pull up a chair

where wisdom gathers, poetry unfolds and divine light is sparked…

the chair is old enough to vote. . .

i’ve raised a blog, it seems, from birth to the verge of being grown-up. eighteen years: 12.12.06 it all began. 1,200 posts before today, so this––wondrously (to me, anyway)––is 1,201. at first i tended it, this conversation, this wondering aloud, this occasional epiphany, every weekday for a year, then chiseled it down to thrice a week. and then, yet again, i distilled it: once weekly––religiously every friday morn. here and there i’ve taken rare short breaks. a bit of summer breather once or twice.

and yet, kept on. and on and on. (sometimes wondering if maybe i should just be quiet.)

cycled through waves who’ve pulled up chairs in ebb and flow as of the tides. friends who’ve come to stay awhile, then shuffled off for one reason or another. at least a few i’ve deeply loved have died; angels still among us. some who’ve pulled up a chair have never ever strayed. here from the beginning, faithful as the day is long. bless them. bless and bless and bless them. 

i too have ebbed and flowed. waded into deep and deeper waters. shed old fears, grew courage. been puzzled. pondered. hatched new fears. wobbled. stumbled. inhaled courage again, again, and again. i’ve wondered and worried aloud. weathered aching heart, and phone calls and headlines that left me breathless. i’ve loved and loved some more. i intend to never stop. 

my school at first was all that unfolded under this old roof, where creaky twisting stairs and a nearly antique Garland stove––six burners, flattop, quasi-oven, a behemoth you’d find at any all-night diner––came to animate so many stories. it was my boys from whom i mostly learned and learned the most. and learned and learned again. and of course the holy earth and heavens high above: the gardens, the birds, the trees, the stars and moon, the dawn and dusk and nighttime’s inky darkness that never fail to draw me in. the book of nature, i’ve come to read, where lessons rise and fall season after season after season. i found a holy peace in this old house and the ramshackle plots where i kneel with trowel and soul wide open. i’d been chasing that peace for years. 

i seem to have stumbled into a new teacher these days, one i’d never thought could bring such knowing: it comes with darkness, yes, though i’m reminded that darkness is the embryonic space where stirrings first begin. and it’s nighttime’s darkest hour when stars most brightly shine. stripped of distraction, of the nettlesome sorts of things that blur our everyday, it denudes us to our barest essence. it’s cancer (even when i do not name it here it’s ever present in my rumblings, and has catapulted me to highest most-reverent attention). mine is an especially wily iteration, one that doesn’t follow rules. and brings me squarely into the land of uncertainty. where i, a girl who likes to know things, am finding out how not knowing whittles the knowing to one or two immutables: love is the force that triumphs over all; its alpha and omega, the God who dwells within. within me, and you. and even all the ones who make us want to scream and run for cover. 

here’s what i know 18 years in: there is nothing that love––true, deep love in all its iterations––cannot infuse. and in the infusing, molecules are stirred, shifted, and forms reshaped, dissolved, emboldened, made new. i’ve felt mountains move. i’ve felt fear melt away, like butter on hot biscuits. i’ve felt surrender––holy, holy “thy will be done.”

and a life well lived is one in which we love as unstintingly, as capaciously, as we might never have known possible. to live a life of loving is to scatter the few seeds that might blossom in our wake, that might rise in the seasons beyond us. it is the deepest mark i hope and pray to leave: to know my heart, my soul, has found a way in, forever in, to those whose lives i might have touched. 

it all becomes so spare, so simple, in the end. when you realize your days––for as long as they stretch––are your one rare turn to hone the art of loving, as it is meant to be. as it is meant to make the holy difference. to trace the path from here to heaven. 

that’s some of what i’m thinking eighteen sweet years in.

and now, because the older i get the more i glean from the wisdom of those who’ve left their trace, here’s my birthday bouquet to ponder for the day, the week, the hour…an indelible quote, a poem to make you laugh, and one to maybe melt you….

first, a quote from the french philosopher and playwright gabriel marcel, from the mystery of being:

“You know you have loved someone when you have glimpsed in them that which is too beautiful to die.”


a poem that might make you laugh, and certainly leave you with a smile:

Emily Dickinson at the Poetry Slam
BY DAN VERA

I will tell you why she rarely ventured from her house. 
It happened like this:

One day she took the train to Boston,
made her way to the darkened room,
put her name down in cursive script
and waited her turn. 

When they read her name aloud
she made her way to the stage
straightened the papers in her hands —
pages and envelopes, the backs of grocery bills,
she closed her eyes for a minute,
took a breath, 
and began. 

From her mouth perfect words exploded,
intact formulas of light and darkness.
She dared to rhyme with words like cochineal
and described the skies like diadem. 
Obscurely worded incantations filled the room
with an alchemy that made the very molecules quake.

The solitary words she handled
in her upstairs room with keen precision
came rumbling out to make the electric lights flicker.

40 members of the audience 
were treated for hypertension.
20 year old dark haired beauties found their heads
had turned a Moses White.

Her second poem erased the memory of every cellphone
in the nightclub,
and by the fourth line of the sixth verse
the grandmother in the upstairs apartment 
had been cured of her rheumatism. 

The papers reported the power outages. 
The area hospitals taxed their emergency generators
and sirens were heard to wail through the night.

Quietly she made her way to the exit,
walked to the terminal and rode back to Amherst. 

She never left her room again
and never read such syllables aloud. 


and finally, a christmas poem that just might melt you, as it melted me. . . 

Kenosis
by Luci Shaw

In sleep his infant mouth works in and out.
He is so new, his silk skin has not yet
been roughed by plane and wooden beam
nor, so far, has he had to deal with human doubt.
He is in a dream of nipple found,
of blue-white milk, of curving skin
and, pulsing in his ear, the inner throb
of a warm heart’s repeated sound.
His only memories float from fluid space.
So new he has not pounded nails, hung a door
broken bread, felt rebuff, bent to the lash,
wept for the sad heart of the human race.

thank you, with all my heart, for pulling up a chair, be it only for awhile, or for some or all these years. i am holding especially close against my heart this morning ginny, my once closest reader (my beloved mother in law who was quick to call if she liked what she’d read, and deafeningly silent if she did not!), mary ellen, and ceci, who waft over my shoulder, angels to my every day….and especially to my boys, who animate each and every pulse of my heart and every breath i breathe….(and certainly to will, who got this whole thing started, when he insisted i could do it, and built the website to make it happen….)  xoxo love, bam

how did you find the chair?

when you find the sages on your shelf echoing one essential truth. . .

not so very long ago, within the reach of my old brain folders, this was the morn i had my boys set out shoes (sometimes admittedly smelly sneakers), which i filled with clementines and tinfoil-wrapped chocolates. the feast of st. nick, the jolly soul who in long-ago times filled the shoes of girls and boys with trinkets from his pouch. the original arbiter of good v. not-so-good; a lump of coal you did not want to find tucked in the toe of your wooden clog.

december, it seems, is a month punctuated with tradition. we embroider advent’s waiting, the dim day-by-day darkening with the kindled flickering of myth and lore and wonder gathered round the globe. every land, it seems, is looking for a bit of light amid the darkness.

i learned only this week of december fourth’s “barbara branch,” when the german tradition is to give the branch of a flowering tree to a barbara and await its blossoming by christmas. the story goes that barbara, who would become a saint and then later (at my tender and impressionable age of 9 or 10) be stripped of her sainthood (for reasons i never quite grasped but the good ol’ Church did it anyway), dear barbara back in medieval times was such a beauty that her wretched father locked her in a tower whenever he went away. and when she refused to marry some princely fellow, because she preferred to marry Jesus Christ (plenty of saints chose that path) he sent her off to prison, awaiting beheading. on the way to prison, so the story goes, a cherry branch snagged against her skirt, so wise and wily barbara clutched the branch and carried it along to her cell, whereupon every few days she watered it with drops from her scantly-filled drinking glass. and don’t you know that on the day she was burned at the stake and then beheaded, the branch blossomed. and so we barbaras carry on the blossoming, with branches awaiting bloom. my mother is a barbara, and she now has a dear friend where she lives who also happens to be a barbara. so this barbara brought those barbaras branches awaiting bloom. 

