pull up a chair

where wisdom gathers, poetry unfolds and divine light is sparked…

Month: December, 2023

incandescence

There must be always remaining in every one’s life some place for the singing of angels, some place for that which in itself is breathlessly beautiful and, by an inherent prerogative, throws all the rest of life into a new and creative relatedness, something that gathers up in itself all the freshest of experience from drab to commonplace areas of living and glows in on bright white light of penetrating beauty and meaning — then passes.

— Howard Thurman

my relationship with time shifted this year. living does that. somewhere along the line, a rock is thrown. it shatters what it hits. and as you stumble to pick up the pieces, you start to see that you won’t get it back to what it was. the picture window is no longer. instead, the shards are what you hold. 

i’m beginning to practice gathering the shards, holding each to the light. being careful not to get cut on the sharp edges, the piercing edges. knowing the shards are what’s left, i find it easier to lift each one, position it in front of the flame, turn it this way and that, and watch for the incandescence. 

it’s called seizing the day. 

it’s why we watch babies, stare at them mesmerized. they are our sages, the ones whose every dandelion, every dust mote floating by, is a new encounter. can you imagine emerging from the dark wet womb and suddenly feeling fleshy arms cradling you, soft lips kissing you? can you imagine finally putting form to the face from which that one murmuring voice has been coming? 

babies seize everything because it’s all new. the rest of us learn to seize things when we start to realize they won’t last forever. 

if only we all realized how fragile a life this all is. we would be kinder to it. we would be kinder to ourselves maybe. we’d let go of the hurts that poison us. we’d shake off the fears that strangle us. we’d dig down deeper maybe, and let all the beauties out. and, critically, we’d let more in. 

and so, with my understanding of time now deepened, my frame of time shifted, i am more determined than ever, and finding it far less arduous, to step out of my old, afraid ways and into the incandescence of each and every shard. each and every blessing called “this day.” this holy day.

i am, as thurman writes above, keeping an ear out for the singing of angels, and allowing the bright white light of this most blessed life to enfold me, to behold the breathlessly beautiful. before it passes. 

where are you seeing the incandescent? are you letting it in?

and happy blessed blessed new year. while my seat belt is buckled for the year ahead, let us hold hands, and bump our way along, scaffolded by those few fine things we know to be immutable and imperative.

note to true wonder: the bottom photo i took driving home from your farm all those blessed years ago. yes, i drove and clicked. and how it happened, i still wonder. but that heartland panorama i do love. and the heartland farmer.

looking into the darkness

maybe it’s the darkness we’re meant to look into. deep into. maybe halves of the world go darkest once a year, so we become practiced. so not only our eyes but our souls learn to widen the aperture, to let in whatever droplets of light there might be. or maybe it’s the inky darkness itself we’re meant to wrap ourselves in. to not be afraid.

maybe we’re left to our own devices when the darkness comes — and it will come — so we learn to find our way. steady our wobbling, put meat to the muscle that holds us upright. in a lifetime’s ebb and flow of darkness and light, it’s the shadowed chapters that have made me the deeper parts of who i am. maybe we should all look to the roots wriggling down below the frozen crust of earth to see how it’s done, how the growing comes unnoticed, in the tabernacle of earthly darkness.

maybe we’d be wise to consider the hidden work of wintertide, the profound intelligence unfolding where eyes cannot see, where sense cannot reach.

in this year’s darkest hour, i can’t say i was up keeping night vigil, awaiting the nadir of night. i was not out in my yard, kindling sticks and dried-up old leaves, setting a bonfire to keep the darkness at bay. fact is, i was felled by a bug that did have me up moseying about the house in the wee hours, but not to contemplate the darkness.

what i did do, as is my wont (and i did it by daylight), was gather up words, snippets of poetry, that made me think about light and darkness, and the shimmering shards we need to find to keep from tumbling headlong into the abyss.

the world this christmas is dark indeed. more than ever, we need to light our way. and pray that our penumbra illumines the path of those who travel nearby.

a solstice offering…

Let the ordinary be in your hand;
hold it open and imagine a bird landing,
offering all it possesses in trust
to come to you.

Learn to look for the little things
that weigh nothing at all,
but fill the heart with such light
they can never be measured.

-Kenneth Steven*, Seeing the Light 



To go in the dark with a light is to know the light.
To know the dark, go dark. Go without sight,
and find that the dark, too, blooms and sings,
and is traveled by dark feet and dark wings.
 
