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Category: home

darn it!

unsuspecting, i pulled back the doors to the linen closet the other afternoon. a closet that holds, besides pillow cases and old quilts and sheets, a stash of bandages and alongside those the means for mending holes in tattered clothes.

piled just to the north of the so-called sewing basket, an ancient relic, practically, i spied what could only be a not-so-subtle hint that perhaps i ought to resuscitate the ol’ relic.

there, waiting, suggesting thread make way through eye of needle, a turtleneck with cuff in shreds, a pair of jeans with missing knee, a pair of socks with holey toes. seems my mother, who on grammy tuesdays makes it her job to deliver undelivered laundry, eyed the clothes en route to drawers and ruled them unfit for wear.

without a stop at the sewing basket, that is.

and so, there i found them. there i got the message.

in the same way i once got lessons in how to iron, i long ago sat at mother’s knee and took in tutorials on how to do the sewing basics. darn it, i know how to darn. or at least i did. it’s not a skill i claim to exercise with any regularity.

it is the humblest of the needle works, nothing showy, not at all. to darn is to weave back and forth, and then to stuff what once was torn but now is whole down the mouth of some old shoe. or, just as hidden, just as shy, tucked out of sight, in the shadow of a folded hem. it is, by intent, done best when undetectable. it is, by design, yet another invisible art–or labor, you decide.

but is it lost, the darning needle?

stumbling on the shameful pile made me grab for sewing basket. i rummaged through. found gingham squares and corduroy, a quarter yard; indeed i found, in bits and pieces, more material for our now running series: the care and tending of our cloth, laundry art reconsidered.

installment one: the iron. door-stop versus zen.

installment two: the sewing basket. what’s the darn thing destined to these days?

it can only be considered quaint, the basket modestly equipped. it holds the essentials (and mind you, the one who stocked it is one and the same as one who long ago was known to safety pin her schoolgirl hems when threads on the loose threatened to make a scallop of a crisp clean line).

there is the see-through sleeve of needles, a progression from insanely tiny to industrial strength that reminds me of pipe organ pipes. spools of thread in basic colors, and the occasional odd shock from some weird-colored frock that simply had to be hemmed (in matching thread, for once). teeny scissors for snipping threads. and a small round tin that holds a living catalog of all the clothes i must have buttoned over the last, hmm, 30 years.

there’s the laura ashley calico-covered button from my first, best-loved maternity dress. there are button placards with names like villager, and talbots, liz claiborne and j. jill. the other j.– j. peterman, remember him? from not so long ago, ann taylor. the litany of my dressing-up years, the years now pretty much behind me. there’s the little golden coin of a button from my faux chanel. but there is not a button from my audrey hepburn wedding gown, nor a single one from prom, oh, 100 years ago. there is, though, a snap from baby gap, and a little teddy bear from when i found collecting for my unborn teddy rather irresistible.

they are relics i might riffle through, if i ever did what the basket’s begging: sew holes in socks, return a blouse’s missing closure, how ‘bout a patch on that sweater’s elbow?

where went the art of darning? why in this age of disposability have we done away with means of mending? at what exit on the high-speed highway of these modern times did thread and needle pull off, park themselves in some rest station?

i remember sitting at my mother’s side, and my grandmother’s too, watching thread be spun by fingers, looping through, ending, bravo, in a knot.

i remember piercing eye of needle with the serpent head of thread. (back when i could see close-up, and not be stabbing, literally, in the dark of blurry, might-as-well-be-blindness…)

i remember sewing hems, cinching holes in toes of socks.

i remember what it was to repair, to fix, to mend, to darn, gosh darn it.

once upon a time an educated girl embarked upon a course of sewing. once upon a time it was a woman’s plight to sew, to tend the cloth, to keep the apron, the stockings, the overalls in working order. the patch was not some affectation but pragmatic in its very nature.

as wagons rolled across this country, thread and needle were chief among the armaments of pioneers who barred cold winds or blazing sun by keeping holes in check. and farm women, north and south, could give you chapter and verse on how to make a tablecloth, or a sensible set of napkins, from emptied sacks of flour.

now, though, it is nearly revolutionary to pluck hole-pocked sock from dryer, pierce toe with thread, put reconnected cloth back in play. now, though, is it waste of time, or time of waste?

not so many years ago, i discovered a charming set of books, the mary frances series, written by jane eayre fryer, first published in 1913 as “instructional/story books,” so the frontispiece tells us. from cooking, to housekeeping, to gardening, to sewing, the post-victorian-era books were designed to teach “useful things in an entertaining way.”

one of the books, “the mary frances sewing book: adventures among the thimble people,” was reprinted by berkeley, california-based lacis publications (a fine textile arts publishing house) in 1997, “with the hope of capturing the imagination of every little girl who discovers the pleasures and rewards of working with fabric and thread.”

it stars a sewing bird, mr. silver thimble, tomato pin cushion, and a fairy lady, among the storied cast. all intent on teaching mary frances how to make her way through the sewing room.

and so, the heirloom pages, all 280 plus 10 fold-out patterns, brought back instructions, lessons and exercises of another age, beginning with how to “outfit a work basket,” moving on to “making a knot,” merrily dashing through basting, running stitch, french seam, whipped ruffle, and finally, the spider’s web, that ornamental lace stitch (or so the sewing bird says). there are two separate darning lessons: darning stockings, and darning woolen goods.

