pull up a chair

i clambered up from the basement yesterday morn, and found myself face-to-face with a whiteout. snow falling in thickets. snow whirling wildly. snow, snow, and more snow for hours and hours and hours.

it was all the currier & ives i needed to supercharge my countdown clock. the one that’s percolating at quicker and quicker clip as the days turn closer to wednesday a week, the eve of thanksgiving itself, when not just one but both of the boys i so love will––for the first time in almost a year––unfurl their dreams on the pillows of their long-ago boyhood beds, all nestled cozily under this mostly dependable, nearly centenarian roof.

and i will savor the joy of kissing both on the forehead as i trundle off to bed hours before my wide-eyed night owls, or should we all stay up till the same insensible hour i will give it my best waltons’ bedtime holler, and call out from under my bedsheets and across the hall and down a few stairs, “good night, will. good night, Bear. good night, old house. sweet dreams, my beautiful boys.”

it’s been a long hard autumn, held in the vise of worries and fear the likes of which i’d not recommend. and so this coming thanksgiving is the emotional equivalent of frank lloyd wright’s trademark compress-and-release, in which the great architect intentionally magnified the vast spaciousness of a room by first pressing in the walls and the ceiling of the space leading into the room, so that upon stepping through the tight corridor and into the vaulted chamber the sense of openness would be perceived as vaster than ever.

and so it is with the human dynamic of fear, grace, and gratitude: to walk through unbearable days, days that stretch into weeks, and weeks that stretch into more than a month, and then to find yourself falling into the arms of the human beings you most long to hold onto; it’s the pinnacle of paradise on earth, to be released from the vise and enwrapped in a love without end.

cancer sharpens that point. cancer sometimes brings on seasons of uncertainty that are quickly populated with ghosts and demons that defy containment. i’m learning the undulations of cancer that are colored in shades of gray. interminable shades of gray. questions that come without answers. doctors who call with unwelcome news. and barely stay on the line long enough to answer a single question. and then you hang up and feel the floor drop out from under you. sometimes––if you’re me––you take the short road to doom. because that’s what worriers do. we worry. we pray for holy release.

in time, we get a grip. regain our bearings. hold our chin high, dry our tears, practice at being brave. whistle into the in-blowing winds. hold tight to the hands of the one or two who know how dark it’s become, and we fall to our knees, or fold to the ground and enter the depths of divine meditation. i’ve spent more hours with eyes closed, palms open, sitting in silence, beckoning the perpetual God-flame within, than ever before. i’ve been tempted to beg, “more time, please.” but i don’t any longer believe i can––or hold any special claim to––change God’s equation, so what i pray for is grace. is heightened attention. what i pray for is an emphatic aliveness that infuses each turn of the day with unbarred acceptance. i don’t want to blink and miss something holy.

those prayers––for grace, for keen attention, for seeing deeper than ever day in and day out, for pausing to savor––are answered, blessedly. and my own season of unending thanks coincides with that of this nation founded on pillars of moral perpetude, and the hope of equal justice for all.

the essence of my life’s gratitude has always been the improbable miracle that i became a mother. that i birthed not one but two glorious humans, and devoted the best of my heart, my soul, my breath, my being, to carving out for them a space in which they’d be cocooned in the purest love i could imagine, could muster. along the way, i’ve tossed every life line i could whenever they needed, and now, lo and behold, they’re the lifelines and i’m the one needing.

and so all these past 45 days, i have longed for only one thing: hours more to sit side-by-side the ones i so fervently sumptuously love. to giggle at their antics. to marvel at their wild-eyed wonder tales. to feel their hands squeeze mine, to be wrapped in their arms, my ear pressed to their chest, absorbing the heartbeat i’ve loved since the very first ultrasound when that echoing lub-dub-dub poured over and through me like the holiest chrism.

this is a countdown like never before. and my heart is more than open for business. the business of loving my boys. in real time. under one shared and sheltering roof.

here’s a poem, fittingly, a prayer poem by the great madeleine l’engle, who lived by words but found herself wordless in prayer. which, indeed, is sometimes the way to our deepest depths…

Word

I, who live by words, am wordless when
I try my words in prayer. All language turns
To silence. Prayer will take my words and then
Reveal their emptiness. The stilled voice learns
To hold its peace, to listen with the heart
To silence that is joy, is adoration.
The self is shattered, all words torn apart
In this strange patterned time of contemplation
That, in time, breaks time, breaks word, breaks me,
And then, in silence, leaves me healed and mended.
I leave, returned to language, for I see
Through words, even when all words are ended.
I, who live by words, am wordless when
I turn me to the Word to pray. Amen.

––Madeleine L’Engle

and here, because i love to imagine ladling steaming bowls of soup to people i love, is my new favorite stoup recipe, lemony chicken-feta meatball with spinach from my friends at NYT Cooking (you will be licking the bowl; it’s that good):

Lemony Chicken-Feta Meatball Soup With Spinach
By Yasmin Fahr
Yield: 4 servings
Total Time: 30 minutes
Note from NYT: Some might be suspicious of the rolled oats called for in this recipe, but used in place of breadcrumbs, they help create a light and tender chicken meatball. A half-cup more is simmered in the broth, which thickens it and provides a pleasant texture. The meatballs, made with ground chicken, feta and fresh dill, swim in a lemony, spinach-filled broth that’s comforting and light, perfect for lunch or dinner. Serve any leftovers with a fresh squeeze of lemon juice to brighten the soup.

INGREDIENTS
1 pound ground chicken or turkey, preferably dark meat (i use white meat)
½ cup crumbled feta
¾ cup old-fashioned rolled oats
1 small red onion, halved (½ diced, and ½ grated, then squeezed with a paper towel to remove excess liquid)
⅓ packed cup fresh dill leaves and fine stems, finely chopped
1 tablespoon ground cumin
½ teaspoon plus 1 tablespoon ground turmeric
Kosher salt and black pepper
3 tablespoons olive oil
½ teaspoon red-pepper flakes, plus more for serving
4 cups low-sodium chicken broth
4 packed cups baby spinach (about 5 ounces)
2 lemons (1 juiced and 1 cut into wedges for serving)

PREPARATION
Step 1
In a medium bowl, add the chicken, feta, ¼ cup oats, the grated onion, most of the dill (reserve about 2 tablespoons for garnish), the cumin, ½ teaspoon turmeric and 1 teaspoon salt. Gently combine without squeezing too hard or overworking the meat. Lightly wet your palms and shape the meat into small balls, a little smaller than the size of a golf ball, about 1½ inches. (You will have approximately 25 balls.)

Step 2
Heat the oil in a large Dutch oven or wide pot over medium until shimmering. Add the diced onion, season with salt, and cook until it begins to soften, about 2 minutes, stirring occasionally. Add the remaining 1 tablespoon turmeric and the red-pepper flakes, and stir until fragrant, about 30 seconds. Push the onions to the sides as best you can, then add the meatballs. (They will be close together, and that’s OK.) Cook until browned on two sides, 5 to 7 minutes total.

Step 3
Pour in the broth and remaining ½ cup oats, then gently tilt the pot to the right and left to distribute the oats and broth without disturbing the meatballs. Bring to a gentle boil, then immediately reduce the heat to maintain an active simmer. Season with salt. Cook, gently stirring occasionally to make sure nothing is sticking to the bottom, until the oats have softened and the meatballs are cooked through, about 4 minutes more.

Step 4
Stir in the spinach and lemon juice until the spinach is wilted, about 2 minutes more. Adjust the seasoning to taste. Spoon into bowls, top with pepper and the remaining dill. Serve with lemon wedges.

what is your heart longing for this season of through-and-through thanks?