and so december goes. 

but really what i find myself thinking here this morning is how the sages i have come to know and love find themselves in conversation across space and time. how their wisdoms interlace and amplify, and to my mind underscore the eternal in their simple truths. 

the sages shelf: poets, left; mystics and sages to the right

the two i’ve drawn from my shelf this week are brian doyle, the beyond-brilliant late great essayist and longtime editor of portland magazine, who died of a brain tumor not too many years ago. his wisdoms cannily or not line up with those of dorothy day, the radical pacifist and co-founder of the Catholic Worker movement, devoted to the poor, the hungry, the broken, and now on the road to sainthood, though she famously protested that labelling when she once snapped: “don’t call me a saint. i don’t want to be dismissed so easily.” (a sassy saint she’ll be, patron saint of sassiness among her zillion virtues.)

i found myself pulling dear brian off my sages shelf this week, and zeroed in on this passage in particular from his magnificent one long river of song: notes on wonder (a book whose praises i once sang in the pages of the chicago tribune, back when i wrote a column called “books for the soul”): 

This is what I know: that the small is huge, that the tiny is vast, that pain is part and parcel of the gift of joy, and that this is love, and then there is everything else. You either walk toward love or away from it with every breath you draw. Humility is the road to love. Humility, maybe, is love.

he echoes the essence of dorothy’s wisdom, an epiphany of hers long etched on my heart. this simple, simple code: “by little and by little.” 

her biographer, robert ellsberg in dorothy day: selected writings, elucidates: “simply, it consisted of performing, in the presence and love of God, all the little things that make up our everyday life and contact with others. from therese [of lisieux, yet another saint, the one who inspired dorothy], dorothy learned that any act of love might contribute to the balance of love in the world, any suffering endured in love might ease the burden of others. . . we could only make use of the little things we possessed—the little faith, the little strength, the little courage. these were the loaves and fishes. we could only offer what we had, and pray that God would make the increase. it was all a matter of faith.”

what i’ve come to know, through the alchemies of age and maybe cancer, is that my one holy task here is to live by love, little by little, day by day, for as many days as i have. if i can be a little flame, if i can choose love, choose joy, choose kindness at each and every turn and each and every choice, then my swift life here will have left some mark and measure. if each one of us might tip the balance, bend the arc toward justice, then our existence holds holy purpose. the choice becomes so clear, so finely-grained focused: i aim to walk closer and closer to the holiness i was––we were all––meant to be. and to find unending bliss within.

so help me God. 

one more brian doyle: in a brilliant, brilliant essay (found in One Long River, p. 12) about two strangers holding hands as they leapt from the south tower on sept. 11, doyle wrote: “their hands reaching and joining are the most powerful prayer i can imagine, the most eloquent, the most graceful. it is everything we are capable of against horror and loss and death. it is what makes me believe we are not craven fools and charlatans to believe in God, to believe that human beings have greatness and holiness within them like seeds that open only under great fires, to believe that some unimaginable essence of who we are persists past the dissolution of what we were, to believe against such evil hourly evidence that love is why we are here.”

i don’t know why i even try to say what has been so magnificently, unforgettably uttered already. brian doyle’s truth i feel unfolding in me every blessed day. i feel those seeds breaking open in the roaring furnace that is a cancer in your lungs.


because, why not, two Advent poems from emily d. or at least two poems worth contemplating in this season of anticipation, of heightened awaiting, of soul on the lookout for wonder coming….(Advent reflection on the poems, from my friends at the Salt Project, down below, but first, emily, the belle of amherst:)

“The Infinite a sudden Guest” (1309)

The Infinite a sudden Guest
Has been assumed to be —
But how can that stupendous come
Which never went away?

“Tell all the truth but tell it slant — “ (1263)

Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth’s superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —

+ Emily Dickinson

and here’s what my friends at Salt Project say about both…

These two Dickinson poems are perfect meditations for Advent:

The first as a provocative play on one of the season’s mysteries (How can we “wait” for someone who is also present to us, and in us, even as we wait?); and the second as a window into the many ways the Advent and Christmas stories testify to a God who comes in ways that are somewhat softened, accessible, “slant,” camouflaged, even hidden.

An ordinary baby in an ordinary backwater town, signaled by a star so faint that only Magi can spot it (Herod’s assassins can’t!), and announced not to the powerful in Jerusalem but to nameless shepherds on a forgotten hillside, watching their flocks by night.

It’s as the old carol has it: “Veiled in flesh the Godhead see, Hail th’ incarnate Deity!” (that’s from “Hark the Herald Angels Sing”). Veiled, hidden, not so God disappears but precisely so God may appear — or rather, so we may see. The Truth must dazzle gradually…

what simple sages’ truths have you found echoing of late?

blessings to teresa p for teaching me all about BBs, barbara branches!

sated with room for more…

it’s the morning after. the floor by the stove is splattered with something we know was delicious (it’s what happens when a kid who works in a michelin-star kitchen takes to the skillet and starts flipping the beans from pan to air to pan again, with aerial cartwheels in between). the silver and plates still need to be tucked away for their long winter’s rest. the refrigerator shelves are groaning. but the counter is clean, the coffee is on, and there are four more hours till the TSA beckons Boy No. 1, and his plane takes to the sky.

i am as sated as a girl could possibly be. but insatiable always when it comes to time with people i love. our table was full, the fire was roaring, and the house was all but decibly quaking (the requisite fire alarm sounded, football whistles were blowing, aretha was crooning straight through it all, and 11 of us were firing words in every direction). it was perfect. and perfectly loud.

some years back, i counted my way through the blessings of a day. and this year, as with the currier & ives thanksgiving plates, i’m hauling it out of safe-keeping, for one more round of service.

i’ve even more thanks to add to this year, beginning and ending with being right here. holding tight to the hands of the peoples i love. and falling against the very broad chest of the boys who i birthed some years ago. their heartbeats pressed to my ear will be the song that carries me forward through the adventures ahead.

here’s my centenary of blessing…

enchanted by celtic and jewish and ignatian understanding that we are called to anoint the holy hours of our every day with blessing — 100 blessings precisely, in the case of the jews — i decided to unspool my own centenary of thanks across the arc of a day. 

 in this season of bountiful thanks, as we gather roots from the ground, and fowl from the field, i march through time, sewing blessing into the whole cloth of my day. (it’s a might bit long, so you might want to take this in doses, a swallow here, another there. forgive me for counting clear to 100…)

a centenary of blessing, of deep and undying Thank You…

In the liminal landscape between asleep and awake, thank you, Holy One, for heart still beating, for breath, for first thought, the one that tickles us into consciousness. Thank you for darkness before dawn, morning after morning a reawakening to the metaphor, the truth, that in our darkest hour we might hold on just one more minute, for surely the stars will dim, and horizon’s edge will be doused in tourmaline and tangerine, and finally radiant gold. (4)

Thank you, by the way, for celestial paint set.

Thank you for bed, and blanket. Thank you for the one I love who lies beside me, whose breathing I know by heart. Thank you for the lump that’s warm, that’s there when I reach across sheets in the night, in the morning. Thank you for deepening love and the long winding road that brought him to me, to my heart.

Thank you for the dawn itself, that sacred cloak of in-between, when crescent moon dangles just above, but night gives way to morning’s light, and heaven’s dome, at the seam of earth and sky, soaks up scant threads of all-absorbent amber rose. Thank you for the stillest hour when all that moves is barest breeze that rustles leaves, and far off, the stirrings of the lake that never cease. (13)

Thank you for this old house, with arthritic floor boards, ones that creak at just the same juncture, with just the same footfall. Thank you for kitchen, and heat that is cranked. Thank you for whiny old cat there at the door. Thank you for coffee beans and hissing pot, and the old chipped mug that fits snug in my palms. (20)

Dear Maker of All That’s Blessed, thank you for the sound of those footsteps clomping onto the floorboards above, and the certitude that — so far this day — all is well. Thank you for shower, hot and pulsing and shaking off sleepy-eyed resistance to standing upright.

