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Category: wonder of darkness

in the tabernacle of an autumn’s night

these are days of awe, all right. the earth and heavens––at least here on the northern half of the globe—are turning in, the shadows growing longer. yet the last gasps of summer’s bounty do not fade without an exuberance of autumn. the sky somehow seems more star-stitched. and the moon, the moon at its most zaftig of the month bathes all in amber wash. 

it’s as if all is ringing out in exclamation. one tree more golden than the next. berries so abundant on the bough, the boughs are bent in botanic downward dog.

i can almost hear the whisper of the woods, and even my ramshackle garden, calling out, don’t forget us, don’t forget how glorious we were and are, the delights and wonders we’ve offered since the symphony of spring began: the perfumes, the unfolding petals, the sweetness of the fruits, the earthly prayer of wind rustling through the leaves. 

it’s a paean in minor key––part elegy, but mostly gratitude and grace.

to partake of it is holy.

the other night i stepped into the chill of just-past dusk, ferrying a crumb-strewn pizza box to the recycling bin, and before two footfalls had crossed the bricks, the haunting whoot-whoo-whoo of a great horned owl called out from somewhere in the trees. 

john james audubon: great horned owl

owls might be my spirit bird. i learned reverence for owls from my grandma lucille, who wore one in a jeweled brooch she pinned to her bosom, and tucked in many a nook and cranny of her ivy-covered house. far back as i can remember, the front of her ice box was forever festooned with strigiform, a magnet onto which she’d glued an owlish silhouette cut from felted wool and adorned with alphabet-letter pastas as its eyes and ears and markings. not one for idling, my grandma once or twice was spied by little me with ear pressed hard to windowpane, rapt by the nightcall from the woods.

i too stand rapt. 

of all the notes that rise from avian throats, the owl’s are the ones that stir me deep down where the prayers rise up. at the first of the whoot-whoo-whoo the other night, i felt myself break out in goosebumps. then i lifted my eyes, drank in the light of that nearly full hunter’s moon, and prayed. mightily. 

i sometimes think that trips to the recycling bin are my surest daily invitation into prayer. into the cloak of night. against the silence of a day gone hush. the tabernacle in which i offer up my nightly office is one that stations me on the cracked concrete slabs of my alley. trash cans line the side aisle. and the nave is vast. is infinite. in between where trees and old garages block the view, the sky opens wide and deep. here where i live, sky is a bit of a commodity. sunsets aren’t free for the viewing, blocked by those mainstays of suburbia: house and tree and fence. but the night sky, the obsidian up above, is blocked by no one or nothing and it is enveloping enough to soak up my every verse of prayer. 

and so i stood there flinging madly. add-on after add-on. a madwoman hungrily hanging her prayers out to dry. as if a clothesline of prayer i string across the alley, flinging each one skyward as i inch my way down the line. 

it’s a sacred thing to stand beneath a wheel of yellow moon, with a whoot-whoo-whoo as chorister, and to pour out your insides to the heavens. 

i pray the heavens heard.


here’s a bit of what else stirred me this week . . .

vassar miller was an american poet and writer, who served as poet laureate of texas in 1982 and 1988. born with cerebral palsy, her father encouraged her from a young age to write by typewriter, which she did prodigiously. and powerfully. she once said that the purpose of her life was “to write. and to serve God.” it brings me great joy to bring her here to this holy table.

Morning Person

God, best at making in the morning, tossed
stars and planets, singing and dancing, rolled
Saturn’s rings spinning and humming, twirled the earth
so hard it coughed and spat the moon up, brilliant
bubble floating around it for good, stretched holy
hands till birds in nervous sparks flew forth from
them and beasts — lizards, big and little, apes,
lions, elephants, dogs and cats cavorting,
tumbling over themselves, dizzy with joy when
God made us in the morning too, both man
and woman, leaving Adam no time for
sleep so nimbly was Eve bouncing out of
his side till as night came everything and
everybody, growing tired, declined, sat
down in one soft descended Hallelujah.

+ Vassar Miller


and this beauty from christian wiman…

Prayer
By Christian Wiman

For all
the pain

passed down
the genes

or latent
in the very grain

of being;
for the lordless

mornings,
the smear

of spirit
words intuit

and inter;
for all

the nightfall
neverness

inking
into me

even now,
my prayer

is that a mind
blurred

by anxiety
or despair

might find
here

a trace
of peace.