17 Comments

November 15, 2024

unearthing the wisdoms entwined in the past. . .

in which these uncharted times have me leaning on the wisdoms of great minds and expansive souls who’ve navigated their own immensely dark and tough times…

more and more i find history is my balm. i think back to the eras of darkness across the arc of time and the indomitable human spirit that has never yet been extinguished, no matter the force of the counterwinds.

curiously, albert camus––whom i’d never thought of as any sort of balm––has served well in that role. though considering the era in which he was writing, it’s no wonder it was darkness he saw through, shone a fierce beam of light on the way through the horrors of europe during the holocaust.

so often it’s the artists and writers, the makers of films and penners of poems, the ones endowed with an eye to see beyond the occlusions, the ones who imagine what others can’t conceive, who cast the lifeline beyond the capacities of strategists and political operators, power brokers and thieves.

in his 1940 essay titled “the almond trees” (a species that brilliantly blooms in winter), found in his Lyrical and Critical Essays, camus weighs in on happiness, despair, and how to amplify our love of life.

only twenty-seven when he wrote this, here is the french-algerian philosopher who gave us the plague, the fall, the stranger,and the myth of sisyphus:

We have not overcome our condition, and yet we know it better. We know that we live in contradiction, but we also know that we must refuse this contradiction and do what is needed to reduce it. Our task as [humans] is to find the few principles that will calm the infinite anguish of free souls. We must mend what has been torn apart, make justice imaginable again in a world so obviously unjust, give happiness a meaning once more to peoples poisoned by the misery of the century. Naturally, it is a superhuman task. But superhuman is the term for tasks [we] take a long time to accomplish, that’s all.

Let us know our aims then, holding fast to the mind, even if force puts on a thoughtful or a comfortable face in order to seduce us. The first thing is not to despair. Let us not listen too much to those who proclaim that the world is at an end. Civilizations do not die so easily, and even if our world were to collapse, it would not have been the first. It is indeed true that we live in tragic times. But too many people confuse tragedy with despair. “Tragedy,” [D.H.] Lawrence said, “ought to be a great kick at misery.” This is a healthy and immediately applicable thought. There are many things today deserving such a kick.

echoing the sentiments of an earlier manifesto written in the immediate wake of the first world war, the 1919 “declaration of the independence of the mind,” again by a french philosopher, this time romain rolland––and signed by such luminaries as bertrand russell, albert einstein, bengali poet and nobel laureate rabindranath tagore (a favorite of mary oliver), social worker and activist jane addams (chicago’s own), upton sinclair, and hermann hesse––camus argues that this “kick” is to be “delivered by the deliberate cultivation of the mind’s highest virtues”:

If we are to save the mind we must ignore its gloomy virtues and celebrate its strength and wonder. Our world is poisoned by its misery, and seems to wallow in it. It has utterly surrendered to that evil which Nietzsche called the spirit of heaviness. Let us not add to this. It is futile to weep over the mind, it is enough to labor for it.

But where are the conquering virtues of the mind? The same Nietzsche listed them as mortal enemies to heaviness of the spirit. For him, they are strength of character, taste, the “world,” classical happiness, severe pride, the cold frugality of the wise. More than ever, these virtues are necessary today, and each of us can choose the one that suits him best. Before the vastness of the undertaking, let no one forget strength of character. I don’t mean the theatrical kind on political platforms, complete with frowns and threatening gestures. But the kind that through the virtue of its purity and its sap, stands up to all the winds that blow in from the sea. Such is the strength of character that in the winter of the world will prepare the fruit.

elsewhere in lyrical and critical essays, we find the line that practically serves as camus’s epigraph: “in the depths of winter, i finally learned that within me there lay an invincible summer.”

no less than toni morrison takes the baton, elaborating that the task of the artist is as a grounding and elevating force in turbulent times, in her essay titled “no place for self-pity, no room for fear,” included in the 150th anniversary issue of the nation, the monthly founded by abolitionists in 1865, not long after the adoption of the thirteenth amendment abolishing slavery.

morrison writes:

This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.

I know the world is bruised and bleeding, and though it is important not to ignore its pain, it is also critical to refuse to succumb to its malevolence. Like failure, chaos contains information that can lead to knowledge — even wisdom. Like art.

and finally let us turn way back the clock to ancient wisdoms, in this case those of good ol’ marcus aurelius, the roman emperor whose meditations were suggested to me the other day by one of my more astute and heavenly comrades. the meditations, written in the late second century of the Common Era during the emperor’s military campaigns against germanic tribes along the danube, are thought to be a window into his inner life, uncannily recognizable to our own deep-down whisperings. i borrowed the stoics from the library, but have already decided i need a paper copy all my own, the better for underscoring and stars in the margins. here’s but one of marcus’s wonders, from book II of his meditations, thought to be written in about the year 170 C.E. (uncanny how true wisdom is timeless, as this fits the november of 2024 as fulsomely as it fit nearly two millennia ago):

Begin the morning by saying to thyself, I shall meet with the busybody, the ungrateful, arrogant, deceitful, envious, unsocial. All these things happen to them by reason of their ignorance of what is good and evil. But I who have seen the nature of the good that it is beautiful, and of the bad that it is ugly, and the nature of him who does wrong, that it is akin to me, not [only] of the same blood or seed, but that it participates in [the same] intelligence and [the same] portion of the divinity, I can neither be injured by any of them, for no one can fix on me what is ugly, nor can I be angry with my kinsman, nor hate him. For we are made for co-operation, like feet, like hands, like eyelids, like the rows of the upper and lower teeth. To act against one another then is contrary to nature; and it is acting against one another to be vexed and to turn away.

what timeless wisdoms do you find anchoring, or elevating? and where might lie your invincible summer; how might you summon it?

here’s a challenge: imagine what’s possible. work toward it. begin with a baby step.

7 Comments

November 8, 2024

undaunted

only when it is dark enough can you see the stars…

Undaunted is the word that came to me. Once the shock began to dull. Once I quelled the queasing in my belly. Once I decided I won’t surrender this blessed world, won’t shift the course of the project I call my most urgent life’s work.

I am undaunted.

My life’s work is accelerated these days. Its urgency is upon me, upon us all.

My life’s work aligns with that of every sage and mystic that ever has been: I am devoted to molding myself closer and closer to the holiness I was made to be, we were all made to be. Because this world is a sacred work in progress, and we are its players. We are the ones with the hearts and minds and hands to bend the arc of justice, to kindle more and more brightly the flame of the sacred. To reach toward the holiness infused through our every breath, every utterance, every inkling. The whole of it. At every turn. To be gentle, and kind. To tenderize the fibers of our heart. Especially the ones that have been torn and shorn over the years.

This is a path beyond the politics and power seekers of the world. I answer to a call from deep within, the eternal flame of the Divine breathed into us all in the beginning. In our beginnings. And the very beginning.

We’re called to play out our work in the milieu of the everyday, on a plane peopled with those who might test us, or just as certainly––often, more certainly––those who reach out a hand, and carry us along. Shimmy us onto their shoulders, if need be. And we in turn will do the same when we’re the ones whose knees aren’t buckling.

It’s contagious more often than not, this reaching toward kindness, toward peeling open the heart, digging deep, living for joy.

I’ve come to know that it’s a work best played out in incremental barely-noticed exchanges: the heart-melting smile shared in a crowded hallway; the hospital scheduler who takes the time to squeeze your hand, knowing you’re afraid; the grocery-store clerk who wipes away the tear that has crept down your cheek.

I once dreamed of solving world problems, curing life-crippling ills. Now, all I ask of each day is that I find moments to be bigger than I’ve been before, to reach deeper into the well of ordinary kindness, to bow my head and heart in deep thanks for every drop of beauty, wonder, decency.

That work is unaffected by whatever plays out on the world stage. The powers that be hold no power over our souls, and we needn’t succumb. Needn’t employ the crude or the cruel we witness too, too often these days; in fact, we need amplify the opposing forces. Be radical in our generosity. Our empathies. Our magnanimity. Our humility. And our righteous indignation when called for.

It so happens that this week found me being schooled in some of these very practices, and through the doorways of two great world religions. On Monday, a magnificent soul who happens to be a Hindu yogi, sat me down, lit a candle, and taught me the ways of deep meditation, turning my focus inward to the eternal flame of the Divine within; I am practicing every day. On Wednesday, I walked into the first of a series of classes at our synagogue on an ancient Jewish spiritual practice called the Mussar, centered on the verse in the Torah that tells us, “You shall be holy.” By drawing on seventeen soul attributes, and spending an arc of time––a season, a month, a week––keenly attuned to each, we exercise the muscles of our deepest being to become holy, to work toward our “primary mission in this world…to purify and elevate the soul.” The practice begins with humility.