so quaint, i grabbed a copy. that was back before i knew i would be the mother only of boys. not that i don’t think a boy should thread a needle. just that the boys i’ve got barely know how to make their way to the laundry chute. (yes yes, it was the first thing i loved about this old house; it has a sheet-metal drop straight from upstairs to basement floor, complete with little elfin door, just like the one my grandma had, just like the one we used to use–still do–for dropping the occasional something besides the clothes.)

all this makes me wonder just how it is that we’ve decided we don’t need to tend our clothes. got a hole in your sock? toss it. at best, make it into a cleaning rag.

need a hem in your pants? take ‘em to the cleaner.

why the lost art of self-sufficiency? of making something last? i don’t have answers. only questions.

and the questions prick me. just like the pins in the porcupine cushion up above. one given to me, ages ago, by my grandma lucille, a woman who knew her way around a thread and needle. a woman who would shake her head at the sorry basket on my shelf, the one that rarely sees the light of day, barely ever gets an honest stab at exercise…

your thoughts?

the grilled cheese that launched a kitchen

phone rang yesterday mornin’. it was jim, the man who built our kitchen, builds our dreams, i always say. he needed to stop by, pick up some hinges, make sure they fit the corner cabinet he’s building for my dishes, the ones stacked in moving boxes in the dark corner of the basement for four years now.

i am nearly certain plates and cups are broken. it would defy all of newton’s laws for that fine old china not to be broken, what with all that’s been dumped on its head.

but, like an ostrich, i’m not looking. and then, when i unearth a chunk of plate, a half a saucer, i will put on my best zen, and say i’m lucky for what’s left, for they all came to me the easy way, from folks cleaning closets pretty much, knowing i’d be trusted guardian to their treasures. gulp. (did you hear me swallowing my chagrin?)

ahem. back to jim, and his stopping by. last thing i said before we hung up was, “i’ll crank the griddle.” he laughed. he knows that the griddle is synonymous with grilled cheese, and grilled cheese around here is synonymous with jim, fueling jim, fueling him for years, in fact.

in the latest installment of jim’s-grilled-bread-with-cheese, during the 12 months that was supposed to have been three that it took to build our farmhouse kitchen, i musta slapped, slathered, sizzled some 1,000 grilled cheese. gone through 500 loaves of hearty wheat, nearly as many bright orange blocks of cheddar, enough butter to charm a cow.

every day, round lunchtime, even on the days when we were inhaling dust or ducking under dripping wires, i cranked the firehouse stove i call my own, and i sizzled up at least three if not more grilled cheese. then, on paper plates some days, jim & crew shoved aside just enough saw dust not to get more crunch with their cheese, and sat down to lunch. many a day, i sat down too.

and the grilled cheese always sealed the deal. always said the thing unspoken, though i’ve told it to his face plenty of times, and in print in the newspaper, too. the grilled cheese told jim & crew that they were not some hired workers, they were integral, essential, pretty much part of the family.

if they could build me my dream, hammer through headaches and near frostbite, for cryin out loud, jigsaw through knicked thumbs and delayed orders, powerdrill through the hassles of a stolen van and a lifetime’s lost tools, i could slap cheese on bread; butter; grill.

to be honest, not every day was a happy day on the long road to the farmhouse kitchen. at least one or two days jim wanted to kill me (like the day we discovered that the cabinet doors i’d described and the ones he ordered–and was starting to hang–were decidedly not the same).

but through it all the cheese was grilled, the apples were sliced, and in the end, the jim who walked in yesterday, pulled out a stool, sat down and bit off a corner of my grilled cheese, he’s one of the dearest hearts in my life. we endured, fueled, in good measure, on that oozy cheese.

it just seems right to me, and food for more thought for another day, perhaps, that the souls you invite into your home, to build your home, to wire your home, to get the toilet flushing, they are part and parcel of the woodwork, the wiring, the very innards of what makes your house not just a house but a very live theater with all sorts of characters who fill the stage with their charms, their quirks, their persistence and their considerable capabilities.

it is a bond not paid in dollars. it is far beyond obligation. it is, far as i can tell, a kind of love best served crunchy on the outside, oozing in the middle.

i’m curious, have you too forged bonds with folks who make your house keep ticking? or, if you’re a soul who does keep houses ticking, how’s it feel when you’re made to know, in no uncertain terms, that you are, simply, indispensable and far beyond just another worker hired for the job?

p.s. those are, obviously, jim’s hands up above, holding that grilled cheese. i love those hands, working hands. as i kept clicking, while he chewed, i was raving about the hands–knicks, calluses, rough spots, the whole shebang. he chuckled. said that was a first. said i oughta go watch seinfeld, some episode where someone–i should know who–becomes a hand model. oh well, in the comedy i call my life, jim’s hands will do. just fine.

pssst, don’t forget the green eggs

as the self-appointed director of whimsy around here, a role i relish, really i do, i hereby declare today a day of national honor and import and food dye. it’s green-eggs-and-ham day, for cryin’ out loud. at least at our house, it is. and technically, kosherly, it’s green-eggs-and-turkey-bacon day, thank you. has been for quite a few years now.

