with his one holy task: he gathers up gold dust, the baseline of honey. it’s the task he was born to, a task he can’t shirk. a task he dives into with unrelenting enthusiasms.

i stood there for a while marveling at all there is in the tableau of dawn. the breeze already stirring. the moon now off the clock, back under the covers. or maybe just hiding back behind clouds. one or two birds were up and starting to chirp. but centerstage, in my attentions at least, was that fine pair of harvesting bees.

i thought about the perfect harmony of this early hour. how all of creation plays its own part. 

i thought about my own holy task and not being daunted. i don’t really know yet what exactly i’m up against — none of us do. but, i took a note from the bees: head down, nose first, gather up gold dust wherever you can.

be unrelenting. don’t be distracted. or daunted. even on days when it’s harder than hard: nuzzle your way into the gold dust, suck up what you can. 

it’s the reason you’re here on this holy earth.

maybe the bee understands: his days in the hive, they’re numbered. just like yours and like mine. so he gets down to business. gathering all that he can.

i let that sink in, while i kept up my watch, mesmerized by the bee who would not be dissuaded, distracted, or daunted. 

bee season brings lessons. but you need to perk up your ears. 

among the gold-dusted pollens i gathered this week was one heavenly spoken-word poet, podcaster, and author: amena brown. “a breathtaking blend of poet, prophet and pioneer,” one reviewer wrote. “her life and words will bless your soul.” no less than richard rohr, the modern-day mystic, and his center for contemplation and action pointed me in her direction. and what a direction it is. have a listen:

amena brown: “She Said How Do You Know When You’re Hearing From God”

i ran out and bought the book from which it came, so knocked off my socks by it was i. and i was only going to share the first verse. or two. but i can’t bear to leave out a one. it’s a bit long. and worth every drop. thank you, amena, for sharing your wonder…

She said, “How do you know when you are hearing from God?”
I didn’t know how to explain
It is to explain the butter grit of
  cornbread to a mouth that just
  discovered it has a tongue
The sound of jazz to ears that only ever
   thought they’d be lobes of flesh
The sight of sunsets to blinded eyes
   that in an instant can see
To fail at the ability to give words to
   how the scent of baked bread can
   make the mind recall a memory
Every detail
Of a house, a room, a kitchen, a
   conversation
Like explaining to a newborn baby this
   is what it feels like to be held
My words never felt so small, so
   useless, so incapable

I wanted to say
Put your hand in the middle of your chest
Feel the rhythm there
I wanted to say you will find the holy
  text in so many places
On crinkly pages of scripture
In dusty hymnals
In the creases of a grandmother’s smile
The way she clasps her hands
The way she prays familiar, with
 reverence as if to a dignitary and friend
The way she sings a simple song from
  her spirit and porches turn to cathedrals

I learned from my great-grandmother
   how to pray
How to talk to God
How to listen
Watching her and the other silver-
   haired church mothers gather in her
   living room
Worn wrinkled hands on top of leather
   bibles well traveled

They prayed living room prayers
   because you don’t have to be inside
   the four walls of a church to cry out to
   the God who made you
Because no matter where you sing or
   scream or whisper God’s ears can
   hear you

And despite what the laws say or what
   our human flaws say
God’s ears don’t play favourites
God’s ears don’t assess bank accounts
   or social status before they attune
   themselves to the story your tears or
   your fears are telling

God’s ears are here for the babies
For the immigrant, for the refugee
For the depressed, for the lonely
For the dreamers
The widow, the orphan
The oppressed and the helpless
Those about to make a mess or caught
   in the middle of cleaning one up
Dirt don’t scare God’s ears
God is a gardener
God knows things can’t grow without
   sun, rain and soil

I want to tell her to hear God
You have to be willing to experience
   what’s holy in places many people
   don’t deem to be sacred
That sometimes God sits next to you
   on a barstool
Spilling truth to you like too many beers
That God knows very well the dance
   we’ll do
When we love ourselves so little that
    just about anyone will do

That God cares about the moments we
   find ourselves
On the edge of a cliff
On the edge of sanity
On the edge of society
Even when we have less than an inch
   left of the thread that’s been holding
   us together

I want to tell her God is always waiting
Lingering after the doors close
And the phone doesn’t ring
And we are finally alone
God is always saying
I love you
I am here
Don’t go, stay
Please