In simplest terms, as the great Chasidic teacher known as the Kotzker, once put it: “Fine, be holy. But remember first one has to be a mensch.”

No one can stop us. Mensches will be we.

I’ve spent the week gathering around me a wagon train of wisdoms, a line from the Talmud, a prayer from Judy Chicago, a profoundly wise passage from EM Forster, another from Hannah Arendt, a post from Rebecca Solnit, and finally a paragraph or two from Kamala Harris’ gracious concession speech…..

from the wisdom of the Talmud, found in what’s known as the Pirkei Avot, which translates to Chapters of the [Fore]Fathers, a compilation of ethical teachings and maxims from Rabbinic Jewish tradition. It is a part of the Mishnah, a code of Jewish law compiled in the early third century of the Common Era.

“Do not be daunted by the enormity of the world’s grief. Do justly now, love mercy now, walk humbly now. You are not obligated to complete the work, but neither are you free to abandon it.”

A Prayer for Our Nation
by Judy Chicago

And then all that has divided us will merge
And then compassion will be wedded to power
And then softness will come to a world that is harsh and unkind
And then both men and women will be gentle
And then both women and men will be strong
And then no person will be subject to another’s will
And then all will be rich and free and varied
And then the greed of some will give way to the needs of many
And then all will share equally in the Earth’s abundance
And then all will care for the sick and the weak and the old
And then all will nourish the young
And then all will cherish life’s creatures
And then all will live in harmony with each other and the Earth
And then everywhere will be called Eden once again.

The English novelist, essayist, and broadcaster E.M. Forster (January 1, 1879–June 7, 1970) took up questions of societal empathies in an essay titled “What I Believe,” originally written just before the outbreak of WWII and later included in the out-of-print Two Cheers for Democracy, his 1951 collection of essays based on his wartime anti-Nazi broadcasts. Here’s Forster:

I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too… I believe in aristocracy, though… Not an aristocracy of power, based upon rank and influence, but an aristocracy of the sensitive, the considerate and the plucky. Its members are to be found in all nations and classes, and all through the ages, and there is a secret understanding between them when they meet. They represent the true human tradition, the one permanent victory of our queer race over cruelty and chaos. Thousands of them perish in obscurity, a few are great names. They are sensitive for others as well as for themselves, they are considerate without being fussy, their pluck is not swankiness but the power to endure, and they can take a joke… Their temple… is the holiness of the Heart’s affections, and their kingdom, though they never possess it, is the wide-open world.

With this type of person knocking about, and constantly crossing one’s path if one has eyes to see or hands to feel, the experiment of earthly life cannot be dismissed as a failure.

Politcial theorist and philosopher Hannah Arendt reminds us our reach for change needn’t be in the boldest strokes in The Human Condition, her 1958 study of the state of modern humanity, thought to be more striking now than at the time of its first publishing. Here’s but one sentence underscoring that claim:

“The smallest act in the most limited circumstances, bears the seed of… boundlessness, because one deed, and sometimes one word, suffices to change every constellation.”

Rebecca Solnit’s message the morning after the election:

You are not giving up, and neither am I. The fact that we cannot save everything does not mean we cannot save anything and everything we can save is worth saving. You may need to grieve or scream or take time off, but you have a role no matter what, and right now good friends and good principles are worth gathering in. Remember what you love. Remember what loves you. Remember …what love is. The pain you feel is because of what you love.

and finally, these two passages from Kamala’s gracious concession speech:

Fight in the voting booth, in the courts and in the public square. And … in quieter ways: in how we live our lives by treating one another with kindness and respect, by looking in the face of a stranger and seeing a neighbor, by always using our strength to lift people up, to fight for the dignity that all people deserve. The fight for our freedom will take hard work. … The important thing is don’t ever give up. Don’t ever give up. Don’t ever stop trying to make the world a better place. … This is not a time to throw up our hands. This is a time to roll up our sleeves. This is a time to organize, to mobilize, and to stay engaged for the sake of freedom and justice and the future that we all know we can build together.

and she closed with this…

You have the capacity to do extraordinary good in the world. And so to everyone who is watching, do not despair. This is not a time to throw up our hands. This is a time to roll up our sleeves. This is a time to organize, to mobilize, and to stay engaged for the sake of freedom and justice and the future that we all know we can build together. Look, many of you know I started out as a prosecutor and throughout my career I saw people at some of the worst times in their lives. People who had suffered great harm and great pain, and yet found within themselves the strength and the courage and the resolve to take the stand, to take a stand, to fight for justice, to fight for themselves, to fight for others. So let their courage be our inspiration. Let their determination be our charge. And I’ll close with this. There’s an adage a historian once called a law of history, true of every society across the ages. The adage is, only when it is dark enough can you see the stars. I know many people feel like we are entering a dark time, but for the benefit of us all, I hope that is not the case. But here’s the thing, America, if it is, let us fill the sky with the light of a brilliant, brilliant billion of stars.

what bright stars did you see this week? and how do you intend to carry on?

to those who note the rare use of caps this week, indeed sometimes you need to stand tall and say it loud and with proper capitalization, and so it is this fine morning. i mean what i say, and i say it undaunted.

25 Comments

November 1, 2024

a sky so big it holds me

when i need to talk to God, and i do plenty often these days, there is one certain place i know God will be waiting. i know it because i feel it. and feeling God is much more than knowing. at least to me it is.

the place where God all but reaches down and swoops me into God’s arms is at the shoreline, where the vault of blue heaven is vast, is infinite, where the water’s edge might take on any one of uncountable modes: it might be uncannily calm, so calm the ripple is but a purling, a burbling so barely perceptible it’s as if the lake is tickling the sand; or it might be roiling and cacophonous, so deafening you can barely hear the words rising from your own throat.

i could stand there all day, my toes planted in sand, my head tilted back, eyes wide. heart thrust forward and up, up.

i’ve been walking there each day with my beloved. our footfalls in the sand the only sign we’ve been by. sometimes, if i go alone, i curl small as a hedgehog and settle into the grasses that rise from the hillocks of sand. i stay till the last of my prayers are unfolded, laid at the lap of the One Who Is Listening.

it’s as holy a place as i know.

to feel God reach down and hold you, to know that the vastness above is deep and wide and forever enough to absorb each and every whisper and plea, to know that the deepest cries of your heart might be heard, to feel the soothing that comes as if your trembling shoulders are now wrapped in angora skeins, that is to me the very essence of a God who’s bigger and deeper, more infintely tender and close, than anything or anyone i could ever, ever imagine. or behold.

some days i need a God of extra-big volume and size. a God big enough to hold me, to press against me so firmly that all of my worries, like wrinkles, are melted away. those are the days i look to the heavenly dome. where mine is a God who knows me inside and out. sometimes my insides are so very scrambled and messy.

it’s the closest i’ve come to that magnificent image of saint john of the cross, the one who rested his head against jesus’ chest at the very last supper, who let it be known that he was listening for the heartbeat of God. an indelible image that’s become a life-giving instructive (a particularly celtic one) for us all: to listen wherever we go for the unending pulsebeat and presence of God.

sometimes, inside the rooms of a house your worries can clang around noisily, too noisily. they can crowd out all of the air, and make you want to climb out of your skin. that’s where the heavens come in, where the shortest reach between me and my God is the indigo dome of the night at the beach, or the undulations of blues and grays in mid-afternoon. dawn at the water’s edge is a whole other slide show, one played out in the fieriest streaks of the rosy-red color wheel.

and those are the days i all but run to the shoreline, to the water’s edge, where the alchemy of sand, sea, and sky are stirred into a medicinal balm, a sacred balm, like no other. and the God to whom i run always, always is there for me.

here’s a little extra beauty from the late poet anne sexton, whose story is drenched in struggle and sorrow, but who reached for the light coming in through the cracks. i tell a little bit of her story down below, but first, the poem:

Welcome Morning

There is joy
in all:
in the hair I brush each morning,
in the Cannon towel, newly washed,
that I rub my body with each morning,
in the chapel of eggs I cook
each morning,
in the outcry from the kettle
that heats my coffee
each morning,
in the spoon and the chair
that cry “hello there, Anne”
each morning,
in the godhead of the table
that I set my silver, plate, cup upon
each morning.

