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Tag: naomi shihab nye

poster child for fear

be not afraid is the instructive. it comes in a hymn we belt from our pews, and in one form or another it’s spelled out in sacred text in most every religion. i’ve belted the words to the hymn with voice cracking, and tears running down my cheeks. i’ve belted out those words as if in singing them loudly i could muscle up to the task. 

to be not afraid, we’ve been told, is to be certain of faith. what then of us wafflers? the ones with wobbly knees? 

i sometimes think i’m the poster child for fear. and the fear i’ve felt in this whole last year is a whole new subterranean trembling. it’s one that wakes you in the night. and one that sends you and your worries catapulting off into nevernever land. all it takes is a headache that won’t go away. or a pang in the side that’s not from cold ice cream. 

sometimes i think it’s only fair that i find myself in the company of fear so very often these days. it’s an unerasable fact of my life that not quite a year ago i awoke from a surgery and heard the doctor say, “i was so surprised, it was cancer.” and then, as if needing proof there on my gurney, i reached down to where the holes were, five of them––front, back, and side––the slits from which they pulled out a good chunk of my lung. 

surprises like that are a bit hard to shake. 

so now, for two long weeks, a curious constellation of queasies has been pinned to me like a shadow, and i am pretty much wide-eyed afraid. last night my doctor sent me for blood tests. a whole slew of them. i almost thought they’d grab a jug off the shelf and start to fill it. 

for someone who doesn’t like talking about my medical woes, i am wading in a bit too deep here. but i am someone who takes to heart the knowledge that i’m not the only scaredy cat in the litter. and sometimes i think it’s the right thing to do to put voice to the truth that there are times when we aren’t so brave. there are times when we wish we could hide under the covers, or under the bed, and wait for the bogeyman’s footsteps to turn and go away. 

does it mean i’m faithless because i’m afraid? i don’t think so. i think it means i’ve been keeping watch long enough to know that stories don’t always end with happy endings. and God can love you to pieces, but not write the story quite the way you’d plot it out. i mean, i’ve been to funerals of souls so breathtakingly good, you sit there gasping at the hole now left in their absence. at how the world without those particular angels living, breathing, and wafting among us is a far sorrier place. at how you can’t quite fathom a world without their showing us day after day just how magnificent the human species can be. 

turns out the words to the song, “be not afraid,” were written by a jesuit priest-in-training who was deeply afraid when he wrote it. he was quaking with fear. the fear of not knowing what lay ahead. would he be any good at this priestly existence? where in the world would it lead him? was he hours away from the biggest mistake of his lifetime? well, father dufford was his name, and, on the cusp of his ordination, he was sent off to pray all by his lonesome. and that’s when he opened the nearest book to his elbow, which happened to be a Bible. flipping through chapter and verse, he turned to the story of the Annunciation, when the angel gabriel is said to have come to the Blessed Virgin Mary––an unmarried teen, you recall––to tell her she was “with child,” and gabriel said to her “do not be afraid.” 

father dufford had his first line. 

a few weeks later, as father D tells the tale, a friend of his told him she was being sent to ghana to do missionary work. and that made him really want to finish his hymn before she left. but hymn writing is not always easy. and despite his determination, he could only come up with a second line: “i go before you always.” 

it would be a whole year before he got to the last line: “and i will give you rest.” 

it’s a hymn that since 1975 has poured into the brokenness that defines so much of history, both the intimate personal history we know to be our very own, and the collective history of us as a people who’ve been crushed and shattered and brittled by so, so much. 

it’s a hymn sister helen prejean, the great saint of death rows upon rows, often sings to those inmates she walks to death’s door––the last words they hear before their last breath. it’s the hymn bill clinton chose for his first inauguration at the morning prayer service. father dufford says that he’s gotten notes from people who lull themselves to sleep humming it on those nights when sleep won’t otherwise come.

when father dufford’s own father died some years later, he added one last verse:

And when the earth has turned beneath you and your voice is seldom heard,
When the flood of gifts that blessed your life has long since ebbed away,
When your mind is thick and hope is thin and dark is all around,
I will stand beside you till the dawn.

maybe i should remember all the words. 


and on the subject of fear and holding hands in the face of fear, here is this excerpt from naomi shihab nye’s “EVERY DAY AS A WIDE FIELD, EVERY PAGE,” a poem in which she puts word to the one sure thing i know that takes away my fears: when i picture ones i love huddled right beside me, squeezing my hand; when i remember that all of us together can keep our knees from buckling. isn’t that why we’re here? given that the world these days has plenty to knock us off our rockers, it’s a blessed thing to picture wide-eyed tender-hearted folk all around the globe, looking up into the night, holding hands in a virtual steadying circle. here’s naomi’s take on that, a thought that came to her watching fireflies blink in the dark of night….

We didn’t have to be in the same room —
the great modern magic.
Everywhere together now.
Even scared together now
from all points of the globe
which lessened it somehow.
Hopeful together too, exchanging
winks in the dark, the little lights blinking.
When your hope shrinks
you might feel the hope of
someone far away lifting you up.
Hope is the thing …


when i am afraid, i look to the stories and the strength of ordinary folk whose hurdles are daunting, and yet who lope forward with grace. i seize on the kindness of strangers, the lady at the immediate care check-in desk, the schedulers on the hospital phone, the sweet woman who tied on the tourniquet and borrowed those many tubes of blood. in the past year, i’ve bumbled into a troupe of brave souls whose fearlessness takes my breath away. some of their roads are far bumpier than mine, and yet they press on, shedding their light on all who are blessed enough to take a few steps beside them. maybe the gift of being afraid is that it makes you reach beyond your own trembling walls. it makes you take a deep breath and step into the darkness. and in time, you find your bearings, and you look down and realize you’re stronger and braver than you ever imagined.

where do you turn when you are afraid?

p.s. in poking around just now, looking for a photo that wasn’t hokey, i stumbled on this bit of intrigue: apparently the words, “do not be afraid,” appear in the bible 365 times. (i love the folks who count these things…) so, apparently, that’s a reminder a day. except for in leap year. which is this year. which is six days from now. so we’ll have to remind ourselves: do not be afraid.

amid the cacophony, these are the rare few voices that saved me this week. . .

i’ll be honest (as if i’m ever not): this was an unbearably hard week. and i am exhausted to the bone. the horrors of the world––images and stories i could barely take in––shred us, and scare us; make me wonder if we’re teetering on another apocalyptic precipice. and within the world’s horrors, there is a much-closer-to-home struggle that’s absorbed my every ounce of attention and strength: the not-insurmountable, steep incline of moving my mother into the next much-dreaded chapter of her life. a chapter she had adamantly refused to consider until the bones in her body were broken and the home she has loved for six decades can no longer be a place of safety and refuge.

the days have been long, have been wearing. but time and again through the week, my eyes fell on words that all but saved me. i gathered them up each time, hungrily. voraciously. as if the ones who spoke the words, or wrote the words, or somehow laid the words all in a life-saving line had reached out through the darkness to give me their hand. each time i held on tight. here are the words that steadied me this week. maybe they’ll steady you too.


i turn first to the irish, because where better to turn in the face of a broken world, and a battered heart: this comes from pádraig Ó tuama, who wrote: “there’s an irish phrase, ‘Is olc liom do bhris,’ which we say during a time of grief. a literal translation is ‘your brokenness brings me horror.'”

i couldn’t pronounce the irish if you paid me, but i love that the irish soul immediately understands that sometimes we’re not simply saddened but out-and-out broken under the weight of our sorrows.


but then, at the very moment i needed it, anne sexton came along: as i sat there watching my mother, now bent over a walker, sometimes crying out in pain, i watched my somewhat shy mother shuffle into a dining room filled with strangers. i watched her gently lay her hand on the shoulder of someone she was shuffling by, and i heard her say, “hello, i’m barbara, i’m new here.” and i felt my belly gurgling like jelly, as in the days when i pressed my ear against the kindergarten door, praying my firstborn would make it through the morning, my tender brave boy in a sea of new faces and voices. i watched my mother show me courage in the face of everything she’d prayed would never come to her. and then anne sexton’s words slipped under my nose. and i thought for a minute the heavens must have been listening, or maybe instructing.