Christian Wiman, “Prayer” from Once in the West, published by Farrar, Straus and Giroux. Copyright © 2014 by Christian Wiman.

what stirred you to awe this week?

of darkness and sunlight in shifting proportion

night was on my mind this week, as the sunlight upon us stretched to its longest shift of the year, the apex of the solstice on thursday, and now the night grows longer minute by minute till winter’s solstice takes its turn, a doh-si-doh of celestial bodies. the interplay of light and shadow is eternal, has been, according to genesis, since the beginning, day one. and it was good. 

it might seem counterintuitive to contemplate night when the day is at its longest, but it’s often through the paradoxical that insights are gleaned. a wise and soulful priest pointed me toward considering the illuminations that come in darkness, at a saturday morning retreat in the great gothic-revival church that so often stirs me these days. 

and then through the week, i kept stumbling on poems that made me marvel, made me think deep and deeper of the hours of darkness. here are two: 

The night never wants to end, to give itself over
to light. So it traps itself in things: obsidian, crows.
Even on summer solstice, the day of light’s great
triumph, where fields of sunflowers guzzle in the sun—
we break open the watermelon and spit out
black seeds, bits of night glistening on the grass.

––Night in Day by Joseph Stroud

Night Ferry
by John Burnside

Had I been less prepared, I would have left
in springtime, when the plum tree in the yard
was still in bloom,
the windows open after months of snow,
one magpie in the road
and then another.

I could have slipped away, late afternoon,
while everyone was busy somewhere else,
the fish van at the corner, children
dawdling home from school
in twos and threes, a porch light
lit against the dusk on Tollbooth Wynd.

Give me these years again and I will
spend them wisely.
Done with the compass; done, now, with the chart.
The ferry at the dock, lit
stern to prow,
the next life like a footfall in my heart.

it’s the last stanza of burnside’s that spoke to me most profoundly. “give me these years again and I will / spend them wisely.”

and then, with celestial bodies on my mind, i stumbled onto john burroughs, the naturalist whose wisdoms and poetries never fail to stir me. 

“If I had my life to live over again, and had my choice of celestial bodies, I am sure I should take this planet, and iI should choose these men and women for my friends and companions. This great rolling sphere with its sky, its stars, its sunrises and sunsets, and with its outlook into infinity — what could be more desirable? What more satisfying? Garlanded by the seasons, embosomed in sidereal influences, thrilling with continents — one might ransack the heavens in vain for a better or more picturesque abode.” — John Burroughs 


but mostly this week i indulged in the sunlight of one of the oldest, dearest friends i have on this planet: my roommate in college, my roommate after college, my maid of honor, godmother to my firstborn, and my heartmate and soulmate through life’s most scouring hours. she’s a california girl, blond still (naturally so), and more beautiful than ever, and she married a man who might be the twin separated at birth from the one i married. not only do they both wear the exact same spectacles, they both dress in old-line khakis and oxford-cloth shirts, and think deeply about the subjects they love (film for the one from LA; bricks, mortar, and marble for the one i married) as well as the ideas that animate the life of the mind. we played, the four of us, at being playful: took long walks through woodsy ravines, gobbled ice cream from cones, motored downtown to see georgia o’keeffe at the art institute, and before we got there stumbled into one of the world’s great symphony orchestras rehearsing schumann’s piano concerto in frank gehry’s bandshell with someone billed as one of the world’s greatest pianist. all for free. and all in the sunlight.

and tomorrow, my firstborn marks another spin around the sun at the center of it all. there are not enough blessings under that sun for me to wish and hope and pray for my boy, but i wish every last one for him and his heart and his soul and his dreams. happy blessed life, you who made me a mama.

how did you mark the solstice, the day when the sunlight shines longest?

of prophets and poets, and the sacred instruction: let the light be from within

maybe you read the newspaper every morning. maybe you even read the Chicago Tribune, the newspaper that birthed most of the most precious threads in my life. but chances are — reading the studies that come, one after a sad other, from the journalism think tanks — you don’t. the sound of the rolled-up sausage of a newspaper landing with a thwop on the front stoop is nearly obsolete. but this week, my old newspaper made room for a little essay i wrote, one birthed in the pages of Stillness, that beribboned little book that seems to be winging its way to armchairs and reading nooks in various vicinities around the countryside this december.

given the unlikelihood that you would have stumbled across this little essay — a variation on the opening essay, “December: Sacred Invitation,” in Stillness — and given that my little laptop has a crack-of-dawn doctor’s appointment at the genius bar, i figured i’d give the essay a whirl here. it comes with the hope that you find all sorts of ways to fill the december darkness with flickering flames, and tongues of fire that leap from the hearth. the ones in your home, or the ones in your heart.