All this is God,
right here in my pea-green house
each morning
and I mean,
though often forget,
to give thanks,
to faint down by the kitchen table
in a prayer of rejoicing
as the holy birds at the kitchen window
peck into their marriage of seeds.

So while I think of it,
let me paint a thank-you on my palm
for this God, this laughter of the morning,
lest it go unspoken.

The Joy that isn’t shared, I’ve heard,
dies young.

Anne Sexton

sexton, a 20th-century american poet, was considered one of the Confessional poets, along with maxine kumin, sylvia plath, and robert lowell. after the birth of her first daughter, she suffered from post-partum depression, had her first so-called nervous breakdown, and was admitted to a psych hospital. she suffered depression the rest of her life, a life that ended in suicide when she was 45.

although her poetry was criticized by some as “soap opera-ish,” others praised it for the ways it expressed “the paradoxes deeply rooted in human behavior and motivation. her poetry presents multiplicity and simplicity, duality and unity, the sacred and the profane.”

one of sexton’s earliest champions, erica jong, reviewing her 1974 The Death Notebooks, argued for sexton’s poetic significance, claiming her artistry was seriously overlooked: “she is an important poet not only because of her courage in dealing with previously forbidden subjects, but because she can make the language sing. of what does [her] artistry consist? not just of her skill in writing traditional poems … but by artistry, i mean something more subtle than the ability to write formal poems. i mean the artist’s sense of where her inspiration lies …there are many poets of great talent who never take that talent anywhere … they write poems which any number of people might have written. when anne sexton is at the top of her form, she writes a poem which no one else could have written.”

where are the places in your world where your prayers feel especially heard? where a holy comfort might enwrap you? and you just might feel held? and, thinking of sexton’s poem, if you were to write a litany of morning joys, what would be among your joys?

prayers for this country as we cross over the threshold of this next election. prayers for peace, prayers for truth, prayers for grace….

9 Comments

October 25, 2024

pay attention to this one most blessed day. . .

i am sitting here in a shaft of golden light spilling across the worn planks of this old maple table. i am looking out at a world ablaze in iterations of gold. as if the world out my window is a benjamin-moore paint strip, all in the key of saffron.

i sighed a deep sigh when i tiptoed down the stairs this morning, and filled my lungs with the glorious knowing that this day held no appointments. no doctors. no dentists. no needs to stand or sit in front of a crowd and talk about the words i’d poured onto a page.

this day is a big blank slate. a slate to fill with the simple wonders of being alive. and i intend not to waste it, not a drop of it. and urgently so.

it’s the unintended gift of holding on for dear life to the life that you love with every cell of your being.

it’s a day i might otherwise not have noticed quite so keenly. but i see more vividly now. the blessing of holding on dearly to life is that you see each new dawn for the miracle that it is.

it might have been just another weekday. but suddenly, perceptibly, it is the answer to my deepest prayer, a day to simply be alive and breathing it in. every pore of it. the earthy rummesence of autumn leaves crisping and crinkling and falling in heaps to the ground. the last gasp of the garden, exploding in singular vibrancies that beg to be remembered all through the winter. the air, a mix of chill with undertones of heat as if the earth’s autumnal respirations draw forth the last breaths from summer’s stockpiled embers.

to knowingly not waste a day is to live at fullest attention. while we can. while we’re upright and ambulant.

sometimes we realize we shan’t take it for granted.

sometimes we need a reminder.

i am reminded.

i am living inside a body that reminds me to savor it, to inhale it. to all but rub it over my skin, to let it soak in through each wide-open pore.

we all have days when our hours are clogged with the usual distractions. we forget the marvel of a friday reliably following a thursday. we look to the calendar as if it’s the sovereign of how we spend our time. we are chained and unchained. we’re obliged to to-do’s, and we forget that all the in-betweens might just be the hours we’re most deeply alive. we might, at any moment, put down the chores, surrender the assignments. we might seize the day in whatever outline or equation rises from the blur.

we might call a friend whose voice we’ve not heard in too long. we might find a log in the woods, plop ourselves down, and keep watch––close watch. we might fill a bowl with the indulgences of autumn, the leaves and the seeds and the roots, all meant for seasonal sustenance.

we might light a candle. sit in a shaft of sunlight, watching the dust motes ride the air. we might roll up our sleeves, or get down on our knees, and plant a few bulbs for the joy of it––for the allure and the promise and perpetual hope of the springtime to come.

more and more, one of the first prophets i turn to for wisdom is the incomparable maria popova, she of marginalian wonders. in a cataloging of eighteen wisdoms she’s extracted from her eighteen years of gathering wisdoms (she must have started her brain pickings––now re-named the marginalian––a mere two months before the first chair was pulled up, for we too are about to mark 18 years of chairing), she included this bit of wonder and wisdom that says it as beautifully as it might be said:

Choose joy. Choose it like a child chooses the shoe to put on the right foot, the crayon to paint a sky. Choose it at first consciously, effortfully, pressing against the weight of a world heavy with reasons for sorrow, restless with need for action. Feel the sorrow, take the action, but keep pressing the weight of joy against it all, until it becomes mindless, automated, like gravity pulling the stream down its course; until it becomes an inner law of nature. If Viktor Frankl can exclaim “yes to life, in spite of everything!” — and what an everything he lived through — then so can any one of us amid the rubble of our plans, so trifling by comparison. Joy is not a function of a life free of friction and frustration, but a function of focus — an inner elevation by the fulcrum of choice. So often, it is a matter of attending to what Hermann Hesse called, as the world was about to come unworlded by its first global war, “the little joys”; so often, those are the slender threads of which we weave the lifeline that saves us.

and she includes these lines from poet and former zen monk jane hirshfield’s “the weighing”:

So few grains of happiness
measured against all the dark
and still the scales balance.

and if all that isn’t enough joy stoking for the day, here’s one other wonder and wonder-soul i learned of this week at a book talk where to my delight and pure joy i was pointed toward good souls i fully intend to get to know more deeply and intimately. (i never cease to be amazed at the goodness lurking in utterly unexpected nooks and crannies of this world.)

here is a woman—one with a PhD in human anatomy and cell biology, no less—who happens to live in a house with a four-acre flower garden who coaxes beauty from the earth for the sole purpose of giving it all away, filling the flower fridges at hospices and homeless shelters, and the larders at food pantries near and far. she calls it the backyard flower lab. and it sounds like a holy slice of sustenance to me. i intend to point my old wagon in the direction of her flower farm before the sun sets on this day, and i will see where the adventure takes me. her name is april potterfield (which sounds to be a perfect plucked-from-the-storybook name for someone who grows beauty for joy), and you can find her on instagram at @thebackyardflowerlab.

what prompts you to find joy and seize the slender threads of which we weave our lifelines? and what are some of your favorite ways of doing so?

the cobalt beauty perched on the windowsill above is an autumn vibrancy from my garden, the closing note of a summer’s-long love song. i call it monkshood, but it has other names: aconite, wolfsbane, leopard’s bane, devil’s helmet, or blue rocket. the name aconitum comes from the greek word ἀκόνιτον, which may derive from the greek akon for dart or javelin, the tips of which were poisoned with the substance, or from akonae, because of the rocky ground on which the plant was thought to grow.

deep thanks to maria popova who week after week for years now has filled me with wonder, with curiosities, and most of all with the breathtaking beauty of her intellect and imagination…

