andrea gibson | pull up a chair

July 18, 2025

light and shadow, in perpetual dance

all you need do is glance toward the sky, eyes skimming over the players on high. sunlight and cumulus. sunlight and cirrus. sunlight and nimbostratus. sunlight and cloud ever in play, in duet, in doh-si-doh of shadow and light.

there’s a truth being told there, a universal and organizing principle of all creation. on the first day, in the second verse, there was darkness, darkness hovering over the deep. in the third verse, light. God commanded it. and God saw that it was good.

in our lives, the leitmotif is a given. light will come. shadow will follow. light will come again.

so it was in my reading this week, when first i tumbled deeply into a luminous shaft, a boreen* of writings from a norwegian bishop and monk, erik varden, whose power as a writer was pointed out to me by a poetry friend whose taste i know to be exquisite and deep. i swiftly realized the bishop’s thinking and writing are everything they were billed to be: rare. exquisite. deep. radiant.

but then, hours later, shadow: i began reading a string of sentences posted from the account of one of my lifeline poets, someone you might call a patron saint of heartbreak and healing, of being more alive than you’ve ever imagined. i started to read, as if it were just another brilliant post: “Whenever I leave this world, whether it’s sixty years from now, I wouldn’t want anyone to say I lost some battle. I’ll be a winner that day.” and then i got to these words: “Andrea Gibson was a winner today. On July 14th, at 4:16AM, Andrea Gibson died…” and my legs stopped moving, and my breath was caught in midstream, and i read and read again. and then my fingers started to tremble, and my knees too.

andrea gibson, 49, colorado poet laureate in 2023, queer activist (they/them/their pronouns), who had been diagnosed with stage 4 ovarian cancer in 2021, not long after they’d started a newsletter titled “Things That Don’t Suck,” had many, many times pried open my heart, pulled out the unspoken words and the fears and set them soaring. when i too found out what it is to live with cancer as one of the nouns in my story, i drew andrea into my innermost circle. the ones who know, without you uttering a word, just what you’re thinking, you’re feeling, you’re praying. the ones who some days save you. because even though the cyberworld is distant and intangible, it works in mysterious ways, and someone with whom you’ve never breathed the same air can become someone whose voice you can hear as you flutter to sleep, and whose courage you conjure as they glide you into the sarcophagus that is your biannual CT scan.

light. shadow. light from shadow. shadow deepening light. it’s the dance of the duet, interminably entwined. one is always more beautiful because of the other’s presence, because the duet is perpetual.

first, this week’s light:

that monk on a bicycle, spotted cycling through the garth just beyond the cloister, is all it took for me to want to whisper my vows, and cycle along.

as i’m quick to do, i signed up for bishop varden’s website, coram fratribus, a name derived from his episcopal (meaning “of the bishop”) motto, coram fratribus intellexi, latin for “understanding with my brothers.” because the bishop is shepherd of a flock spread across 22,000 square miles in the north of norway, extending beyond the polar circle, he sees his site as a way to speak to the diaspora, to think aloud of those things he finds beautiful or challenging, to gather his flock into a communion of thought. specifically, i felt my heart quicken as i burrowed into the bishop’s collections of writings under the tabs “life illumined,” and the shorter jottings under “notebook,” which he describes thusly:

“To scribble in the margins of texts is an ancient practice. There are people, these days, who make an academic career out of studying ancient marginalia. Any exercise of reading is fundamentally conversational. The notes collected here are brief responses to impressions received not just through books, but also through encounters, art, music, and films.”

now you see why i, a marginalian of long practice, swoon?

before i get to the paragraph in “life illumined” that drew me deep into thought, let us pause to note why we see that little outline of an owl, in the upper right corner, and hovering over every page of the site. the good bishop describes that choice thusly (emphasis mine from here on in):

“The emblem of the site is an owl. The owl does not just wing you back to the front page. It has for centuries been a symbol of the monk. Why? Because it watches in the night, when most people sleep; because it is able to see in the dark, discerning movements and patterns, foundations of meaning, where the human eye perceives only vaguely. I am fond of this Italian doggerel:

“Sopra una vecchia quercia
c’era un vecchio gufo:
più sapeva e più taceva,
più taceva e più sapeva.

