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Category: joy

even in darkness, we gather light

i know the darkness is inching toward us, minute by minute. and i welcome it, being a winter baby, and being drawn to shadows and inkiest night. but i find myself thinking glistening sorts of thoughts these past few days, make-believing we’re pulling up chairs on this snow-swaddled morn for a festive wintry all-chair tea. 

my house is aglow and will be glowier once the candles are plunked in the menorah, and kindled one by one, eight nights in a row. this year, for the first time in two decades and only the second time since 1959, both Christmas and the first night of Hanukkah fall on the twenty-fifth of december. i’ll be pulling out all the festival stops with my anglophile mother’s favorite yorkshire pudding and roast of beef, and my beloved’s brisket and latkes. (crank the ovens! and, please, bring on the sous chefs!)

but here, at my make-believe solstice tea, i imagine the tintinnabulation of porcelain teacups being stirred with antique silver spoons, and the pungent perfume of star anise and clove and the peel of one fat orange simmering in my old red “christmasy smell” pot. without make-believing, i inhale the foresty perfume of the fraser fir that, for days now, has stood proud in the corner, obnoxiously blinking because someone pulled the wrong box off the hardware store shelf.

if we were all here, gathered round this old worn table, we’d be shy maybe at first. surely, one or two wouldn’t be because there’s always a livelier wire in every good bunch. but i’m of the shyer persuasion these days, so i’d be purring most loudly simply being a listener. i’m apt to station myself on the circle’s outer edge, and to be the one keeping close and quiet watch. 

i’d delight myself in crowding the table with sugar-dusted spice cookies, crisp and bronze round the edges. and i’d put out a mound of satsuma oranges, the ones plucked with leaves still attached, drawing me that much closer to pretending i’m sitting on the orchard floor, spine leaned against the trunk, peeling a just-plucked orb, watching the clouds waft by. 

and here at the old maple slab, there would be teas by the pots full. and a crackling hearth just across the room, where logs would hiss and pop and flames would leap up the chimney. and warm woolen blankets would be amply piled in a basket nearby. and a drummer boy or two surely would pa-rum-pum-pum-pum from the crackly radio. and maybe i’d set out earthenware bowls, one filled with clementines, another with sprigs of clove, and spools of ribbons, for the making of pomanders while we while away the morn telling stories.

i’d send you home with candy canes. and a fat satsuma too. and to tuck in your pocket, these beautiful, beautiful poems for safe-keeping. the first, from rainer maria rilke, and the next two from wendell berry, the farmer poet from the bluegrass state where i was born. his first is solstice-focused, and the other, a magical reframing of the very first Christmas.

all this my way of saying merry blessed Christmas, and Hanukkah, and Kwanzaa, too. may the glistenings and tinklings and all the spicy perfumes of the season set aglow your deep and tender and most blessed heart…

Advent
The wind in winter woods is like
a shepherd to his flock of flakes
and soon the firs anticipate
how blessed will be the light

and eavesdrop. The garden doves
ready themselves in branches white
and fend off the wind, growing towards
the glory of this night.
—Rainer Maria Rilke

To Know the Dark
To go in the dark with a light is to know the light.
To know the dark, go dark. Go without sight,
and find that the dark, too, blooms and sings,
and is traveled by dark feet and dark wings.
––Wendell Berry

Remembering that it happened once
Remembering that it happened once,
We cannot turn away the thought,
As we go out, cold, to our barns
Toward the long night’s end, that we
Ourselves are living in the world
It happened in when it first happened,
That we ourselves, opening a stall
(A latch thrown open countless times
Before), might find them breathing there,
Foreknown: the Child bedded in straw,
The mother kneeling over Him,
The husband standing in belief
He scarcely can believe, in light
That lights them from no source we see,
An April morning’s light, the air
Around them joyful as a choir.
We stand with one hand on the door,
Looking into another world
That is this world, the pale daylight
Coming just as before, our chores
To do, the cattle all awake,
Our own white frozen breath hanging
In front of us; and we are here
As we have never been before,
Sighted as not before, our place
Holy, although we knew it not.
––Wendell Berry

my hope this day of longest night, when darkness is the victor, is that no matter when or how the darknesses come we always find those and that which brings us light in all its intensities, from flickering to full-on blazing. bless you, bless you, ever bless you…

where do you find your essential light?

that fat little fir up above is the one that fills the room with its insistent eau de forêt

*branch of birds above from beautiful amy years ago….

of joy and hope in hard times

evidence of joy lurking somewhere in the house

joy comes in curious form. in simplest form sometimes. it arrived deep in the night last night in the form of tiptoes up the stairs. and then a creak of bedroom door. had i not been lost in the murky land of dreams i might have been startled, might have worried that burglars were afoot. instead, i somehow thought it was the mate asleep beside me, that he’d roused and went out lurking. but then i felt the lump beneath the sheets. and as the murk faded i realized the night visitor must be the very one who’d called that room his own for so many years.

a night visitor, sometimes, brings joy.

and so it is that the simple knowing that, come the waking hour (his waking hour clocks in hours beyond mine), i’ll be at the stove tossing berries in a pond of batter, is enough to wash me in a morning’s joy.

it’s as simple as that sometimes. as narrow-focused.

these days, i contemplate strategies for making joy. and survival.

we live in dark times. not so dark as other moments in history, perhaps, but dark enough to make it hard to dodge the shadow. or the pit in my belly that will not subside.

i found myself turning, this week, in three different instances to albert camus. not the first on my list when it comes to literary prozac, but thrice he and his wisdoms came through for me. his words, drawn from a collection of posthumously published essays, speak across the decades, and if a writer born into one world war, who lived through another, could find it in his soul searching to seek and find a trail of hope, well then he’s one to whom i’ll listen.