10 Comments

October 18, 2024

in the tabernacle of an autumn’s night

these are days of awe, all right. the earth and heavens––at least here on the northern half of the globe—are turning in, the shadows growing longer. yet the last gasps of summer’s bounty do not fade without an exuberance of autumn. the sky somehow seems more star-stitched. and the moon, the moon at its most zaftig of the month bathes all in amber wash.

it’s as if all is ringing out in exclamation. one tree more golden than the next. berries so abundant on the bough, the boughs are bent in botanic downward dog.

i can almost hear the whisper of the woods, and even my ramshackle garden, calling out, don’t forget us, don’t forget how glorious we were and are, the delights and wonders we’ve offered since the symphony of spring began: the perfumes, the unfolding petals, the sweetness of the fruits, the earthly prayer of wind rustling through the leaves.

it’s a paean in minor key––part elegy, but mostly gratitude and grace.

to partake of it is holy.

the other night i stepped into the chill of just-past dusk, ferrying a crumb-strewn pizza box to the recycling bin, and before two footfalls had crossed the bricks, the haunting whoot-whoo-whoo of a great horned owl called out from somewhere in the trees.

owls might be my spirit bird. i learned reverence for owls from my grandma lucille, who wore one in a jeweled brooch she pinned to her bosom, and tucked in many a nook and cranny of her ivy-covered house. far back as i can remember, the front of her ice box was forever festooned with strigiform, a magnet onto which she’d glued an owlish silhouette cut from felted wool and adorned with alphabet-letter pastas as its eyes and ears and markings. not one for idling, my grandma once or twice was spied by little me with ear pressed hard to windowpane, rapt by the nightcall from the woods.

i too stand rapt.

of all the notes that rise from avian throats, the owl’s are the ones that stir me deep down where the prayers rise up. at the first of the whoot-whoo-whoo the other night, i felt myself break out in goosebumps. then i lifted my eyes, drank in the light of that nearly full hunter’s moon, and prayed. mightily.

i sometimes think that trips to the recycling bin are my surest daily invitation into prayer. into the cloak of night. against the silence of a day gone hush. the tabernacle in which i offer up my nightly office is one that stations me on the cracked concrete slabs of my alley. trash cans line the side aisle. and the nave is vast. is infinite. in between where trees and old garages block the view, the sky opens wide and deep. here where i live, sky is a bit of a commodity. sunsets aren’t free for the viewing, blocked by those mainstays of suburbia: house and tree and fence. but the night sky, the obsidian up above, is blocked by no one or nothing and it is enveloping enough to soak up my every verse of prayer.

and so i stood there flinging madly. add-on after add-on. a madwoman hungrily hanging her prayers out to dry. as if a clothesline of prayer i string across the alley, flinging each one skyward as i inch my way down the line.

it’s a sacred thing to stand beneath a wheel of yellow moon, with a whoot-whoo-whoo as chorister, and to pour out your insides to the heavens.

i pray the heavens heard.

here’s a bit of what else stirred me this week . . .

vassar miller was an american poet and writer, who served as poet laureate of texas in 1982 and 1988. born with cerebral palsy, her father encouraged her from a young age to write by typewriter, which she did prodigiously. and powerfully. she once said that the purpose of her life was “to write. and to serve God.” it brings me great joy to bring her here to this holy table.

Morning Person

God, best at making in the morning, tossed
stars and planets, singing and dancing, rolled
Saturn’s rings spinning and humming, twirled the earth
so hard it coughed and spat the moon up, brilliant
bubble floating around it for good, stretched holy
hands till birds in nervous sparks flew forth from
them and beasts — lizards, big and little, apes,
lions, elephants, dogs and cats cavorting,
tumbling over themselves, dizzy with joy when
God made us in the morning too, both man
and woman, leaving Adam no time for
sleep so nimbly was Eve bouncing out of
his side till as night came everything and
everybody, growing tired, declined, sat
down in one soft descended Hallelujah.

+ Vassar Miller

and this beauty from christian wiman…

Prayer
By Christian Wiman

For all
the pain

passed down
the genes

or latent
in the very grain

of being;
for the lordless

mornings,
the smear

of spirit
words intuit

and inter;
for all

the nightfall
neverness

inking
into me

even now,
my prayer

is that a mind
blurred

by anxiety
or despair

might find
here

a trace
of peace.

what stirred you to awe this week?

13 Comments

October 11, 2024

the names we are called, and the names that call us

my little irish grandma mae, as my grandpa, “choo-choo papa,” received his 50-year gold watch from the L&N Railroad, for which he was a locomotive engineer on the cincinnati-to-corbin (ky.) line

the email from synagogue came back in the spring. the rabbis and cantor had been thinking for awhile about some of us. an odd lot of us. we were the ones who’d found our way, through one inlet or another, into the river of jewish life — at synagogue and at home — yet “don’t identify as jewish.” (that wording, so very of the cultural times, cracks me up. in the old days wouldn’t we simply have been “not jewish”?)

they, this lovely trio of clergy, all young, brilliant, and devoted to their callings, recognized that we were in many ways bringing our lives to the poetries and prayers of judaism, and that judaism’s poetry and prayers had found its way fairly deep into our lives. they wanted to honor that.

they weren’t asking that we convert, weren’t asking us to sign on any dotted line.

but they had a radical idea, deeply radical when set against the context of a tradition that long saw intermarriage as the great scourge, one of the most grievous threats to the ancient and blessed religion. the radical idea of our rabbis and cantor was to give us each a hebrew name. but not without deeply engaging in weeks of contemplation and discussion, coming to synagogue on wednesday nights as summer turned to autumn, as the air grew cooler, and the trees more golden and crimson.

we talked the first night about the journey into judaism, they asked us to talk about moments of pain, times we felt excluded, rejected, pushed to the margins. or when we’d felt welcomed. we talked about being an outsider versus insider. did we feel we had a voice in the conversation, in the congregation, at our own kitchen tables, and even more broadly in the jewish world?

they asked us to tell the stories of each of the names we’d been given at birth, and the names we’d chosen to carry through life. they asked us to unspool the narrative of nicknames that ebbed and flowed through our stories.

and they asked us to think deeply about what a name means. and to pull from our lives and from Torah particular names of particular souls who somehow stirred us. with whom we felt some deep, almost palpable pull.

i knew fairly quickly whose pull i was feeling. but before settling on my little irish grandma, the only grandparent i never knew, one with whom i’ve long felt an uncanny cord, i briefly considered sarah, she who — like me — thought she was “barren,” and found out at the ripe old age of 90 (i was nearly 45) that she was “with child.” and who greeted the news by laughing out loud. sarah, like me, is the archetypal old mother.

we had homework: a sheet of essay questions pondering names, all of which were meant to evoke for the rabbis a few hebrew names that might be fitting for each of us. after poring over our essays, they sent us our custom-curated list of possibilities. i didn’t choose from high up on the list; i found my name deep down in the unlikelier choices. but, turned out, it was a tight fit. a name with the same roots, the same meaning, whether celtic or hebrew. (you’ll see below.)

once we had our names, and had written the stories of how we came to those names, and why, we were invited to synagogue for a special friday night Shabbat service, where we’d be called to stand in a half circle on the bimah (the raised platform from which the Torah is read). one by one, we’d speak our names, and tell our short stories.

before we told our stories, the rabbi, who i love, and whose name is ally or allison, (i don’t know her hebrew name, i just realized), set the stage with the eloquence and grace i’ve come to think of as her trademark, her inimitable magnificent, heart-melting way.