“In an old oak tree
there sat an old owl:
the more it knew, the silenter it was;
the silenter it was, the more it knew.”

what fluttered into my mailbox the other morning was a page of the monk’s notebook on the nightingale, complete with an ancient poem (from the early middle ages, written by alcuin of york, an adviser to charlemagne) mourning the absence of the wild creature and its delicate throat. a recitation in english and latin, and including a recording of the nightingale’s song. that alone was more than beautiful enough. and then my poking and peeking accelerated, and that’s how, under the “life illumined” tab, i found a break-me-open paragraph on learning to pray.

in an essay focused on the simplicity of jesus’s prayer, and the universal cry of all believers, “lord, teach us to pray,” varden paints the scene of 72 disciples who learned not simply by listening to the words of jesus in prayer, but in witness to his consuming attention to the ways and will of God. varden expounds:

“Jesus’s teaching on prayer amounted to more than the provision of a text for recitation, that is clear. It was the sight of Jesus praying that made the disciples wish to learn prayer. The words of prayer, which touch our reason and orient our will, point towards the breaking-open of our heart, the transformation of our being as we dare to aspire, even in this life, to ‘become participants of the divine nature’.”

it is the breaking open of the heart, indeed, where the truest serum of our souls pours out. only in the last couple years have i understood that as profoundly as i do now. and, yes, that breaking so often comes with pain, or in pain, or through pain. but i’ve learned now how it truly is the propellent, the force that pushes us deeper into sacred truths than we might otherwise venture. without the breaking open, we might cling to the safer and shallower waters.

the bishop goes on. takes us beyond merely the breaking, and makes the point of its purpose. be it through prayer or through living, the breaking open is the vehicle for those who dare to aspire, in the here and now, to become participants of the divine nature. to inch as close as we can in this lifetime to something akin to sacred. i found a redemptive resonance in that line because at heart, even for the quiet ones among us, we are a people of communion, and there is a heartening, an emboldening, that comes in finding that your purpose, your aim, is not yours alone, but shared in common understanding with at least some of your sisters and brothers.

let us be broken open, then, if it points us toward our holiest purpose. through the break in the clouds, the light comes.

and onto the shadow, the eclipsing shadow…

less than one month shy of her fiftieth birthday, andrea gibson, the poet who boldly faced the coming of her death, who has been amplifying wonder, making us see the unseen, relish the oft-overlooked, took her last breath in the wee hours of monday morning.

i have been relishing her, here and in my everyday, for years now. curiously, her presence in my life spans almost precisely the arc of time in which i’ve been in the company of my own cancer.

the month before my lung surgery, when the world felt overwhelmingly like the depths of a cave, i wrote of andrea and lines i’d inscribed on my heart:

thanks to a friend i love with my whole heart, i stumbled on another wise soul with buckets of beauty to grace the world. a poet-activist-performer named andrea gibson, now a cancer survivor whose words might take your breath away. andrea identifies as queer, and uses the pronoun “they;” and they are known for their trademark honesty and bare-naked vulnerability, traits i find irresistible and blessed beyond words. here are just a few lines i couldn’t keep from scribbling down:

when it comes to hearts i want always to be size queen…

i love you because we both showed up to kindness tryouts with notes from the school nurse that said we were too hurt to participate….

when your heart is broken, you plant seeds in the cracks and pray for rain.

before i die, i want to be somebody’s favorite hiding place, the place they can put everything they know they need to survive, every secret, every solitude, every nervous prayer, and be absolutely certain i will keep it safe. i will keep it safe.

andrea gibson

and nearly a year ago, in a musing about scan time’s equal measures of shadow and light, i shared lines that kept me from drowning.

and just a little more than a month ago, i wrote about them and a poem i called more than enough:

yesterday, thursday, this slipped into my mailbox from andrea’s wife, meg:

A couple years ago, Andrea said, “Whenever I leave this world, whether it’s sixty years from now, I wouldn’t want anyone to say I lost some battle. I’ll be a winner that day.”