in the year i was born, camus (1913-1960) became the second-youngest laureate of the nobel prize for literature, awarded for writing that “with clear-sighted earnestness illuminates the problems of the human conscience.” the problems he mined were these: art as resistance, happiness as our moral obligation, and the measure of strength through difficult times.

one of my modern-day muses, as you might have gathered if you read here very often, is the cultural critic maria popova who rarely fails to pluck gems worth tucking in forever chests. in a trail that led me to her this week, i found that some years ago she too took a turn into the deep well of camus. she wrote:

“During WWII, Camus stood passionately on the side of justice; during the Cold War, he sliced through the Iron Curtain with all the humanistic force of simple kindness. But as he watched the world burn its own future in the fiery pit of politics, he understood that time, which has no right side and no wrong side, is only ever won or lost on the smallest and most personal scale: absolute presence with one’s own life, rooted in the belief that ‘real generosity toward the future lies in giving all to the present.’”

she goes on to point out that in camus’ writing she hears the echo of the young dostoyevsky’s exultant reckoning with the meaning of life shortly after his death sentence was repealed (“to be a human being among people and to remain one forever, no matter in what circumstances, not to grow despondent and not to lose heart,” dostoyevsky wrote to his brother, “that’s what life is all about, that’s its task”). these giants of literature belong on our nearest shelves for, in so many ways, they’ve left us instructions––or is it imperatives?––for living.

and here we hear camus:

“What counts is to be human and simple. No, what counts is to be true, and then everything fits in, humanity and simplicity. When am I truer than when I am the world?… What I wish for now is no longer happiness but simply awareness… I hold onto the world with every gesture, to men with all my gratitude and pity. I do not want to choose between the right and wrong sides of the world, and I do not like a choice… The great courage is still to gaze as squarely at the light as at death. Besides, how can I define the link that leads from this all-consuming love of life to this secret despair?… In spite of much searching, this is all I know.”

albert camus

not realizing i was tracing camus through the week, the first time he caught my eye this week was in the single short first sentence below, which hit me as a fist to the belly as i count my days under the penumbra of those first three words:

“Life is short, and it is sinful to waste one’s time. They say I’m active. But being active is still wasting one’s time, if in doing one loses oneself. Today is a resting time, and my heart goes off in search of itself. If an anguish still clutches me, it’s when I feel this impalpable moment slip through my fingers like quicksilver… At the moment, my whole kingdom is of this world. This sun and these shadows, this warmth and this cold rising from the depths of the air: why wonder if something is dying or if men suffer, since everything is written on this window where the sun sheds its plenty as a greeting to my pity?”

and finally, at 27, camus wrote this, speaking for this moment as well as the dark, dark times of 1940 when he wrote them:

“Our task as [humans] is to find the few principles that will calm the infinite anguish of free souls. We must mend what has been torn apart, make justice imaginable again in a world so obviously unjust, give happiness a meaning once more to peoples poisoned by the misery of the century. Naturally, it is a superhuman task. But superhuman is the term for tasks [we] take a long time to accomplish, that’s all.”

as if all that was not enough to carry me across the tide of this july’s miasma, it was with joyful inkling of recognition that my reading unearthed this most unforgettable line of camus:  “In the depths of winter, I finally learned that within me there lay an invincible summer.”

do yourself a favor and check out camus’ lyrical and critical essays. and consider leaving the front door unlocked lest any night visitor might wander in with reservation for blueberry pancake breakfast.

and may we all find that invincible summer.

what carried you across the abyss this week?

my night visitor, of course, is the boy we rarely see these days as he is ever toiling in the kitchen of stephanie izard’s famed girl and the goat eatery. but the holiday upon us drew him out of the city to an old friend’s house, where the hour was late enough that trains must have ceased their chugging along the track, and thus we scored him for the night. good thing the sheets are always clean, and the griddle ever at the ready.

the cookie dome above, scattered with bits of brownie crumb, is one of the few clues left behind by the night visitor. i always delight in remnant evidence when i awake in the morning and find the kitchen not exactly as i’d left it. those crumbs bring volumes of joy to me…

sometimes, joy makes you wait. . .

A year ago, I was crushed. Four of us were supposed to be in Paris, but one of us never made it on a plane. Passport tangles tangled him. We tried every option known to humankind, but after days of holding our breath, we faced the cold hard inevitability: there would be no four of us in Paris. No four of us encircling the cafe table, as I’d pictured it, prayed for it, since the day the doctor told me the thing in my lung was cancer. And all I wanted in the world was to be held tight, held together, by my boys. My beautiful beautiful beautiful boys.

We were determined to try again. This year: Roma. We made the law professor with the failed passport get in line early, and expeditedly, for a new-spangled one. He complied.

I held my breath anyway. The closer we got to takeoff, the harder I held all the breath in my chest.

But Monday night, two planes, carrying four people, were crossing the globe, flying through the night, pointed toward Rome.

Ever since, I’ve been inhaling in double time, breathing as deep as a girl with 1.5 lungs can possibly breathe. Because this is the stuff that makes my life hum like a mezzosoprano, like a nightingale, like the merriest mama that ever there was. We are, the four of us, entangled as one, under the blue blue of Italy’s sky.

Sometimes the unthinkable happens. And you stumble and bumble, and shed tear upon tear. But then you pick up the pieces. You make the most of what’s there in your midst, and try to not ache for what’s missing.

And life, every once in a while, gives you a rare second chance. And you realize the heartache of the past has only hollowed more space in your heart, so that when the rushing in comes in, you’ve all the more capacity for unparalleled joy.