but today the green eggs are greener than ever, and the ham it is hammier. for today the cat with the hat and the mischief tucked under his mitts, he turns 50. which means the ol’ wily fellow with the stripes on his stovepipe was born a mere 58 days after moi.

matter of fact we both came to the planet within a full moon or two. which means the two of us have seen just about the exact same show over the last half century. although i’ll bet he’s been in more bedrooms.

the cat with the hat is just the latest excuse to wake up my boys with a bang. there are, come to think of it, quite a few bangs in this cottage we call home sweet home. in fact, sometimes it downright rattles under these rafters. just ask the one who sneaks out for the early-morning train, ever scheming to wake up with no more tympany than the splash of the oj gurgling into his glass.

mind you, it’s all in the name of silly. and silly is not such a bad name. what with all that there is to worry about, to feel afraid for the world as you take in the news, a little silly is just the inoculation you might need to keep from going under.

especially when you are 13, and mindful, and you think very big thoughts much of the time.

you need a mama who’s nuts. and so, i offer myself, wholly, completely; exhibit a, in the she’s-nuts department.

i think i learned nuts from my aunt. my beloved, wonderful, kooky, aunt nancy. i wanted more than anything to wake up at her house every morning. to go to sleep hearing the sound of her house-rocking laugh.

aunt nancy, whom my papa called noo, she made, among other eccentricities, jell-o that jiggled 1,001 fruits, nuts, marshmallows, whipped cream, mayonnaise, even cole slaw, i swear in that jell-o. and cakes that oozed super goo. she penned love notes, too, that oozed the same goo, only not sticky.

every day at aunt nancy’s was reason for joy. every day was a new definition of what in the world could be done to make you laugh silly.

my own mama, her sister, tended toward serious (a quality i have come to hold dearly for her rock-solid stance in a wobbly world). at our house, jell-o came three ways and three ways only: straight, whipped, or laced with mandarin oranges.

although she did pull her pranks now and then, my mama she did. i remember one april fool’s pouring green milk on my o’s. my mama, she giggled. from back by the stove where she tried to keep a straight face.

so maybe this green gene comes as a birthright. maybe i got it from her.

all i know is that life is a wonderful thing when you’re little and someone much bigger than you gets all silly.

so the eggs will be scrambled in green. and the seuss books, scattered all over. the cat’s hat will be worn, will be tipping.

and we’ll all settle in for a reading of the little red house, with the blue swaying tree. the house where the sun did not shine, it was too wet to play. so they sat in the house all that cold, cold wet day. and then something went bump! how that bump made them jump! how the cat in the hat, he stepped in on the mat, and said to sally and friend (forever left unnamed except for the first-person, i): “i know it is wet and the sun is not sunny. but we can have lots of good fun that is funny!”

not a bad cat, that cat 50 years old. you might bake him a cake. you might break a few eggs. just make sure that they’re green. that cat likes green eggs with his ham.

hey look, it’s eggs that are scrambled and green! bet you’re glad you weren’t here for breakfast….

the zen of smoothing out wrinkles

ah, yes, so here’s where we throw up the clothes line. on one side, those who consider the iron a fine weight for holding open the door. on the other, those who like nothing so much as driving that hot steaming vessel over their oceans of wrinkles, the whitecaps that emerge from the dryer, beg for a sssssssizzle from the maw of the old iron hunk.

i, the laundry room wimp, straddle the line. on the one hand, i tend toward rumply myself, not overtly, not hit-you-over-head. i am a wisp of a rumple. have been known to pretend i just got that hole in my elbow, my heel, the knee of my jeans. and i definitely married a chap who tends toward the rumpled professor.

on the other hand, in the romantic, theoretic part of my head, i do see the virtue in putting the iron to use as more than a doorstop. i envision the zen.

as a matter of fact, the iron and i go way back. go essentially back. it was, at the foot of my mama’s ironing altar, that, as she sprinkled her water-filled pepsi bottle on the mounds of my father’s handkerchiefs, wrinkled, waiting, my mama in whispered tones told me all about the mysteries, the wonders, of “the most beautiful love that there is.” all while i made rubber of every muscle in my face, and tried to muffle the occasional, “ewwwww.”

it was, after that ironing interlude that we then tiptoed upstairs so my four brothers wouldn’t notice, and with grand ceremony she swung open her closet doors, and unearthed from the shelf a big blue box, from the makers of kotex, who had thoughtfully packed up–just for me?–all the essentials for a girl on the verge of becoming a woman.

so, yes, the iron and its high flat plateau, the ironing board, do figure quite firmly in the fibers of my womanly sense. and i do feel a deep earthly pull to the generations before me who had no choice but to labor for a good chunk of the week at the river’s edge, rock in hand, in the hot sweaty basement wringing the clothes through the old wringer washer, hanging them up to dry, stiffly, in a big metal box heated by coal, or how in the summer, at least where my grandma lived it was only in summer, she hauled out her basket with clothesline and pins and let her undies and sheets flap in the wind, in the wind.

and, if, as the lotus sutra, the fundamental text of teachings from buddha himself, tells us, the four genuine gifts one human can give another are bedding, clothing, food and medicine, then certainly there is reason to consider just what we are doing when we yank the perma-press ball from the mouth of the dryer, fold, tuck and plunk in the basket, so that, sisyphus again, we might carry it up to the drawers where naked people will find what they need.