Whatever beast of emotion bucks or whimpers through you right now, I hope you can hold that line beside it: Andrea didn’t lose anything. If you had been here in our home during the three days of their dying—if you’d seen dozens of friends drift in to help, to say goodbye, to say thank you, to kiss their perfect face, if you’d felt the love that floored every hospice nurse—you would have agreed. Andrea won.

I won’t sugarcoat the fact that they desperately wanted more time on this planet that they loved so much. This planet of squirrels and romance and basketball and moonlight.

But the time they had was significant, prismatic, and wild. It was full of trampolines and mountain ranges, stage lights and pants-peeing laughter. In their words, they “juiced the sun for every holy drop.” One of the last things they said before dying was, “I fucking loved my life.” Their conviction stunned the room.

If Andrea’s life was a poem (and it was), could there be a better last line?

a little backstory, again from meg:

In 2021, before the diagnosis, Andrea announced they were writing a newsletter, titled Things That Don’t Suck. A few weeks later, we learned they had ovarian cancer.

At first, Andrea said, “What a terrible time to be committed to writing about what doesn’t suck.” Then, almost immediately, they shifted their perspective and said, “What a perfect time.”

And so, this space was born. Part journal, part poetry, part pep talk, part treasure hunt. It became an archive of Andrea’s ability to find beauty in unlikely places, to wring gratitude from even the hardest hours. A museum of how they danced through their diagnosis, always turning their compass toward joy. It fostered a community they deeply loved.

And Andrea wanted all of it to continue.

meg tells us it will. there are reams and reams of unpublished writings, lines scribbled under the silvery light of the moon on those nights when sleep wouldn’t come. pages poured into volumes tucked away. a memoir, unfinished. half-written poems. a documentary coming this fall.

and meg promises this:

And there are stories of our life, and of the last months, that I, as their partner, and as a writer, feel both lucky to carry and uniquely able to tell.

As gut-wrenching, impossible, and tear-soaked as this moment is, I’m grateful beyond measure that they were so prolific. Through their books, their reels, their interviews, their albums, Andrea’s incredible mind will reverberate for a century—I’m sure of that.

and so, in the presence of the bishop monk, and the absence of the poet prophet, we shall go on. awake in the light and the shadow. and the shadow that deepens the light.

in case you’re curious, a bit more about dear bishop varden:

it was only after absorbing so much of his writing that i circled back to learn a bit of his origin story.

varden was born into a non-practicing lutheran family in a small village in the south of norway, and would go on to earn a doctorate in theology and religious studies at the university of cambridge, and further study in rome. a convert to catholicism at 19, he was drawn to the monastic life, and joined the mount saint bernard abbey, a cistertian monastery, in charnwood forest, in leicestershire, england. he was called to rome to be a professor of syriac language, monastic history, and Christian anthropology. and two years later, returned to the abbey when he was named its eleventh abbot. and, in 2019, pope francis named him bishop of trondheim, a nearly 22,000-square-mile prelature north of the polar circle in norway.

mount saint bernard abbey, varden’s home monastery, is where the only Trappist beer is brewed in all of England, under the name Tynt Meadow English Trappist Ale. beer to the trappists is no earthly distraction. the belgian trappists have a saying: “Beer should be liquid bread, not coloured water.”

and here’s a morsel, this one on the theology of beer, as spoken at the blessing of the monk’s brewery on st. george’s day, 2018. from Dom Erik’s address:

“One of the fascinating things about beer, is that this (potentially) sophisticated beverage is made of the simplest ingredients. By being refined to manifest their choicest qualities; by being brought together in a favourable environment; by mingling their properties and so revealing fresh potential; by being carefully stored and matured, the humble malt, hops, yeast, and water are spirit-filled and bring forth something new, something nurturing and good, that brings joy to those who share it. Considered in this perspective, the brewery provides us with a parable for our monastic life, with the Lord as virtuoso brewmaster. The Scriptures favour wine as an image of the Gospel – but that is culturally conditioned; beer, it seems to me, is a much neglected theological symbol.”