I am giddy and dizzy and pulsing with joy. It’s the sweetest sonata that I’ve ever sung.

It’s the song of my deepest prayer answered: dear God, give me sumptuous sumptuous time with my most blessed and beautiful beautiful boys.

Amen.


A perfect poem for this moment:

Mary Oliver’s “Mindful”

Everyday
I see or hear
something
that more or less

kills me
with delight,
that leaves me
like a needle

in the haystack
of light.
It was what I was born for —
to look, to listen,

to lose myself
inside this soft world —
to instruct myself
over and over

in joy,
and acclamation.
Nor am I talking
about the exceptional,

the fearful, the dreadful,
the very extravagant —
but of the ordinary,
the common, the very drab,

the daily presentations.
Oh, good scholar,
I say to myself,
how can you help

but grow wise
with such teachings
as these —
the untrimmable light

of the world,
the ocean’s shine,
the prayers that are made
out of grass?

What are the somethings for which you’ve had to wait for what felt an unbearable wait?

they call it grounding for a reason . . .

mistletoe (now studied for its tumor-shrinking capacities) fights “convulsion fits, the apoplexy, palsy, and vertigo.” (elizabeth blackwell, 1737)

there’ve been days of late when i feel dizzy, dizzy with a lightheadedness that comes from being afraid, from not knowing, from wondering if i’m standing on a very thin edge, and worrying about what might swallow me. 

dizzy from trying to figure things out on my own, because doctors don’t always tell you all you need to know. so you piece it together the smartest ways you know. 

on those dizzying days, the days that come because it seems my cancer is more complicated than i was first told, i all but plant myself –– ground myself –– in this holy earth. i listen for the cardinal’s aubade at the hour of first light, as the inky molecules of night dissolve into the tissue-paper pink of dawn. i pluck flowers with whimsy and abandon, and tuck them willy-nilly into wee tiny bottles that line my sink and my windowsill, and make me dizzy with short breaths of joy. i stare into the depths of the starry night. i all but beg all the heavens and earth to enfold me. 

if creation is holy, and i believe it is, if holy God is the spark that animates the whisperings of the cottonwood’s quaking and the duet of the butterfly couplet, and i believe that God is, then this holy earth is here for more than just astonishment and wonder. 

this holy earth is here for healing. 

for healing what’s broken inside. deep inside. and broken in ways where you barely recognize the pieces, and can’t quite find the way to piece them together. 

holy earth has offered its healing since the beginning. the very beginning. 

foxglove

sometimes, it’s straight-up medicinal. the foxglove, a magnificent stalk dangling with deep-throated bells, is the font for digitalis, the cure for a galloping heart. coneflower is where we pluck echinacea, the compound that chases away a cold. even morphine, the pain killer to which i’m allergic, comes to us from the fields of poppies that sway in the mountains of turkey and burma. and it was madagascar periwinkle, described as a “carefree annual,” that gave its leaves to heal the kids with leukemia i cared for so long ago. (how gobsmacking miraculous is each of these earth-given cures?)

sometimes, it heals in ways that infuse without compound or molecule. sometimes, pharmacology is not in the equation. but the healing is as certain, as deep, as true, as that from any pill or tonic i’ve ever swallowed or slurped from a spoon. 

i was drawn back to the groundedness that comes from this earth, to the veritable apothecary of cures upon which we dwell –– both the medicinal and the ethereal (the ones that most often infuse me) –– when i stumbled upon a poem-slash-essay in orion magazine the other day. it was titled “11 interventions in the 10 days of your dying,” and, one by one, it ticks through the litany of earth’s holy graces that saved its writer as she watched her husband die. it ends in this coda: 

XI.
Katydids

I have kissed you goodbye, made the calls, packed our things. I step out into a hot summer midnight to the paeans of katydids ringing the trees. The only conceivable response is to set down our bags and bow.

trebbe johnson

i read that its author, a blessed woman named trebbe johnson, is a writer, wilderness leader, and founder of a global community that goes by the name “radical joy for hard times,” a community that describes itself as “devoted to finding and making beauty in wounded places.” sign me up, say i! 

because poking around is my default mode, i poked around long enough to peek into trebbe’s newest book, fierce consciousness: surviving the sorrows of earth and self, a book i’m ordering up from my friends at the library. here’s one paragraph that just might pull me out of the cold, dark well where i’ve been splashing about: 

so joy is what i’m seizing. joy with its amazing, even if only momentary, loft. startling joy. joy that comes up and grabs you at the heart, and taps on your chest long enough for you to notice. joy is the thing that carries us forward when our feet might feel stuck in the muck. 

joy comes in so many colors, and sounds, and serendipities. joy comes when someone breaks into a particular smile, and zings straight to your heart. joy comes when i sit here typing (another source of deep grounding i’ve noticed) and a word or three pop out in a particular order, one i’d not realized would happen, nor even imagined. 

joy, to me, is when an old friend i love as dearly as life calls me out of the blue, and out of the decades. just after i’ve walked in the door from a harrowing too many hours in the ultrasound chamber. joy is the sound of his voice when he tells me something he was reading felt like “a theological poem from the heart of God.” joy is remembering how deeply i loved him, my dear friend the priest who’s as joy-filled and funny and holy as just about anyone i’ve ever known.

and joy, nearly every day, is what pours from the throat of the cardinal, and the wing of the butterfly whirling. and the way the sunlight darts and illuminates. 

and joy, strung like beads on a string, just might save us. no matter the darkness. 

what radical joy is saving you these summery days?

seneca, ancient roman philosopher

p.s. i should probably listen to the old roman, seneca, who has this to say about groundless fears:

“There are more things … likely to frighten us than there are to crush us; we suffer more often in imagination than in reality.”

and i should probably pay heed to his follow-up advice: 

“What I advise you to do is, not to be unhappy before the crisis comes; since it may be that the dangers before which you paled as if they were threatening you, will never come upon you; they certainly have not yet come.