Courage

It is in the small things we see it.
The child’s first step,
as awesome as an earthquake.
The first time you rode a bike,
wallowing up the sidewalk.
The first spanking when your heart
went on a journey all alone.
When they called you crybaby
or poor or fatty or crazy
and made you into an alien,
you drank their acid
and concealed it.
 

Later,
if you faced the death of bombs and bullets
you did not do it with a banner,
you did it with only a hat to
cover your heart.
You did not fondle the weakness inside you
though it was there.
Your courage was a small coal
that you kept swallowing.
If your buddy saved you
and died himself in so doing,
then his courage was not courage,
it was love; love as simple as shaving soap.
 

Later,
if you have endured a great despair,
then you did it alone,
getting a transfusion from the fire,
picking the scabs off your heart,
then wringing it out like a sock.
Next, my kinsman, you powdered your sorrow,
you gave it a back rub
and then you covered it with a blanket
and after it had slept a while
it woke to the wings of the roses
and was transformed.
 

Later,
when you face old age and its natural conclusion
your courage will still be shown in the little ways,
each spring will be a sword you’ll sharpen,
those you love will live in a fever of love,
and you’ll bargain with the calendar
and at the last moment
when death opens the back door
you’ll put on your carpet slippers
and stride out.

 ~ Anne Sexton ~ 

(The Awful Rowing Toward God)


and then, the news of the death of louise glück, the nobel prize-winning poet from cambridge, mass. a poet i once sat inches away from in a bookstore in harvard square, so close to me that i could feel the whoosh of her hand as she swept it through the air, punctuating one of her lines, pushing back her lioness locks of silver-streaked hair. louise died of cancer, and her beautiful words held a deep resonance in this week when i found myself talking to the kindest physician i’ve met in a long summer of looking for answers. in between worrying about my mother, i remembered i too am still looking for light in my own shrouded tunnel. a doctor from mass general, just down the road from cambridge, gave me that light. and she was more than kind in doling it out. but here’s louise:

CROSSROADS
by Louise Glück

My body, now that we will not be traveling together much longer
I begin to feel a new tenderness toward you, very raw and unfamiliar,
like what I remember of love when I was young —

love that was so often foolish in its objectives
but never in its choices, its intensities
Too much demanded in advance, too much that could not be promised —

My soul has been so fearful, so violent;
forgive its brutality.
As though it were that soul, my hand moves over you cautiously,

not wishing to give offense
but eager, finally, to achieve expression as substance:

it is not the earth I will miss,
it is you I will miss.


and those are the words i clung to this week, the words that carried me across an awful abyss.

what words carried you?

p.s. there’s one other poem that saved me this week, because it always saves me: naomi shihab nye’s kindness. here tis:

KINDNESS

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.

Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and purchase bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

Naomi Shihab Nye

rufus sings a morning song

Rufous_Sided_Towhee

my friend rufus

the plot out back, the one i pretend is my so-called “acreage,” is, at this moment in its history, nothing more than a pastiche of variegated browns, in shades of drab and drabber. (and that would be the politest way to put it.) it’s stick upon stick, dry grasses tumbling in the wind, detritus from the alley scattered hither and yon. as far as gardens go, it’s something of a shipwreck, desiccated timbers strewn upon a sandy cove. it’s faded, tousled, worn from winter’s torment.

in a word or two (or four), it’s the farthest thing from hopeful. at least by botanical standards.