*boreen, you might recall from a few weeks ago, is the old irish word for what we might call a pothole, a rabbit’s hole, but in ireland, an island etched with cowpaths, it’s a word derived from a meandering side path when the cow decides to venture off on her own….if language is a cumulative patchwork, boreen is a word now in my lexicon….

you’ll find a veritable font of andrea’s spoken word poems, and writings at their website, andrea gibson.org. spend some good time there.

where did you find light and shadow this week?

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June 6, 2025

this poem is more than enough

i promised some iteration of a summer reading club, as in the days of yore when a little card at the public library was slipped in an envelope and marked with an empty grid, and for every book i slipped off the shelf, carried home to devour, the lovely librarian rewarded me with an ink-stamped icon of summer. an ice cream, a fish, a globe of the world. a deep-sea diver. each, a trophy for tucking myself away in the summer’s quiet, blocking out even the buzz of the vexatious mosquito, and turning page after page—finding myself in the big woods, the little house on the prairie, mary’s secret garden, or robert louis stevenson’s pages and pages of rhyme.

to garner an ink-stamp for adventuring away, for riding the winds of farflung imagination, was over-abundance defined. the reading, the being carried away, the learning to trust the deep powers of my mind’s true colors, that was the abundance. the gift. the one i’ll never surrender.

ever since those bicycling-to-the-library summery days, for me the span between the last and the first school bells of the year has long been synonymous with hours unspooled within the wingspan of a book.

the world we live in today doesn’t always require wingspans. sometimes what beckons us is flat on a screen and glows space-age eerie against the darkness. sometimes the words that stir me most in a week are words i’m able to copy and paste, words plucked from the cyberletters that waft my way.

and in those cases, this summer reading club might become more of a book report club, in which i bring to the table the one single snippet that most caught my breath in the week. this week it’s one single poem. a poem from one of my true lifelines—andrea gibson, the queer activist and poet with an ovarian cancer deemed incurable two years ago. she reminds that though the soul is my true work in progress, the thing i pray is alive into the forever, in whatever form that will be, the vessel into which it’s been stuffed is mighty miraculous too.

i’ve never quite given my physical being enough credit. i’ve not paused to marvel at many parts of it, save for the five digits extending from each palm, gobsmacked at however that ingenious appendage was wholly imagined, evolved. that we can pick up a slip of paper, or a rose petal fallen to the ground, that we can hold the hand of the one we love, or the stranger whom we know is afraid, is trembling, is nothing short of divine genius.

the priest who along with a rabbi amid our tiny city garden was blessing our newborn firstborn once gave a teaching focusing our attention on the genius of the elbow, a hinge without which we’d ever be at arm’s length, unable to bring a fork to our own mouths, or button our buttons, or zipper our zippers.

it’s ironic that for as desperately as i want my old resilient heart to keep lub-dubbing, and my little air sacs to keep being my wee vital accordions, expanding and whooshing the air in and out, as much as i think of those majordomos, i forget the rest of the bodily wonders: the way eyes crinkle when they’re in the thick of a heart-melting smile; the way the tears know just how and when to fall; that stubby little toe that in fact keeps us from toppling. . .

andrea, though, as do all the best poets, makes us pause to pay attention. holy attention. to the quirks and the nooks and the crannies, the history told through flesh, bones, and sinew. and all the overlooked bits: the loose tooth of long ago, the goosebumps over the years, the boing in our hair we once tried to hide. andrea makes us take note of how holy, how blessed, these chipped, wrinkled, creaky old soul vessels truly are. the infinite ways our multiple parts—incidental and otherwise—have carried us through the years.

to do so, she puts the soul into the driver’s seat and allows it to look back, longingly, lovingly. and along the way, directs our attention. . .

here’s andrea:

For the Days I Stop Wanting a Body

Imagine when a human dies the soul misses the body
Actually grieves the loss of its hands
And all they could hold
Misses the throat closing shy
Reading out loud on the first day of school

Imagine the soul misses the stubbed toe
The loose tooth
The funny bone
The soul still asks
“Why does the funny bone do that?
It’s just weird.”