Commentary: In December’s darkness, the prophets and poets guide us toward the light

By BARBARA MAHANY

December’s darkness is coming like never before.

Oh, sure, as the sun arcs into its wintry descent, as the night grows to its longest, and day after day a minute is shaved at the dawn and at dusk, the sunlight ebbs and the shadow grows. There’s that darkness.

But cloaking all of it this year is the darkness of knowing we can’t kindle the light in gathering kinship.

We will be more alone this winter, perhaps, than ever before.

But there is a bright side, or at least a blessed side.

I say, celebrate the darkness — landscape of discovery, of finding our way only by engaging, igniting, heightening our deeper senses, the senses of the heart and the soul, intellect and imagination.

Celebrate the quietude. The stillness that comes in the hours of solitude, that state of grace sought by the ancient mystics and saints, by Zen priests and the Desert Elders of Egypt, by Hildegard of Bingen and Henry David Thoreau, deep in the woods of Walden Pond, the ones who dialed down the noise and distraction, pressing their ears into the silence, awaiting the murmurings of the still small voice. As Meister Eckhart put it: “There is nothing so much like God as silence.”

The truth is: Stillness and darkness draw out our deep-down depths. Darkness is womb, is seed underground. Darkness is where birthing begins, incubator of unseen stirring, essential and fundamental growing.

Stillness, as all the enlightened have known, in the paradox that might be a Buddhist koan, is the fullness that comes only through emptiness.

This December, both will abound. We’d be wise to welcome them.

December, I like to think, is when God cloaks the world — or at least the northern half of the globe — in what amounts to a prayer shawl. December’s darkness invites us inward, the deepening spiral — paradoxical spiral — we deepen to ascend, we vault from new depths.

At nightfall in December, when the last seeds of illumination are scattered and the stars turn on — all at once as if the caretakers of wonder have flown through the heavens sparking the wicks — we, too, huddled in our kitchens or circled round our dining room tables, strike the match. We kindle the flame. We shatter darkness with all the light we can muster.

The liturgical calendar, prescriptive in its wisdoms, lights the way: It gives us Advent, season of anticipation, of awaiting, of holding our breath for spectacular coming. Season of dappling the darkness with candled crescendo.

And therein is the sacred instruction for the month: Make the light be from you. Deep within you.

Seize the month. Reclaim the days. Employ ardent counterculturalism, and do not succumb.

Abraham Joshua Heschel, the great Jewish scholar and one of my heroes, talks about Shabbat — every week’s holy Sabbath pause — as erecting the cathedral of time, the Jewish equivalent of sacred architecture, only for Jews it’s the sanctification of time, not space. Writes Heschel: “Learn how to consecrate sanctuaries that emerge from the magnificent stream of a year.” I say, build yourself a tucked-away chapel, a humble half-hour’s chamber of silence, of prayer, of deepening.

Here’s a radical thought, for December or otherwise: Live sacramentally — yes, always. But most emphatically in the month of December. Most especially this December.

What do I mean? To be sacramental is to lift even the most ordinary moments into Holiness. Weave the liturgical into the everyday.

Live sacramentally: Sit down to a dinner table — even dinner for one — set with intention. Embrace all that’s slow. And with purpose. Light candles at dinner. Light the Advent wreath. And if you’re Jewish, blaze the menorah. If you’re Jewish and Catholic, as my family is, well, bring on the fire battalion, we’re lighting every which flame.

Because this is our one chance at December this year — and who knows how many Decembers we might have.

December is invitation. Glance out the window. Behold the silence of the first snowfall. Stand under heaven’s dome and watch the star-stitched wonder: Orion, Polaris. Listen for the love songs of the great horned owl. Be dazzled. To be dazzled is a prayer.