“Accordingly, some things torment us more than they ought; some torment us before they ought; and some torment us when they ought not to torment us at all. We are in the habit of exaggerating, or imagining, or anticipating, sorrow.”

and here’s his kicker, quoting epicurus, an old greek philosopher: 

“The fool, with all his other faults, has this also, he is always getting ready to live.”

we should heed the ancients, is the moral here…

p.s.s. dearest chairs, i want to be sure you know that there is no need to worry about me. i am finding my way, and have chosen to be truly honest with you in the wake of my medical mystery tour (though sparing any medical details, as this is not the place for that). i don’t intend to write too often on the subject, but when it interlaces with whatever leaps out from my emotional landscape for a chosen pondering, i won’t skirt around it, and i will always write true. so when i write of being afraid, it’s because that is how this is, this thing that has boggled me and thrown me into territory i never would choose to enter. there are days that leave me gasping for breath and hope. and there are days where i can be utterly swept into joy upon joy. mostly, it’s just that this is all new, and uncharted. and i didn’t see it coming. i have always taken life and its emotional obstacles head-on. my knees might buckle, but my spine stays strong. and the only way i know is the truth way. we are all humans who find ourselves afraid. and i’m not afraid to say so. because in our vulnerabilities, we discover our strengths. especially when there are glorious hands to hold all along the way….

praise song for black-eyed susan

should you poke through the lore-and-legend files of the black-eyed susan, that luminescent exclamation of the august meadow, you’d find it’s long been treasured for its curative charms. the keetoowah peoples (formerly known by the name cherokee, which translated to “people who speak a different language,” which begs the question who’s the different one?) squeezed juice from the roots to cure an earache. a tea made from dried leaves served as a mild diuretic; in other words, it made the bloat go away. and the native peoples of my neck of the woods, the neshnabék (formerly known as the potawatomi) chased away a cold with the ooze they squeezed from black-eyed susan roots. the anishinaabe (a name that means “the good humans”) used it as a poultice against snake bites or open wounds. 

i’d like to amend the apothecary: rudbeckia hirta, it turns out, is the perfect balm for rinsing away whatever hurts you deep inside. and i mean the sort of hurt that won’t show up on x-ray, nor splotch a purply bruise on flank or limb or bum. in other words, the black-eyed susan just might be the original pick-me-upper. especially when those nodding heads embroider the banks of a ripple-less pond, especially when their cheery saffron heads stick their necks out as far as the eye can see.

i stumbled onto such a swath this week, after days and days of poring over medical journals that must have been quick-sinking me into summer’s gloom. i’d not known quite how much i needed a spoonful of black-eyed whimsy till it unfurled before me, and far, far beyond me. but once i crouched down low, once i spied the bumbly bees doing their doh-si-doh and la-dee-da, poking their probisci into pollen pouch upon pollen pouch, i found myself entranced. and might have plopped myself permanently amid said swath, except for the fact that chicago’s finest would have given me a chase come the closing hour of the grand old park. 

i can’t quite put my finger on whether it’s the hoop skirt of golden petals or the way the fuzzy black-eyed dome periscopes up the middle, or the way the flock of them insistently interrupt the summer fade to jolt us back to joy, but there is a certain je ne sait-something that stands tall and wafts my way, and ever makes me break into a jolly when i come upon a black-eyed susie. 

maybe the other day it was the unendingness of it all, the exuberance of earth, rising up and rolling out the golden carpet, one french-knotted with those black-eyed buttons. it was as if the earth was daring me to laugh, to set aside my worries and my dread, to roll with what it offered: it offered stubborn testament to holy hope. it all but rubbed joy in my face, plucked the weight right off my soul, shouted in its earthly way: ”be not afraid; this here’s a world where skies turn pink at dawn, and posies rise in paint-box colors.” 

the black-eyed susans got it done. and thus i poked around, to see what else i just might learn while traipsing by their beds.

with one of the more curious common names among the prairie inhabitants, i exercised my curiosities and found out that the name traces back to an old english ballad, one penned near the dawn of the eighteenth century (in 1720, to be precise) by a fellow named john gay. it tells the sad, sad tale of a lovelorn lass (aka susan) who leaps aboard a fleet of moored ships soon to set sail for battle. she’s desperate to find her lover (a sweet fellow by the name of wiliam, the tale so goes) before he shoves off to sea. with tears spilling from her dark, dark eyes (here we find the black-ey’d bit), she cries out his name, he hears her from high above the ship’s yardarms, and, don’t you know, he scrambles down to bid his susan one last farewell. and so it goes in “sweet william’s farewell to black-eyed susan,” the first stanza of which rolls out like this: 

All in the Downs the fleet was moor’d,
The streamers waving in the wind,
When black-ey’d Susan came on board:
Oh! where shall I my true love find?
Tell me, ye jovial Sailors, tell me true,
If my sweet William sails among your crew!

never mind that love language of the seventeen hundreds all but drips with sticky treacle.

and here’s a gardener’s tip to go with it (cuz we never stop pouring it on here at the chair!): it’s said that if you seed wild Sweet William (Dianthus barbatus) with Black-eyed Susan (Rudbeckia hirta), the pair will bloom at precisely the exact the same time. forever twinned, the star-crossed, black-eyed lovers. 

so goes the etiology of the common name, and now for a bit about the latinate, the rudbeckia hirta, so named by the great father of taxonomy, carl linnaeus, who tidily ordered the world of nature, dividing and naming every which thing according to genus and species. 