I try to explain how God is pleading with us
To trust
To love
To listen
That God’s voice is melody and bass
   lines and whisper and thunder and
   grace

Sometimes when I pray, I think of her
How the voice of God was lingering in
   her very question
How so many of us just like her
Just like me
Just like you
Are still searching
Still questioning, still doubting
I know I don’t have all the answers
I know I never will
That sometimes the best thing we can
   do is put our hands in the middle of
   our chest
Feel the rhythm there
Turn down the noise in our minds, in
   our lives
And whisper,
God
Whatever you want to say
I’m here
I’m listening

– Amena Brown

and one last wonder, sent my way this week, from rebecca solnit’s 2004  Hope in the Dark, her counterpoint to a world in despair, an exploration of hope as “an embrace of the unknown and the unknowable.”.

Hope is not a lottery ticket you can sit on the sofa and clutch, feeling lucky. It is an axe you break down doors with in an emergency. Hope should shove you out the door, because it will take everything you have to steer the future away from endless war, from the annihilation of the earth’s treasures and the grinding down of the poor and marginal…

To hope is to give yourself to the future – and that commitment to the future is what makes the present inhabitable. 

Rebecca Solnit

finally, finally, but maybe sweetest for last: 32 years ago i married the love of my life. my tall sequoia of a sweet and steady soul. he has been my ballast all these holy blessed years, and never more than now, so one big giant i love you from me.

how were you unrelenting this week? and did you gather up gold dust?

20 Comments
August 14, 2015

dizzy…in summer’s high tide

anemone bee

it’s a hum and a buzz you might mistake for a gnat — a gnat with a megaphone maybe. there i was, minding my morning’s business, not too far from nodding anemones, and the buzz dazzled past me, caught my attention. i looked up, and saw that i stood amid a whirling flock of zaftig bees. velvet-bellied bees. bees doing what bees do best, bees doing what i too am inclined to do this time of year: wriggling their whole fat selves into the depths of late summer’s bloom, gulping down thirstily, mightily, drunkenly. the bees in my garden are dizzy with late summer’s bloom.

so am i.

DSCF1311

maybe it’s the urgency of catching up. i lost a week or two there in a fog. maybe it’s that summer’s been shaved by two weeks, here in the land where high school can’t wait. all i know is i can’t quite sate my late-summer’s hunger pang.

i stood there watching that bee. watching her rub up her belly, sink down low, into the golden rods of anemone pollen. i too wished i could make like a bee and slather myself in every last speck of summer’s late bloom. there’s an unbridled zest i saw in that bee, a zest that felt familiar. the unbridled part is the part that i longed for. and that’s what i love about being outside. about paying attention to the world in my garden. the bee skittered from one pollen-painted pin cushion to another, and then onto another. her flight path zigged and zagged and bumped into leaves. she didn’t seem to mind, not one little bit, that she was basically flying in circles, delectable circles. circles that filled her belly with the one niblet she lived for: the gold dust of summer’s unquenchable thirst.

for anyone gathering notes, the wide-bellied bee offered instruction: hesitate not, she seemed to insist. the hour is now. the pollen is swelled. the high tide of summer won’t wait. you’d be wise to roll in it now, to lather yourself in every last succulent drop.

point taken.

to study a bee, to chart the shift of a shadow, to tiptoe into the midnight in search of a shooting star, these are the lessons that unfold under heaven’s dome. this is the ancient and timeless curriculum of paying attention. this is poetry lived.

this is the quietly whispered prayer that fills me every time.

and this is my mid-august to-do list (inspired by my velvet-robed instructor):

  • pluck heirloom tomato. sprinkle with kosher salt. sink teeth in. catch drizzle with tongue.
  • ditto peach (minus the salt).
  • snip a morning’s round of black-eyed susans, or whatever the late-summer’s garden is inclined to share today.
  • take a seat in the midnight theatre, with one last showing of perseid’s meteor shower on the playbill tonight.
  • savor the twilight hour, as nightfall tiptoes in sooner by the day, reminding us that sunlight fades, and so too, summer. allow the periwinkle light to peak your knowing that the soft edge of day — of each and every day — is a gift to behold, especially as it wanes.
  • drink in the afternoon buzz of the world’s loudest bug, the Magicicada (mistakenly referred to as “locusts”), a herd with a walloping vibrato that tips the scales at 110 decibels, or about as deafening as a mad-dashing chain saw. oddly, perhaps, the cicada tympani happens to be my favorite song of latter-day summer.
  • curl up, all alone, in an old wicker chair, and, for as long as the day allows, deep-breathe the last of summer’s sweet pause (school — high school, no less — starts bright and early next wednesday; and for the soon-to-be teacher in this old house, it’s monday at 8 bells, when he’s due to glide into the classroom. so long to summer, indeed).