Thank you for porridge I stir at the cookstove. Thank you for the sustenance I dollop in spoonfuls, the alchemy of cooking for those we fuel for the day. Thank you for faith in the vespers unfurled, in between handfuls of raisins and walnuts and jewel-toned dried fruits, the ones we toss with abandon into the bubbling pot.

Thank you for clementines, and sugary cinnamon. Thank you for butter, slathered and melted. Thank you for school bus drivers who wait. Thank you for the click of the door when at last the morning rush is over, is ended, and no one is reaching for car keys, muttering under her breath.

Thank you, Blanketer of Wonder, for the quiet stitched into the morning’s hours, the quiet so thick I can drink in the tick and the tock of a grandfather’s clock. And the squawk of the bluejay, and the chatter of sparrows. (35)

Thank you for work to be done. Thank you for dishes piled in the sink, whose scrubbing and rinsing gives me a moment to think, to ponder the day. Thank you for typewriter keys who call me, and fingers that play on the alphabet rows. Thank you for sentences that write themselves, and words that are birthed from deep down inside.

Thank you for wisdom, the sort that comes in unexpected flashes, when you only know you’ve found it as you feel your heart go thumpety-thump, and you sit bolt upright, or feel the goosebumps sprout up and down unsuspecting flesh. That wisdom might come reading along the pages of news, or in a poem slipped under your transom, or from a stranger passing by. Plenty often, it comes through the holy gospel of a wonder child, as you catch one last phrase tossed over a shoulder at the schoolhouse door.

Thank you for all that’s poetry — wisdom-steeped or just plain beautiful, breath-taking. And thank you for Gospel of any brand — be it birthed from holy child, everyday saint, or even the so-called kook who stands on the street corner, proclaiming through a megaphone.

Thank you, yes, for telephones, for that rare sound of a voice that nestles against the tenderest heart. That, within the first breath of the very first syllable, brings comfort, collapses miles and aloneness, amplifies the hours absorbed in coming to this holy bond of deep knowing each other, inside and through.

Thank you even for the bits of news — of whatever ilk, good or bad or nasty — that percolate the hours of each day, make one slice of time so vastly different from the next, stitch drama to the script of life, offer us the chance to absorb each and every frame from an angle never before perceived. (45)

Thank you, most of all, for the deep down knowing that you, Holy Depth and Gentleness, never leave me adrift. Never let my quakings take me down. Ever bring me light, and tender touches. Ever hold me up, against the chilling winds. And bring me to communion with all that’s glorious and bountiful in this rugged, rugged landscape.

I might be among the few who salute the cloudy skies of November on my long list of thanks. Ah, but those angora gray skies, they comfort me, harbor me. I’ll take the somnolence, the introspection of a gray day any day. So thank you for cloudy and gray.

And I’d be remiss if I didn’t mention how thankful I am for hearts that continue to tick, day in and day out, despite the trials we toss their way, as we worry and fret, then, without notice, shriek in deep joy and excitement. Poor ol’ heart, the one that landed in me anyway, it might not have realized it was signed on for a roller-coaster ride of such seismic proportion.

Speaking of ticking, thank you for the schoolhouse clock that does just that, minute by minute, hour upon hour, heartbeat against the wall.

Thank you, too, for windows. And for the flutterings and flashes just beyond the glass, as clouds of gentle creatures take off and land, from sky to limb and back again — each time, lifting just a little bit of my soul.

Thank you for doors, the ones that let in unexpected someones, someones we love. And keep out the wind and the cold.

Thank you for fires that roar and logs that crackle. Thank you for the one that’s turning the so-called sleeping room, across from the kitchen, into a chamber of flickering gold. Thank you for the two lumps under blankets, snoozing by the fire as I sit here, now typing. (59)

Thank you, Lighter of Night, for the cloak of darkness that comes early now, velvety backdrop for twinkling of stars, and moon that holds me, most every eve, in its trance.

Thank you for dusk, dear Lighter of Light, the far edge of the day, beginning of nightfall, when the last seeds of illumination are scattered, are rosy.

Thank you for dinner hour, and the blessing of slow simmering stew. Thank you for the bounty of greens from your earth, and spices from pods and seeds and stamens.

Thank you, God, for the trees and the gnarly limbs, and the hummingbird now buried deep in my garden.

Thank you for candlelight. And the lights of Your making: moonlight and sunlight and dappled radiance scattered like seed across the landscape. Thank you for twinkling stars and streaking ones, too — chalk marks etched across the slate of the night sky. (76)

Thank you for drifting off to sleep, and dreams that color our imagination. Thank you even for revelations that come to us in the awful interludes of tossing and turning. Thank you for wanting to wake up again, to climb from the bed. Thank you for the blankets we tuck under the chin of our sleeping child.

Thank you, dear God, for the child. For the breathtaking chance to infuse all that’s good in this world. Thank you for lessons taught while holding a hand, or wiping a tear. Thank you for band-aids that quell the hurt, and words that do the same. Thank you for everyone who lifts up our child, the teachers who inspire, the coaches who are kind. And the lady down the block who never fails to plant a fat wet kiss on that child’s pink cheek. (90)

Thank you for the year drawing to a close, and this pause to nod our heads and whisper gratitude. Thank you for the kaleidoscope of turning season, the ever-shifting call to attention. Thank you for crunching leaves, and tumbling snow flake.

Thank you for love in all its iterations. For birth, and death, and all that animates the interstitial hours. Thank you for those who walk beside us, who put a hand to the small of our back, or reach out to carry us across the bottomless abyss. (100)

Thank you, God, for all of this. And more. So, so much more.

what do you count in your litany of deep and undying thanks?

countdown. . .

i clambered up from the basement yesterday morn, and found myself face-to-face with a whiteout. snow falling in thickets. snow whirling wildly. snow, snow, and more snow for hours and hours and hours. 

it was all the currier & ives i needed to supercharge my countdown clock. the one that’s percolating at quicker and quicker clip as the days turn closer to wednesday a week, the eve of thanksgiving itself, when not just one but both of the boys i so love will––for the first time in almost a year––unfurl their dreams on the pillows of their long-ago boyhood beds, all nestled cozily under this mostly dependable, nearly centenarian roof. 

and i will savor the joy of kissing both on the forehead as i trundle off to bed hours before my wide-eyed night owls, or should we all stay up till the same insensible hour i will give it my best waltons’ bedtime holler, and call out from under my bedsheets and across the hall and down a few stairs, “good night, will. good night, Bear. good night, old house. sweet dreams, my beautiful boys.”

it’s been a long hard autumn, held in the vise of worries and fear the likes of which i’d not recommend. and so this coming thanksgiving is the emotional equivalent of frank lloyd wright’s trademark compress-and-release, in which the great architect intentionally magnified the vast spaciousness of a room by first pressing in the walls and the ceiling of the space leading into the room, so that upon stepping through the tight corridor and into the vaulted chamber the sense of openness would be perceived as vaster than ever. 

and so it is with the human dynamic of fear, grace, and gratitude: to walk through unbearable days, days that stretch into weeks, and weeks that stretch into more than a month, and then to find yourself falling into the arms of the human beings you most long to hold onto; it’s the pinnacle of paradise on earth, to be released from the vise and enwrapped in a love without end. 

cancer sharpens that point. cancer sometimes brings on seasons of uncertainty that are quickly populated with ghosts and demons that defy containment. i’m learning the undulations of cancer that are colored in shades of gray. interminable shades of gray. questions that come without answers. doctors who call with unwelcome news. and barely stay on the line long enough to answer a single question. and then you hang up and feel the floor drop out from under you. sometimes––if you’re me––you take the short road to doom. because that’s what worriers do. we worry. we pray for holy release.

in time, we get a grip. regain our bearings. hold our chin high, dry our tears, practice at being brave. whistle into the in-blowing winds. hold tight to the hands of the one or two who know how dark it’s become, and we fall to our knees, or fold to the ground and enter the depths of divine meditation. i’ve spent more hours with eyes closed, palms open, sitting in silence, beckoning the perpetual God-flame within, than ever before. i’ve been tempted to beg, “more time, please.” but i don’t any longer believe i can––or hold any special claim to––change God’s equation, so what i pray for is grace. is heightened attention. what i pray for is an emphatic aliveness that infuses each turn of the day with unbarred acceptance. i don’t want to blink and miss something holy.