“Jewish tradition believes that names have great power,” she began. and then she read this poem from the israeli poet zelda, who is known widely by only her first name:

“Each of us has a name given by God and given by our parents.
“Each of us has a name given by our stature and our smile and given by what we wear.
“Each of us has a name given by the mountains and given by our walls.
“Each of us has a name given by the stars and given by our neighbors.
“Each of us has a name given by our enemies and given by our love.”

in a sentence that took my breath away before she called us from our pews to stand in our half-circle, to step to the podium, she said that we’d “earned these names through sacrifice and grit, through tenderness and care. they earned these names through their openness, their tolerance, their expansive and soft hearts.”

that sentence made me riffle through the rolodex of my life, through the hard conversations at the kitchen table, the tears on long telephone calls when a Jew and a Catholic were hashing it out in the three years before we married, trying to decide whether we could work it out, whether we could braid two faiths, two traditions, two deep ancestral ties into something that might even be greater than the sum of its parts. made me think of the blessing ceremonies in our tiny little garden on Wellington Avenue, when a rabbi and a priest poured their words, their wisdoms, and their blessings on two baby boys we were both blessing and naming (with eight years between each). made me think of the pair of Shabbat candlesticks, layered with wax from candles dripping and dripping over the years. made me think of the lamb stew we’ve stirred at the cookstove, my beloved and i side-by-side.

i thought how, indeed, both of our hearts have softened, have opened, have grown.

and then it was my turn to step to the podium, clear the tears from my eyes, and read these words to those gathered:

I’ve spent much of my life peeking beyond the borders of what was before me. Yearnings have always stirred me––reaching for what I don’t yet know, reaching for the holiness I deeply believe in, reaching for loves long after they’re gone.

And there is a particular grandmother, the only grandparent I never met, who has always, always animated my imagination. I yearned to know this daughter of Irish immigrants, a Kentucky schoolteacher, who, according to family lore, was the first woman to graduate from college in the commonwealth, who snagged the highest score on her county’s teachers’ exams, and just as importantly, could wring a chicken’s neck!––a praiseworthy prelude to many a Sunday supper in the Bluegrass State.

Her name was Mae, Mae Shannon, and her only child, her beloved child, was my beloved long-gone papa, Eugene Shannon Mahany.

Until now, my connection to Mae has been purely by heart, and through a few fading photographs that show we share an uncanny resemblance.

Her name, Mae, is a Celtic derivitive of Mary or Margaret, and one of its meanings is “pearl.” So, too, the Hebrew name Margalit—yet another “pearl.”

Considered the gemstone of inner wisdom, the pearl is one of creation’s wonders, formed through the mysterious interplay of oceanic depths and the celestial pull of the tides.

The pearl is formed when the mollusk, or bivalve, senses an irritant—a grain of sand, perhaps—which it enwraps by secreting layer upon layer of minerals, all extracted from seawater. Sand to seawater to pearl.

Ergo, pearl equals protection, luminous protection. Its very creation, an equation of awe. And the pearl, a moonlike orb, is thus said to be a vessel for water’s energy, to carry the lucid movement of the tide’s ebb and flow. It’s believed to hold deeply healing powers.

Its beauty, formed in unseen depths.

Radiance, evolved over time.

The pearl, Margalit––the Hebrew name of my choosing––my tie at long last to the little Irish grandma I so long to sit down beside. And whose inner luminous wisdom I so yearn to absorb.

And mightn’t she be wonderstruck to discover she’s inspired her only granddaughter’s new Hebrew name.

love you, dear chairs. by your names that i know, and your names that i don’t.

what’s the story of your names?

p.s. our rabbis are pretty sure that ours is the first congregation in the U.S. to undertake such a process, the giving of hebrew names to those who don’t identify as jewish.

and tonight we begin the highest and most solemn of high holy days, yom kippur, the day of deep atonement.

14 Comments

October 4, 2024

tefillah (תפילה) for a sweet new year in the season of awe

it is the soft dawn of a new year here, the jewish new year, an ancient calendar i’ve been drawn into, enfolded by, graced by, for all the decades since i met my beloved. he was the one who caught my eye back in the long ago, leaving the newsroom before sundown on friday nights to go to synagogue. i was moved by that devotion. leaving the newsroom on a friday night, back in the days when the big fat sunday newspaper was being “put to bed,” all the sections laid out, the stories edited, photos cropped and captioned, leaving the newsroom before deadline on a friday night meant you were breaking a mold. and you’d better have had a very good reason.

he broke my mold, all right, that tall bespectacled fellow loping toward the door. broke open a love of sacred creation, broke open an ancient text, the poetries and prayers that rose from the rocky, dusty, sometimes fertile terrain of a land indeed holy.

it would be a couple years before i found out the reason the bespectacled fellow was heading out to synagogue early on those friday nights: that was the hour of the singles’ shabbat service. he was looking to meet a nice jewish girl, and theirs was the six o’clock service. oh, well. that didn’t quite work the way he’d intended.

nor did i ever expect to be so deeply entwined with the religion of ancient ancient times. though there were hints. way back in high school, i asked a jewish friend of mine if i could come to her family’s seder, the passover meal at which the story of the exodus is told and retold. she answered that her family didn’t really mark the occasion, but maybe that year they’d make an exception. so there i was at their table, turning the pages of the exodus story, searching for the hidden matzah at the end of the meal. i came back year after year.

and all these years later, i’m the one who opens the jewish cookbook as the holidays near. over the arc of time, we’ve inscribed customs into the trace of the year: rosh hashanah, the new year, is when lamb stew (a middle-eastern iteration with chickpeas, and raisins, and apples and rice) is on the stove, though this year, just the two of us, we opted for the modern-day jewish classic, chicken marbella from the silver palate cookbook.

i crack open the prayer book too. crack it open weeks and weeks ahead of time, for the prayers are what draw me deep into the currents of the great river of judaism. awaken me to the mysteries and sumptuous beauties all around. remind me to see the miraculous in the most ordinary: the dust mote wafting by, the shadow of a tree, the call to pray “in the moments when light and darkness touch.” sometimes it’s the language, a simple line chiseled over time, that breaks me wide open, like this one: “prayer is our attachment to the utmost.”

let that one filter in…

sometimes i think my blessing is that i am still new to all this, so the way the words are unspooled is still fresh enough to catch my attention, my breath. i am often the one quietly gasping in the pews. or here at my kitchen table.

one last thing before i unfurl my prayer, my tefillah, for the new year: the other night at synagogue, just before the prayer for healing, the rabbi told of a midrash taught over time. she began by pointing to the eternal light that hangs above the arc where the Torah scrolls are kept. she noted that in the ancient temples the light that burned was from a wick floating in oil, specifically olive oil, the only oil allowed to burn in the eternal light. and then she went on to talk about the olive, the abundant small but ubiquitous fruit of the hillsides of the holy land. she noted that the oil from an olive is released only when it’s pressed, and crushed. and then, in that majestic humble way of hers, she taught us a lesson i’ll never forget: “when the olive is crushed it’s brightest light comes forth.”

ponder that the next time you feel the world pressing in from all sides, when you feel crushed. your brightest light might soon be burning.

here is my prayer for the new year. . .

tefillah for a sweet new year in the season of awe…

O One who robes this world in threads of crimson and bronze, who reaches in the paint pot for persimmon, goldenrod, and concord grape, the palette of autumn ablaze,

under newborn moon, under deep black dome of night, i bend my knees and pray…

i ask for blessing abundant. i ask stingily, you might think.

but then, you look around the world, see the tally from which i draw, and realize i’m barely beginning.

i pray first for forgiveness, for the sins of this selfish, self-obsessed culture of course, but more immediately and closer to the bone, for the sins of my own failings: my unwillingness to stray too far beyond the comfortable, to not muster the radical courage to cut a bold swath, to heal what’s deeply broken; for my inability to see my own blind spots; for the flippant dismissals i sometimes make too quickly; for being afraid, to the point that it occludes my seeing and breathing, my being.

i pray for peace, peace of nations and peace of each unsettled heart.

i pray for wisdom to discern that which lasts and that which crumbles over time.

i pray for grace which i define as radiance that will not fade in the face of shadow, will not step aside when life inflicts sharp elbow.

i pray for the hand that reaches out to dry the tears of the one whose cheeks are splotted, streaked, and sodden. even when, especially when, those cheeks belong to a someone we do not know. yet the simple presence of those tears signals how deep, how stinging, the hurt must be, the pain. i pray for the woman who sat beside me at synagogue and could not stanch her tears.