Imagine the soul misses the thirsty garden cheeks
Watered by grief
Misses how the body could sleep through a dream
What else can sleep through a dream
What else can laugh
What else can wrinkle the smile’s autograph
Imagine the soul misses each falling eyelash
Waiting to be wished
Misses the wrist screaming away the blade
The soul misses the lisp
The stutter
The limp
The soul misses the holy bruise
Blue from that army of blood rushing to the wound’s side
When a human dies
The soul searches the universe for something blushing
Something shaking in the cold
Something that scars
Sweeps the universe for patience worn thin
The last nerve fighting for its life
The voice box aching to be heard

The soul misses the way the body would hold another body
And not be two bodies but one pleading God doubled in grace
The soul misses how the mind told the body
“You have fallen from grace.”
And the body said, “Erase every scripture that doesn’t have a pulse
There isn’t a single page in the Bible that can wince
That can clumsy
That can freckle
That can hunger.”

Imagine the soul misses hunger
Emptiness
Rage
The fist that was never taught to curl, curls
The teeth that were never taught to clench, clench
The body that was never taught to make love, makes love
Like a hungry ghost digging its way out of the grave
The soul misses the un-forever of old age
The skin that no longer fits
The soul misses every single day the body was sick
The now it forced
The here it built from the fever
Fever is how the body prays
How it burns and begs for another average day

The soul misses the legs creaking up the stairs
Misses the fear that climbed up the vocal chords
To curse the wheelchair
The soul misses what the body could not let go
What else could hold on that tightly to everything
What else could hear the chain of a swing set and fall to its knees
What else could touch a screen door and taste lemonade
What else could come back from a war and not come back
But still try to live
Still try to lullaby

When a human dies the soul moves through the universe
Trying to describe how a body trembles when it’s lost
Softens when it’s safe
How a wound would heal given nothing but time

Do you understand
Nothing in space can imagine it
No comet
No nebula
No ray of light can fathom the landscape of awe
The heat of shame
The fingertips pulling the first grey hair
And throwing it away
“I can’t imagine it.”
The stars say
“Tell us again about goosebumps.
Tell us again about pain.”
—Andrea Gibson

you can watch andrea read it here.

what might your soul miss about your beautiful body?

and before i shuffle off, happy blessed day to two true loves of this ol’ chair: amy from illinois, as she was first made known to me, and nan P, who’s been the beating heart of the tenderest, bravest moments for years beyond years. one of you passes the birthday baton to the next, and a pairing as sweet it’s hard to imagine. love to you both, and bless these beautiful days in which we dwell on the light you bring to this world.

in a very few days, my sweet boys and i fly to the island of my dreams, the land from which i feel my ancestors calling so deeply. i’ll be in dublin when i next write. see you from there. i’ve been teaching myself irish for months, and will be meeting up with a professor of irish poetry, who mostly writes in what we’d call “old irish,” so i need to keep practicing, thus: beannachtí. (blessings.)

(these summerly trips with the boys the past few years all fall under the category “live your dreams while you can.” bless the little legs and the lungs that will carry me there…..i hope to fill those wee air sacs with the holiest breath the coast of ireland offers…)

16 Comments

September 20, 2024

the equinox of scan time: equal parts shadow and light

you start to wonder. which is another name for worry. for most of the last five months, i’ve worked at pushing it off to the edge of the frame. to keep it out of my focus. but october is coming. and with it, the next scan. the next clear-eyed peek into my insides, into my lungs, to see if anything’s lurking that oughtn’t be.

i’ve mused about the saintly side of scan time. how it’s akin to memento mori, the ancient and holy practice of remembering our death so that we maximally live our one swift shot at this astonishing life.

but the other side of scan time is the deeply human side. the wake-me-up-in-the-night, the try-not-to-worry-that-the-pain-in-my-ribs-is-anything-scary side.

i feel it rumbling around the edges. the what-ifs i bat down as if a pesky mosquito that won’t leave me alone. i try not to tumble down the shadowy mole hole of imagining a call to my boys, letting them know i need another round of surgery. i try to quash the dialogue that runs through my head, my doctor’s voice telling me there’s something in the scan that looks worrisome, that needs more poking around. i try not to let cancer be the ice to my spine.

i try not to cry.