as these things go, there’s always a backstory. and it’s all in who you know. in this case, before hitting it big in the taxonomy department (binomial nomenclature, his claim to fame), it seems mr. linnaeus needed a little side job. a professor at uppsala university, a school founded in sweden in 1477, a professor by the name of olof rudbeck, was in need of a tutor for his three children, and, in 1730, he hired linnaeus to do the job. linnaeus returned the kindness years later when he conferred immortality on his boss, the good prof, by pinning his name to the black-eyed beauty. as andrea wulf explains in The Brother Gardeners: Botany, Empire and the Birth of an Obsession: “For his old teacher Olof Rudbeck, Linnaeus chose the popular Rudbeckia. The tall flower reflected Rudbeck’s stature, Linnaeus explained, and the ray-like petals bore ‘witness that you shone among savants like the sun among stars.’”

its second name, hirta, is latin for “rough and hairy,” which if you rub your nose up against the black-eyed dome is pretty much what you’ll bump into. 

but from here on in, i’m going to think of the rudbeckia hirta as the bloom that makes the hurt go ‘way…

…and there’s pretty black-eyed Susan,

perfect as the night is blue…

George Elliott Clarke, from “King Bee Blues”

where’d you find your joy this week?

should you need your own dose of rudbeckia hirta, i beg you waste no time and  point yourself in the direction of the brilliantly restored north pond in chicago’s lincoln park. it’s breathtaking in the extreme. and will cure whatever ails you. 

p.s.s. the perseid meteor showers — summertime’s biggest celestial splash — hit the skies this weekend. without a full moon this year, the good folk at NASA promise A+ viewing. just find yourself a cozy spot to plop (i’d vote for black-eyed susan proximities), align your spine with the curve of earth and look straight up. they’ll be hard to miss. 

jubilance and the boy who made impossible possible

My baby boy, the one they told me I’d never ever have, is graduating from a college he never thought he’d know as his own. And we are celebrating. We are jubilant. We are celebrating deep down inside both of us all those things that people say you will never ever do; but you forge right ahead and you do them anyway. 

We have long thought of the kid as “the egg that wouldn’t take no for an answer.” That little egg did not care that I was 43, halfway to 45 by the time he was born. Did not care that so many other eggs had not followed instructions. That egg — his egg — refused to take no for an answer. And that egg grew and grew into the magnificent human with the very very big heart. The tenderest heart I’ve ever known. A heart that says best what it says in unpunctuated text messages, in hilarious pictures he sends of himself dressed in alligator suit, complete with spiky tail he swishes hither and yon as he stalks his native habitat.

That kid is my champion. That kid makes me believe in the impossible. That kid is living, breathing, impossible made possible. 

That kid told me a few weeks ago that when he was trying to do the impossible — to reach for something well out of reach — he tapped his shoulder as if to beckon me, to give him the strength and the will and the courage he needed. Turns out, he reached what he was reaching for. And he let me in on his secret the morning after it happened. Ever since, I’ve follow his lead: when I need to reach for something beyond my reach — be it courage, or breath, or not flinching a muscle when the doctor comes at me with needles the size of a drain pipe — I now tap my shoulder too. 

That kid and I might spend the rest of our lives tapping our shoulders, beckoning courage, beckoning the possible, beckoning reaching far, far beyond what we think we can do. 

So I am madly wildly celebrating that kid, and the chance to be by his side when he doesn’t exactly walk across the graduation stage this weekend. Because his most recent impossible something was winning a championship along with his mates, the ones who fling frisbees into the air, and shout out in joy as they run for the discs that spin through the air, impossibly. He’s taking to frisbee fields, in the national championship, instead of seizing diploma, and I will be right there on the sideline. Jubilant. Celebrant. Waiting to see if he taps at his shoulder. 

My once-impossible impossibly soaring and diving, seizing the impossible. My blue-ribbon boy. My joy and jubilance ever after…


i could sit and read jane kenyon all day any day. and this one is new to me, so i’m sharing it…

jane kenyon, a poet of the quotidian, was long and adoringly married to donald hall, the late great poet and essayist. both now gone; forever heroes to me, their poetries worthy of a lifetime’s attention. some years ago, in the blessing of one such lifetime, i sat beside hall –– on the floor tucked against his armchair –– in the living room of their white frame farmhouse on eagle pond, in new hampshire. it was during our “year of thinking sumptuously,” when we up and moved to cambridge, mass., and drank from the firehose that is the nieman fellowship for journalists. poetry was where i took my deepest dive that year. and, after that field trip to new hampshire, hall and i became something of pen pals, posting letters back and forth, letters i now save tucked between the pages of his poems. on the day we had spent at eagle pond farm, kenyon, who had been the poet laureate of new hampshire, had already died (she died at 47 in 1995), but her poetries for me are now animated by knowing the kitchen where she cooked, the desk where she wrote, and the barn where she sometimes went to weep.

here is kenyon’s “happiness”…

There’s just no accounting for happiness,
or the way it turns up like a prodigal
who comes back to the dust at your feet
having squandered a fortune far away.

And how can you not forgive?
You make a feast in honor of what
was lost, and take from its place the finest
garment, which you saved for an occasion
you could not imagine, and you weep night and day
to know that you were not abandoned,
that happiness saved its most extreme form
for you alone.

No, happiness is the uncle you never
knew about, who flies a single-engine plane
onto the grassy landing strip, hitchhikes
into town, and inquires at every door
until he finds you asleep midafternoon,
as you so often are during the unmerciful
hours of your despair.