-Wendell Berry


Holding the Light
 by Stuart Kestenbaum

Gather up whatever is 
glittering in the gutter,
whatever has tumbled 
in the waves or fallen 
in flames out of the sky,

for it’s not only our
hearts that are broken, 
but the heart
of the world as well.
Stitch it back together. 

Make a place where
the day speaks to the night
and the earth speaks to the sky.
Whether we created God
or God created us

it all comes down to this:
In our imperfect world
we are meant to repair
and stitch together 
what beauty there is, stitch it 

with compassion and wire. 
See how everything 
we have made gathers 
the light inside itself
and overflows? A blessing.


i keep watch on a few monastics who dwell in the heart of france. brother laurence, a modern-day mystic, sent along this the other day, a wonder of imagery from the winter’s solstice at Newgrange, a stone-age relic and world heritage site that rises from the earth not too, too far from the irish sea along ireland’s eastern shore. he sent a short video along with this short meditation:

“New Grange is a monumental 5,000 year-old burial mound in Count Meath, Ireland. At sunrise on December 21st, the first ray of direct sunlight from the new-born sun precisely, silently, enters the narrow aperture over the entrance, penetrates into the mound of solid rock and fills the inner chamber with golden light for seventeen minutes. Light overcomes darkness. It is irresistible and yet gentle. As it grows stronger with occasional surges, its intensity increases and the power of its beauty. It communicates purely by itself – the meaning of truth.

“I hope you can take time to watch this short silent video of the phenomenon. It captures a sacred moment, the revelation of God in nature. And it may give you a sense of how the light of Christ, the light of truth, actually enters and changes our world.” (Laurence Freeman, OSB)


and finally, for those among us who find the poetic to be a vessel of the ineffable sacred, this from a Paris Review interview with the late great Louise Gluck. i particularly swooned over the line that a poem “is like a message in a shell held to an ear”…:

From the beginning, Glück cited the influence of Blake, Keats, Yeats, and Eliot—poets whose work “craves a listener.” For her, a poem is like a message in a shell held to an ear, confidentially communicating some universal experience: adolescent struggles, marital love, widowhood, separation, the stasis of middle age, aging, and death. There is a porous barrier between the states of life and death and between body and soul. Her signature style, which includes demotic language and a hypnotic pace of utterance, has captured the attention of generations of poets, as it did mine as a nascent poet of twenty-two. In her oeuvre, the poem of language never eclipses the poem of emotion. Like the great poets she admired, she is absorbed by “time which breeds loss, desire, the world’s beauty.” –Henri Cole


*as this is the second Kenneth Steven poem in as many weeks, you can bet i am following his thread and will be finding out more about this scottish poet and children’s book writer. and gathering up his new book of poems, Seeing the Light, from my favorite friendly librarians….

where are you gathering up shards of light these days?

love letter to the chairs on the occasion of seventeen years

dear chairs, 

a calendar turned the other day, a yearly one. and it turned for the seventeenth time. thus begins the eighteenth year of this little old chair. 

that first day of that first year –– december 12, 2006 –– i faced a blank white screen and a motherlode of trepidation. that screen plus the trembling inside equaled a scarier form of publishing than i’d ever really done before –– and that was 25 years into my stint at the late great Chicago Tribune

to write what at the time was a newfangled thing — a blog, an ugly gutteral word if ever there was — was, to my mind, to take away the filter that might have allowed me to occasionally put my heart to my sleeve in the stories i told and how i told them, but it shielded me from going deeper than that, from willingly baring my soul, where my truest self stirs. 

i was compelled to write the chair because i was convinced that the deepest truths of our lives are played out in the quotidian. on the humdrum stage of our day-after-day domesticities, and the confines of hardly exotic daily rounds. i’d come to believe that the common, plain-wrapped stories of our lives are in fact imbued with the sacred, the lasting, the shared. and more than worth holding up to the light.

i still think so. 

chances are, you and i are not going to find our names chiseled in the roll call of global heroes. we are going to live on in the scant traces we leave behind, the simple kindnesses, the one or two times we mustered just the right words, the softening we brought to someone’s unbearable hour.

and so, i thought then and think now, if this one bracket of time is ours, then perhaps we’d do well to plumb the depths of it. or at least plumb a little more pointedly. root around a bit. not shy from asking the tough question, the true question. search for the sacramental. name the holiness where we find it. shine the light on it. make known the magnificence that runs through the river of each of our lives.