but sometimes i get scared.

i am, always, bumpily, raggedly, very much human.

i’m still new to the tidal ebb and flow of scan time. and the scan now rising on the horizon’s edge is only my third since surgery, since they took out a chunk of my lung, since they found an uncommon cancer that sometimes decides to shuffle around in the lungs, settle in where it wasn’t before. what i’m finding here in the precinct of scan time is that when i near the one-month-to-go mark, the palpable fear comes.

maybe each round i’ll get a little bit less wobbly (though, having lived with myself and my keen imagination for all of these years now, i tend to doubt that). maybe i won’t be tempted to imagine the worst.

but the flip side, the smarter side, even now, even at the less-than-three-weeks-to-go mark, is that the hovering worry makes me sink deeper and deeper into the now. “today is a day when i don’t know anything’s wrong yet,” i sometimes hear myself saying. i suppose there are healthier ways to frame the day (for instance, omitting the “yet”), but once the doctor stamps the C word onto your chart, once it follows you pretty much wherever you go, it gets decidedly hard to unshackle yourself from being afraid.

remember, i’m bumpily, raggedly, very much human.

which is why a necessary ingredient on this bumpy, pock-riddled road is to enlist a battalion of comrades. some are fellow travelers i know up close and personal. a few are glorious souls i only know through their words, words they beam to me as if telepathic lifelines to put oomph where i’m lacking.

whether they’re friends whose numbers i could find in my phone, or soulmates by circumstance, they’re all someones who know by heart how it is to live in the penumbra of cancer. what i find utterly indispensible about each and every one of them is that they put words to the rumblings i’d otherwise keep under lock and key.

and when you hear the worst of your worries, the very words you’ve not yet dared to utter aloud, come out of a mouth that’s not yours, there comes an incomparable sigh, a sheer and certain relief to find you are hardly alone. and deep in communion, even if it’s a union to which you wish you didn’t belong.

one of my incomparable comrades is suleika jaouad, the best-selling author of between two kingdoms: a memoir of a life interrupted, the new york times writer of the “life interrupted” column, and every week in my inbox, the author of “the isolation journals,” her unfolding and intimate chronicle of her rare leukemia and relapse and bone marrow transplant. she’s one of the ones whose wisdom and courage i lean on. she infuses me. and, often, she steadies me.

just the other day, after a weeks-long silence that signaled something amiss, suleika, who indeed has suffered yet another relapse and is back to chemotherapy, mused about radical acceptance.

she wrote:

That’s not to say I don’t feel fear—of course, I do. But strangely, the anticipation of pain can be far scarier than just being in it, actually confronting it. After my first transplant, in the years when I was cancer-free, I felt hijacked by the prospect of a recurrence and afraid that I wouldn’t be able to handle it. When it actually happened, I faced it. Knowing that, I have been trying to practice a kind of radical acceptance of whatever comes up, responding with whatever the situation calls for.

Take last weekend, for example. On Saturday, I had to go in for my last infusion of my second round of chemo. The side effects compound day-to-day, and afterward I felt awful, and I knew I’d be spending the day in bed. It had been a rainy morning, but on my way home, the sky began to clear, and I beheld a spectacular rainbow. For a moment, I glimpsed a sense of wonder. When I got to my room, I said to myself, “If I have to be in bed all day, so be it. What can I do to make this a little less miserable?” I took some anti-nausea meds and got a big glass of water. I put on my favorite face oil, wrapped myself a heating pad, gathered my pups around me, and queued up some favorite old movies to watch. Did I still feel awful? Yes. But instead of fighting it, or lamenting all of the things I wouldn’t be able to accomplish that day, I accepted it. And it turned out that staying in bed all day felt almost luxurious.

she speaks such truth. and then she somehow wraps it in what feels like a velvet blanket, somehow makes even a day in the sickbed sound a bit like a day at the spa. no wonder suleika is someone whose hand i would reach for on the darkest and scariest of days.