those prayers––for grace, for keen attention, for seeing deeper than ever day in and day out, for pausing to savor––are answered, blessedly. and my own season of unending thanks coincides with that of this nation founded on pillars of moral perpetude, and the hope of equal justice for all.

the essence of my life’s gratitude has always been the improbable miracle that i became a mother. that i birthed not one but two glorious humans, and devoted the best of my heart, my soul, my breath, my being, to carving out for them a space in which they’d be cocooned in the purest love i could imagine, could muster. along the way, i’ve tossed every life line i could whenever they needed, and now, lo and behold, they’re the lifelines and i’m the one needing.

and so all these past 45 days, i have longed for only one thing: hours more to sit side-by-side the ones i so fervently sumptuously love. to giggle at their antics. to marvel at their wild-eyed wonder tales. to feel their hands squeeze mine, to be wrapped in their arms, my ear pressed to their chest, absorbing the heartbeat i’ve loved since the very first ultrasound when that echoing lub-dub-dub poured over and through me like the holiest chrism. 

this is a countdown like never before. and my heart is more than open for business. the business of loving my boys. in real time. under one shared and sheltering roof.

thanksgiving morn, a few years ago.

here’s a poem, fittingly, a prayer poem by the great madeleine l’engle, who lived by words but found herself wordless in prayer. which, indeed, is sometimes the way to our deepest depths…

Word

I, who live by words, am wordless when
I try my words in prayer. All language turns
To silence. Prayer will take my words and then
Reveal their emptiness. The stilled voice learns
To hold its peace, to listen with the heart
To silence that is joy, is adoration.
The self is shattered, all words torn apart
In this strange patterned time of contemplation
That, in time, breaks time, breaks word, breaks me,
And then, in silence, leaves me healed and mended.
I leave, returned to language, for I see
Through words, even when all words are ended.
I, who live by words, am wordless when
I turn me to the Word to pray. Amen.

––Madeleine L’Engle


and here, because i love to imagine ladling steaming bowls of soup to people i love, is my new favorite stoup recipe, lemony chicken-feta meatball with spinach from my friends at NYT Cooking (you will be licking the bowl; it’s that good):

Lemony Chicken-Feta Meatball Soup With Spinach
By Yasmin Fahr
Yield: 4 servings
Total Time: 30 minutes

Note from NYT: Some might be suspicious of the rolled oats called for in this recipe, but used in place of breadcrumbs, they help create a light and tender chicken meatball. A half-cup more is simmered in the broth, which thickens it and provides a pleasant texture. The meatballs, made with ground chicken, feta and fresh dill, swim in a lemony, spinach-filled broth that’s comforting and light, perfect for lunch or dinner. Serve any leftovers with a fresh squeeze of lemon juice to brighten the soup.

INGREDIENTS
1 pound ground chicken or turkey, preferably dark meat (i use white meat)
½ cup crumbled feta
¾ cup old-fashioned rolled oats
1 small red onion, halved (½ diced, and ½ grated, then squeezed with a paper towel to remove excess liquid)
⅓ packed cup fresh dill leaves and fine stems, finely chopped
1 tablespoon ground cumin
½ teaspoon plus 1 tablespoon ground turmeric
Kosher salt and black pepper
3 tablespoons olive oil
½ teaspoon red-pepper flakes, plus more for serving
4 cups low-sodium chicken broth
4 packed cups baby spinach (about 5 ounces)
2 lemons (1 juiced and 1 cut into wedges for serving)

PREPARATION
Step 1
In a medium bowl, add the chicken, feta, ¼ cup oats, the grated onion, most of the dill (reserve about 2 tablespoons for garnish), the cumin, ½ teaspoon turmeric and 1 teaspoon salt. Gently combine without squeezing too hard or overworking the meat. Lightly wet your palms and shape the meat into small balls, a little smaller than the size of a golf ball, about 1½ inches. (You will have approximately 25 balls.)

Step 2
Heat the oil in a large Dutch oven or wide pot over medium until shimmering. Add the diced onion, season with salt, and cook until it begins to soften, about 2 minutes, stirring occasionally. Add the remaining 1 tablespoon turmeric and the red-pepper flakes, and stir until fragrant, about 30 seconds. Push the onions to the sides as best you can, then add the meatballs. (They will be close together, and that’s OK.) Cook until browned on two sides, 5 to 7 minutes total.

Step 3
Pour in the broth and remaining ½ cup oats, then gently tilt the pot to the right and left to distribute the oats and broth without disturbing the meatballs. Bring to a gentle boil, then immediately reduce the heat to maintain an active simmer. Season with salt. Cook, gently stirring occasionally to make sure nothing is sticking to the bottom, until the oats have softened and the meatballs are cooked through, about 4 minutes more.

Step 4
Stir in the spinach and lemon juice until the spinach is wilted, about 2 minutes more. Adjust the seasoning to taste. Spoon into bowls, top with pepper and the remaining dill. Serve with lemon wedges.

what is your heart longing for this season of through-and-through thanks?

unearthing the wisdoms entwined in the past. . .

in which these uncharted times have me leaning on the wisdoms of great minds and expansive souls who’ve navigated their own immensely dark and tough times…

more and more i find history is my balm. i think back to the eras of darkness across the arc of time and the indomitable human spirit that has never yet been extinguished, no matter the force of the counterwinds. 

albert camus

curiously, albert camus––whom i’d never thought of as any sort of balm––has served well in that role. though considering the era in which he was writing, it’s no wonder it was darkness he saw through, shone a fierce beam of light on the way through the horrors of europe during the holocaust. 

so often it’s the artists and writers, the makers of films and penners of poems, the ones endowed with an eye to see beyond the occlusions, the ones who imagine what others can’t conceive, who cast the lifeline beyond the capacities of strategists and political operators, power brokers and thieves. 

in his 1940 essay titled “the almond trees” (a species that brilliantly blooms in winter), found in his Lyrical and Critical Essays, camus weighs in on happiness, despair, and how to amplify our love of life.

only twenty-seven when he wrote this, here is the french-algerian philosopher who gave us the plague, the fall, the stranger,and the myth of sisyphus:

We have not overcome our condition, and yet we know it better. We know that we live in contradiction, but we also know that we must refuse this contradiction and do what is needed to reduce it. Our task as [humans] is to find the few principles that will calm the infinite anguish of free souls. We must mend what has been torn apart, make justice imaginable again in a world so obviously unjust, give happiness a meaning once more to peoples poisoned by the misery of the century. Naturally, it is a superhuman task. But superhuman is the term for tasks [we] take a long time to accomplish, that’s all.

Let us know our aims then, holding fast to the mind, even if force puts on a thoughtful or a comfortable face in order to seduce us. The first thing is not to despair. Let us not listen too much to those who proclaim that the world is at an end. Civilizations do not die so easily, and even if our world were to collapse, it would not have been the first. It is indeed true that we live in tragic times. But too many people confuse tragedy with despair. “Tragedy,” [D.H.] Lawrence said, “ought to be a great kick at misery.” This is a healthy and immediately applicable thought. There are many things today deserving such a kick.

echoing the sentiments of an earlier manifesto written in the immediate wake of the first world war, the 1919 “declaration of the independence of the mind,” again by a french philosopher, this time romain rolland––and signed by such luminaries as bertrand russell, albert einstein, bengali poet and nobel laureate rabindranath tagore (a favorite of mary oliver), social worker and activist jane addams (chicago’s own), upton sinclair, and hermann hesse––camus argues that this “kick” is to be “delivered by the deliberate cultivation of the mind’s highest virtues”:

If we are to save the mind we must ignore its gloomy virtues and celebrate its strength and wonder. Our world is poisoned by its misery, and seems to wallow in it. It has utterly surrendered to that evil which Nietzsche called the spirit of heaviness. Let us not add to this. It is futile to weep over the mind, it is enough to labor for it.