so it was, the other afternoon, with an orchestra concert awaiting, and a rule for a white button-down shirt impending, that i found myself tiptoeing into the land of the zen ironing maiden. as i steered the hot tip of the iron, the one that dates back to college, beneath the canopy of the teeny white button that holds down the collar, as i sprawled out the sleeve and did away with wave after wave of jumbled-up cotton, it all came flooding back to me.

how my mother, in those early lessons meant to make me feel like i was growing up, becoming someone, taught me the virtues of sprinkling, a washwoman’s benediction before bowing down to do in the wrinkles. how she laid out the little squares of thin cotton, showed me how to get right up to the edge, without singeing my fingers, how somewhere deep in my brain there is a lesson rattling around, telling me that a stiff cuff and collar is a very good thing.

it is, i understand, quite possible to sink into the zen of getting out wrinkles. to drift off into a meditative eyes-open dream, all the while smoothing cloth into calm.

i eased a few books off my shelves, read chapters of thought on the legacy of laundry, the tactile connection of fingers to fiber, each of the tomes penned by smart modern women who had stopped, who had paused, to mine the wisdom buried deep in the laundry basket. by the way, i picked up martha stewart on the subject and tossed her. she is all about rules for folding, for crying out loud. and instructions for how to turn the dining table into an ironing board, in case i soon decide to smooth out some stadium-sized cloth for my bed, for my table, who knows.

no no, that’s not what i wanted. i wanted to read of domestic diaries, passed from mother to daughter for generation after generation. compendiums, really, of struggle and deep satisfaction; invisible work, the kind that can still make us angry, so angry, sometimes. until we realize that, if we so choose, we can find joy, find soul food, in the simple act of preparing the cloth that covers our skin, and the skin of those who we love.

i wanted to read how, not so long ago, the clothesline, whole stretches of backyard and rope after rope, from one end of the block to the other, was where the women gathered, commiserated, sought each other’s good company, eyed the way each hung her clothes, sized up her prowess in this domestic domain by how white were her bedsheets, now pinned and flapping for all to see.
i am, i admit, deeply compelled by this rubbing up point, where the hard work of history butts up against the disdain of feminism, and where, if we press long enough, we might find that smooth unnoticed realm in which we reclaim what it means to make home. how it is not about being a slave to those with whom we live, whom we serve, but about drinking mightily of the soul-quenching nectar that abounds if we sometimes slow down, sometimes make a meditation of the metaphor just under the surface all over the house.

a meditation at the ironing board of smoothing out wrinkles–easing bent threads, unruly rumples, folds that will not be tamed–easing them, soothing them, urging them into tranquility.

or just simply loving nothing so much as sliding into a cloth sprinkled with lavender water, soft and smooth against your bare thirsty skin.

for those who might delight in that note of lavender added to the laundry pile, i offer this, from the book, “the clothesline,” by irene rawlings and andrea vansteenhouse (gibbs smith, $21.95):

a recipe for lavender ironing water
3 ounces 90-proof vodka (and you thought the laundress was boring…)
12 drops lavender essential oil
12 ounces purified water
sterilize a 16-ounce bottle by boiling for 10 minutes or running through the pot-scrubber cycle in your dishwasher. pour the vodka into sterilized bottle, add lavender essential oil. swirl vigorously to mix and let stand for at least 24 hours. add the purified water. pour into a spray bottle and spritz to your heart’s content while you iron. store in the fridge. keeps for 6 weeks. caution: do not use this in a steam iron.

your thoughts, men and women?

slippers for david

at our house today our hearts are skipping. if you hear a thump in my typing today it’s because my heart it is thumping.

david is coming home. david is coming to our house. david is, pretty much, christmas and new years and birthday and fourth of july, all rolled into one.

david is uncle everything.

he’s the big box under the tree, the confetti, the cake with the candles, the fireworks that light up the night.

he is, to my boys and to me, essential. if oxygen is 02, david is 01. david is the stuff that we breathe. david is life.

and he’s coming home. coming back from his new life in maine, where chairs are the thing that he builds. but a new life is the thing that he’s carving, he and his love, sweet rebecca.

this is the longest he’s been away, and for my boys it’s felt like a lifetime. since he’s been gone, one broke a neck and had a bar mitzvah. the other went off to kindergarten, and learned to pick up a pencil.

we keep in touch, close touch, through the incredible phalanx of options that define ’007.

but still the absence is aching. you can’t feel the rough of his fingers through an email. can’t watch the light dance in his eyes over the phone. can’t inhale how he fills up a room with his remarkable mix of genius and joy. not when you’re 1000-some miles away.

and so, we put out the slippers.

david asked for a day that is given form by the slippers. a day of no strictures, no schedules, no plans, no great expectations.

a day just to be. to be with the boys. to cook. and to eat. to pull up to the table. a day to lie on the floor and stare up at the ceiling. together. a day to tell stories. to laugh. to make silly noises. a day to look for the moon. to marvel at stars. a day to pull out the pillows, make a camp on the floor.

a day for just slippers.

so, of course, we put out our very best slippers. the ones you see up above, waiting just by the door. nothing but the best for our beloved sweet david.

for two weeks now, the little one has been counting as close to backwards as he is able. he asks, fifteen times a day, mama, how long ’til uncle david?

at long last the answer is zero. today is the day that david is coming.

and, boy oh boy, will we ever be ready.