because i firmly believe that, in the end, we are all animated by a few certain yearnings: to love and be loved; to be seen or be heard; to reach out in the darkness and be met with a soft and warm hand to hold onto. some of us live to be stirred, to feel our hearts beating hard against the wall of our chest. to delight in the whimsies of each and any hour. and to know more when we fall asleep than we knew upon waking that day.

so i offered up the stories of my own life’s spool. i scanned the day to day, and plucked the shards that shimmered the most, the ones that seemed to hold the most questions. maybe even a quiet holiness. the ones i’ve described as exuding the most wattage. the ones i thought might resonate a bit more than all the rest. ones worth examining.

and so for 17 years i’ve turned here, plopped my bum on this rickety chair that’s missing a spindle, tapped at the alphabet letters as if i was at once alone and in the company of the dearest of soulmates. i’ve pushed toward the truth, even when i worried you might wriggle a bit. even if i pictured you rolling your eyes. to write the truth is to blot out the worries of just how your words might land. especially if your mother-in-law or your mother is one of the ones reading your words. (i learned not to hyperventilate on the days when only a weighted silence followed a post, when my usually exuberant mother-in-law chose silence as the way of letting me know she was, um, not such a fan of whatever i’d mused that morning.) 

over the years, dear chairs, you’ve chimed in, and made me laugh aloud, and more times than you might imagine you’ve moved me to tears with the words and the wisdoms you’ve brought here. 

and this year, this darn nasty year, you all but kept me from keeling right over. 

the fourth wall, the one they talk about in the theater, the invisible screen that separates actors and audience, it’s non-existent in the realm of writing, or at least in the writing i write here. 

ever since that long ago first morning, i’ve meant for this to be a back and forth, a call and response. yet i never imagined the friendships that would leap off the page, break through the cybersphere and become so very real, some of the dearest in my life. 

whether we’ve sat in the same room never or once, or dozens of times, your very big hearts, your high-soaring souls, your whimsies, your tender ways, have worked their numinous magic in a world that’s sometimes so, so dark: you’ve become true, true friends. the sort you tell truths to, the sort whose hands you reach for when your own are trembling like leaves in an autumn wind. 

so all of this is a long-winded way of simply saying thank you. from the bottom of my very big heart, the one i’ve long worn on my sleeve. where it now shares a space with my soul. 

and thank you to willie, who long long ago, got me started. and to teddy, who long let me tell his collection of growing-up stories. and, of course, to each and every one of you, whether you ever leave a trace, or tiptoe in and out quiet as a mullipuff bobbing on the breeze….

where do you sense the holy in your lives?

photos by Will Kamin, long long ago. xoxo

quiet is the way . . .

a meditation on the quiet way…

i begin with a poem that took my breath away. 

Nativity
by Kenneth Steven 

When the miracle happened it was not
with bright light or fire—
but a farm door with the thick smell of sheep
and a wind tugging at the shutters.

There was no sign the world had changed for ever
or that God had taken place;
just a child crying softly in a corner,
and the door open, for those who came to find.

and i couple that with this line from TS Eliot’s “East Coker”:

The only wisdom we can hope to acquire
Is the wisdom of humility: humility is endless.

the message is so countercultural: be humble; in quiet, come. “a farm door with the thick smell of sheep / and a wind tugging at the shutters / … just a child crying softly in a corner / and the door open …” a more earthly, rough-sawn tableau it might be hard to conjure. it is a tableau that aims only to find its place in the quiet folds of the depths of a pitch-black night. it begs not for attention. but its aim is a fiery transformation, a redefinition of love, love made flesh, love lived through every breath.

the sufi mystics take it even further. purity of heart, they teach us, is when the I pronoun dissipates in the sun in the way of early morning fog: not disappearing but becoming translucent; it melts away. 

the highest level of holiness in Islam is Iḥsān, defined as “spiritual excellence,” and Omid Safi, the Islamic scholar who mesmerized me this week, teaches that without gentleness, without kindness, there is no loveliness. and loveliness is the divine attribute that defines and permeates Iḥsān. to live in loveliness, in selfless purity of heart, is to summit the holy mountain.   

according to Islamic teaching, when the angel Gabriel asked The Prophet to define Iḥsān, or spiritual excellence, The Prophet answered: “Excellence is to worship Allah as if you see Him, for though you do not see Him, He surely sees you.” (translation from Muslim Ibn al-Ḥajjāj al-Qushayrī)

and what do i, a simple soul of 66 whose spiritual life was put to the fire in the wake of a springtime diagnosis, what do i take all this to mean? to live a quiet life, aspiring to be pure of heart, meaning to exercise my every breath toward tender, gentle loving. learning to allow my I to dissipate into the morning fog. to turn the other cheek, yes. always. to exorcise the hurtful impulse. to love through my last breath. 