even though she wouldn’t know me if i bumped into her in the revolving door of sloan-kettering (a hospital entrance both of us have spun through) i wrote her right away to thank her for planting seeds of courage that some day might be my ballast. and i seized on her phrase, “radical acceptance,” to try to put it to practice. to not let my fears escape from the barnyard. to not be hijacked by fear, but to stare it square on, and to remind myself that time and again in my fair little life, i’ve steadied my knees and my spine in the fulcrum of whatever would have been my worst fear. i’ve always been braver than i’d ever imagined. i think we all are.

another one of my unparalleled big-hearted compatriot warriors who speaks to my deepest-down soul is the spoken-word poet and queer activist andrea gibson, diagnosed with ovarian cancer in 2021 and a recurrence last spring. i can’t count the times she’s sprung me to tears. tears of recognition. of stripped-naked truths. of beauty so rare and so fine i sometimes imagine she dwells with celestial beings.

here’s a line from one of her poems that stiffened my spine and reminded me to steady my ways:

My worst fear come true. But stay with me y’all-
because my story is one about happiness
being easier to find once we finally realize
we do not have forever to find it.

we do not have forever to find it…

i play their words over and over, as if a broken record, hoping and hoping that with each spin of needle to groove, i might finally inscribe their wisdom, their wonder, their truth, onto my heart. or at least find a strong steady hand to hold while i aim there….

what steadies you when you’re afraid?

22 Comments

March 17, 2023

of thin places and the deep soul of my ancient peoples

i remember perfectly the first time i heard mention of a “thin place.” i was on holy ground, a farm smack dab in the middle of abe lincoln’s homeland. beau’s farm was the name of the farm, an organic farm, an organic farm that rose from an almost impenetrable shadow of grief. deep grief. beau was a marine, a strapping handsome fellow, who died down the road from the farm, home on leave from iraq, when he drowned. his mother, a woman i’ve come to love dearly, once told me that losing beau was “just like being hung, that moment when they pull that thing out from under you,” when the sheriff comes to the door, rings the bell at just past dawn to break the news.

beau’s mama was lost to grief for two long years. but then, she told me, she started to notice little beauties. she’d toss an old dried plant to the ground; and it’d grow.

“it dawned on me, after all those months, i was noticing beauty,” she once told me as we walked the gravel drive to where the peacocks pecked and strutted in their pen. and as i once wrote in the pages of the chicago tribune, “that’s when she realized. realized maybe the one place where she could plant her sorrow, turn it into something beautiful, something lasting, was the almost seven acres that surrounded her old white resurrected farmhouse. . .”

terry starks is beau’s mama’s name; she lives up in maine now, where she still turns earth and life into something beautiful, something lasting.

terry starks was the first to tell me of thin places. she told me the hay loft in her barn was where she went to cry when the tears seemed to have no end. she told me she was drawn there because the loft was surely a thin place, a place where the veil between heaven and earth is lifted. where you can all but feel the arms of God reaching out toward you.

it’s the celts who see the world that way, who know that ours is a topography of the sacred. who live attuned to soulful rhythms most others miss.

i remember sitting on the porch swing at beau’s farm, as beau’s mama poured her hard-won wisdoms as if a pitcher without bottom. i absorbed more gospel that day on beau’s and beau’s mama’s farm than i’ve absorbed most days of my holy blessed life.

ever since, i’ve been drawn deeper and deeper into the wisdoms of the celts, a holy people who traipse the hills and vales and rocky shorelines of my ancient roots.

because today happens to be a day when plenty of folk haul out green beer and soda bread, i decided to haul out just one of many passages from The Book of Nature, my little book due to be birthed just the other side of the weekend, on the vernal equinox, day of equal light and shadow, when all of us might look upon each other’s faces for the very first time, reason to rejoice if you ask me. it’s a passage from a chapter on the dawn. and i picked the photo way up above because i took it on the day i drove to beau’s farm, and it fits blessedly with how the celts see the sun. and because i was thinking of thin places, i decided to tell terry’s tale as the long way in to how the celts have taught me so very many things. thin places, among the litany.