But where are the conquering virtues of the mind? The same Nietzsche listed them as mortal enemies to heaviness of the spirit. For him, they are strength of character, taste, the “world,” classical happiness, severe pride, the cold frugality of the wise. More than ever, these virtues are necessary today, and each of us can choose the one that suits him best. Before the vastness of the undertaking, let no one forget strength of character. I don’t mean the theatrical kind on political platforms, complete with frowns and threatening gestures. But the kind that through the virtue of its purity and its sap, stands up to all the winds that blow in from the sea. Such is the strength of character that in the winter of the world will prepare the fruit.

elsewhere in lyrical and critical essays, we find the line that practically serves as camus’s epigraph: “in the depths of winter, i finally learned that within me there lay an invincible summer.” 

toni morrison

no less than toni morrison takes the baton, elaborating that the task of the artist is as a grounding and elevating force in turbulent times, in her essay titled “no place for self-pity, no room for fear,” included in the 150th anniversary issue of the nation, the monthly founded by abolitionists in 1865, not long after the adoption of the thirteenth amendment abolishing slavery.

morrison writes:

This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.

I know the world is bruised and bleeding, and though it is important not to ignore its pain, it is also critical to refuse to succumb to its malevolence. Like failure, chaos contains information that can lead to knowledge — even wisdom. Like art.

marcus aurelius

and finally let us turn way back the clock to ancient wisdoms, in this case those of good ol’ marcus aurelius, the roman emperor whose meditations were suggested to me the other day by one of my more astute and heavenly comrades. the meditations, written in the late second century of the Common Era during the emperor’s military campaigns against germanic tribes along the danube, are thought to be a window into his inner life, uncannily recognizable to our own deep-down whisperings. i borrowed the stoics from the library, but have already decided i need a paper copy all my own, the better for underscoring and stars in the margins. here’s but one of marcus’s wonders, from book II of his meditations, thought to be written in about the year 170 C.E. (uncanny how true wisdom is timeless, as this fits the november of 2024 as fulsomely as it fit nearly two millennia ago):

Begin the morning by saying to thyself, I shall meet with the busybody, the ungrateful, arrogant, deceitful, envious, unsocial. All these things happen to them by reason of their ignorance of what is good and evil. But I who have seen the nature of the good that it is beautiful, and of the bad that it is ugly, and the nature of him who does wrong, that it is akin to me, not [only] of the same blood or seed, but that it participates in [the same] intelligence and [the same] portion of the divinity, I can neither be injured by any of them, for no one can fix on me what is ugly, nor can I be angry with my kinsman, nor hate him. For we are made for co-operation, like feet, like hands, like eyelids, like the rows of the upper and lower teeth. To act against one another then is contrary to nature; and it is acting against one another to be vexed and to turn away. 

what timeless wisdoms do you find anchoring, or elevating? and where might lie your invincible summer; how might you summon it?

here’s a challenge: imagine what’s possible. work toward it. begin with a baby step.

undaunted

only when it is dark enough can you see the stars…

Undaunted is the word that came to me. Once the shock began to dull. Once I quelled the queasing in my belly. Once I decided I won’t surrender this blessed world, won’t shift the course of the project I call my most urgent life’s work. 

I am undaunted.

My life’s work is accelerated these days. Its urgency is upon me, upon us all. 

My life’s work aligns with that of every sage and mystic that ever has been: I am devoted to molding myself closer and closer to the holiness I was made to be, we were all made to be. Because this world is a sacred work in progress, and we are its players. We are the ones with the hearts and minds and hands to bend the arc of justice, to kindle more and more brightly the flame of the sacred. To reach toward the holiness infused through our every breath, every utterance, every inkling. The whole of it. At every turn. To be gentle, and kind. To tenderize the fibers of our heart. Especially the ones that have been torn and shorn over the years. 

This is a path beyond the politics and power seekers of the world. I answer to a call from deep within, the eternal flame of the Divine breathed into us all in the beginning. In our beginnings. And the very beginning.

We’re called to play out our work in the milieu of the everyday, on a plane peopled with those who might test us, or just as certainly––often, more certainly––those who reach out a hand, and carry us along. Shimmy us onto their shoulders, if need be. And we in turn will do the same when we’re the ones whose knees aren’t buckling.

It’s contagious more often than not, this reaching toward kindness, toward peeling open the heart, digging deep, living for joy.

I’ve come to know that it’s a work best played out in incremental barely-noticed exchanges: the heart-melting smile shared in a crowded hallway; the hospital scheduler who takes the time to squeeze your hand, knowing you’re afraid; the grocery-store clerk who wipes away the tear that has crept down your cheek.

I once dreamed of solving world problems, curing life-crippling ills. Now, all I ask of each day is that I find moments to be bigger than I’ve been before, to reach deeper into the well of ordinary kindness, to bow my head and heart in deep thanks for every drop of beauty, wonder, decency. 

That work is unaffected by whatever plays out on the world stage. The powers that be hold no power over our souls, and we needn’t succumb. Needn’t employ the crude or the cruel we witness too, too often these days; in fact, we need amplify the opposing forces. Be radical in our generosity. Our empathies. Our magnanimity. Our humility. And our righteous indignation when called for. 

It so happens that this week found me being schooled in some of these very practices, and through the doorways of two great world religions. On Monday, a magnificent soul who happens to be a Hindu yogi, sat me down, lit a candle, and taught me the ways of deep meditation, turning my focus inward to the eternal flame of the Divine within; I am practicing every day. On Wednesday, I walked into the first of a series of classes at our synagogue on an ancient Jewish spiritual practice called the Mussar, centered on the verse in the Torah that tells us, “You shall be holy.” By drawing on seventeen soul attributes, and spending an arc of time––a season, a month, a week––keenly attuned to each, we exercise the muscles of our deepest being to become holy, to work toward our “primary mission in this world…to purify and elevate the soul.” The practice begins with humility. 

In simplest terms, as the great Chasidic teacher known as the Kotzker, once put it: “Fine, be holy. But remember first one has to be a mensch.”

No one can stop us. Mensches will be we.


I’ve spent the week gathering around me a wagon train of wisdoms, a line from the Talmud, a prayer from Judy Chicago, a profoundly wise passage from EM Forster, another from Hannah Arendt, a post from Rebecca Solnit, and finally a paragraph or two from Kamala Harris’ gracious concession speech…..


from the wisdom of the Talmud, found in what’s known as the Pirkei Avot, which translates to Chapters of the [Fore]Fathers, a compilation of ethical teachings and maxims from Rabbinic Jewish tradition. It is a part of the Mishnah, a code of Jewish law compiled in the early third century of the Common Era.

“Do not be daunted by the enormity of the world’s grief. Do justly now, love mercy now, walk humbly now. You are not obligated to complete the work, but neither are you free to abandon it.”


A Prayer for Our Nation
by Judy Chicago

And then all that has divided us will merge
And then compassion will be wedded to power
And then softness will come to a world that is harsh and unkind
And then both men and women will be gentle
And then both women and men will be strong
And then no person will be subject to another’s will
And then all will be rich and free and varied
And then the greed of some will give way to the needs of many
And then all will share equally in the Earth’s abundance
And then all will care for the sick and the weak and the old
And then all will nourish the young
And then all will cherish life’s creatures
And then all will live in harmony with each other and the Earth
And then everywhere will be called Eden once again.


The English novelist, essayist, and broadcaster E.M. Forster (January 1, 1879–June 7, 1970) took up questions of societal empathies in an essay titled “What I Believe,” originally written just before the outbreak of WWII and later included in the out-of-print Two Cheers for Democracy, his 1951 collection of essays based on his wartime anti-Nazi broadcasts. Here’s Forster:

I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too… I believe in aristocracy, though… Not an aristocracy of power, based upon rank and influence, but an aristocracy of the sensitive, the considerate and the plucky. Its members are to be found in all nations and classes, and all through the ages, and there is a secret understanding between them when they meet. They represent the true human tradition, the one permanent victory of our queer race over cruelty and chaos. Thousands of them perish in obscurity, a few are great names. They are sensitive for others as well as for themselves, they are considerate without being fussy, their pluck is not swankiness but the power to endure, and they can take a joke… Their temple… is the holiness of the Heart’s affections, and their kingdom, though they never possess it, is the wide-open world.

With this type of person knocking about, and constantly crossing one’s path if one has eyes to see or hands to feel, the experiment of earthly life cannot be dismissed as a failure.