Mary Oliver, the poet saint, tells us, “attentiveness is the root of all prayer.” And she reminds us that our one task as we walk the snow-crusted woods or startle to the night cry of the sky-crossing goose is “learning to be astonished.”

Ever astonished.

Renaissance scholar and poet Kimberly Johnson says, “I want to live my life in epiphany.”

So do I. Maybe, so do you.

December invites us be our most radiant selves. And we find that radiance deep down in the heart of the darkness, our chambered nautilus of prayer. The coiled depths to which we turn in silence, to await the still small voice that whispers the original love song. Chorus and refrain, inscribed by the One who breathed the first breath.

Barbara Mahany, a former Chicago Tribune staff writer, is the author of four books; her latest is “The Stillness of Winter: Sacred Blessings of the Season.”

so there’s the essay. and here is the question: how might you live sacramentally? how do you lift the ordinary into the sacred; those humdrum quotidian tasks of the everyday, how do you imbue them with intention and attention, raise them into the realm of the holy so that this one pass at december is lived in ways that awake us as never before?

season of stillness

IMG_1033

not so many years ago, my writing room at this time of year took on north-pole proportions: spools of ribbon, bags of this and that to slip inside other bags or boxes, layers and layers of tissue papers, itty-bitty cards. lists abounded. i was a walking-talking maker and checker of lists.

not so much these days. and not because i’m scrooge.

simply because the sanctity of stillness is what i’m after in this season of deepening darkness. i punctate the night — the shroud of black that grows with every passing whirl around the sun — with my litany of sacramental simplicities.

the dawn is longer, blessedly, giving me more time to stitch those hours with the fine few invitations to bring in what’s hushed, what’s holy. i scoop my old tin coffee can with fat black seed, slide my toes into clunky boots, my arms in puffy sleeves. as the shock of morning cold splashes up against me, i fill my lungs with one quick gulp. then i march across the frozen stiff blades of grass, the mud that’s now succumbed into icy form, and perk my ears to hear the flutter of a wing, the rustling of a bough. i pause to scan the heavens, count the stars, spy the fraction of the moon. i’ve written a thousand times of how i make like i’m a farmer filling my trough, as i pour the seed in the feeder high above my head, stretching my arm far as it will stretch, raising up on tippy-toes, too. i’ve come to realize that the rush of pouring seed must be a call to all the birds, akin to “coffee’s on, come and get it!”

on the stillest mornings, the holiest ones, a cardinal or a junco might flutter in before i’ve stepped away. as if the gentle creature knows we’re in communion here.

perhaps i’ve learned, in my years — now three decades — of braiding jewish threads with catholic ones, to sanctify time, even more than place. abraham joshua heschel, whom i count among my constellation of north stars, writes: “judaism teaches us to be attached to holiness in time, to be attached to sacred events, to learn how to consecrate sanctuaries that emerge from the magnificent stream of a year.” he goes on to draw out that point: “the Sabbaths are our great cathedrals; and our Holy of Holies is a shrine that neither the romans nor the germans were able to burn; a shrine that even apostasy cannot easily obliterate…”

point, well taken. point, deeply taken.

i consecrate the holy hours — the ones of dawn and dusk and deepest night.

and so, this season is no longer a mad dash, but a countercultural adventure in stitching in stillness. in simply kindling light, one by one, an arithmetic of brightening, night after night, as both menorah and advent wreath burn against the darkness. our house is not filled with shiny boxes. santa’s list is not an annual exercise in accumulation. hanukkah at our house is brisket + latkes + jelly-filled donuts on the first night, candles and dreidels each night after that.

year by year, i dial down the noise, and amplify the hush that ushers in the stillness.

how do you consecrate your holy hours?

“don’t be afraid of the dark”

octobermoonatdawn

i heard the words, suddenly, as if instruction. it might have been late afternoon, a day or two ago. the details are murky now. i know i was in the kitchen, not far from the window, and i know the dark hadn’t yet rolled in when i heard the words, as if a celestial whisper.