** you might want to know more about kenneth steven. and wasn’t i surprised/not surprised to discover he’s a poet with the celtic flowing richly through his veins. this morsel from his website might find you curling up with him on an otherwise chilly winter’s afternoon, one in which the ashen sky stirs you to tuck yourself beneath the contours of a fuzzy afghan that tickles your nose:

“Kenneth Steven is first and always a poet. To survive as a literary author he’s had to become many other things as a writer – he translated the Norwegian novel The Half Brother, he’s a children’s picture book and story writer, he’s an essayist and a feature writer – but it’s poetry and the love of poetry that lies at the heart of it all. His volume of selected poems Iona appeared from Paraclete Press in the States a couple of years ago. His numerous collections have sold many thousands of copies, and he has a strong name as a poet thanks to the poetry-related features he’s written and presented over long years: his programme ‘A Requiem for St Kilda’ having won a Sony Gold for Radio 4.

“His poetry has been inspired primarily by place. He grew up on the edge of the Scottish Highlands with a profound awareness of that world: his mother’s people were Gaelic speakers from Wester and Easter Ross. It’s the wildscape of Highland Scotland that pours through his pen.”


where did you find quiet this week?

hanukkah began last night, and at our house our skinny candles were shimmied into and kindled in the noah’s ark menorah first unwrapped when our firstborn was but a few months old. all these years––thirty now––giraffe and bear and walrus have done their part in carrying our thoughts to the miracles of light that flickers even in the darkest darkness. even in a year such as this when bombs rock the holy land. 

fallowing

fal·low
/ˈfalō/
adjective
(of farmland) plowed and harrowed but left unsown for a period in order to restore its fertility as part of a crop rotation or to avoid surplus production.
verb
leave (land) fallow.
”fallow the ground for a week or so after digging”


i am fallowing. i am also making up a word (a particular quirk of mine), but a word most apt for i use it here to describe the wide-open plain of time when i see no deadlines peeking from behind trees, nor wide gulleys and ditches to swallow me whole. 

after season upon season that taxed me from every which angle, i am all but stringing a wintry hammock between cedar posts in my fir lot and settling in for a long winter’s nap. 

i am fallowing. i am, per merriam webster’s instruction and strict definition, leaving my days “unsown for a period in order to restore fertility” of both soul and imagination.

i have been so thirsty for days that unfurl with little to do, for days that meander from daybreak to starshine. i am, per the law of the fallowing land, partaking of those soulful things that stoke my deepest flickering flame: i am reading deep and thick theological treatises; i am making burgundy stews, and sorting through boxes of long-ago treasures; i am reading old letters, and wiping back tears; i am simmering bones into broth and ferrying batches of soups to friends i’ve long wanted to visit. i am even reciting the occasional poem with my mother. at the moment, i am listening to rain, the fallowest thing i might know how to do.

i am not actively worrying. 

to fallow is to partake of an otherworldliness, at least when you find yourself born into an age that grows increasingly attention-deficient. when the background noise is incessant. and so little of it sustenant. 

sometimes you don’t realize how deeply you need something till it’s suddenly there in your grasp. and then you can’t let it go. or you hope you don’t have to anytime soon.

advent for me is quieting time. advent ushers in the stillness of winter. advent, i’ve written, is the season of anticipation, of awaiting, of holding our breath for spectacular coming. 

as the darkening comes minute by minute, day after day, the liturgical calendar, prescriptive in its wisdoms, unfurls the sacred instruction: make the light be from you. deep within you. seize the month. reclaim the days. do not succumb to the noisy distraction. 

make your december a blessed one, a quiet one. a stretch of kindled light against the whole cloth of darkness. 

this world is aching, is crying, is calling for even one matchstick of light. imagine if we all struck a match, put flame to wick, and allowed it to burn long through the night. my light + your light + your light would = a light that would make ours one glowing orb. 

the instructive is this, even in fallowing times: one mere droplet. one bare kilowatt of luminsence to shatter the darkness. it’s ours to kindle, to light, to enflame. day by day, droplet by droplet. might we gather our goodness and bring back a flicker of light to this world?

how and where will you strike your match?