soon as the little one rubs the sleep from his eyes, he’ll be right by the door. waiting. with the slippers.

you see, david was here from the get-go for that little guy. came to the hospital just hours after he was born, and he was born in the middle of night. but david came anyway. david held him. baptized him in a cascade of quiet tears. that little baby was not just a dream come true for me, but testament to many that you can, in the end, cradle your longest-held dream. and my little one came when david needed a dose of that truth. needed to press it close to his heart.

they’ve been joined at the heart ever since.

and my other one, the one i now call the man-child, well, david jumped in six months after delivery day. wasn’t in town ’til the midpoint of year no. 1 for boy no. 1. but when david jumps, stand back for the splashing.

from day numero uno of the days they locked eyes on each other, david gave the now-man-child the absolute whole of his heart.

the litany is long, the litany is rich. here are a few of the highlights: the night he stayed up ’til the dawn, making a life-size aquarium out of a refrigerator box, a work of art, of pastels and passion, if ever there was. the saturn cake he baked for his birthday, the ring of spun sugar, a forest of sparklers scaring the behoozies out of the 5-year-old boy. who loved it, after the sparklers went pfft. the day he showed up at the door with fare for the train, a compass, a map and a grease pencil. the two, uncle david, little man-child (then maybe 6 or 7), spent the day riding the rails, learning the city, but learning forever that you can get wherever you want in this world, and the path uncharted is the one that brings joy you never expected.

the curriculum according to david includes african drumming, purple heart wood, and sushi. victor wooten, the great jazz guitarist. riding a scooter six long blocks to the place that sells extra-choice hot dogs. stopping midway to lie on the grass, and look for shapes in the clouds. a larger-than-life papier-mache elephant head named omar, crafted by david and becca, inspired by a trip to the zoo.

and that’s just the beginning.

the list, i’m sure, will go on as long as there’s air in their lungs. the lessons more lasting the older they grow.

and that’s just the boys.

what he’s taught me is immense.

what he’s taught me the best is that a day rich in slippers is a day to be treasured for life.

may you all have a someone for whom the slippers are waiting. someone you love who fills your heart and your home. we are blessed and we know it. here’s to hearts who come home, and fill every inch of the slippers….

herbs in winter, er, spring

okay, so five minutes ago it was winter. and most likely, another three and it’ll be winter again. last week at this time, out my window, it was the arctic tundra. only thing missing was the mush dogs.

now, it’s a vast ocean of blkkh. isthmuses of scant white surrounded by sog (the ground when it’s turning to sponge). small continents of sooty dirt gray melting inch by inch into more sog.

but the slant of the sun, and the scant touch of warm in its rays, sends message to brain cells: stay alert. there might be an end to the winter.

now i might be an avowed winter baby, love nothing so much as a warm woolen sweater, my nose pressed to the glass, watching the cotton puffs fall from the sky. but even the winteriest among us need a small pharmacopoeia of sorts to get through.

my elixir of choice, the one i take daily, multiple times a day if i can, is the herb. not dried in a bottle. not crumbly inside of a jar. but real and alive, bright green on my sill.

i’m telling you the thing that gets me through winter, the thing that keeps red blood in my veins, is the three pots of herbs that grow just to the west of my faucet.

they keep me, well, green. i snip and i sprinkle all winter. i am plowing deep into faux summer, even if only through the gardeny taste that swirls on my tongue. fresh and just picked, right here in the months of the snows.

i bite into the clean of cilantro. i melt for the tender tendrils of thyme. i spice things up with my ruffly basil.

i make believe it’s my garden. i clip and i water. i turn to the rays of the sun, so my herbs they can be coaxed to trigger the chlorophyll. (or however that works.)

but still, i am sorry to say, with regular regularity, my herb pots they shrivel and die. i might get a few weeks out of the basils. the lavender rarely lasts a few days. and the thyme it takes time before it turns crumbly and brown. not unlike those herbs in the bottles. but eventually it indeed turns to crumbly.

and i, sisyphean in style and psyche, i trod a path right back to the produce patch at my grocery. pluck myself one more pot of basil at $2.29. not a high price for midwinter sanity. if in fact it’s keeping me sane. (those around me might tell you it’s not.)

i do know it’s keeping me pink–pink in the cheek, pink in the heart. i eat them for breakfast and dinner. snip them on cheese on my toast. toss with abandon into the stew. adorn like a madwoman each plate, basil poking from the mashed potatoes, thyme branches strewn like the wreath of a hero atop the breast of the chicken.

and if i manage time for some lunch, i eat them then too. i reach in the drawer for my kitchen shears, pretend that i’m clipping an orchard of espaliered apple when only it’s a 4-inch expanse of basil, or the lone stem of lemony balm.

if you’ve been poking around here awhile you might have noticed a trend: i am a girl who leans heavy on growing things. i am a girl who needs gardens. even in the dark days of winter.

so i strongly advise (and i’m not one for advising) that if you can, if you don’t mind the suggestion, you dash to the store, any old supermarket, and you buy the start of your garden.

these herbs, they have history. it’s not like they’ve just been invented. they’ve been around for a very long time, and they seem to have a solid reputation for making for all sorts of miracles.

a quick run through the herbalist, in alphabetical order:

basil, they gave as house gifts in renaissance england because, well, it kept the house flies away.