i pray for those who go through life fists clenched, driven by a fury that won’t allow unfurling. won’t release the tendons taut, won’t uncoil the hands God gave so we could do the work of loving, of reaching, and cradling in times of turbulence and tumult.

i pray for the echo of laughter’s peals rising from the kitchen tables, the diner counters, the park benches, those flat plains where good souls congregate to dig down deep and tell their stories.

i pray for morning light to rush in before eyelids flutter open so that when they do all is golden, nearly blinding, in its insistence to start the day awash in luminescence.

i pray for mothers who buried their children this week. i pray for the papas whose hearts were hollowed by deaths too soon, too impossibly inexplicable. i pray for memory to fill in the cracks, to begin to piece together the jagged edges of the shattered vessel that is the grieving heart.

i pray and i pray for the children––afraid, broken, scared out of their wits, looking into a night sky not for stars but for rockets’ red glare.

i pray for silence from the bombs and the hell screech of rockets.

i pray for those pummeled by rain — be it the rain of those rockets or the deluge of storm and hurricane winds.

i pray we see You in the sparks that animate the woods, the streams, the darkened skies. i pray that all the cosmos becomes as if a light-catching prism of holy wonder and wild astonishment that points to the One Creator God.

i pray we see You, too, in the gentle murmur of kindness, of tenderness, of heavenly mercy that is certain trace of Holy Presence.

i pray, dear holy, holy God, for these days of awe to fuel us for the long winter to come. let us stock the larder, fill the shelves that line the walls of heart and soul. let us go forth, each and every blessed day, fully awake to the miracle of those we love, and those we don’t yet know whose lives, like ours, contain untold tragedy as well as untrumpeted triumph, and whose wholeness any day just might depend on the goodness of those who do not pass them by unnoticed.

amen. and thank you.

what lines would you add to our prayer, communally or privately?

the gull above is diving into lake michigan to gather up a chunk of bread one of us has tossed into the water, a symbolic casting of our sins into the lake in an act of absolution.

the line, “prayer is our attachment to the utmost,” is from rabbi abraham joshua heschel, and the full line is: “unless we aspire to the utmost, we shrink to inferiority. prayer is our attachment to the utmost.”

24 Comments

September 27, 2024

when writerly rabbit holes swallow you whole….

in which a writing assignment, one that’s wholly captured my imagination, has taken over my gray matter (the stuff inside my head, not the pewter hairs that spring from it), and precluded most any other human activity—save for the occasional re-fueling at the cookstove to keep from puddling to the floor, famished. and for which i’ve shared my simmering salvation down below…

excuse me while i type over here. i seem to have fallen down-down-down into an engrossing writerly rabbit hole, and as the week’s worn on, i’ve only found myself burrowing deeper and deeper. it’s been a while since i’ve chased a thread of idea down to where the earthworms wriggle and the bunnies make hutches. and while i admit that my inner mad-scientist might be vividly on display here, in the way that i can’t put down my wild-eyed pursuit, there is a preponderance of joy stirring the madness.

i love chasing ideas. love untangling cognitive threads. discovering new ways of thinking i’d not known of before. love when one read leads to another and another. and then it’s my task to slice it, and dice it, and make it all make sense. extra points if it comes out poetic.

i’ve been a rabbit-hole writer as long as i’ve been slapping verbs and nouns into sentences. back in high school, i decided to write a mega theme paper on the misuse of wealth in america, and pretty much took hostage the dining room table for weeks on end. if anyone wanted easter dinner that year, they were going to have to shove aside my teetering stacks of tomes chronicling the gatsby brigade of modernday over-conspicuous consumption. years later, when the tribune set me off on a cross-country steinbeckian journey, zigzagging the continent from the deep woods of maine to the pacific northwest and plenty of points between, chronicling stories of hunger in america for a 10-part series, i distinctly remember my editor, a rumpled import from the new york times, sauntering over to my cubicle and insisting i unchain myself from my keyboard to at least stand under a shower, or swim a lap in a pool, long enough for one or two big ideas to snap into place. i was never much for taking breaks.

granted, writing that way might have been bad for the eyes and tough on the spine and the wrist, but i kept at it (one night, in the thick of telling a murderous tale, my writing partner and i took turns falling asleep on a very fat phone book). until i birthed a wee child. and said child insisted on eating. and i was the source, the one and only. swiftly realizing that typing while nursing had its drawbacks, i reluctantly succumbed to the art of the pause.

lo and behold, i discovered epiphany.

amazing things happen in the chambers of the mind when you stop hard-charging the thoughts. when you allow a synapse to slow to a pokier pace.

more often than i wish to admit, some elusive sentence has snapped into place while rinsing a plate under the faucet. and a sugarplum of a word has skydived in from seeminly nowhere. so i’ll concede that there’s virtue in lifting my head from the writerly hole.

but now that this old house is mostly empty again, there’s no stopping me. except that there is still one other mouth to feed. (fear not, he feeds himself well and is happy to do so on the nights i relinquish my post at the cookstove.) and besides, chopping and stirring, i’ve found, provides fine syncopation for the drumming of thoughts while assembling an essay.

soup by the kettleful is my solution. all it takes is one afternoon of onion slicing, garlic mincing, and the tossing in of a few other things. and by nightfall, and the night after too, you’ve got plenty to slurp from your bowl.

my ode to autumn, lemony white bean soup with turkey and tuscan kale, is what i bring you this week with the promise that it is utterly, perfectly, shlurpably delicious. it comes, as so much of my best cooking does, from my very fine friends at NYT Cooking, one of the perqs of seven-day-a-week home delivery, the last house this side of the block to still believe in turning actual newsprint pages.

Lemony White Bean Soup With Turkey and Greens
By Melissa Clark
Total Time 45 minutes

INGREDIENTS
Yield: 4 servings

3 tablespoons olive oil
1 large onion, diced
1 large carrot, diced
1 bunch sturdy greens, such as kale, broccoli rabe, mustard greens or collard greens
1 tablespoon tomato paste
3⁄4 teaspoon ground cumin, plus more to taste
1⁄8 teaspoon red-pepper flakes, plus more to taste
1⁄2 pound ground turkey
3 garlic cloves, minced
1 tablespoon finely grated fresh ginger
1 teaspoon kosher salt, plus more to taste
1 quart chicken stock
2 (15-ounce) cans white beans, drained and rinsed
1 cup chopped fresh, soft herbs, such as parsley, mint, dill, basil, tarragon, chives or a combination
Fresh lemon juice, to taste

PREPARATION

Step 1: Heat a large pot over medium-high for a minute or so to warm it up. Add the oil and heat until it thins out, about 30 seconds. Add onion and carrot, and sauté until very soft and brown at the edges, 7 to 10 minutes.

Step 2: Meanwhile, rinse the greens and pull the leaves off the stems. Tear or chop into bite-size pieces and set aside.

Step 3: When the onion is golden, add tomato paste, 3⁄4 teaspoon cumin and 1⁄8 teaspoon red-pepper flakes to the pot, and sauté until paste darkens, about 1 minute. Add turkey, garlic, ginger and 1 teaspoon salt, and sauté, breaking up the meat with your spoon, until turkey is browned in spots, 4 to 7 minutes.

Step 4: Add stock and beans, and bring to a simmer. Let simmer until the soup is thick and flavorful, adding more salt if needed, 15 to 25 minutes. If you like a thicker broth, you can smash some of the beans with the back of the spoon to release their starch. Or leave the beans whole for a brothier soup.

Step 5: Add the greens to the pot and simmer until they are very soft. This will take 5 to 10 minutes for most greens, but tough collard greens might take 15 minutes. (Add a little water if the broth gets too reduced.)

Step 6: Stir herbs and lemon juice into the pot, taste and add more salt, cumin and lemon until the broth is lively and bright-tasting. Serve topped with a drizzle of olive oil and more red-pepper flakes, if desired.

and because even amid my mad musing this week, i still found myself melted by poetry, i bring you this beauty…

End of Summer

An agitation of the air,
A perturbation of the light
Admonished me the unloved year
Would turn on its hinge that night.