Politcial theorist and philosopher Hannah Arendt reminds us our reach for change needn’t be in the boldest strokes in The Human Condition, her 1958 study of the state of modern humanity, thought to be more striking now than at the time of its first publishing. Here’s but one sentence underscoring that claim: 

“The smallest act in the most limited circumstances, bears the seed of… boundlessness, because one deed, and sometimes one word, suffices to change every constellation.”


Rebecca Solnit’s message the morning after the election:

You are not giving up, and neither am I. The fact that we cannot save everything does not mean we cannot save anything and everything we can save is worth saving.  You may need to grieve or scream or take time off, but you have a role no matter what, and right now good friends and good principles are worth gathering in. Remember what you love. Remember what loves you. Remember …what love is. The pain you feel is because of what you love. 


and finally, these two passages from Kamala’s gracious concession speech:

Fight in the voting booth, in the courts and in the public square. And … in quieter ways: in how we live our lives by treating one another with kindness and respect, by looking in the face of a stranger and seeing a neighbor, by always using our strength to lift people up, to fight for the dignity that all people deserve. The fight for our freedom will take hard work. … The important thing is don’t ever give up. Don’t ever give up. Don’t ever stop trying to make the world a better place. … This is not a time to throw up our hands. This is a time to roll up our sleeves. This is a time to organize, to mobilize, and to stay engaged for the sake of freedom and justice and the future that we all know we can build together.

and she closed with this…

You have the capacity to do extraordinary good in the world. And so to everyone who is watching, do not despair. This is not a time to throw up our hands. This is a time to roll up our sleeves. This is a time to organize, to mobilize, and to stay engaged for the sake of freedom and justice and the future that we all know we can build together. Look, many of you know I started out as a prosecutor and throughout my career I saw people at some of the worst times in their lives. People who had suffered great harm and great pain, and yet found within themselves the strength and the courage and the resolve to take the stand, to take a stand, to fight for justice, to fight for themselves, to fight for others. So let their courage be our inspiration. Let their determination be our charge. And I’ll close with this. There’s an adage a historian once called a law of history, true of every society across the ages. The adage is, only when it is dark enough can you see the stars. I know many people feel like we are entering a dark time, but for the benefit of us all, I hope that is not the case. But here’s the thing, America, if it is, let us fill the sky with the light of a brilliant, brilliant billion of stars.

what bright stars did you see this week? and how do you intend to carry on?

to those who note the rare use of caps this week, indeed sometimes you need to stand tall and say it loud and with proper capitalization, and so it is this fine morning. i mean what i say, and i say it undaunted.

a sky so big it holds me

when i need to talk to God, and i do plenty often these days, there is one certain place i know God will be waiting. i know it because i feel it. and feeling God is much more than knowing. at least to me it is. 

the place where God all but reaches down and swoops me into God’s arms is at the shoreline, where the vault of blue heaven is vast, is infinite, where the water’s edge might take on any one of uncountable modes: it might be uncannily calm, so calm the ripple is but a purling, a burbling so barely perceptible it’s as if the lake is tickling the sand; or it might be roiling and cacophonous, so deafening you can barely hear the words rising from your own throat. 

i could stand there all day, my toes planted in sand, my head tilted back, eyes wide. heart thrust forward and up, up. 

i’ve been walking there each day with my beloved. our footfalls in the sand the only sign we’ve been by. sometimes, if i go alone, i curl small as a hedgehog and settle into the grasses that rise from the hillocks of sand. i stay till the last of my prayers are unfolded, laid at the lap of the One Who Is Listening.

it’s as holy a place as i know. 

to feel God reach down and hold you, to know that the vastness above is deep and wide and forever enough to absorb each and every whisper and plea, to know that the deepest cries of your heart might be heard, to feel the soothing that comes as if your trembling shoulders are now wrapped in angora skeins, that is to me the very essence of a God who’s bigger and deeper, more infintely tender and close, than anything or anyone i could ever, ever imagine. or behold.

some days i need a God of extra-big volume and size. a God big enough to hold me, to press against me so firmly that all of my worries, like wrinkles, are melted away. those are the days i look to the heavenly dome. where mine is a God who knows me inside and out. sometimes my insides are so very scrambled and messy. 

it’s the closest i’ve come to that magnificent image of saint john of the cross, the one who rested his head against jesus’ chest at the very last supper, who let it be known that he was listening for the heartbeat of God. an indelible image that’s become a life-giving instructive (a particularly celtic one) for us all: to listen wherever we go for the unending pulsebeat and presence of God.

sometimes, inside the rooms of a house your worries can clang around noisily, too noisily. they can crowd out all of the air, and make you want to climb out of your skin. that’s where the heavens come in, where the shortest reach between me and my God is the indigo dome of the night at the beach, or the undulations of blues and grays in mid-afternoon. dawn at the water’s edge is a whole other slide show, one played out in the fieriest streaks of the rosy-red color wheel. 

and those are the days i all but run to the shoreline, to the water’s edge, where the alchemy of sand, sea, and sky are stirred into a medicinal balm, a sacred balm, like no other. and the God to whom i run always, always is there for me.


here’s a little extra beauty from the late poet anne sexton, whose story is drenched in struggle and sorrow, but who reached for the light coming in through the cracks. i tell a little bit of her story down below, but first, the poem:

Welcome Morning

There is joy
in all:
in the hair I brush each morning,
in the Cannon towel, newly washed,
that I rub my body with each morning,
in the chapel of eggs I cook
each morning,
in the outcry from the kettle
that heats my coffee
each morning, 
in the spoon and the chair
that cry “hello there, Anne”
each morning,
in the godhead of the table
that I set my silver, plate, cup upon
each morning.

All this is God,
right here in my pea-green house
each morning
and I mean,
though often forget,
to give thanks,
to faint down by the kitchen table
in a prayer of rejoicing
as the holy birds at the kitchen window
peck into their marriage of seeds. 

So while I think of it,
let me paint a thank-you on my palm
for this God, this laughter of the morning,
lest it go unspoken. 

The Joy that isn’t shared, I’ve heard,
dies young.

  • Anne Sexton
anne sexton

sexton, a 20th-century american poet, was considered one of the Confessional poets, along with maxine kumin, sylvia plath, and robert lowell. after the birth of her first daughter, she suffered from post-partum depression, had her first so-called nervous breakdown, and was admitted to a psych hospital. she suffered depression the rest of her life, a life that ended in suicide when she was 45.

although her poetry was criticized by some as “soap opera-ish,” others praised it for the ways it expressed “the paradoxes deeply rooted in human behavior and motivation. her poetry presents multiplicity and simplicity, duality and unity, the sacred and the profane.”

one of sexton’s earliest champions, erica jong, reviewing her 1974 The Death Notebooks, argued for sexton’s poetic significance, claiming her artistry was seriously overlooked: “she is an important poet not only because of her courage in dealing with previously forbidden subjects, but because she can make the language sing. of what does [her] artistry consist? not just of her skill in writing traditional poems … but by artistry, i mean something more subtle than the ability to write formal poems. i mean the artist’s sense of where her inspiration lies …there are many poets of great talent who never take that talent anywhere … they write poems which any number of people might have written. when anne sexton is at the top of her form, she writes a poem which no one else could have written.”

where are the places in your world where your prayers feel especially heard? where a holy comfort might enwrap you? and you just might feel held? and, thinking of sexton’s poem, if you were to write a litany of morning joys, what would be among your joys?

prayers for this country as we cross over the threshold of this next election. prayers for peace, prayers for truth, prayers for grace….

pay attention to this one most blessed day. . .

i am sitting here in a shaft of golden light spilling across the worn planks of this old maple table. i am looking out at a world ablaze in iterations of gold. as if the world out my window is a benjamin-moore paint strip, all in the key of saffron. 

i sighed a deep sigh when i tiptoed down the stairs this morning, and filled my lungs with the glorious knowing that this day held no appointments. no doctors. no dentists. no needs to stand or sit in front of a crowd and talk about the words i’d poured onto a page. 

this day is a big blank slate. a slate to fill with the simple wonders of being alive. and i intend not to waste it, not a drop of it. and urgently so.

it’s the unintended gift of holding on for dear life to the life that you love with every cell of your being. 