It comes to the monk in his cell.
It comes to the woman sweeping the street
with a birch broom, to the child
whose mother has passed out from drink.
It comes to the lover, to the dog chewing
a sock, to the pusher, to the basket maker,
and to the clerk stacking cans of carrots
in the night.

It even comes to the boulder
in the perpetual shade of pine barrens,
to rain falling on the open sea,
to the wineglass, weary of holding wine.

+ Jane Kenyon

my jubilance: apparently, he’s been dressing up as zoo animals his whole life long. here he is, my tiger.

insert (relief) here

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amid a long stretch of blur, amid headlines of “bloodbaths” at the newspaper that basically birthed the whole of this family, amid a washington moment that left me wanting for a lysol bath (in the infamous line my mother once uttered upon a trip home from a las vegas convention, the woes of the ad exec’s dutiful wife), amid deadlines that have me typing from darkness to darkness, the tall bespectacled fellow with whom i reside (aka my lawful wedded husband) casually glanced out at the snows as i motored him off to yesterday’s train. “it’s my half-birthday today,” he informed, as if that alone might be enough to save the day.

and it was, and it did, in its infinitesimal way.

the moment, which i latched onto, which i considered as i went about the eventual business of melting ice cream, hauling out a heart-shaped cookie cutter, as i sprinkled ghirardelli chocolatey chips–plonk, plonk, plonk on the plate–sliced strawberries in quarters and halves, was not unlike a wisp of a comma in a long, long paragraph of words: easily missed, but emphatically necessary (ask any third-grade teacher of grammar).

the sense indecipherable without it.

necessary, because in the seasons of life, some feel impossibly uphill; others, more feet-off-the-pedals-whiz-down-the-lane hardly an effort at all. necessary, because the human species is hard-wired for a break in the weather, a break in the onslaught. (i often wonder if that’s why God invented seasons, and the turnings therein.) and sometimes we have to decidedly, determinedly, do that–engineer the breaks–all by ourselves. it’s our job. we have to insert (joy) here. insert (relief) there. insert (closest thing to whimsy) precisely here.

my first wave of response, loosely holding the wheel, craning my neck to get a look at the half-birthday boy’s face, was to utterly melt. to be charmed that the long-standing practice in this old house of making a fuss over fractional birthdays (as recently as noting someone’s 26-1/2) had rubbed off on the tall one. he’d never before in all these years mentioned his half birthday, though it comes a mere two days before the one we’ve been noting for the last 18 years. (don’t think i didn’t try to mail half a birthday cake to faraway college…)

my second wave of response, the one that’s stuck with me all day and over the night, is the not-so-big thought that sometimes it’s up to us to take the reins of our joys, and our whimsies, and push away the worries, the angst, the unrelenting questions, for enough of a pause to let in a dribble of light.

otherwise, we go dark. endlessly dark.

IMG_1275and there’s something particularly joyful about making your joys all by yourself. home-spun joy. joy barely noticed. joy that comes from scrounging the pantry (too many deadlines to rush to the grocery). from reaching into the freezer and thinking ahead to melt the tahitian-vanilla-bean ice cream (okay, so i had to take two passes at that part when i forgot i was in the middle of melting and found myself with a pint of oozy liquid vanilla). from reaching into the basket of heart-shaped cookie cutters, pulling out just the right one. from turning the lights out, striking a match, ferrying a heart + berries + chocolatey chips and flickering candle over to the half-birthday boy.

it was the tiniest wisp of a moment–surely a comma in a long string of words (try reading without that ink swirl on the page we know as the comma). but it ushered in an exclamation mark of momentary joy. and that, at the midpoint of a year in the life of someone you love, is perfectly, positively necessary. and good.

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how might you insert (joy/relief/wonder) here, today or any tomorrow?

waffling

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waffling, as in waffles (and bacon and hash browns and berries, etc., etc.) by the dozens and dozens…

i’m doing my arithmetic. multiplying quarter cups and teaspoons by multiples. i’m firing up the waffle iron. dumping hash browns in a vat. i’m making first-friday, end-of-high-school brunch for however many high school boys decide to swoop through the front door any hour now.

mostly, i’m squeezing every last drop of joy out of this bumper crop of boys i love. boys i’ve known, some of them, since they were wee tots. i’ve watched first days of kindergarten, first school-bus ride, first loose tooth, first sleepover, first at bat and strike out, too. i’ve watched this crop from almost the beginning, the whole lot of them. i’ve been nothing more than a bit player at the margins of their childhoods, but i’ve been keeping close watch, and i’ve been listening. i’ve known of dark shadows haunting some of them, and scary monsters that would not go away.

across the years, i’ve grown to love this brood. i’ve watched as they’ve reached out to weave a tapestry of love, a band of brothers, if ever there was. i’ve watched them surround the boy i love the night he got cut from soccer. i’ve watched them pile out of a van, bearing ice-cream cake and cookies, the night the kid i love got sidelined in the middle of tryouts, after getting kicked in the head in a scramble at the goal, and the trainer could not let a would-be concussion back onto the field. i’ve listened as i drove them mile after mile. remember back to second grade, when one tried to teach the others the intricacies of quadratic equations. heard them race to read 100 books one summer. watched them run around the neighborhood giggling, chasing make-believe superheroes on their phones. and, in the latest interlude, i’ve listened closely as each one reached for college dreams, listened closely as heartaches came and they leapt in to console each other, to bear the hurt together, share the load, shake it off, and laugh the night away after all. they are each other’s front-line rescue squad of heart and soul. theirs is a deep-grained bond, a glorious brand of friendship i wish could be bottled, sold on supermarket shelves. we’d all do well to learn a thing or two from their thick-or-thin inseparability, their faith in each other’s goodness, their forgiveness at ordinary bloopers.