I stood in the disenchanted field
Amid the stubble and the stones,
Amazed, while a small worm lisped to me
The song of my marrow-bones.

Blue poured into summer blue,
A hawk broke from his cloudless tower,
The roof of the silo blazed, and I knew
That part of my life was over.

Already the iron door of the north
Clangs open: birds, leaves, snows
Order their populations forth,
And a cruel wind blows.
—Stanley Kunitz

named the tenth poet laureate of the united states in the autumn of 2000, kunitz was 95 at the time. his poetry was said to get richer with age. and one of his lifetime’s most pervasive themes probed the simultaneity of life and death. “it’s the way things are: death and life inextricably bound to each other,” he once explained. “one of my feelings about working the land [as a gardener] is that i am celebrating a ritual of death and resurrection. every spring i feel that. i am never closer to the miraculous than when i am grubbing in the soil.” he once told the new york times: “the deepest thing i know is that i am living and dying at once, and my conviction is to report that dialogue. it is a rather terrifying thought that is at the root of much of my poetry.” kunitz won the pulitzer prize in poetry in 1959. he died in 2006. (boldface emphasis mine…)

“my conviction is to report that dialogue. . .” and thus is the reason writers fall into rabbit holes…

i was looking high and low for a roz chast cartoon of a madwoman pulling her hair out, for illustrative purposes above. but, alas, i could not find. though ed koren’s wild-haired woman did come in a close second, and in the end i opted for the wanna-be writer above, courtesy of mr. koren…

see you next week when if all goes well i hope to tell you the story of how i got myself a new name last week, and a hebrew one at that…

in the meantime, are you, like me, one who prefers to tie on the blinders and not come up for air till the task is completed, or are you of the sort who finds that leisurely attending to a task makes for all-round saner existence?

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September 20, 2024

the equinox of scan time: equal parts shadow and light

you start to wonder. which is another name for worry. for most of the last five months, i’ve worked at pushing it off to the edge of the frame. to keep it out of my focus. but october is coming. and with it, the next scan. the next clear-eyed peek into my insides, into my lungs, to see if anything’s lurking that oughtn’t be.

i’ve mused about the saintly side of scan time. how it’s akin to memento mori, the ancient and holy practice of remembering our death so that we maximally live our one swift shot at this astonishing life.

but the other side of scan time is the deeply human side. the wake-me-up-in-the-night, the try-not-to-worry-that-the-pain-in-my-ribs-is-anything-scary side.

i feel it rumbling around the edges. the what-ifs i bat down as if a pesky mosquito that won’t leave me alone. i try not to tumble down the shadowy mole hole of imagining a call to my boys, letting them know i need another round of surgery. i try to quash the dialogue that runs through my head, my doctor’s voice telling me there’s something in the scan that looks worrisome, that needs more poking around. i try not to let cancer be the ice to my spine.

i try not to cry.

but sometimes i get scared.

i am, always, bumpily, raggedly, very much human.

i’m still new to the tidal ebb and flow of scan time. and the scan now rising on the horizon’s edge is only my third since surgery, since they took out a chunk of my lung, since they found an uncommon cancer that sometimes decides to shuffle around in the lungs, settle in where it wasn’t before. what i’m finding here in the precinct of scan time is that when i near the one-month-to-go mark, the palpable fear comes.

maybe each round i’ll get a little bit less wobbly (though, having lived with myself and my keen imagination for all of these years now, i tend to doubt that). maybe i won’t be tempted to imagine the worst.

but the flip side, the smarter side, even now, even at the less-than-three-weeks-to-go mark, is that the hovering worry makes me sink deeper and deeper into the now. “today is a day when i don’t know anything’s wrong yet,” i sometimes hear myself saying. i suppose there are healthier ways to frame the day (for instance, omitting the “yet”), but once the doctor stamps the C word onto your chart, once it follows you pretty much wherever you go, it gets decidedly hard to unshackle yourself from being afraid.

remember, i’m bumpily, raggedly, very much human.

which is why a necessary ingredient on this bumpy, pock-riddled road is to enlist a battalion of comrades. some are fellow travelers i know up close and personal. a few are glorious souls i only know through their words, words they beam to me as if telepathic lifelines to put oomph where i’m lacking.

whether they’re friends whose numbers i could find in my phone, or soulmates by circumstance, they’re all someones who know by heart how it is to live in the penumbra of cancer. what i find utterly indispensible about each and every one of them is that they put words to the rumblings i’d otherwise keep under lock and key.

and when you hear the worst of your worries, the very words you’ve not yet dared to utter aloud, come out of a mouth that’s not yours, there comes an incomparable sigh, a sheer and certain relief to find you are hardly alone. and deep in communion, even if it’s a union to which you wish you didn’t belong.

one of my incomparable comrades is suleika jaouad, the best-selling author of between two kingdoms: a memoir of a life interrupted, the new york times writer of the “life interrupted” column, and every week in my inbox, the author of “the isolation journals,” her unfolding and intimate chronicle of her rare leukemia and relapse and bone marrow transplant. she’s one of the ones whose wisdom and courage i lean on. she infuses me. and, often, she steadies me.

just the other day, after a weeks-long silence that signaled something amiss, suleika, who indeed has suffered yet another relapse and is back to chemotherapy, mused about radical acceptance.

she wrote:

That’s not to say I don’t feel fear—of course, I do. But strangely, the anticipation of pain can be far scarier than just being in it, actually confronting it. After my first transplant, in the years when I was cancer-free, I felt hijacked by the prospect of a recurrence and afraid that I wouldn’t be able to handle it. When it actually happened, I faced it. Knowing that, I have been trying to practice a kind of radical acceptance of whatever comes up, responding with whatever the situation calls for.

Take last weekend, for example. On Saturday, I had to go in for my last infusion of my second round of chemo. The side effects compound day-to-day, and afterward I felt awful, and I knew I’d be spending the day in bed. It had been a rainy morning, but on my way home, the sky began to clear, and I beheld a spectacular rainbow. For a moment, I glimpsed a sense of wonder. When I got to my room, I said to myself, “If I have to be in bed all day, so be it. What can I do to make this a little less miserable?” I took some anti-nausea meds and got a big glass of water. I put on my favorite face oil, wrapped myself a heating pad, gathered my pups around me, and queued up some favorite old movies to watch. Did I still feel awful? Yes. But instead of fighting it, or lamenting all of the things I wouldn’t be able to accomplish that day, I accepted it. And it turned out that staying in bed all day felt almost luxurious.

she speaks such truth. and then she somehow wraps it in what feels like a velvet blanket, somehow makes even a day in the sickbed sound a bit like a day at the spa. no wonder suleika is someone whose hand i would reach for on the darkest and scariest of days.

even though she wouldn’t know me if i bumped into her in the revolving door of sloan-kettering (a hospital entrance both of us have spun through) i wrote her right away to thank her for planting seeds of courage that some day might be my ballast. and i seized on her phrase, “radical acceptance,” to try to put it to practice. to not let my fears escape from the barnyard. to not be hijacked by fear, but to stare it square on, and to remind myself that time and again in my fair little life, i’ve steadied my knees and my spine in the fulcrum of whatever would have been my worst fear. i’ve always been braver than i’d ever imagined. i think we all are.

another one of my unparalleled big-hearted compatriot warriors who speaks to my deepest-down soul is the spoken-word poet and queer activist andrea gibson, diagnosed with ovarian cancer in 2021 and a recurrence last spring. i can’t count the times she’s sprung me to tears. tears of recognition. of stripped-naked truths. of beauty so rare and so fine i sometimes imagine she dwells with celestial beings.

here’s a line from one of her poems that stiffened my spine and reminded me to steady my ways:

My worst fear come true. But stay with me y’all-
because my story is one about happiness
being easier to find once we finally realize
we do not have forever to find it.

we do not have forever to find it…

i play their words over and over, as if a broken record, hoping and hoping that with each spin of needle to groove, i might finally inscribe their wisdom, their wonder, their truth, onto my heart. or at least find a strong steady hand to hold while i aim there….

what steadies you when you’re afraid?

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