it’s a day i might otherwise not have noticed quite so keenly. but i see more vividly now. the blessing of holding on dearly to life is that you see each new dawn for the miracle that it is. 

it might have been just another weekday. but suddenly, perceptibly, it is the answer to my deepest prayer, a day to simply be alive and breathing it in. every pore of it. the earthy rummesence of autumn leaves crisping and crinkling and falling in heaps to the ground. the last gasp of the garden, exploding in singular vibrancies that beg to be remembered all through the winter. the air, a mix of chill with undertones of heat as if the earth’s autumnal respirations draw forth the last breaths from summer’s stockpiled embers. 

to knowingly not waste a day is to live at fullest attention. while we can. while we’re upright and ambulant. 

sometimes we realize we shan’t take it for granted. 

sometimes we need a reminder. 

i am reminded. 

i am living inside a body that reminds me to savor it, to inhale it. to all but rub it over my skin, to  let it soak in through each wide-open pore. 

we all have days when our hours are clogged with the usual distractions. we forget the marvel of a friday reliably following a thursday. we look to the calendar as if it’s the sovereign of how we spend our time. we are chained and unchained. we’re obliged to to-do’s, and we forget that all the in-betweens might just be the hours we’re most deeply alive. we might, at any moment, put down the chores, surrender the assignments. we might seize the day in whatever outline or equation rises from the blur. 

we might call a friend whose voice we’ve not heard in too long. we might find a log in the woods, plop ourselves down, and keep watch––close watch. we might fill a bowl with the indulgences of autumn, the leaves and the seeds and the roots, all meant for seasonal sustenance. 

we might light a candle. sit in a shaft of sunlight, watching the dust motes ride the air. we might roll up our sleeves, or get down on our knees, and plant a few bulbs for the joy of it––for the allure and the promise and perpetual hope of the springtime to come.

more and more, one of the first prophets i turn to for wisdom is the incomparable maria popova, she of marginalian wonders. in a cataloging of eighteen wisdoms she’s extracted from her eighteen years of gathering wisdoms (she must have started her brain pickings––now re-named the marginalian––a mere two months before the first chair was pulled up, for we too are about to mark 18 years of chairing), she included this bit of wonder and wisdom that says it as beautifully as it might be said:

Choose joy. Choose it like a child chooses the shoe to put on the right foot, the crayon to paint a sky. Choose it at first consciously, effortfully, pressing against the weight of a world heavy with reasons for sorrow, restless with need for action. Feel the sorrow, take the action, but keep pressing the weight of joy against it all, until it becomes mindless, automated, like gravity pulling the stream down its course; until it becomes an inner law of nature. If Viktor Frankl can exclaim “yes to life, in spite of everything!” — and what an everything he lived through — then so can any one of us amid the rubble of our plans, so trifling by comparison. Joy is not a function of a life free of friction and frustration, but a function of focus — an inner elevation by the fulcrum of choice. So often, it is a matter of attending to what Hermann Hesse called, as the world was about to come unworlded by its first global war, “the little joys”; so often, those are the slender threads of which we weave the lifeline that saves us.

and she includes these lines from poet and former zen monk jane hirshfield’s “the weighing”:

So few grains of happiness
measured against all the dark
and still the scales balance.

and if all that isn’t enough joy stoking for the day, here’s one other wonder and wonder-soul i learned of this week at a book talk where to my delight and pure joy i was pointed toward good souls i fully intend to get to know more deeply and intimately. (i never cease to be amazed at the goodness lurking in utterly unexpected nooks and crannies of this world.)

here is a woman—one with a PhD in human anatomy and cell biology, no less—who happens to live in a house with a four-acre flower garden who coaxes beauty from the earth for the sole purpose of giving it all away, filling the flower fridges at hospices and homeless shelters, and the larders at food pantries near and far. she calls it the backyard flower lab. and it sounds like a holy slice of sustenance to me. i intend to point my old wagon in the direction of her flower farm before the sun sets on this day, and i will see where the adventure takes me. her name is april potterfield (which sounds to be a perfect plucked-from-the-storybook name for someone who grows beauty for joy), and you can find her on instagram at @thebackyardflowerlab.

what prompts you to find joy and seize the slender threads of which we weave our lifelines? and what are some of your favorite ways of doing so?

 the cobalt beauty perched on the windowsill above is an autumn vibrancy from my garden, the closing note of a summer’s-long love song. i call it monkshood, but it has other names: aconite, wolfsbane, leopard’s bane, devil’s helmet, or blue rocket. the name aconitum comes from the greek word ἀκόνιτον, which may derive from the greek akon for dart or javelin, the tips of which were poisoned with the substance, or from akonae, because of the rocky ground on which the plant was thought to grow.

deep thanks to maria popova who week after week for years now has filled me with wonder, with curiosities, and most of all with the breathtaking beauty of her intellect and imagination…

in the tabernacle of an autumn’s night

these are days of awe, all right. the earth and heavens––at least here on the northern half of the globe—are turning in, the shadows growing longer. yet the last gasps of summer’s bounty do not fade without an exuberance of autumn. the sky somehow seems more star-stitched. and the moon, the moon at its most zaftig of the month bathes all in amber wash. 

it’s as if all is ringing out in exclamation. one tree more golden than the next. berries so abundant on the bough, the boughs are bent in botanic downward dog.

i can almost hear the whisper of the woods, and even my ramshackle garden, calling out, don’t forget us, don’t forget how glorious we were and are, the delights and wonders we’ve offered since the symphony of spring began: the perfumes, the unfolding petals, the sweetness of the fruits, the earthly prayer of wind rustling through the leaves. 

it’s a paean in minor key––part elegy, but mostly gratitude and grace.

to partake of it is holy.

the other night i stepped into the chill of just-past dusk, ferrying a crumb-strewn pizza box to the recycling bin, and before two footfalls had crossed the bricks, the haunting whoot-whoo-whoo of a great horned owl called out from somewhere in the trees. 

john james audubon: great horned owl

owls might be my spirit bird. i learned reverence for owls from my grandma lucille, who wore one in a jeweled brooch she pinned to her bosom, and tucked in many a nook and cranny of her ivy-covered house. far back as i can remember, the front of her ice box was forever festooned with strigiform, a magnet onto which she’d glued an owlish silhouette cut from felted wool and adorned with alphabet-letter pastas as its eyes and ears and markings. not one for idling, my grandma once or twice was spied by little me with ear pressed hard to windowpane, rapt by the nightcall from the woods.

i too stand rapt. 

of all the notes that rise from avian throats, the owl’s are the ones that stir me deep down where the prayers rise up. at the first of the whoot-whoo-whoo the other night, i felt myself break out in goosebumps. then i lifted my eyes, drank in the light of that nearly full hunter’s moon, and prayed. mightily. 

i sometimes think that trips to the recycling bin are my surest daily invitation into prayer. into the cloak of night. against the silence of a day gone hush. the tabernacle in which i offer up my nightly office is one that stations me on the cracked concrete slabs of my alley. trash cans line the side aisle. and the nave is vast. is infinite. in between where trees and old garages block the view, the sky opens wide and deep. here where i live, sky is a bit of a commodity. sunsets aren’t free for the viewing, blocked by those mainstays of suburbia: house and tree and fence. but the night sky, the obsidian up above, is blocked by no one or nothing and it is enveloping enough to soak up my every verse of prayer. 

and so i stood there flinging madly. add-on after add-on. a madwoman hungrily hanging her prayers out to dry. as if a clothesline of prayer i string across the alley, flinging each one skyward as i inch my way down the line. 

it’s a sacred thing to stand beneath a wheel of yellow moon, with a whoot-whoo-whoo as chorister, and to pour out your insides to the heavens. 

i pray the heavens heard.


here’s a bit of what else stirred me this week . . .

vassar miller was an american poet and writer, who served as poet laureate of texas in 1982 and 1988. born with cerebral palsy, her father encouraged her from a young age to write by typewriter, which she did prodigiously. and powerfully. she once said that the purpose of her life was “to write. and to serve God.” it brings me great joy to bring her here to this holy table.