when it comes to animation, however, my sorry plot is awash, aswirl, alive. it seems rivers of airborne currents have carried north a whole new flock of feathered passersby. if you close your eyes and ignore the goosebumps on your arms, you might pretend you’ve landed in a lush big-leafed aviary, a bath of birdsong launching each new day.

here’s the soundtrack of this morning:

among the curiouser and most ear-catching of my vernal crew was one whose high-pitched trill broke through the chatter. i couldn’t help but leap from my typing post to press my ear against the glass. its call was certain and insistent. and it came again and again and again. but i could not, for the life of me, find the megaphone from which it poured. ah, but then it got thirsty — all that warbling dries a fellow’s throat — and it hopped right before my eyes. i’d never seen anything like it. even for an unschooled bird girl like me, the sight of someone altogether new to the neighborhood makes for quite a morning’s thrill.

i did the only thing i know to do when bird spotting is the challenge. i called my Original Mother Nature, aka the one who birthed me, and who at 88 is a master of her bird identification tomes. i put in my description: long tail, white belly, looks like a rose-breasted grosbeak only it’s got robin-redbreast pumpkin-colored patches on its flanks, where the grosbeak sports a splotch of rosy raspberry.

i held the phone up to the wind, so my mama could catch a swatch of this fellow’s mellifluous song. and, presto, not an hour later, my mama was back on the line with full ID: this warbly bird was Rufus, aka rufous-sided towhee. rufous, i’ve since found out, comes from the latin, rufus, for red. it’s the color of a rusty nail, an oxidized-iron sort of orange. but then, in an ornithological twist, just as i was poking under branches scrounging around for so-called Rufus, i found out that while it’s true he remains a rusty-spotted species, the ornithologists have gone and ditched that part of his name. nowadays, all the Rufi in the eastern half of the u.s. landmass are named, simply, “eastern towhees.” in some parts of the country, they’re called “chewinks” because that’s what it sounds like they’re singing. others insist they’re singing, “make your tea.” (i heard no such thing, but i am listening now, i tell you…)

have a listen for yourself.

i find this rush of flight and feather invigorating as all get out. there are loop-de-loops, and swoops galore out there. games of catch-me-if-you-can. doh-si-dohs and pas de deux, of the birdly variety. even my housemates, home for spring break, have taken to pressing noses to windowpanes.

the reinvigorations of the spring come in waves. it’s all as if to say, hold on to hope, the cavalry is coming. what was dormant, sound asleep, is rousing. the birds, keen to shift in sunlight, keen to earthly repositioning, they know what we’ve yet to comprehend: the promise of the spring is in the works. the world will pulse with beauties soon enough. our hearts and souls will soon be dizzied, up-swooped by the glories of the world reawakening.

rufus says so.

a poem for today,  blessed reminder that even the most ordinary acts of each and every day are ripe with sacramental possibility, and ours to anoint with our simple attention:

Daily
These shriveled seeds we plant,
corn kernel, dried bean,
poke into loosened soil,
cover over with measured fingertips
These T-shirts we fold into
perfect white squares
These tortillas we slice and fry to crisp strips
This rich egg scrambled in a gray clay bowl
This bed whose covers I straighten
smoothing edges till blue quilt fits brown blanket
and nothing hangs out
This envelope I address
so the name balances like a cloud
in the center of sky
This page I type and retype
This table I dust till the scarred wood shines
This bundle of clothes I wash and hang and wash again
like flags we share, a country so close
no one needs to name it
The days are nouns:  touch them
The hands are churches that worship the world

~ Naomi Shihab Nye ~
(The Words Under the Words)
what sacramental blessings define the contours of your day? and what’s stirred your vernal soul this week?
fun factoid from the ornithological nomenclature department, especially if you like your birds to have a foreign flair: in french the little fellow is known as “Tohi à flancs roux,” towhee with red flanks. i still like Rufus best,