bay they once planted to protect from lightning strikes. the caesars were certain it kept conspiracies, hmm, at bay. in the 1700s, in england, it was thought to do in the devil. the priestesses of apollo chewed a wad of the stuff before spewing a prophesy. not long after, wise folk prescribed placing it under your pillow to bring on dreams, prescient in nature.

chervil, a sure cure for hiccups. sipped in a tea, that is. (sipped in a broth on holy thursday, it reminded the sippers of the resurrection of christ. says so right here in a book.)

coriander is one of which to be careful. ol’ pliny, the first-century agrarian, cautioned against too much of the seed, which he found had narcotic tendencies.

dill, diluted in water, is the thing to soothe colicky babies.

lemon balm is a tad schizophrenic. on the one hand, it was recommended to scholars to sharpen their memory; on the other hand, it was doled out to insomniacs who found slumber in its sleep-inducing powers.

marjoram, thought to have been touched by venus, is big in the love potion department. italians bunched it in nosegays and gave it away to banish sadness. how lovely.

mint will whiten your teeth.

oregano is boldly medicinal, prescribed over the ages for everything from toothaches to opium addiction.

parsley was first eaten by romans; the greeks long before them made wreaths for weddings and sports games, but only fed it to horses.

rosemary, get this, was put under the nuptial mattress to a.) increase faithfulness, and b.) keep away insects and mildew. who knew?

tarragon, thought to fight off fatigue, was slipped into shoes in the middle ages just before trodding off on a pilgrimage. a pre-cursor to dr. scholl, i suppose.

lastly comes thyme, an all-purpose herb if ever there was one. athenians made liquors of it, bathed in it, burned it in temples. egyptians embalmed with it. i thought it was good on my cottage cheese.

and so, there you go, an alphabet of herbs for your daily consumption. grow them. sniff them. stuff them under your mattress. not a bad sport for the winter.

now, i was going to share a little herb recipe here. i had oh so many choices. but i swear i’ve run out of room. so i promise, the lazy susan this weekend, will proudly display one of these choices. you get to vote. 1. sage apple cake. 2. baked snapper with onion and balm. 3. simple tomato sauce. all courtesy of “herbs in the kitchen: a celebration of flavor,” by carolyn dille (i’m not making that up) and susan belsinger. vote and vote often. this is chicago, you know…..

paper trail

tucked in the spine of m.f.k. fisher i find scribblings for how to make brisket. bedded down in virginia woolf i find a love heart once ripped from a reporter’s note pad and wedged onto my windshield. the biography of dorothy day, for some reason, contains a motherlode: a check, uncashed, from long long ago; a construction paper anniversary card, now faded along the edge that peeked from the pages; the fresh-faced first-grade school picture of my firstborn; and jottings that tell the tale of a heartbreak borne long long ago.

apparently, i leave my life scattered in bits, buried in bindings, waiting to be exhumed at the flip of a page.

it is the paper trail of my heart. the dots unconnected. the ephemera of a life recorded in scribbles.

i never know what i’ll unearth, or when i’ll stumble upon, say, the train schedule that captured the breathtaking quote my little one spewed about his new jersey grandpa as we rumbled home in the amtrak sleeper in the fall of ’98.
or, sorry about this, the surgical photos documenting the removal of the womb that carried my children, two born, three heartbreakingly not.

each scribble is a passage, a dispatch, that matters. whatever it is that i jotted, it moved me deeply enough that i grabbed for a pen and put pulse to paper. whatever i’ve tucked in the folds of a book is something i can’t bear to lose. even when it hurts.

maybe it’s because i write for a living. but really, i think, i write to keep breathing. if i put it in ink, some brain cell tells me, i hold onto this moment, this thought, this jumble of words in ways that otherwise would not hold. life slips away, i have learned. what’s once in your fingers is gone.

so i scribble. i tuck. i leave paper crumbs. i save the story in snippets.

one christmas, long long ago, i wrote a letter to my whole family. one of my early opuses. poured out my heart. my father, an irishman who kept feelings furled, said only this: “you have a real sense of history.”

that was the last letter i wrote to my father; ended up being the letter they read at his funeral. my father, as always, was right (though i did not understand at the time): i do have an eye locked on history. i do watch it unfold. it’s almost as if one eye lives in the present, the other dwells in the future when what’s now will be the past.

were it not for the notes that i scribble, i would not however know this:

that on september 26, 1997, when my now big boy was just four, he said this: “mommy, i have to tell you a little lesson. when you get a little huffy, you need to calm down. that’s what daddy’s talking about when he says, ‘freddy, calm down.’ you could say sweetly, ‘willie, i’m feeling huffy. could you go out of the room for a little while?’ because when you’re huffy, i say, what the heck. why is mommy huffy? did i not clean my room or something? it makes me feel like i live in a house with no friends.”

or, how on october 4, 1999, an autumn when the first-grade playground for him was a very lonely place, he said: “my heart is open but no one wants to come in.”

or, how after saying prayers on the night of january 19, 2000, he looked up and said: “God must love it at night. i bet he waits all day for it to be night to hear beautiful music.”

i think, given the scribbles, given the puzzle they’ll all put together, i’ll never give up writing my story in torn bits of paper, tucked in the hushed resting places that wait on the shelves of my heart.