it’s a blessed thing to love not just your own, but a whole flock of little rascals. to blink your eyes and see them not as little rascals shyly coming to the door, but grown men (with shoes twice the size of mine) now looking me in the eye, engaging in nuanced conversation about the politics or the heartache of the day.

i’m going to miss the lot of them — their cacophony rising from the basement where they gather with nothing more risqué than pretzel twists and gatorade, where they drape themselves amoeba-like on arms of chair, on beanbags, on the treadmill track (unplugged and motionless, at least most of the time). i’m going to miss the way they swarm the kitchen, locusts sucking up whatever crumb of carb or sugar they can find. i’m even going to miss the rides to school, where conversation keeps time with NPR, and we engage in everything from venezuela to william barr or the latest bit of drama from the high school halls (i only catch the latter if i’m listening really really closely).

they’re a bunch of boys so good, so unblemished, it gives me hope — a bumper crop of hope — for the world.

missing the whole lot of them might make it a bit more tolerable to imagine missing only one. the one and only who’s been haunting these halls all by his lonesome for the last eight years. ever since the steamy august day we dropped his big brother off at college, and motored down the highway, wiping away the tears that would not end.

we take our goodbyes in sips and bits. makes it far more bearable than one big final gulp. we animate those leave-takings with the wrappings of joy. with one more excuse to fire up the waffle iron, crank the oven, haul out the maple syrup by the gallon.

long ago, when i too was a high school senior and my mom and dad were out of town, i somehow invited every single girl in my class (that would be a few hundred) for may day breakfast before the school bell ring. i somehow thought of that the other day, and thus the invitation for the flock of high school senior boys. thank goodness it’s not the entire class. i’d be neck-deep in waffles, if it were.

i’m getting off easy here this morning. waffles for 20 oughta be a breeze.

what are the rites and rituals of goodbyes that have animated your years? and while we’re at it, anyone have a simple plot for keeping waffles, bacon, sausage and hash browns hot and to the table?

hummingbird wisdom, continued

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six months ago, my dear and longtime friend mary ellen sullivan died. she was a writer, a chronicler of joy, i called her when i sat down to write her obituary, trying to distill her essence into a few short sentences and paragraphs that swept across the arc of a life too short. a month or so after she died, i found out she’d written me into her will, appointed me the keeper of her “creative work.” it’s a mantle i accept with heavy heart. a week ago, on a hot august afternoon, i met her brother in her emptied-out apartment, and he handed me boxes and boxes and boxes, her creative work, in all its iterations. it was perhaps the heaviest load of papers i’ve ever tried to lift. i didn’t wait long to open the lid of one of the boxes, to lift pages, to begin to read, to inhale the story of a life i knew well, a story told this time in mary ellen’s own words. i all but felt her beside me, or sitting across the table. i knew the intonations, the emphases of every single sentence. i knew she’d tiptoe into my dreams. i knew she’d left wisdom that i was to unearth, to not let die along with her.

night after night, i pulled up to the kitchen table, not far from the screen door, where the breeze blew in, not far from the night sounds, the buzzsaw of cicada, the chirp of the crickets. i’d pile a stack of journals and notebooks and paper-clipped papers to my left, papers lifted from the boxes that waited in the dark of another room, the load of mary ellen’s boxes.

it was, i tell you, like sitting down with a dear friend, pulling in close enough to brush knees against knees. it was as if i’d said, “so tell me your story,” and thus she began, in whispers. i’d known these chapters in real time, and here i was, reading, hearing the whole of it in details sometimes so intimate i closed the book and tucked it aside. i promise you my tender heart is guiding me through what’s mine to shepherd to light, and what’s best tucked away.

i read page after page from the writing classes she’d take, from the book about africa she’d long hoped to write, to publish.

and then i picked up this: two stapled pages, curled and yellowed at the edges, typed in a font from computers of long ago, early HP perhaps. i read the first sentence, and started to tremble. i had a hard time reading through tears, but this is what i began to read…

“If I were to die in five minutes, I would miss sleeping, and the warm wood of my apartment floor. I would miss talking to Barbie on the phone on Saturday mornings with a cup of coffee in my hands. I would miss running errands in the neighborhood and going for long hard runs after work when the air is clean and cool and gives you the shivers when your sweat starts to dry. I would miss the ocean most of all. Any ocean, any beach. The feel of wet sand between my toes and the waves breaking over my body and the sand going from warm to cool in the early evening when the sun starts to set and everyone but me and my family leave the beach and we just sit there and talk and read and watch the sand turn purple and the water a deep blue and the sky orange and very beautiful. I will miss running in the water and splashing so much that you might as well go swimming so you do.

“I’ll miss kissing a man for the first time…..”

and then, i tell you, i could barely read, the tears were falling so hard, so fast. (they are now, truth be told….) so i waited, and breathed, and wiped away the tears, and i looked back at the page, the page trembling in my hands by then, and i read the litany of things my friend would miss, if she were to die in five minutes, five minutes from the moment she wrote all those words. in fact, she died on march 13, 2016, far sooner than she’d ever imagined. she never thought the ovarian cancer would kill her. she fully intended to vanquish the cancer. to become someone who had had cancer.

but my friend who died, who wrote this litany in a writing class, an exercise titled, “death is the name,” who wrote this thinking death was the last thing that would ever happen to her (yes, i see the unintended word play, and i’m ignoring it), whose words i now inhaled half a year after she had died, she wrote that she’d miss her down comforter, and staying up late by herself and “the freedom the night gives.” she wrote that she’d miss the first taste of an expensive dinner, and the last gritty drop of a bottle of red wine. she wrote that she’d miss hot baths and getting lost in paperbacks.

her sentences grew more and more beautiful, the deeper she sank into the exercise, wrapping herself in the velvet cloak of worldly magnificence.

i was struck, hard and deep, by the simplicity of the litany. the depth and dimension of each pulsing joy, now taken away.

she made me think hard about how our lives are stitched of thin but mighty threads, glimmering delicate threads, threads we’d be wise to notice, to run our fingers across, again and again, for they’re what’s woven into the beautiful whole.

our lives, she made me realize once again, are a textured tapestry of heartache and joy, of blessing and softness and shadow and light, of everyday wonders that awake us to the moment, so the moments slow to a pause, so we behold each blessed minute of our awareness, our awakeness, so each hour is relished for the gift that it is. so not an hour goes by unnoticed.