how will you savor your last hours of summer?

and a p.s. for the star gazers among us: i was among those staring into the heavens last night, wishing upon a star that i’d get a glimpse of one of perseid’s meteoric chalk streaks across the night slate. alas, it was not to be. clouds muddied my night watch. august 12 is the height of the late-summer show, when our dot on the globe spins into the whirling nightlights. there’s one last chance tonight, as the curtain falls, to catch the last gasp of the august light show.

p.s.s. correction above: i’d mistakenly launched into typing “he” and “him” in writing of my busy bumblebee, without circling back to check why i’d done that. i was wrong, and i’ve corrected my ways. apologies to the worker bumblebees who are decidedly hard-toiling she’s. 

7 Comments
January 23, 2007

from tasha’s bees to me

a box arrived over the weekend from vermont. anything from vermont makes me happy. but this particular box said it was from tasha tudor, who is pretty much my hero. she might be the loveliest illustrator of children’s books that ever there was. think “secret garden.” she’s the one who painted the garden that pulled you in, and all these years later has never let you go.

tasha is my hero as much for how she lives as for how she puts color to paper. she lives at the end of a perilously-steep, much-potholed road, in a timeworn cedar-planked farmhouse–just like one built in 1740 in concord, new hampshire, one that caught her considerable fancy.

but her house, on the crest of a hill, the inside a labyrinth of rooms with low-slung doorways and uneven floorboards, is one that her son seth built for her, using only hand tools.

seth and his mama are both, they like to say, “a bit reluctant to live in the twentieth century.”

tasha, who is 91, lives purely. you might say she lives simply, but that would be to discount the bone-thinning work it takes to live the way she lives. she is old yankee through and through.

she cooks on an old black cookstove, roasts a turkey in a “tin kitchen,” a contraption she describes as a reflector oven, set in front of the fire. (“barricade the bird from corgies and cats with a firescreen,” she warns, right in the midst of her roasted turkey recipe, a recipe for which she insists a fireplace is required, not optional.)

she eats what she grows in her tumbly riotous garden. raises goats for milk and butter and cheese. wraps herself in shawls to keep away the cold.

when dusk rolls in through the windows, she lights her rooms with beeswax candles, candles she has dipped in autumn, after she cleans the hives so the bees can begin again.

which brings us back to the box that came from vermont over the weekend. it was sent by my sister who is married to my brother in maine (don’t be frightened by that construction; i just constructed it, but it seems right, more right than saying, sister-in-law, a term too clinical for me). it was sent by becca. but it came from tasha.

yes, tasha dipped the candles that now are at my house, now lying on my window seat. maybe it was her children who did the dipping, or maybe one of her grandchildren, some of whom live in cottages nearby. whoever dipped, it’s close enough for me.

and so, as i opened the box, unrolled the sturdy brown paper, i watched six nubby, knobby hand-dipped sticks of beeswax roll toward me. they are in pairs, their wicks still joined, their wicks all tumbled together.

i was dumbstruck by the candlesticks. by the bees’ hard work. by their purity. by the fact that they were dipped and came from tasha’s bees, bees that sucked the nectar from tasha’s enviable and magnificent garden, the garden that has long been the muse for all her painting. the garden that is a muse for me.

the candles got me to thinking about bees. i happen to love bees. i did some reading. soaked up all kinds of wonderful things about bees, about beeswax. i will tell you all about it tomorrow, because this seems to have turned into a tale about tasha. which is a good thing.

which is a pure thing.

please come back tomorrow for another pure thing, a bit about bees, a bit about beeswax, the less considered thing about bees and their labors. honey, of course, being the bee thing that tends to get more of our time and attention. because it’s a sweet thing. of course.

1 Comment