do you keep your story in scribbles? do you go digging for how to make chocolate fudge cake, only to find a phone number from long long ago? do the bits that you tuck in your books, or your pockets, leap out and replay some story long past?

coronary care

it’s pretty much the essence around here. the reason we’re in business, you might say. it’s what pull up a chair is really all about. saying i love you. in ways that otherwise fly under the radar.

leave the billboards alongside the highway to someone else, please. never mind airplanes dragging propositions through clouds. giant bouquets of long-stemmed fleurs rouge? they’re fine, but no thank you.

i’d rather do whimsy. tuck love under a napkin. spoon it into the batter. sprinkle it onto the pillow. maybe even into a tub that’s all sudsy.

i’d rather make it a game. give it some thought. tickle the brain.

i like love folded in triangles and slid into lunch bags. i like love scrambled in eggs, eggs dabbled pink for the day. i like love cut in red paper hearts, laid out in a trail from the edge of the bed, down the stairs, through the front hall, past the old stove, right up to the heart-laden table, where love leaps onto your lips when you pucker and bite into a fat, juicy berry in winter.

i’m pretty sure i’ve been a child of hearts ever since i could pick up a pencil and scribble. i like nothing so much as a big stack of construction paper, decidedly pink and red, topped off with a pair of squiggly scissors. i cut to my heart’s content. doesn’t matter if it’s february or not. i do hearts twelve months a year. but the hearts of today, they are perhaps the finest of hearts. they have a little more oomph than some of the others. a little more sparkle, you know.

i’ve been pondering this national feast day of hearts. and i’m thinking that we should start counting. count all the ways that there are to spell out i love you to those whom you love with, well, all of your heart. i’ve already started, dropped little love crumbs, just up above.

so here, counting by numbers, a dozen and two ways to spell love, to say love, to pound out a love tune from your very own heart into the heart of the ones who you love…

1.) quick, grab a scissors. cut as many red hearts as you can possibly cut.

2.) make a paper heart trail from the edge of your little one’s bed (or even the bed of your big love) to some undisclosed location, say, maybe the kitchen, where the whole day unfolds.

3.) set the kitchen table with all things red and pink.

4.) go crazy with doilies. they are the accessory of choice for this festival of frills, morning ‘til night.

5.) sprinkle tiny paper hearts—or, heck, even rose petals—all over the bathroom sink. consider more rose petals for the watery bowl of la toilette. i’m not kidding, they’ll go nuts. especially if they’re boys with good aim.

6.) now, dash back to the kitchen. put out a fat bowl of strawberries. or a bowl of fat strawberries. your choice. (by the way, have you noticed that the strawberry is, drum roll, the original red-heart-shaped fruit?)

7.) whip up some scones in little heart pans. or, easy way out, cut toast with little heart cookie cutters.

8.) scramble eggs. add a few drops of red food dye. keep scrambling. get ready to slide onto plate. (lox added to eggs makes eggs even pinker. the pinker, the better today).

9.) open a jar of the yummiest, reddest strawberry jam you can find. (there must be one jammed at the back of the fridge in case you forgot to stock up). insert spoon. try not to lick straight from the jar.

10.) leave love note under the plate (if you’re truly in luck, you’ll have found one of those cheap plastic red heart plates at the grocery store; it’ll come in quite handy today). while you’re at it, a love note tucked somewhere in the salle de bain also works. under the shaving cream. behind the shampoo. who knows, it just might work wonders.

11.) pour sparkling juice of some kind into a long, tall champagne glass. dunk a fat strawberry into the fizz.

12.) fill sugar bowl with red and pink m&ms.

13.) tuck yet another love note into the belly of a mitten. it’ll be found once your love is out in the cold.

14.) cut peanut butter & jelly into heart shape. drop into brown lunch bag, emblazoned with hearts. add requisite love note, pink m&ms, small bag of fat strawberries. silly pink napkin never hurts.

15.) spend the rest of the day figuring out how to top this for dinner and bedtime.

so there you have it. fourteen ways to say i love you, plus one for good luck.

that’s how i’m spelling love at my house today. how will you spell it at yours? it’s your turn, keep counting…

p.s. and, oh, by the way, from my heart to yours, here’s a big puckery smooch.

hunker down

when the little man who lives in the radio next to your bed rouses you from your slumber with the rooster-squawking news that your world, it is abysmally freezing, that there’s nothing between zero and you but a scant shallow degree or two,well then there’s nothing to do but hunker down.

since pulling up the covers and six months’ hibernation is not an option for the homo sapien species, you do the right-thinking thing: you grab all the clothes from your closet, you pile them on, then you waddle down the stairs, the abominable mother.

deep inside you this mad cave-woman thing is stirring you on: you want to grab all your loved ones, even the birds and the squirrels and that ol’ fat raccoon, and you want to haul everyone and everything to the back of the cave where you, in a cave era gender leap, will rub some sticks, start a fire and keep flesh, feather and fur all warm and all toasty.

but, alas, there’s no cave and you’re not good with sticks, so instead you start fueling your flock for the day.

in the deep arctic cold, you step into the purplish light of pre-dawn, armed with your coffee can brimming with seed. you pour seed for the cardinals, seed for the sparrows. you fill water for everyone, scatter bread, scatter popcorn for squirrels.