Morning Person

God, best at making in the morning, tossed
stars and planets, singing and dancing, rolled
Saturn’s rings spinning and humming, twirled the earth
so hard it coughed and spat the moon up, brilliant
bubble floating around it for good, stretched holy
hands till birds in nervous sparks flew forth from
them and beasts — lizards, big and little, apes,
lions, elephants, dogs and cats cavorting,
tumbling over themselves, dizzy with joy when
God made us in the morning too, both man
and woman, leaving Adam no time for
sleep so nimbly was Eve bouncing out of
his side till as night came everything and
everybody, growing tired, declined, sat
down in one soft descended Hallelujah.

+ Vassar Miller


and this beauty from christian wiman…

Prayer
By Christian Wiman

For all
the pain

passed down
the genes

or latent
in the very grain

of being;
for the lordless

mornings,
the smear

of spirit
words intuit

and inter;
for all

the nightfall
neverness

inking
into me

even now,
my prayer

is that a mind
blurred

by anxiety
or despair

might find
here

a trace
of peace.

Christian Wiman, “Prayer” from Once in the West, published by Farrar, Straus and Giroux. Copyright © 2014 by Christian Wiman.

what stirred you to awe this week?

the names we are called, and the names that call us

my little irish grandma mae, as my grandpa, “choo-choo papa,” received his 50-year gold watch from the L&N Railroad, for which he was a locomotive engineer on the cincinnati-to-corbin (ky.) line

the email from synagogue came back in the spring. the rabbis and cantor had been thinking for awhile about some of us. an odd lot of us. we were the ones who’d found our way, through one inlet or another, into the river of jewish life — at synagogue and at home — yet “don’t identify as jewish.” (that wording, so very of the cultural times, cracks me up. in the old days wouldn’t we simply have been “not jewish”?) 

they, this lovely trio of clergy, all young, brilliant, and devoted to their callings, recognized that we were in many ways bringing our lives to the poetries and prayers of judaism, and that judaism’s poetry and prayers had found its way fairly deep into our lives. they wanted to honor that. 

they weren’t asking that we convert, weren’t asking us to sign on any dotted line. 

but they had a radical idea, deeply radical when set against the context of a tradition that long saw intermarriage as the great scourge, one of the most grievous threats to the ancient and blessed religion. the radical idea of our rabbis and cantor was to give us each a hebrew name. but not without deeply engaging in weeks of contemplation and discussion, coming to synagogue on wednesday nights as summer turned to autumn, as the air grew cooler, and the trees more golden and crimson. 

we talked the first night about the journey into judaism, they asked us to talk about moments of pain, times we felt excluded, rejected, pushed to the margins. or when we’d felt welcomed. we talked about being an outsider versus insider. did we feel we had a voice in the conversation, in the congregation, at our own kitchen tables, and even more broadly in the jewish world?

they asked us to tell the stories of each of the names we’d been given at birth, and the names we’d chosen to carry through life. they asked us to unspool the narrative of nicknames that ebbed and flowed through our stories. 

and they asked us to think deeply about what a name means. and to pull from our lives and from Torah particular names of particular souls who somehow stirred us. with whom we felt some deep, almost palpable pull.

i knew fairly quickly whose pull i was feeling. but before settling on my little irish grandma, the only grandparent i never knew, one with whom i’ve long felt an uncanny cord, i briefly considered sarah, she who — like me — thought she was “barren,” and found out at the ripe old age of 90 (i was nearly 45) that she was “with child.” and who greeted the news by laughing out loud. sarah, like me, is the archetypal old mother.

we had homework: a sheet of essay questions pondering names, all of which were meant to evoke for the rabbis a few hebrew names that might be fitting for each of us. after poring over our essays, they sent us our custom-curated list of possibilities. i didn’t choose from high up on the list; i found my name deep down in the unlikelier choices. but, turned out, it was a tight fit. a name with the same roots, the same meaning, whether celtic or hebrew. (you’ll see below.)

once we had our names, and had written the stories of how we came to those names, and why, we were invited to synagogue for a special friday night Shabbat service, where we’d be called to stand in a half circle on the bimah (the raised platform from which the Torah is read). one by one, we’d speak our names, and tell our short stories. 

before we told our stories, the rabbi, who i love, and whose name is ally or allison, (i don’t know her hebrew name, i just realized), set the stage with the eloquence and grace i’ve come to think of as her trademark, her inimitable magnificent, heart-melting way.

“Jewish tradition believes that names have great power,” she began. and then she read this poem from the israeli poet zelda, who is known widely by only her first name: 

israeli poet, zelda

“Each of us has a name given by God and given by our parents.
“Each of us has a name given by our stature and our smile and given by what we wear.
“Each of us has a name given by the mountains and given by our walls.
“Each of us has a name given by the stars and given by our neighbors.
“Each of us has a name given by our enemies and given by our love.” 

in a sentence that took my breath away before she called us from our pews to stand in our half-circle, to step to the podium, she said that we’d “earned these names through sacrifice and grit, through tenderness and care. they earned these names through their openness, their tolerance, their expansive and soft hearts.”

that sentence made me riffle through the rolodex of my life, through the hard conversations at the kitchen table, the tears on long telephone calls when a Jew and a Catholic were hashing it out in the three years before we married, trying to decide whether we could work it out, whether we could braid two faiths, two traditions, two deep ancestral ties into something that might even be greater than the sum of its parts. made me think of the blessing ceremonies in our tiny little garden on Wellington Avenue, when a rabbi and a priest poured their words, their wisdoms, and their blessings on two baby boys we were both blessing and naming (with eight years between each). made me think of the pair of Shabbat candlesticks, layered with wax from candles dripping and dripping over the years. made me think of the lamb stew we’ve stirred at the cookstove, my beloved and i side-by-side. 

i thought how, indeed, both of our hearts have softened, have opened, have grown.

and then it was my turn to step to the podium, clear the tears from my eyes, and read these words to those gathered:

I’ve spent much of my life peeking beyond the borders of what was before me. Yearnings have always stirred me––reaching for what I don’t yet know, reaching for the holiness I deeply believe in, reaching for loves long after they’re gone. 

And there is a particular grandmother, the only grandparent I never met, who has always, always animated my imagination. I yearned to know this daughter of Irish immigrants, a Kentucky schoolteacher, who, according to family lore, was the first woman to graduate from college in the commonwealth, who snagged the highest score on her county’s teachers’ exams, and just as importantly, could wring a chicken’s neck!––a praiseworthy prelude to many a Sunday supper in the Bluegrass State. 

Her name was Mae, Mae Shannon, and her only child, her beloved child, was my beloved long-gone papa, Eugene Shannon Mahany. 

Until now, my connection to Mae has been purely by heart, and through a few fading photographs that show we share an uncanny resemblance. 

Her name, Mae, is a Celtic derivitive of Mary or Margaret, and one of its meanings is “pearl.” So, too, the Hebrew name Margalit—yet another “pearl.” 

Considered the gemstone of inner wisdom, the pearl is one of creation’s wonders, formed through the mysterious interplay of oceanic depths and the celestial pull of the tides. 

The pearl is formed when the mollusk, or bivalve, senses an irritant—a grain of sand, perhaps—which it enwraps by secreting layer upon layer of minerals, all extracted from seawater. Sand to seawater to pearl.

Ergo, pearl equals protection, luminous protection. Its very creation, an equation of awe. And the pearl, a moonlike orb, is thus said to be a vessel for water’s energy, to carry the lucid movement of the tide’s ebb and flow. It’s believed to hold deeply healing powers. 

Its beauty, formed in unseen depths. 

Radiance, evolved over time. 

The pearl, Margalit––the Hebrew name of my choosing––my tie at long last to the little Irish grandma I so long to sit down beside. And whose inner luminous wisdom I so yearn to absorb. 

And mightn’t she be wonderstruck to discover she’s inspired her only granddaughter’s new Hebrew name.

love you, dear chairs. by your names that i know, and your names that i don’t.

what’s the story of your names?

p.s. our rabbis are pretty sure that ours is the first congregation in the U.S. to undertake such a process, the giving of hebrew names to those who don’t identify as jewish.

and tonight we begin the highest and most solemn of high holy days, yom kippur, the day of deep atonement.