“don’t be afraid of the dark.”

i never am. afraid of the dark, that is. my celtic soul is one of the ones that, most of the time, shimmies into the darkness, as shoulders into a soft-knit sleeve. dark invites mystery. invites deepening. dark is where shadows dance. dark is where faint outlines appear, the chiaroscuro of night.

but somehow, deep down in my soul, maybe i knew this might be different. maybe i knew this year’s season of darkness, as globe turns away from the sun, as our point on the planet lies mostly in shadow, the faint slant of light more diluted than summer’s blaze, maybe i sensed that this year it might be tougher to shoulder.

so the instruction crept in, out of nowhere. the sort of whispered coaxing that might make you look up to the ceiling, to see if it came from above. or, maybe, truly, it might make you pause, put ear to your heart, and know it came from within. the still small voice that whispers. and every once in a while shakes us by the shoulders, says (more or less), “listen here, i’m talking to you, and i don’t want you not paying attention.”

so there you are, about to swing open the door of the fridge, reach for a tub of cottage cheese or some other plebeian foodstuff, when all of the sudden you’re shaking your head, trying to knock off the cobwebs that must be messing with your ear drums, and next thing you know you’re thinking hard about darkness, and how it’s coming, and how you’ve just been instructed not to be afraid.

all right, then. so i won’t be. i’ll try, hard as i can, to peek out the window at four in the afternoon, and look for the beauty in the purpling hour, when the world outside goes violet, awash in sinking sunlight. maybe i’ll crank the stove a bit earlier, a bit more heartily. maybe i’ll stack candles along the window sill, the armament of light from within.

maybe i’ll keep the afghans close at hand. maybe i’ll pencil in night walks. maybe i’ll memorize planets and stars.

there’s an enchanted picture book, a book for children who might be eight or 85, and it’s one i keep close by, on the bookshelf here in the room where i type. it’s titled, “caretakers of wonder,” by cooper edens, the glorious illustrator whose work with the magical publishing house, “green tiger press,” served as my muse through the 1980s, back in a decade when life was walloping me this way and that. back when mr. edens (let us be wholly respectful of this master of brush and charcoal pencil) was a child, his principal sent him home from school (for the year, not the day!), telling his mother he was “too creative.” his mother, wise woman, sat him down for the duration with a set of crayons and stacks and stacks of coloring books. it wasn’t long till he began channeling van gogh and monet, and his works have always swept me away.

IMG_6148he might best be known for the bedtime book, “if you’re afraid of the dark, remember the night rainbow,” but the one i love best is “caretakers of wonder.”

it begins with these words: “this very night, while you lie quietly in your bed, open your eyes. now, look out the window! for even at this yawning hour, so many of your friends are working to keep the world magical.” (now, turn the page…)

“yes, they are the ones who make new stars and put them up” (illustration of two fine caretakers climbing into the wicker basket of a hot-air balloon — how else to float to the stars?) (turn page again…)

“the ones who light and keep the stars burning.” (and here we see the heart-air balloon, and the extra-long wick that kindles the night stars…)IMG_6149

sometimes all it takes is one reading, one brush of words up against the soul, for whole new paradigms to be born, whole new ways of seeing, of glistening. and so, perhaps, ever since i first brushed up against cooper edens’ whimsy and wonder, i’ve found the night all the more enchanting. to think there are caretakers flitting about with their miles-long wicks, and their night work of wonder….

it must be the make-believe part of me that’s never faded away, the ember that would not extinguish.

and so, this very morning, beginning to reacquaint myself with the wonder of darkness, the darkness that’s coming this very weekend when we turn back the clocks, i tiptoed outside with my dawn-viewing equipment: my slide-in shoes, my fat mug of very hot coffee, my old tin can of birdseed filled to the brim for the birds who were still off nodding at that early hour.

i looked up. that’s all it takes, a simple crank of the neck, chin pointed skyward. and there it was, dawn awaiting. gibbous moon, ringed in a halo of violet and rose and peek-a-boo cloud (one of those early morning mysteries whose science i do not understand, nor do i need to). planets emphatically spotlit (venus, mars, and jupiter pinned to the southeastern sky). stars on the brink of fading away.

it was breathtakingly beautiful, all of it.

and i’m fairly convinced the beauty is ours for the taking, yes, deep in the darkness. if we take in a chest-filling breath, and wrap ourselves in the whole of the long night’s offering, the invitation to burrow deep inside our souls. and bring on the night candles, the flame, and the blankets.

what particular beauties do you find in the darkness? will you steel yourself against its early coming, or welcome it with rapt attention?