back in the house, you repeat the routine for the little ones sleeping up over your head. it’s oatmeal for the sapiens, oatmeal studded with every imaginable fruit on the shelf. you are filling their tanks for long walks to the train, to the bus, to the playground. calorie-packing, the arctic climbers call it, and you call it the same, as you pour almonds and wheat germ and fat juicy apricots into the porridge. if you invest oatmeal with amulet powers on a 30-degree day, you should see what you do when the digits come only one at a time.

the whole day will unfold with similar bone-chilling caution. all errands are nixed, unless earth-shatteringly essential. no child of yours shall be dawdling at bus stops. each being who steps out of your house will be so wrapped in cloth, it’ll be nearly impossible to move even a muscle. but you’ll insist.

and then you’ll get on with the business of stoking their furnaces. you’ll rub your numb fingers, yank supplies off the shelves. it’s visions of soup, bread and cookies, all steamy and yummy, all straight from the oven, that swirl in your head.

so pull up your long johns, fasten your ear muffs. we’ve a cold day ahead, arctic winds to contend with. remember the birds. crank your crotchety ovens. it’s hot cookies for all, and for all a good day.

illumination: bees’ no lesser labor

ah yes, back to the hive. back to the inner sanctum, the holy hollows, of hundreds of thousands of Apis mellifera, uncommonly known as the western honeybee. more often, simply, the bee.

it is the wax of the bee we consider today, hardly the lesser of the sweet honeybee’s labors.

there is so much to ponder about the great pollinators, your pontificator soon will be percolating. strike that. make it a buzz. as in your brain soon will be buzzing.

consider this: to produce a pound of beeswax, bees must consume roughly eight times that in honey. likened to a sumo wrestler packing on pounds by sucking down steaks before the big match, the bee intent on waxing might be found gas-guzzling nectar.

put another way, it is estimated by those who estimate such things that bees fly 150,000 miles to yield one pound of beeswax.

or, this: 10,000 bees can produce one pound of beeswax in three days.

here’s how it works: the bee, known for short as A. mellifera, sucks up the nectar from les fleurs, from blossoms, from your own lowly rose bush, through a very long tongue. the nectar is then stored in a sac called the honey stomach. when the honey tummy is full, the besotted bee zig-zags back to the hive, and somehow transfers the not-yet-liquid-gold to young house bees, bees 12 to 17 days old, in case you’re counting. the house bees, not unlike a compulsive housekeeper, spread the nectar drop by drop into the honeycombs. while they’re at it, they add enzymes to the nectar to break it down from complex into simple sugars.

because the nectar, back at the blossom stage, is 80 percent water, the bees need to distill it down to its dehydrated essence, a fantastical feat they accomplish through, get this, the fanning of their little bee wings. flap, flap, flap, out goes the water, out of the nectar. turning watery nectar to syrupy honey.

here’s where the beeswax comes in: each little house bee has eight slits on her belly. when it’s time, teeny tiny shavings of wax–flakes the size of the head of a pin, one hundred of which are said to weigh hardly as much as a kernel of wheat–emerge on the bee belly.

what happens next is best put in the words of one holley bishop, author of the utterly mesmerizing, “robbing the bees: a biography of honey–the sweet liquid gold that seduced the world” (free press, $24).

she writes: “… like a construction worker pulling nails from her toolbelt, she reaches for a flake….in an advanced yoga move [she] transfers it to her mouth. there, she masticates it, chewing and working the wax like a baker kneading dough…all around her, other masons are patting and caressing their own scales of wax into place.”

never mind that she switches similes faster than a bee beats its wings. what she’s telling us here is fairly straight-forward: the bees do a helluva job constructing their hexagonally-heavy honey palace. and not only that: each she-bee minds her own beeswax.

when each honeycomb is filled, the ol’ house bees drop one final wax blob, sort of the tupperware lid on the sweet golden goo. in fact, one lid, about the size of a split pea, can take several hours and dozens of bees to assemble.

it is hard not to be awed, not to be wowed, by the fannings and droppings of the wax-wielding bees.

it is ancient, this hushed veneration of bees and beeswax. daedalus of course used beeswax for his flawed wings. and ulysses, in the odyssey, stuffed ears with the stuff, in hopes of blocking the call of the sirens. and, at the cusp of the first millennia, candles as we now know them were born, and, without haste, made their way to the front of the pews. the roman catholics insisted on beeswax. the greek orthodox, too.

in 1855, a thinker named karl von leoprechting wrote: “the bee is the only creature which has come to us unchanged from paradise, therefore she gathers the wax for sacred services.”

clearly, we are not the first to draw a line between the divine and the communal chaos of the hive where, through mystery and miracle, the sap of the back forty is turned into the golden sweet goop we spread on our toast. and the fall-out from the shelter is melted down and dipped into sticks that shine light on our lives.

perhaps this is all more than you wanted to know about bees and their pre-plastic, all-purpose wax. perhaps it’s making your head buzz.

but, in the end, i know one thing for certain: the next time i strike a match to a wick, i will marvel, will drop my head in a deep bow of reverence for the little winged things that laid down their lives for my sweet incandescence.

what if we all did away with those paraffin fillers? what if we vowed that the only candle worth burning was one built the hard way, through the flapping of hundreds of thousands of wings, for hundreds of thousands of miles, through the hard work and labor of A. mellifera & friends?
cast your vote here….