here tis. . . a passage from The Book of Nature…

God was considered “the Sun behind all suns,” as the author George MacLeod once wrote. The whole of creation was dappled with the light of the sun as it journeyed across the sky. Wherever its light fell, there was God filtering through, an earthly translation of the divine infusion. And the perpetual Celtic praise song rose up with the dawn. Celtic gentlemen—farmers and herders and fishermen, set off to work in the predawn darkness—doffed their hat at the first light of the sun, and bowed in blessing. The Carmina Gadelica, a collection of Gaelic prayers and chants, is filled with start-of-day blessings, as the Celts were wont to offer up benediction for every chore and implement and God-given element of every day, from milking to weaving to shearing the sheep, from fire to wind to sprinkling of water. And certainly for the miraculous return of the morning’s first light. Mystic and teacher Alexander Scott, who grew up in the west of Scotland and kept Celtic ways alive in his nineteenth-century books, wrote that his were a people “listening for God in all things, ‘in the growth of the tree, in the rising of the morning sun, in the stars at night, and in the moon.’”

–Barbara Mahany, The Book of Nature

of the many, many stories i wrote over the almost 30 years, the story of beau’s farm was one of the ones i hold closest to my heart. here’s a link, should you care to read it. with love, from terry’s scribe. (apologies if you need a subscription to open the link.)

when it comes to hearts i want always to be size queen…

i love you because we both showed up to kindness tryouts with notes from the school nurse that said we were too hurt to participate….

when your heart is broken, you plant seeds in the cracks and pray for rain.

before i die, i want to be somebody’s favorite hiding place, the place they can put everything they know they need to survive, every secret, every solitude, every nervous prayer, and be absolutely certain i will keep it safe. i will keep it safe.
andrea gibson

one more morsel for this blessed day, a poem from billy collins, once poet laureate of the united states, and a poet with plenty o’ irish roots . . .

Questions About Angels
by Billy Collins

Of all the questions you might want to ask
about angels, the only one you ever hear
is how many can dance on the head of a pin.

No curiosity about how they pass the eternal time
besides circling the Throne chanting in Latin
or delivering a crust of bread to a hermit on earth
or guiding a boy and girl across a rickety wooden bridge.

Do they fly through God’s body and come out singing?
Do they swing like children from the hinges
of the spirit world saying their names backwards and forwards?
Do they sit alone in little gardens changing colors?

What about their sleeping habits, the fabric of their robes,
their diet of unfiltered divine light?
What goes on inside their luminous heads? Is there a wall
these tall presences can look over and see hell?

If an angel fell off a cloud, would he leave a hole
in a river and would the hole float along endlessly
filled with the silent letters of every angelic word?

If an angel delivered the mail, would he arrive
in a blinding rush of wings or would he just assume
the appearance of the regular mailman and
whistle up the driveway reading the postcards?

No, the medieval theologians control the court.
The only question you ever hear is about
the little dance floor on the head of a pin
where halos are meant to converge and drift invisibly.

It is designed to make us think in millions,
billions, to make us run out of numbers and collapse
into infinity, but perhaps the answer is simply one:
one female angel dancing alone in her stocking feet,
a small jazz combo working in the background.

She sways like a branch in the wind, her beautiful
eyes closed, and the tall thin bassist leans over
to glance at his watch because she has been dancing
forever, and now it is very late, even for musicians.

nothing would delight me more than to see some of you, or all of you, come tuesday night, when i am shoving aside my worries about stepping up to speak in front of a crowd any bigger than the one or two who might share this old maple table on any given morning. we’ll gather to mostly rejoice in what’s become a holy sacred bond, one woven over time, through shared wisdoms, devoted kindness, good grace and humor. and i promise to read one or two passages from The Book of Nature, and even talk a little bit about how it came to be. it’s the first of my five books that wasn’t first birthed here, but its pages are filled with wisdoms learned here, steeped here, refined here. so you all have a thread in the whole cloth it became. and i can imagine no finer benediction than to begin the book with you. so see you tuesday, march 21, the vernal equinox at 7 p.m. chicago time.

now, what celtic wisdoms fuel your every day? and where are the thin places in your life where the veil between heaven and earth is at its thinnest, and you too feel it lifted for a blessed glance of the sacred beyond?

when it comes to hearts, i always want to be known as size queen…

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Tag: andrea gibson