“if i were to die in five minutes,” she wrote. and i read those words six months after she did. and thus, each word came to me as if shouted through a megaphone: be awake. pay attention. savor the blessed, the beautiful.

the warmth of the mug you hold in your palms? notice it. bless it. you’ll so miss it when it’s gone, when you’re gone.

a question and a challenge: what would you miss, what blessing upon blessing across the quotidian arc of your day? make a list, compile your litany. and then, pay closest attention today. and tomorrow. and the day after. my friend mary ellen would love you for that.

i titled this “hummingbird wisdom, continued,” because my friend mary ellen was all about the hummingbird. she wrote a blog called, on the wings of the hummingbird. and she once wrote these words explaining her captivation with the hover-winged bird:

“My favorite description of the hummingbird magic comes from Ted Andrews, who wrote the seminal book on animal totems called ‘Animal Speak.’ He says, ‘There is something inside the soul of all of us that wants to soar through sunbeams, then dance midair in a delicate mist, then take a simple bath on a leaf. There is something in our souls that wants to hover at beautiful moments in our lives, making them freeze in time. There is something in us that wants to fly backwards and savor once more the beautiful past. Some of us are just hummingbird people.’

“Guilty as charged.” — Mary Ellen Sullivan, May 30, 2012

bequest

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bequest n. a legacy bequeathed to someone. 

she bequeathed me a legacy so profound it leaves me breathless, makes my heart pound, and my knees go weak. i’ve yet to cradle it, and carry it home, but yesterday, in a hot apartment that was only sparsely appointed with the artifacts and books she’d spent a lifetime gathering, rooms that stand witness to the dismantling of a life cut short, too short, i sat down with her brother and began to discover a wisp of what awaits my careful curation, my distilling of her wisdom, what will be — i hope and pray — her triumphant valedictory in the form of the book she’d always hoped to write.

she left me, according to the language in her will, her “creative work,” and with it, the sobering responsibility, the hope, to “do her proud,” as my own mama would put it, as my mama did put it, the day my own father was buried and my mother whispered her instruction to their five children huddled at the door, about to step outside and into the long black limousine the funeral home had sent. “do him proud” were the instructions then, to the five children left fatherless and far too young to make much sense of the enormity of the loss. they’re words that have long instructed me, and they instruct me once again: “do her proud.”

we began, my friend’s brother and i, by clicking to her photo album, and there we found the very last photo she had taken, just before she surrendered to the hospital, and, after that, the few short days when she absorbed the unthinkable, that she was dying and would die within the week.

the very last picture, the last time she clicked her camera, was to take a picture of the words you see above, words that read:

“i’m beginning to realise that real happiness isn’t something large and looming on the horizon ahead but something small, numerous and already here. the smile of someone you love. a decent breakfast. the warm sunset. your little everyday joys all lined up in a row.” — beau taplin

i simply stared at first, the intimacy of the moment washing over me.

here i was peeking in on the solitude of her final hours at home, when she was pulled up to her desk, or propped against the pillows on her couch, poring over the internet for words that captured what she knew, what she’d learned and what she’d come to deeply believe. and here, on this one brick wall of wisdom, she’d stopped, pulled out her camera, and clicked. i can’t imagine she imagined it would be only months later when her final frame would be stumbled upon, its every word, one by one, discovered and absorbed. i can’t imagine she imagined that we’d inhale its every breath, its every syllable, as if words — instruction — from beyond.

but that’s what we did.

i read it once, then twice, then i quietly asked her brother if i could take a picture of my friend’s last picture. “of course,” he said.

it will be like this, for weeks and months. maybe even years. i will soon have banker’s boxes filled with her journals, her notes and scribblings. i will have every essay she ever typed and saved. i will retrace the topography of her mind, and travel deeply into her soul. or at least i will find some refracted angle of that soul.

i will extract that which matters most. i will be informed all along the way by an uncanny, unspoken instruction. i will follow as closely as imaginable what i discern is the course she’s laid out for me, for all of us. i know that in her final years she was hellbent on discovering and dispensing the purest path to love, to joy. “a diviner of joy,” were the words that tumbled from my fingers to the screen — my description of her and her life’s work — in the obituary i wrote, at her request, just after she had died.

it would be weeks later till i found out that, in her last will and testament, she’d bequeathed to me that very task: to be the diviner of what she’d found to be the path to joy. to inherit her life’s written work, to pore through it, to extract the shimmering shards of truth and beauty, the ones that will not die. the ones that must be given sunlight and breeze, and lined up, page upon page, for all of us who wonder where to go to find the joy, the peace, the love that we — all of us — so deeply seek.

this morning, once again, the world is weeping. and my task with my dear friend’s truth is more urgent than ever. there is work to do. so much work. and, soon, mine will begin in the stacks and files and boxes and computer that must hold the truth buried deep inside.

bless you, mary ellen, for this gift. i promise here to do you proud, to unearth all that you so carefully laid out for us to find. bless your soul. and thank you.

what’s your path to joy?